• Title/Summary/Keyword: Color standard

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A Study on FMS Landmark Recognition Using Color Images (칼라 영상을 이용한 FMS Landmark의 인식)

  • Yi, Chang-Hyun;Kwon, Ho-Yeol;Eum, Jin-Seob;Kim, Yong-Yil
    • Proceedings of the KIEE Conference
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    • 1993.07a
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    • pp.418-420
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    • 1993
  • In this paper, we proposed a new FMS Landmark recognition algorithm using color images. Firstly, a NTSC image fame is captured, and then it is converted to a field image in order to reduce the image blurring from the AGV motion. Secondly, the landmark is detected via the comparison of the color vectors of image pixels with the landmark color. Finally, the identification of FMS landmark is executed using a newly designed landmark pattern with a set of reference points. The landmark pattern is normalized against its translation, rotation, and scaling. And then, its vertical projection data are fisted for the pattern classification using the standard data set. Experimental results show that our scheme performs well.

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A Study on Patterning Techniques by sliced unit with square woods's color bars (각목 색상 배치에 의한 문양막대의 횡절단 무늬편을 이용한 문양구성 연구)

  • Kim, Ji-Geon
    • Journal of the Korea Furniture Society
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    • v.20 no.5
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    • pp.431-439
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    • 2009
  • When we look at the pattern techniques of wooden furniture in the 19th century Joeson Dynasty, we see that furniture patterns in the main living room were showy and colorful while furniture patterns in the library room, where noble men used to study, were natural and moderate, retaining the actual color of the material without any artificial coloring. Even the serial patterns in the Hwe-Jang technique, Which were used rarely, used moderate techniques. such as weaving in patterns with colorless woods - willow and black persimmon ets. - rather than using excessive techniques. However, considering the marquetry&intarsia technique of ceramic and the silver string intarsia technique of metal then current, wood work must also have been technically advanced. Korean modern wood furniture needs remedies to improve the standard of sound wood work techniques. This study shows that pattern unit production, composition techniques, and color effects etc. Using colored patterns bars, by improving the pattern composition techniques of Marquetry&Intarsia, can be substituted for the production logic of modern manufactured furniture.

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Scale Invariant Single Face Tracking Using Particle Filtering With Skin Color

  • Adhitama, Perdana;Kim, Soo Hyung;Na, In Seop
    • International Journal of Contents
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    • v.9 no.3
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    • pp.9-14
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    • 2013
  • In this paper, we will examine single face tracking algorithms with scaling function in a mobile device. Face detection and tracking either in PC or mobile device with scaling function is an unsolved problem. Standard single face tracking method with particle filter has a problem in tracking the objects where the object can move closer or farther from the camera. Therefore, we create an algorithm which can work in a mobile device and perform a scaling function. The key idea of our proposed method is to extract the average of skin color in face detection, then we compare the skin color distribution between the detected face and the tracking face. This method works well if the face position is located in front of the camera. However, this method will not work if the camera moves closer from the initial point of detection. Apart from our weakness of algorithm, we can improve the accuracy of tracking.

A Study on the Colors of Enamel Wear by Changing the Ratio of Frit, Clay and Pigments (프리트, 점토 및 안료의 혼합에 따른 법랑 색상에 관한 연구)

  • 한두희;이정화
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.3 no.2
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    • pp.101-109
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    • 2002
  • Samples of enamel wear for kitchen works were made at the Kordco Enamel Co. We analyzed the colors of enamel wears with Color Meter (JS555). The colors of enamel wears could be controled by mixing ratio of frits and pigments. Many kinds of frits and pigments were tested, and colors of enamel wears could be changed by variable frits. Colors were weakly changed by several mixing ratio of pigments.

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A Study on the Seasonal Changes of Hair Color - Centered on 2003 $\sim$ 6' hair color trends published on women's magazines - (계절(季節)에 따른 헤어컬러 변화(變化)에 관(關)한 연구(硏究) - 2003 $\sim$ 6년 여성잡지(女性雜誌)에 나타난 헤어컬러 트렌드를 중심(中心)으로-)

  • An, Hyeon-Kyeong
    • Journal of Fashion Business
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    • v.11 no.1
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    • pp.1-14
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    • 2007
  • This study was aimed at giving help to the people intending to change their own hair color design and also providing the guide line to the cosmetic circles for developing new hair color design and promoting sales by statistically analyzing seasonal changes of hair colors puplished on women's magazines(Vogue Korea, Estetica Korea, Woman Chosun, Ce.ci) from 2003 to 2006. The researching methods were as follows; (1) hair colors published on women's magazines from september 2003 to August 2006 were measured by N.C.S. color reader(4 magazines $\times$10 main hair colors/magazine $\times$ 12 months $\times$ 3 years = 1,440 colors). (2) N.C.S. tone is made of percentage, so measured values and chromas were statistically analyzed by mean, standard deviation, and seasonal deferences were statistically analyzed by t-test and specified on high significant values. But hues were not made of percentage, so these were statistically analyzed by cross tabulation analysis, $x^2$ -test and specified on high significant values. These all had been analyzed by SPSS program(ver. 11.0). The results were as follows; (1) Usually seasonal changes of hair values were significant, specially in foreign licensed magazines, and bright values appeared in S/S and dark values in F/W. (2) Seasonal changes of hair hues were significant only on foreign women's magazines. Therefore seasonal changes of korean hair colors were not significant compared by foreign hair colors because of hardness of color changes of dark black hair and hair damages by hair tints and bleaches and trends of well being and hair care. But hair color changes have been developed gradually and will developed furthermore. So korean hair cosmetic circles have to present hair color trends deferenciated by seasons. And S/S hair values have to be brignt and F/W have to be dark. And new seasonal hair hues matched by korean have to be developed and presented.

Perceived color shift of ceramics according to the change of illuminating light with spectroradiometer

  • Cha, Hyun-Suk;Yu, Bin;Lee, Yong-Keun
    • The Journal of Advanced Prosthodontics
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    • v.5 no.3
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    • pp.262-269
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    • 2013
  • PURPOSE. Perceived color of ceramics changes by the spectral power distribution of ambient light. This study aimed to quantify the amount of shifts in color and color coordinates of clinically simulated seven all-ceramics due to the switch of three ambient light sources using a human vision simulating spectroradiometer. MATERIALS AND METHODS. CIE color coordinates, such as $L^*$, $a^*$ and $b^*$, of ceramic specimens were measured under three light sources, which simulate the CIE standard illuminant D65 (daylight), A (incandescent lamp), and F9 (fluorescent lamp). Shifts in color and color coordinate by the switch of lights were determined. Influence of the switched light (D65 to A, or D65 to F9), shade of veneer ceramics (A2 or A3), and brand of ceramics on the shifts was analyzed by a three-way ANOVA. RESULTS. Shifts in color and color coordinates were influenced by three factors (P<.05). Color shifts by the switch to A were in the range of 5.9 to 7.7 ${\Delta}E{^*}_{ab}$ units, and those by the switch to F9 were 7.7 to 10.2; all of which were unacceptable (${\Delta}E{^*}_{ab}$ > 5.5). When switched to A, CIE $a^*$ increased (${\Delta}a^*$: 5.6 to 7.6), however, CIE $b^*$ increased (${\Delta}b^*$: 4.9 to 7.8) when switched to F9. CONCLUSION. Clinically simulated ceramics demonstrated clinically unacceptable color shifts according to the switches in ambient lights based on spectroradiometric readings. Therefore, shade matching and compatibility evaluation should be performed considering ambient lighting conditions and should be done under most relevant lighting condition.

A Study on the Coloring and the Arrangement of Colors of Korean Traditional Embroidery (한국 전통 자수의 색채와 배색에 관한 연구)

  • Yun, Ji-Young;Ha, Ji-Soo
    • Journal of the Korean Society of Costume
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    • v.56 no.8 s.108
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    • pp.95-112
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    • 2006
  • This study examines the Korean traditional and characteristic coloring through the color of Korean traditional embroidery. This research gives the chance to establish the cultural identity of Korea and presents the aesthetic standard of color images. Also, practical use of Korean traditional colors through this study provide opportunities which develope cultural merchandise in the world. were chosen as the references to analyzed the Korean traditional colors through gungsu: court embroidery, buddhist embroidery, everyday embroidery and clothing embroidery. Because this book published in commemoration of '20th General Conference and 21th General Assembly of ICOM' in 2004, which presented excellence of Asian culture. The color of these works were divided by 'Pantone Solid Color Chips' which organized by CMYK color system and categorized by Obangsaek. 'Gungsu' had vivid and splendid color sense which used strong and bright colors and 'buddhist embroidery' had mild and mysterious feelings which used low saturation.'Everyday embroidery' used the red color group frequently and 'clothing embroidery' had brighter colors comparing to other embroidery groups. The 'Chung(blue)' group had diverse color tone rather than one-tone color. This means that Koreans prefer the 'Chung' and used it regularly, also this color symbolized the racial characteristics. Even though 'Whang(yellow)' was prohibited because the color for emperor, in the case of embroidery, there were a variety of yellow colors from 'gold' to pale yellow and grayish yellow. The arrangement of colors in 'gungsu', tone on tone, complementary and bicolore coloring was used mostly which presented a strong and elegant color sense. On the other side, 'buddhist embroidery' used tonal coloring which gave gentle and noble feeling. 'Everyday embroidery' presented separation and accented coloring which was the example of common people's humor and originality. In the case of 'clothing embroidery', there was dominant lightness, separation, tone on tone and camaieu coloring which added gorgeousness in Korean traditional clothing.

The Color Characteristics of Korean popsong CD covers by genre (장르별 구분에 따른 한국 가요 CD 커버의 색채 특성)

  • Kim, seung woong;Kim, cheol ki
    • Proceedings of the Korea Contents Association Conference
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    • 2011.05a
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    • pp.425-426
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    • 2011
  • 본 연구에서는 2000년대 중반 이후의 가요 CD 커버의 장르별 색채 특성에 대하여 분석하였다. 댄스, 락, 랩&힙합, 발라드의 4가지 장르로 구분하였고 KSCA (Korea Standard Color Analysis) 프로그램을 사용하여 각 이미지에서 5%이상 쓰인 주조색을 $L^*A^*B$, RGB, CMYK, 그리고 NCS 값으로 추출하여 색상 계열별로 사용 빈도를 정리하였다.

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Extraction of Automobile License Plate and Separation of Character Region Using Hue and saturation (색조와 순도를 이용한 차량번호판 검출 및 문자영역 분리)

  • 박종욱;엄재원;최태영
    • Proceedings of the IEEK Conference
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    • 1999.11a
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    • pp.1081-1084
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    • 1999
  • This paper proposes a method of extracting automobile license plate information using color image processing and separation of character regions. The hue and saturation of color information is need for license plate extraction and the specified standard location ratio is need for character region separation. Simulation results show that the proposed algorithm can detect license plates and separate character regions successfully.

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