• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.30-37
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• 2007

Modern cities are weak in traditional culture with the lack of characteristics and the problem of environmental deterioration. As the important carrier of urban culture, landscape architecture should be responsible for solving these problems. The urban need is paid much attention in the design of South Bank Linear Park in Meizhou city. Following the principle of inheriting and developing urban traditional culture, the design of the whole park is integrated with Hakka culture in Meizhou, which forms the landscape with local features and modern landscape architecture culture, and promotes the urban culture construction.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.135-140
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• 2007

Landscape Architecture is the everlasting theme while the architecture is the concretionary symbol. In other words, greening system is the only living infrastructure in city. Sour of a city regional cultural connotation is decided by the city owners and presented as the exterior style and features by architecture, road, and context and landscape etc. This passage will discuss the outward manifestation and interior relationship, trend of development of Shanghai Style landscape and culture. In addition, trying to discern the progress trend of landscape in big city is also what will be talk about.

• 한국전통조경학회지
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• 제28권4호
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• pp.98-104
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• 2010

Chang'an, an ancient historical city with its construction basement remains. Chinese Traditional Landscape Culture comes from the ancient civilization of the Yellow River and the environment of the central Shaanxi plain forms its ideology characteristic. Basing on the fast urbanization and growth of economies, there is a growing emphasis on Urban Landscape Cultural Heritage. The spatial pattern and traditional landscape should be protected and exhibit because it reflects the original characteristic and implied meaning of Chinese traditional landscape culture. This paper presents the case of Huaqing Palace(華淸宮) scenery area as an example; evaluate the value of its original landscape culture, showing the way of the conservation and regulation.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.151-156
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• 2007

The Eight Scenery, as a traditional landscape to today, gradually caught the concern of landscape scholars, as well became the mutual cultural wealth of South Korea, China and Japan even of the whole Asia. The Yanjing Eight Scenery firstly originated from the Jin dynasty is an important representation of Eight Scenery culture in Scenic Spots and Historical Sites of China. The transition process of Yanjing Eight Scenery is examined in this thesis, and the cause of such change is also analyzed. Moreover, the landscape content of Yanjing Eight Scenery is classified in detail, and the succession of the landscape architecture of the Yanjing Eight Scenery style under the traditional culture is analyzed from the aspects of rebuilding pavilion, landscape arrangement, building, and new landscape architecture rebuilt followed the religious, the plant landscape and the traditional culture based on the classification. Beijing regional culture has influenced Yanjing Eight Scenery by its classification, the landscape evaluation, and the analysis of the landscape feature, in addition, this paper searches for the model to research the Eight Scenery culture in each country of Asia.

• Journal of the Korean Institute of Landscape Architecture International Edition
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• 제2호
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• pp.65-73
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• 2004

Contradictions often occur between the process of urban modernization and protection of history and culture, which have become the topics of current studies. The development of a city has its past, present and future while history and culture have their continued process. Culture is the sediment of history, left among buildings and merged in life. Exerting a subtle influence on the construction of a city and behaviors of citizens, culture is very important to the urban construction and is also the soul of a city and its buildings. Culture is closely bound up with inhabitants' life and the key to protect well the cultural features is to protect well historical and cultural venues. Qushuiyuan Garden is a venue for local folklore activities. The programming holds that folklore, historical and humane sceneries should be protected and left to our coming generations.

• 농촌계획
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• 제24권1호
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• pp.33-44
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• 2018

This study, targeting Deokbongmaeul, Choonchonmaeul, Hyodongmaeul and Kangsanmaeul, drew the characteristics of history culture resource utilization through the analysis of project plans and performance reports and field surveys. First, Deokbongmaeul is a rural village with scattered Confucian facilities. Ipsanmaeul conforms to Confucian order and has an attractive housing area landscape. Hoechonmaeul has forest landscape and distinguishing intangible recourses like Maeji farmer's music and traditional techniques and legends. Hyodongmaeul shows folk resources and folk behavior like traditional play and techniques. Second, the history culture resources chosen from the project plans focus on intangible history resources like individual historic buildings & structures and customs & traditional techniques. Third, cultural historic village projects are categorized by repair and restoration of historic buildings and structures, development of experience program and building facilities and maintenance and establishing the village landscape elements. From the research results, it is explained that history culture resource utilization methods of cultural historic village project are hard to be expected to have the project results based on the landscape identities of four villages.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.141-144
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• 2007

Nowadays, landscape architecture development faces several challenges such as how to inherit Chinese cultures and spirits, how to sustain historical and traditional features and how to keep landscape vital in modem development of city and society. Through interpretation of Chinese culture nature which is set as the research principle, this paper concludes to 'natural, suitable and special' leading idea of inheriting, constructing and preserving Chinese landscape. This idea also integrates traditional, modern, western and Chinese cultures and features. With projects and examples, it also explains those bad effects to landscape inheriting: un-enough mending, natural aging, unsuitable policies, and over development etc. This paper also addresses Beijing Tiantan Park and Shanghai Jiangnan Ship Firm landscape design to show successful protection of traditional gardens. Various protections of the architectures and surroundings and innovation of traditional landscape architecture are also stated.

• 한국전통조경학회지
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• 제29권2호
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• pp.39-51
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• 2011

본 연구는 조선시대 문인들의 조경공간과 관련한 기록을 대상으로 조선시대 다양한 전개양상을 보인 와유문화와 전통조경공간과의 문화사적 관계를 살펴보고자 한 것이다. 현실의 유교적인 삶과 자연의 도교적인 삶을 절충하며 살아야 했던 조선시대 문인들의 산수자연에 대한 태도는 다방면의 문화가 난숙해지면서 점차 철리적(哲理的)인 태도에서 심미적(審美的)인 태도로 변화하게 되었다. 이러한 산수자연관의 변화와 명말청초 시은(市隱)하고자하는 성시산림(城市山林)의 문화가 전래되면서 산수자연을 일상공간에서 쉬이 즐기고자 하는 바람이 간절해졌다. 그러한 바람은 현실 속에서 소요유(逍遙遊)한다는 의미를 갖는 와유문화(臥遊文化)에 주목하게 되고 다양한 와유문화의 양상들을 만들어냈다. 국문학분야에서는 일상공간에 앉아 산수의 감흥을 글로 즐길 수 있는 산수유람기(山水遊覽記)가 발달하고, 미술분야에서는 이상향을 그렸던 관념산수화(觀念山水畵)가 실제의 경관을 옮겨 핍진(逼眞)한 산수의 미를 즐길 수 있는 실경산수화(實景山水畵)로 발달하게 되었다. 조경분야에서는 개인의 이상(理想)을 표현할 수 있는 일상공간에 산수자연을 담아 감상의 측면에서 가장 생생함을 체험할 수 있는 공간을 조성하였다. 또한, 전통조경공간은 방안에 누워서도 꿈꾸고 싶은 대상으로 실제 산수이상의 의미를 지니게 되었다.

• 한국농촌건축학회논문집
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• 제9권1호
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• pp.1-8
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• 2007

This study is on landscape design of existing rural village focused on for improvement of community. It's so one of serious problems in landscape in almost rural area of the nation. For the finding clue of landscape design of village view through this study, we surveyed 1 village located in Sangju city. By surveying landscape design factor of village, we can propose design method and a few results as follow; Firstly, the structure of village landscape has five principle factors. The five factors of landscape are history and culture, housing and building, nature, agriculture, and environment design. Secondly, color existing of housings is to contain a primary color on roof which is not in harmony. Nevertheless, we can also find the reform measure and the possibility because of the knowledge of village people.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.15-18
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• 2007