• 한국산학기술학회논문지
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• 제16권8호
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• pp.5683-5694
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• 2015

건축을 비롯한 디자인 분야에서 인간중심의 디자인이라는 패러다임의 전환에 부응하는 경향이 조성되고 있으며, 건축분야에서 인간의 감각과 감성에 대한 고려가 필요함을 인식하게 되었다. 그러나 그동안의 건축디자인에서는 이러한 점을 고려한 연구와 디자인 성과의 대부분이 시각 중심으로 편중되어 왔다고 볼 수 있다. 이에 따라 본 연구에서는 디자인 측면에서 인간이 대상을 인지하는 데는 여러 가지의 감각을 동원하게 되고 이의 통합결과로 인지하게 된다는 것을 이해하였고, 특히 문화적 배경과 인간중심의 경향을 보이는 다감각을 고려하고 적용한 미래지향적인 감성디자인 연구가 미흡한 실정에 있다는 점을 주목하였다. 공감을 불러 일으키는 디자인이 감성디자인이며 이의 인식과 적용이 디자이너에게 중요한 과제로 부각되고 있는 만큼, 건축 디자인에서도 인간 중심적인 경험과 감각, 감성의 감흥을 바탕으로 계획되어야 할 것이다. 다감각적 면에서 인간중심의 감성디자인이란 시각에 편중되지 않고 촉각, 청각을 비롯한 여러 감성요소들이 통합된 관점에서 공감적 대상으로서 건축 디자인에 적용되어야 할 것이다.

• 한국의상디자인학회지
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• 제17권4호
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• pp.117-129
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• 2015

This study is to find out the changes and features of male consumers' life style and purchase tendency according to the change of Korean fashion market, and based on which to suggest the design for the 20s men as well as a proper distribution channel for it. Documentary research and investigation were done together for the study. By reviewing documents focused on previous studies and declaring the change of men's fashion shopping tendencies and the following changes and features of their fashion sense and styles a conceptional frame for a design suggestion was presented. Ways to investigate were men's wear collection research, Q-technique. First of all, they tend to boldly reduce unnecessary purchases and do not hesitate to focus on the wanted item, expanding the trend of 'value purchase.' Secondly, men's wear use various design elements with feminine images, while the materials, colors and design expressive techniques that have been exclusively used for women's wear, began to be applied to men's one, turning them into gentle styles with womanhood is stressed. Thirdly, Korean distribution channel is rapidly diversified from departments to new-concept ones such as multi-brand stores. Especially, displaying and selling various optional products, multi-brand stores lead such diversification of fashion distribution channel. Fourthly, features of the drapery types favored by the 20s men are that they like no-chromed dark or blackish colors with fixed structure and partially-applied drapery on the clothes. Fifthly, it turns out that men in their 20s set a premium on design and price while they buy clothes. In addition to that, they buy clothes mainly during discount period and displayed much bigger satisfaction for the purchase on discounted price that those on normal price.

• Earthquakes and Structures
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• 제24권1호
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• pp.37-51
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• 2023

Türkiye has made significant changes and updates in both seismic risk maps and design codes over time, as have other countries with high seismic risk. In this study, the last two seismic design codes and risk maps were compared for the Aegean Region (Western Türkiye) where the earthquake risk has once again emerged with the 2020 Izmir Earthquake (Mw=6.9). In this study, information about the seismicity of the Aegean Region was given. The seismic parameters for all provinces in the region were compared with the last two earthquake risk maps. The spectral acceleration coefficients of all provinces have increased and differentiated with the current seismic hazard map as a result of the design spectra used on a regional basis have been replaced by the geographical location-specific design spectra. In addition, section damage limits were obtained for all provinces within the scope of the last two seismic design codes. Structural analyses for a sample reinforced-concrete building were made separately for each province using pushover analysis. The deformations in the cross-sections were compared with the limit states corresponding to the damage levels specified in the last two seismic design codes for the region. Target displacement requests for all provinces have decreased with the current code. The differentiation of geographical location-specific design spectra both in the last two seismic design code and between provinces has caused changes in section damages and building performance levels. The main aim of this study is to obtain and compare both seismic and structural analysis results for all provinces in the Aegean Region (Western Türkiye).

• 한국자동차공학회논문집
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• 제4권2호
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• pp.32-49
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• 1996

An approach to providing computational support for concurrent design is discussed in the context of an automobile wiring harness design problem. Key issues include the development of an architecture that supports collaboration among specialists, the development of hierarchical representations that capture different characteristics of the design, and decomposition of tasks to achieve a tradeoff between efficiency and robustness of the system. We present an architecture in which the main design tasks are supported by agents-asynchronous and semi-autonomous modules that automate routine design tasks and provide specialized interfaces for working on particular aspects of the design. The agent communication and coordination mechanisms permit members of an engineering team to work concurrently, at different levels of detail and of different versions of the design. The design is represented hierarchically, with detailed models maintained by the participating agents. In conjunction with the architecture and design representations, issues pertaining to the exchange of information among different views of the design, management of dependencies and constraints, and propagation of design changes are discussed.

• 복식문화연구
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• 제16권5호
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• pp.795-811
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• 2008

The purpose of this study is the structural relations will be examined among the VMD image of clothe stores, emotional reactions of brand awareness, brand image, brand attitude, and purchase intention. An empirical study in experimental design was conducted to female college students in their twenties, who made a huge influential group in the fashion industry, by considering the VMD characteristics of clothing shops. It measured the effects of VMD based on the changes to the consumer attitude before and after the VMD renewals, the correlations between brand recognition and VMD, and the influences of VMD on brand recognition and image, which were considered as important factors in creating brand assets. The research findings were as follows: 1. There were differences in emotional reactions according to the VMD image changes before and after renewal. Considering that the consumers recognized the VMD changes before and after renewal and showed different emotional reactions, the VMD image seems to be a major variable affecting their emotions. 2. As for the changes to the VMD image and brand image before and after renewal, the consumers recognized the VMD changes before and after renewal and consequently recognized the brad images differently, which implies that brand image can vary according to the effects of VMD renewal and changes to the VMD image.

• 수산해양교육연구
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• 제27권5호
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• pp.1343-1351
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• 2015

Though the history of fisheries business administration education has it's own uniqueness, the research or study of that still insufficient. And in spite of the structural shift of society and environmental diversity, there's few research that analyzing or examining the curricular constitution and change recently. The process of this research was implemented with investigating the objective and content domains concerning marine education in the fisheries and marine curriculum and changes of them. The changes of fisheries business administration education reviewed and analyzed in the view point of construction of the textbook, contents of the each changes and recency comparison of tables and figures of the high school textbook of the fisheries business administration general. The results show that most of the changes have been reflected by the demands of the society including fisheries related law, policy and distribution networks. But there are still some errors and necessity of improvements in data and descriptions. The results of this study would help develop sustainable curriculum design for further changes and give more effective guidelines for identifying the core of fisheries business administration education.

• 디지털융복합연구
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• 제13권11호
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• pp.337-348
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• 2015

터치 인터페이스 입력방식에서 메뉴를 마우스를 이용하여 입력하는 것 보다 터치입력 방식이 의도하지 않는 터치와 입력의 어려움이 증가하고 있다. 본 연구에서는 버튼메뉴의 최소 형상버튼을 기준으로 형태와 크기변화에 따라서 사용성 평가를 분석하고자 한다. 적용방법으로는 터치 입력방식의 인터페이스 디자인에서 활용 할 수 있도록 회귀 모형식과 인터페이스 인간 수행 평가방법의 대표적인 모형인 피츠의 법칙(Fitts' Law)의 비교분석을 통해서 더욱 효과적인 정량적 수행예측 평가 모형식 적용을 통해서 가능성을 확인하고자 했다. 따라서 터치 환경에서 적용할 수 있는 버튼의 형상과 크기변화에 따른 사용자의 사용시간을 고려한 수행예측시간을 디자인에 반영할 수 있다.

• 한국의상디자인학회지
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• 제9권2호
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• pp.115-125
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• 2007

A hat is a general term for what human beings wear on their heads in order to protect them from the cold or heat, to be used for ornament, or to symbolize social position. A hat represents the position of a man who wears it, attitude toward the society, and faith for a religion for males. Since men's hats can create their image and uniqueness in casual wear from current fashion items, they are proposed as a fashion accessory item of designers each season. The purpose of this study is to review hats, which are part of costume, in a more analytic method. The research range of this study is hats for men in the upper class in the 17th to 18th centuries from the history of costume when diverse periodic and characteristic costume changes occurred. In the 17th to 18th centuries in the middle of the Chosun Dynasty, changes in costume occurred as the feudal society of the dynasty had been dissolved since the Japanese invasion in 1592. Political power was established in France as the Baroque Age began in the 17th century. Since European costume, especially women's costume led fashion in France, the country represented the age better than any other countries. Aristocratic costume in the Rococo Age of the 18th century was changed to completely different shape of costume after the French Revolution. In this regard, this age was deemed to be the most appropriate for the comparison or costume. Another purpose of this study is to review the common and different features of periodic factors that affect changes in costume by researching the hats of the two countries in the same age in order to understand relation between periodic characteristics and costume throughout history of costume.

• 복식
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• 제56권2호
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• pp.134-146
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• 2006

Modern society is a multi-cultural consumer society, and there are multiple trends to cater to the tastes of diverse consumers with different sociocultural background. To grasp fashion trends in fast-changing society, how consumer life is changing and what sort of trend is prevailing should be understood above all. A major fashion trend keeps on changing in every season, and that is an extensive and compound measure of what affects the lives and values of cultural receivers who take the lead in it. The purpose of this study was to delve into what sorts of trends were presented in the 21st century's different cultures, how those cultures were reflected in fashion trends, and how design elements predicted by fashion trends could serve as the sources of design that could create a new fashion. The findings of the study were as follows: First of all, the theories of popular culture and trends were reviewed to describe how general receivers found meaning and delight in the products of cultural industry in their own way and how the products were converted into diverse cultural media. Secondly, consumer styles were discussed by classifying consumers into six groups, twixter, duppie, Ubi-Nomad, NONOS, LOHAS and chav, who were generated by changing cultural codes. Thirdly, sociocultural trends and consumer changes brought a lot of diverse changes to fashion trends. The visual materials about the 2005 S/S, F/W Collection were examined to track how changing trends affected fashion style.

• The International Journal of Costume Culture
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• 제3권3호
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• pp.212-222
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• 2000

This study intends to observe how the essential elements of art have changed Human's sense of beauty extending over the whole lives as well as fashion through the investigation of Light and Rays which have played a important role in giving birthe to the new trend of art within the upheaval age of various cultures. The peculiarities of which Futurism of Italy and Rayonism of Russia including Impressionism have a great role in giving birth to a new trend of art by means of the development of science technology are like these. Impressionists looked for the origin of the subtle harmony in nature within changes of sun-rays. The special feature of Impressionism paintings was to express the line of vision diversely according to changes of light rather than to focus on the line of vision with clear outlines. Henceforth, Neo-Impressionism which developed Impressionism more systematically leaded changes of Light and Rays more systematically and scientifically and maintained Divisionnisme techniques which extends to lead towards color and light through dividing and juxtaposing color. In the early 20th century Futurists tried to express dynamism through the interpenetration of light and revive color and light through the division techniques of color and persist an artificial light like eletricity rather than a natural light. Rayonism of Russia which was ifluenced from Impressionism and Futurism maintained intersection of reflecting rays which emerges from an object of things more deeply. This pursuit of light and rays also light and rays also appears as it is in modern fashion. First, it is the fashion which applied sun-rays persisted by Impressionists and expressed colors which show differently according to direction of light. Second, it is the fashion design which re-analyzed what Futurists expressed artificial light and rays. Third, it is the design which expressed Divisionnisme theory persisted by Impressionists and Futurists into fashion as it is and was made of being divided the form of glittering light into small dots. Fourth, it is the fashion design which applied Rayonists'work which applied intersection of reflected rays. Like this, it is aproved that the pursuit of light and rays expresses as it is in modern fashion of the 21st.