• 한국실내디자인학회논문집
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• 제41호
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• pp.11-18
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• 2003

This study was carried out to find the cases of change in the Anglican Church including its rectory in Onsuri, Gangwha island, which was built in Korean traditional architecture style. The materials used for the study were published books, old photos taken before the change, drawings, and field survey. The result are as followings. 1) Painting concealed natural wooden grain should be removed as well as carpet on the wooden floor. The way of ceiling finishing is to be restored as traditional way. 2) Refer to the rectory, it needs to be restored totally, since it has been changed many times through partial renovation. It lacks unification of design in entire elevation, windows and door. The practical spaces such as indoor flush toilet and boiler room are desirable not to be revealed or designed in harmony with other spaces. 3) Stript flooring in the rectory are to be restored to frame flooring, room finishing including vinyl flooring, vinyl wall paper and moulding along the cornice to the traditional paper finish. Lattice patterns of windows and doors are recommended to be restored according to the traditional design.

• 한국실내디자인학회논문집
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• 제24권2호
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• pp.21-31
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• 2015

Liturgical space of Catholic churches should be equal conditions for everyone who wants to participate in the liturgy. However liturgical space is standardized for healthy adults without considering the elderly and the disabled. This study intended to suggest the guidelines required for the construction of Catholic churches from the perspective of universal design for all believers to equally participate in liturgy. The results of the study are as follows. First, as a result of the analysis of the liturgical spaces in six Catholic churches from the perspective of universal design, although the principle of universal design was not appropriately applied to all liturgical spaces of a Catholic church, there were cases where it was appropriately applied in part to each of the Catholic churches. Therefore, this study suggested the examples of exemplary installation by space, which is considered to be the materials that can be referenced and utilized when planning the liturgical spaces in the Catholic churches from the perspective of universal design. Second, the obligations required by the building regulations were installed in six cases, but the application of the universal design was insufficient in other spaces. Therefore, more careful consideration for users is considered necessary during space planning. Third, the construction of Catholic churches should be planned, taking into account the liturgical law; for this purpose, the provision of the guidelines for Catholic architectural planning further than the guidelines for architecture by each diocese is necessary. At this time, the collaboration between the Catholic officials and the architects and designers with knowledge of Catholic doctrine is required.

• 한국조경학회지
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• 제25권3호
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• pp.124-130
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• 1997

In some cases of the English landscape garden style in Germany, for example, Worlitz, Branitz etc., including Mu나며, I have found out invisible geometric figures, that must be on the basis of landscape gardening. Particularly the Muskau park. The church of the village "Gerg", outside of the park, and the "pucklerstein" are the bases of this diagram. Above all, I am convinced of my hypothesis of √2 diagram, while I can also understand, out of my analysis, the relations and descriptions of the park in the book of the gardner, Hermann Fust von Puckler-muskau, "Andeutungen uber Landscahaftsgartnerei". Finally, I wish to discuss, how to do the phenomena, 'picturesque motif and geometric figures of the English Landscape Garden.

• 한국실내디자인학회논문집
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• 제15권2호
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• pp.158-165
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• 2006

God, existing in the Tabernacle was designed not by man but was designed by Him Personally. The LORD said to Moses..... 'Then have them make a sanctuary for me, and I will dwell among them. Make this tabernacle and all its furnishings exactly like the pattern I will show you(Exodus25:1-9). These words represent the Godly Origin of the Tabernacle. He referred to it as'A copy and shadow of what is in heaven' (Hebrews8:5) , Furthermore, The Tabernacle, a copy and shadow of what is in heaven, used in the Old Times, was his body(John2:21). Therefore The Lord is the true designer of the Tabernacle(Exodus25:8-9), and is where He dwells(Exodus29:46), and is where the sinful man meets the Lord(Exodus30:6). It is where the Lord dwells(Exodus29:46) and where Forgiving takes place(Leviticus4:20,26,31). Because of this, The Tabernacle is the most important out of any piece of architecture designed by man.

• 의료ㆍ복지 건축 : 한국의료복지건축학회 논문집
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• 제18권4호
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• pp.29-38
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• 2012

Purpose: The purpose of this study is to generate empirical data regarding the usability of churches' convenience facilities for the elderly, while categorizing church architecture as intermediate, inner, sanitation, and other facilities. The generated data can be used for renovating or upgrading the existing churches' convenience facilities to match up the act on convenience promotion. Methods: Field studies were conducted for collecting the empirical data from 42 churches. Results: Specifically, intermediate and sanitation facilities were more urgent sections, needing serious improvement works for the elderly. In the inner facilities, 14 categories were counted as not-met(NM) or not-installed(NI) among total 26 categories. In the other facilities, 11 categories were found as not-met(NM) or not-installed(NI) among total 15 categories. Implications: The research results can be used as a checklist for the improvement of convenience facilities for the elderly in existing churches.

• 건축역사연구
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• 제14권4호
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• pp.59-72
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• 2005

Architectural embodiment of a national identity has long been a significant topic in Korean architectural circles. For this reason, it must be helpful to examine the so-called, 'National Romanticism' of Finnish architecture around 1900 in that Finnish architects of the time struggled to embody their national identity through their projects. Considering the historical and linguistic affinities between Finland and Korea, the Finnish architectural situation draws . our additional attention. This paper aims at showing its historical background, the meaning of each type of buildings in the stream, and limitations it implies. The atmosphere of Finnish nationalist movement, which was provoked by [Kalevala] publications (1835; 1845) and shown in Karelianism, was heightened by Tsarist Empire's Russification programme of Finland in the late 19th century Architecture was one of the most important genres expressing her national identity. Finnish national romantic architecture could be divided into three. The first is a log house style for artists' studio house, motivated by the Finnish vernacular farmstead - especially by Karelian farmhouse. This type of building signifies the Finns' will to return to their motherly soil. The second is a stone architecture style for public buildings, inspired by Finnish church or castle of an early medieval time. By using roughly-cut granite as the main exterior material, buildings of this type symbolise the toughness of legendary heroes and Finns' desire for national Independence. The third type of building was based on both of the former or more dependent on architects' Imagination and creativity. However, Finnish national romantic architecture has been criticised by some critics owing to its decorative, eclectic and self-indulgent characteristics. Probably, it was not really national but rather inter-national because of the Influences of English Arts and Crafts Movement, the American Richardsonian architecture and the continental Art Nouveau. And the negative images of 'national' and 'romantic' made some historians coin other terms like 'national realism' or 'material realism'. As another limitation, one raises the low degree of its contribution to the entire architectural history. Despite these criticisms, however, this paper argues that Finnish national romantic architecture is meaningful in itself, particularly because it illustrates vividly Finns' struggle to search for their national identity and, after all, their craving for national independence.

• Earthquakes and Structures
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• 제12권2호
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• pp.223-236
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• 2017

Seismic assessment and rehabilitation of Monumental Buildings constitute an important issue in many regions around the world to preserve cultural heritage. On the contrary, many recent earthquakes have demonstrated the high vulnerability of this type of structures. The high nonlinear masonry behaviour requires ad hoc refined finite element numerical models, whose complexity and computational costs are generally unsuitable for practical applications. For these reasons, several authors proposed simplified numerical strategies to be used in engineering practice. However, most of these alternative methods are oversimplified being based on the assumption of in-plane behaviour of masonry walls. Moreover, they cannot be used for modelling the monumental structures for which the interaction between plane and out-plane behaviour governs the structural response. Recently, an innovative discrete-modelling approach for the simulation of both in-plane and out of-plane response of masonry structures was proposed and applied to study several typologies of historic structures. In this paper the latter model is applied with reference to a real case study, and numerically compared with an advanced finite element modelling. The method is applied to the St.Venerio church in Reggiolo (Italy), damaged during the 2012 Emilia-Romagna earthquake and numerically investigated in the literature.

• 건축역사연구
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• 제14권4호
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• pp.157-175
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• 2005

Guarino Guarini(1624-1683) is one of great Baroque architects who developed new spatial concept in architecture. He refused to static space typically appeared in Renaissance architecture. Instead, to make it possible to generate complicate form and moving space, he made use of generative diagram. It provide him with an abstract machine to generate automatically architectural inferiority. His generative diagram consists of three types: single circle diagram, matrix diagram and longitudinal diagram. The first diagram uses single circle as primary generator and develop this by means of overlap and equiangular division. La Cappella della Santissima Sindone, Sanctuary of Chiesa di Oropa, Chiesa dei Padri Somaschi, San Gaetano are designed according to this diagram. The generator of the second diagram is nine circles in $3{\times}3$ matrix, which provide the base for the interpenetration of space in Guarini's architecture. He inspired this diagram from Kepler's $\ulcorner$Harmonices mundi$\lrcorner$. The Churches of San Lorenzo, Ste-Anne-la-Royale, San Filippo Neri, San Gaetano are generated by this diagram. The third diagram has several circles in Lantin-cross plan. Guarini adopted this diagram because he had chances to design several churches in Northern Europe. The churches of Santa Maria di Ettinga, Immacolata Concezione, San Maria della Divina Providenza, Church without Name, San Filippo Neri are representative examples for this diagram.

• 한국농촌건축학회논문집
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• 제19권4호
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• pp.25-32
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• 2017

The military remains have a social and historic value in holding up a true mirror to modern history of war and suffering, and will be used for historic place in Korea. This study is to research these modern military remains as cultural properties in Korea. They are classified with three types, namely military sites, installations of civil structures and buildings. The military remains have the historic sites of the righteous army and Korean war, and most of them are battle fields located in a mountainous area rather than urban area. There are fortresses, bridges and tunnels, and watchtowers of civil structures. The fortresses were constructed with Japanese military installations in the end of the Pacific War, and are most located in Sangmo-ri, Daejeong-eup, Seogwipo-si, Jeju-do, Korea. The bridges were to be destroyed and constructed during the war, and the watchtowers as military defence were to be constructed in inland area. There are arsenals, barracks, and headquarters of buildings. The weapon factory of Gigiguk (arsenal bureau) constructed in the late 19th century are present, and also the army training center, barracks, and church, etc are in Seogwipo-si, Jeju-do, Korea. There are old headquarters constructed in 1910s at Jinhae Gyeongnam, and buildings to testify about the horrors of the Korean war around Cheorwon, Gangwon.

• 한국실내디자인학회논문집
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• 제14권3호
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• pp.95-102
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• 2005

Guarini's architectural contribution has simply focused on the dome structure that has been known to us; however, his geometric and spatial construction has been overlooked so far Through this study, it has been demonstrated that the dome structure was simply part of geometrical forms that Guarini wanted to express ultimately and it functioned as a geometrical element such as the network combined with the entire spatial structure. The purpose of this study is to reevaluate Guarini's architectural thought by means of investigating the ultimate principles of spatial composition appeared in the late Baroque architecture through the analysis of the principles of spatial composition and organized formal Idioms by Guarini's geometrical concepts. Besides, it has been assumed that such geometrical concepts by Guarini's mathematical proportion and his reiteration and change of diagrams could be clearly distinguished from the Classical geometry in the Renaissance and Guarini. suggested a way to create a new space through more active and amusing application and transformation. In this aspect, Guarini's principles of geometric composition will be one of the role models that need to be seriously reconsidered in chaotic reality of modern architecture.