• 한국게임학회 논문지
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• 제2권2호
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• pp.66-71
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• 2002

한민족의 공통적인 삶의 풍속은 신분이나 계급의 구분 없이 삶의 감정을 반영하고 있다. 우리 민족만이 가지는 정서와 해학과 유머가 곁들여진 멋들어진 그림으로서의 풍속화는 우리의 역사와 함께 하며, 진실을 담아내는 그릇처럼 사실성과 기록적 성격, 도상적인 전통미를 드러내고 있다. 각각의 시대상황과 문화, 예술, 철학, 종교 등을 화면의 조화로움과 미의 세계를 구축하며 그려진 풍속화야말로 게임그래픽의 도상학적 원류로 보아도 좋을 것이다. 게임이 가상현실의 재현으로, 그 속에서 게임을 즐기는 유저들이 생활하는 또 하나의 공간으로 이해 됐을 때, 창조적인 기획력과 예술성 있는 그래픽의 개발은 반드시 필요하며, 또한 새로운 컨텐츠의 개발로서, 우리의 전통 풍속화에 대한 관심이 필요한 때이다. 풍속화에 대한 현대적인 재해석과 표현기법의 개발로, 게임그래픽 도상의 다변화를 꾀해 다양한 연령층의 유저 확보가 가능해진다면, 게임의 저변화로 게임산업 발달의 초석을 이룰 것은 자명한 일이다.

• 복식
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• 제50권4호
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• pp.165-180
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• 2000

Since fashion is considered to be a cultural product and belongs to the formative art as well, the changes in fashion reflect those of society. Modern fashion has emerged from the period when people would follow the popular fashion uniformly, and moved toward the age of diversity, expressing not only the inner desires and aesthetic sensibility of individuals but also the freedom from formality and traditional restrictions. This kind of changes in expression became important motives for modern dress design following the present cultural phenomena, and, so called "outerwearization" of the undergarment or "infra apparel" exemplifies this situation. Corset especially has been playing a vital role in exaggerating and emphasizing the beauty of female body and correction of its shape. Today, one can frequently witness corset in street fashion along with brassier, Its sister concept. This "outerwearization" of the undergarment is supplanted as a syndrome, and it is defined as "supra syndrome" using "supra" as the opposite meaning to "infra". This unique phenomenon of modern fashion cannot be explained by a single social aspect, but as a mixed state of eroticism, fetishism, feminism, demonstrationists and expressionism among several current phenomena. The advent of "supra syndrome" and its cultural background were illustrated and stand-out "supra syndrome" exhibited by many world-renowned designers were analyzed in this study. As the result of study, six design pieces were developed and produced in three groups, based on different corset motifs. This study reaffirms that creativity of design is limitless and the imaginative abilities alone cannot accomplish higher level of design and development of works of fashion unless they are accompanied by the understanding of historical background, periodical circumstances and cultural phenomena. In this study, utilizing the modern apparatus such as computer and the advent of the modern technology was also found helpful in creative fashion design process.

• 복식
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• 제59권1호
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• pp.60-76
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• 2009

The purpose of this study is to present the viewpoint on the 'clothes' as a part of art works which has the kunstwollen(artistic will) and the philosophy of a creator rather than just an outfit. For the literary research, this study investigates the history of Iconology and the E. Panofsky's theory. In order to make up for the limitation of Panofsky's iconology, applies the theories of H. Gombrich and N. Goodman. For the case research, Vivienne Westwood is selected because her fashion works have been mentioned as the artistic pieces by many fashion critics or the presses. Also Westwood has different social and cultural contexts which based on the periodic background, social influences and cultural actualities. The conclusions of this study are as follows. First, in order to read the symbolic meaning, the kunstwollen and the aesthetic consciousness of the fashion designer's works properly, the systematized interpretation method is necessary. Second, the creative works of Vivienne Westwood have been influenced by the various external elements. Especially her national background and identity are the main elements which have governed her creation. Third, Vivienne Westwood creates her works not just to wear but to incorporate the ideology and the philosophy of herself. She expresses the kunstwollen and the aesthetic consciousness through her works. Forth, Vivienne Westwood pursues the communication between the human being and the world. Fifth, fashion makes various attempts to combine with different artistic fields. The 21st century fashion has developed to new direction with diverse trials and combinations. Fashion is not just making clothes, but accepting and delivering the history and culture, expressing and communicating empathy, and combining the different fields harmoniously.

• 복식
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• 제65권8호
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• pp.64-76
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• 2015

Gilles Deleuze highly evaluated Baroque as the expression body that implements the fold theory, a philosophical thinking about the nature of beings. This can be seen as a meaning that Baroque implements the essence of the world, or the power constituting that essence. In addition, the beauty of Baroque focuses on 'New Harmony' the sum of partial forms caused by each element, and not Platonic harmony. he evaluated the aesthetic of Baroque costume as 'acquisition of liberation and autonomy', 'derived force from infinite spiritual forces'. This study analyzed the contents of the Aesthetic of Baroque costume based on the reviewed Deleuze's folding theory, Baroque aesthetics, and views of Baroque costume. As a result, it inferred the aesthetic of Baroque costume into four types, which are as follows: open structural openness, overlapping structural dynamics, integrated structural diversity, and relationship structural integrity. This study analyzed the aesthetic of Baroque costume based on Deleuze's philosophical thinking. The analysis showed that its aesthetics, which focused on "New Harmony", created energy of life and a venue for expression of power, as the aesthetics eliminated the prejudice of complexity and excessive decoration. In addition, Baroque costume is not the simple historical costume of the past. Instead, it is one of power and spirit, still existing in modern fashion. Baroque costume's formativeness and Paradigm can be said to provide the creative principle important for modern fashion because the aesthetics implemented in Baroque costume accepts free spirit, new challenge, difference and diversity, and is similar to the spirit pursued by modern art and fashion.

• 한국콘텐츠학회논문지
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• 제12권12호
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• pp.111-118
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• 2012

캡스톤디자인은 비단 공학 분야에서의 교육프로그램이 아닌 산업체가 요구하는 산업현장 적응능력을 갖춘 창의적인 종합설계 교육 프로그램이라는 측면에서 디자인 교육에서의 적용 가능성이 매우 높다고 볼 수 있다. 본 연구는 건국대학교 디자인조형대학 인더스트리얼디자인전공의 2011년도 캡스톤디자인 적용 교과를 중심으로 교육과정과 성과 및 활용 등에 대해 기술하였다. 디자인개발을 위해 선행되어야 하는 실험 연구와 지식재산창출을 위한 선행기술조사 및 실무능력 향상을 위해 전문 지원기관과 산업체와 협약을 바탕으로 수업을 진행하였다. 본 수업을 통해 특허, 실용신안, 디자인 등의 지식재산을 창출하여 학생들에게는 실무능력 향상의 계기를, 기업은 디자인을 통한 기업역량강화의 계기를 마련하였으며 지원지관은 지역 중소기업 경쟁력강화의 계기를 마련하였다.

• 한국의류산업학회지
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• 제10권5호
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• pp.690-701
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• 2008

Fashion illustration as conversational pattern which is made up of human and daily story creates brand image and new cultural value in textile design. The purpose of this study is to analyze an expressive characteristics focused on human body in conversational pattern illustration. The method of this study was to analyze documentaries, fashion magazines and internet fashion web site. The results were as follows: The category of body expression was classified as the head, the bust, the whole body, and the others. Most of all, the head is higher frequency than any other part. The category of body type was classified as iconic reappearance and surreal fantasy. The former expressed gender images of woman and man in reality and showed high frequency of 90.41%. Above all, two types were to show the organic correlation between fashion illustration body and brand concept. The construction method of motif was classified as singleness of body, repetition of body, singleness of body and non-body mixed, and repetition of body and non-body mixed. The repetition of body showed low frequency and it was composed of regular repetition construction and irregular construction. The singleness of body and non-body mixed, showed the highest frequency and it was definitely to communicate fashion concept. In these days, conversational pattern illustration in modern fashion pattern strengthens brand identity and informs the fashion image as creative commercial art. And also, it satisfies cultural sensibility of consumer and categorizes public phenomenons in our times.

• 영재교육연구
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• 제23권5호
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• pp.649-669
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• 2013

본 연구에서는 말랜드 보고서를 중심으로 미국의 영재교육법률에 관한 변천 과정을 다루고 있다. 연구 결과, 연방 차원에서 제정된 법률 가운데 영재교육이 법적 차원에서 다루어진 최초의 법률은 1958년 국가방위교육법(National Defense Education Act)이라고 할 수 있으며, 영재에 관한 법률적 정의가 제시된 것은 말랜드 보고서(1972년)보다 앞선 1970년의 초중등교육법임이 확인되었다. 또한 말랜드 보고서는 영재에 대한 정의 외에도 차별화된 교육과정(differentiated curriculum) 개념을 제시하였으며 영재교육에 관한 연구와 운영을 총괄하는 국가 센터와 기구의 설립 제안 외에도 영재교육을 특정한 법률의 제정과 법률에 예산 조항이 반드시 포함되어야 하는 점을 제안함으로써, 이후 영재교육이 법과 제도에 근거하여 이루어지도록 하는 데 영향을 주었다.

• 수산해양교육연구
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• 제24권5호
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• pp.739-753
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• 2012

Based on 'Backpack-free day' and 'Unsupervised studying day' in the early 1980s, 10% of all schools in 2004 had at least 1 day of five-day classes a month as at least 2 days were enforced in 2006, and most elementary and middle schools had widely enforced the five-day class since 2012 March. The five-day class system expands the stage of studying from school to families and local societies to build an educational community related to school-family-local societies to provide various activities such as culture, art, sports, social, nature experiences on holidays to have the goal to foster creative future talents with proper personality understanding and considering others. In Busan, the five-day week class of Saturday program is being operated in various methods by national local government and public organizations. The Saturday program of local societies registered in the Saturday school of the information sharing networks are 2823 in total for the past 6 years which are being operated by national local government and public organizations. However, participation of students in the Saturday program is around 20% in 2012 March when Saturday holiday system was widely conducted. For this, problems in the Saturday programs that are currently being enforced are to be closely analyzed and participation expansion plans are to be made. Therefore, this study analyzes and investigates operation forms of Saturday programs conducted in Busan to propose an improvement plan to fulfill goals of Saturday programs and boost participation of students.

• 한국융합학회논문지
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• 제9권9호
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• pp.23-29
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• 2018

컴퓨터적 창의력은 인간의 창의성을 모사하기 위한 인공지능 연구 분야로 다양한 분야에서 저작물을 창작하거나 인간 작가들의 창작을 돕고 있다. 컴퓨터적 창의력에 의해 저작된 저작물에 대한 저작권은 대부분 국가에서 아직 제도적으로 정립되어 있지 않으나 앞으로 기술의 발전과 함께 관련 저작권을 보호하기 위한 시스템이 필요성이 커질 것이다. 본 논문에서는 컴퓨터적 창의력의 저작물의 창작에 기여하는 다양한 참여자들의 저작권을 보호하고, 저작물의 기여를 투명하고 안전하게 기록할 수 있는 블록체인 기술 기반 저작권 보호 시스템을 제안한다. 제안 시스템은 컴퓨터적 창의력의 기계 학습에서부터 최종 저작물의 창작까지 관련된 모든 저작물의 기여를 블록체인 상에 기록함으로써 향후 저작권법 체계가 정비되었을 때, 컴퓨터적 창의력의 저작권에 대한 정량적 평가 기준을 마련할 수 있다는데 그 의의가 있다.

• 한국융합학회논문지
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• 제9권9호
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• pp.299-307
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• 2018

본 연구에서는 천경자 그림에 표현된 색채를 응용하여 추상적 네일디자인을 작품제작으로 표현하고자 한다. 이를 통해 네일 디자인의 창의적인 아이디어 발상에 대한 기본 토대를 마련하고 네일디자인의 표현영역을 확대하는데 목적을 가진다. 실증적 연구로서 천경자의 미술적 특징이 잘 표현된 작품 5가지를 선정하여 NCS 자연색체계를 활용하여 색채 데이터 분석을 하였으며, 색채 활용과 더불어 네일디자인을 표현하기 위해 천경자의 작품 속 대표되는 5가지의 모티프를 선정하여 각 작품에 표현하였다. 본 연구의 작품 제작에 나타난 디자인은 네일디자인과 현대 한국회화의 융 복합이며, 이를 통하여 뷰티디자인의 예술성을 다양한 시각으로 재창조하여 네일 디자인을 개발하였다.