• 복식
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• 제54권6호
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• pp.53-64
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• 2004

North Korea's traditional dress(chosun-ot) has developed as follows: right after the liberation(l945). North Korea tried to get rid of Japanese style and empty formalities and vanity, so chosun-ot became simple and practical. And from the Korean war to 1950's North Korea had tried to establish through a restoration of the war and chosun-ot is more easy and simple. For 1960's People became to be interested in their clothes owing to a stable socialistic economy and politics, and tried new style due to the influence of the Korea-Japanese. Since 1972 North Korea has claimed a dictational socialist organization, and constructed its own culture. Therefore North Korea emphasized its own clothing habit. and its garment style developed differently from South Korea. Since 1984 North Korea tried to change its policy dramatically. and chosun-ot has changed to a modern and various style. But on the other hand, traditional style of chosun-ot was more emphasized. North Korea especially tried to succeed its traditional style. it pursued only partial changes by sticking to its original style. And its color to bright and magnificent one with additional ornaments. Because it tried to change the style within the limits of its tradition, traditional dress has a quite fragmentary and flat appearance.

• 복식문화연구
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• 제10권2호
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• pp.160-177
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• 2002

Wedding ceremony is a most basic and significant rite of religion. Clothing fur the ceremony is also assumed religious in essence. Thus this study focuses on ideas and religious qualities implied in wedding dresses for women in the latter period of Chosen. Among those wedding dresses for women in the public class, in this study, Yeom-Eui(염의), Won-Sam(원삼) in green and Hwal-Ot(활옷) are discussed. Yeom-Eui seemed preferred by only some of the nobel class who still considered manners and customs as very important. The rest people often wore a brilliant Hwal-Ot rather than Yeom-Eui under influences of a loosened social position system and sumptuous moods. Since a wedding is the reflection of social condition and at the same time a religious rite, the above mentioned difference in wedding dresses between the class of scholars obsessed with Confucianism and the rest public seems attributable to differences in values and religious views between the two groups. Of course, Hwal-Ot was also transmitted from the Chinese nation of Tang, so it complied with a contemporary flunkeyism about Chinese culture. Won-Sam and Hwal-Ot were designed with patterns representing the very significance of wedding and those wishing worldly blessings more children and more sons, longevity and wealth and prosperity. The fact that wishes of more children and more sons were more often implied by patterns of wedding dress in the latter Chosen indicates the legitimate oldest son-oriented patriarchical family system at that time influenced to such contemporary dresses. Meanwhile, those patterns used for Won-Sam and Hawl-Ot were influenced mainly by Confucianism, but sometimes based on Buddhism and Taoism. It suggests that the Chosun dynasty emphasized Confucian manners and customs to restore previous values which had been about to be collapsed since wars with the Chinese Ching and Japan, but nevertheless in the public class, Buddhism and Taoism were more deeply prevailed. This was supported by patterns and colors shown in wedding clothing.

• 복식
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• 제53권7호
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• pp.69-81
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• 2003

This study firstly identify the characteristics of the clothes for traditional wedding ceremony from the late Chosun Dynasty (19th Century) and today through comparison. It also tries to discover what today's people are incorrectly aware of regarding the traditional wedding clothes particularly by survey. It ultimately aims to present constructive ways of solution against the illadvised and simplified deformation of the traditional wedding clothes. When comparing the traditional wedding clothes from the late Chosun and its modern counterparts, Dan-ryung and Samo-kwandae is still used for bridegroom's dress. In case of bride's dress, several items such as Yeom-eui, So-eui and Hwal-ot have been disappeared while Won-sam can be seen today. There were found many additional differences not only in type of the wedding clothes, but also in its form and constitution. Therefore, it is advisory to take the wedding clothes worn by commoners and upper class as the basic form for today's traditional wedding clothes. In addition, diversified research should be carried on to make them broadly accepted by today's life.

• Nuclear Engineering and Technology
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• 제30권3호
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• pp.222-234
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• 1998

The Westinghouse OT$\Delta$T DNB protection logic heavily restricts the operation region by applying the same logic for a full range of operating pressure in order to maintain its simplicity. In this work, a fuzzy neural network method is used to estimate the DNB protection limit using the measured average temperature and pressure of a reactor core. Fuzzy system parameters are optimized by a hybrid learning method. This algorithm uses a gradient descent algorithm to optimize the antecedent parameters and a least-squares algorithm to solve the consequent parameters. The proposed method is applied to Yonggwang 3&4 nuclear power plants and the proposed method has 5.99 percent larger thermal margin than the conventional OT$\Delta$T trip logic. This simple algorithm provides a good information for the nuclear power plant operation and diagnosis by estimating the DNB protection limit each time step.

• 동아시아식생활학회지
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• 제10권6호
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• pp.465-479
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• 2000

The ${\ulcorner}$Ganpyun Chosun Yori-Jebup${\lrcorner}$, was written in Korean in 1934 The analytical results on this book were as follows :1. Fermentation foods were Kimchi, Jut, Jang and Cho. There were 19 kinds of Kimchi with 32materials, 3 kinds of Jut with 4 materials. 8 kinds of Jang with 25 materials and 1 kind of Cho with4 materials.2. There were 47 kinds of DDug(Korean rice cake) with 38 materials.3. Hangwa included Yumilgwa, Suksilgwa, Kangiung, Dasik, Jungwa, and Gwapyun. There were 6 kinds of Yumilgwa with 18 materials. 4 kinds of(Suksilgwa with 7 materials, 6 kinds of Kangjung with 10materials, 7 kinds of Dasik with 14 materials, 13 kinds of Jungwa with 21 materials, and 3 kinds of Gwapyun with 6 materials.4. Korean Beverage included Hwachae and Cha(Korean Tea) . There were 12 kinds of Hwachae with 39materials and 4 kinds of Cha(Korean tea) with S materials.5. Nambi and Sot were used as utensil.6. The measuring units were 'mal', 'sul', 'doi', 'hob', 'ryang', 'geun', 'pun' etc. The foods were prepared frequently by "shaking" and heated by "steaming" .uot;steaming" .ot; .

• 공업화학
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• 제7권1호
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• pp.83-90
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• 1996

AO-AOT계내에서 S/D의 증가에 따라 흡수 및 형광 spectra의 변화 양상이 감소하다가 증가함을 알 수 있으며 회합 및 해리가 일어남을 알 수 있다. 그리고 온도 상승에 따라 순수한 AO계에서는 흡광도가 증가하나 premicellar영역(S/D=10, 20, 50 및 80)내에서는 흡광도가 오히려 점차 감소한다. 한편 AO-AOT계에 첨가한 염의 농도가 증가함에 따라 metachromasy 소멸도는 증가하나 $NaNO_3$의 경우는 이와 반대로 나타난다. 이러한 염의 양이온에 대한 metachromasy 소멸도의 증가 순서는 $Li^+$, $Na^+$ > $Mg^{2+}$ > $Ca^{2+}$이며, 염의 음이온에 대해서는 $Cl^-$ > $SO_4{^{2-}}$ > $NO_3{^-}$로 나타남을 알 수 있었다.

• 디자인학연구
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• 제14권4호
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• pp.87-98
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• 2001

조선조(1392∼1910)의 궁궐·사원·상류민가의 담과 굴뚝에는 장식 문양이 다채로운 조형을 이루고 있다. 본 연구는 도자벽제작에 관한 환경디자인 연구의 일환으로서, 전(塼)과 와편(瓦片)으로 만들어진 조선조 담과 굴뚝의 전통적인 장식문양의 유형화를 시도하여 그 조형의 특성을 고찰한 것이다. 전국에 걸쳐 현지조사에 의해 수집된 685점의 문양 18종을 유형별, 대상별, 건축종별, 구성재료별, 장식기법별의 5가지로 유형화하여 상호 조형의 관련성을 검토했다. 그 결과 조선조의 담과 굴뚝에 나타나는 장식문양은 유형마다 명확한 조형의 차이와 공통성이 나타나고 있음을 알았다 또, 이들 문양의 유형을 궁궐형·사원형·민가형으로 종합하여 보면 일부의 예외적인 것도 있지만, 각각의 유형은 독특한 조형적 규범을 갖고있음을 알게 되었다. 즉, 궁궐형의 담과 굴뚝은 궁궐전유(專有)의 붉은색과 회흑색의 전을 사용해서 정교한 길상(吉祥)과 벽사(벽邪)문양을 조형화하고, 사원형과 민가형에서는 구조보강을 겸하여 와편을 겹쳐 쌓은 문양을 수평으로 연속시켜 조형화 한 것이 담과 굴뚝의 기본적인 장식이라는 것을 알 수 있었다.

• 한국수학교육학회지시리즈E:수학교육논문집
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• 제27권1호
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• pp.39-62
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• 2013

본 연구자는 수학 수업에서 요구되는 교사 지식을 '교과 내용 지식', '학습자 이해 지식', '교수 학습 방법 및 평가 지식', '수업 상황 지식' 네 가지로 상정하고, 각각의 지식에 대한 수업평가 영역 및 기준 마련을 위한 연구를 순차적으로 수행한 바 있다. 하지만, 이와 같이 마련된 평가 기준은 실제로 교사의 의견 수렴을 거치지 않은 것이기 때문에 다분히 추상적이고 형식적 측면이 강하므로, 평가 기준의 양이나 기준 내용의 가독성, 적절성 등이 보다 객관적인 시각에서 제 삼자에 의해 판단, 검증될 필요가 있겠다. 이러한 취지에서 본 연구에서는 위의 선행 연구들 중에서 가장 최근에 수행된 결과로부터 마련된 교사 지식에 관한 수업평가 기준을 면밀히 검토하여, 현장에서 보다 수월하게 효율적으로 활용 가능한 평가 기준을 마련하고, 이의 활용 가능성 및 방안을 탐색하여 제안하고자 하였다. 이를 위하여, 몇몇 현장 교사들을 대상으로 수업평가 기준을 활용하여 본인의 수업을 실제로 점검해 보게 하고, 두 차례에 걸쳐 설문 조사를 실시하였다. 또한, 설문 조사에 앞서, 본 연구의 대상인 교사들에게 보다 나은(가독성 있고 효율적인) 수업평가 기준 및 사용법을 제공하고자 사전 연구를 실시하여 수업평가 기준 및 활용법을 일차적으로 수정 보완하였다. 한 마디로, 본 연구는 교사 지식에 대한 교사 자신의 자기평가 방법에 따라 측정 용이한, 즉 실제적 활용 가치에 초점을 둔 수업평가 기준을 최종적으로 마련하고자 하였다. 궁극적으로, 이러한 연구 결과로부터의 기대는 합리적이고 효과성을 거둘 수 있는 평가 기준이 마련되어 이를 토대로 교사의 수업 전문성 신장이 보다 적극적으로 고무됨으로서 교실 수업이 개선되도록 하는 데 도움이 되고자 함이다.

• 정보관리학회지
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• 제5권1호
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• pp.53-78
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• 1988

The purpose of this study is to verify the factors determining core journals in a field based upon the results of the citation analysis of the journals in the field of Korean History(KH). In order to verify the determinant factors, dividing the articles of the KH journals into their novelty and author's seniority, the following hypotheses were established. Hypothesis 1: When a KH journal publishes more articles on prehistoric and ancient eras than others, the journal will have higher chance to be included in the core journals. Hypothesis 2: When a KH journal publishes more articles by senior researchers than others, the journal will have higher chance to be included in the core journals. To achieve the purpose, the cited articles found in the two sample journals, namely, Backsan Hakbo and Hanguksa Yongu were analysed during the past 20 years from 1962 to 1981. Applying the Hirst's Discipline Impact Factor method to the the study, Historical Science Impact Factor(HSIF) on the samples itself and the historical era dealt with in the articles and the seniority of the authors during every five-year period. Based upon thr present study to ver~fy the two hypotheses, the following conclusions have been reached. 1) Tht. most influencing sublect mattcr era or1 thix liSIF of the lo~lrual is arranged in prehistoric arid ancient, Koryo, Chosun, recent era, and the others by order of era. 2 ) Clial~g~~lg a fringe or semicore journal u~to a core j ~ u r n a l , very IISIF' 011 it> article e r a 1s grown up arrd prcllistoric a ~ ~ d ancierlt era:. are, s p c c ~ a l l ~ , incr.eased high relatively. Char~ging a core journal int:~ a fr~ngr or semicort. journal, t.very IISIF ti dropped and prel~istc~ric and ancieut taras arc, fallen sharp relatively. 3) The most irlflr~encin~ s~niority 011 the t1SII- of ihc journal I. the senior.., written or1 prehistoric and ancient eras. Above all, the senilir'b HSIF olr prehistoric anti anclent e r a s a r e most ~nfluencing the cliangi~rg of the core journal into the fringe ur bemicore. .i) flypothesis fl is no1 vcrif~ed i r t general. T l ~ e rt, lative connections bet wee^^ the senior's HSIF 011 each era and tht, ~ l ~ a l ~ g i t l g of the tort. ji1ur.tia1 arc \:er~fied in part hut r~ot in the wliole. 5) 'The reason why the 11SIF or1 prehistori~. arid ar~cic~nt e r a s is higl~er than others can be assumed becaltic the new <, xcavations a r r contit~ued actively i l l the prrsr.llt as to the relics arid remains or1 that eras. Accordingly, the HSIF' r i l l thr 11ew 3ubject matter l~ke arcl~acmlogy trends to grow up greatly. Bctween the senior's and juriior's JISIE', junior'.; is higl~er than s., nior's except ancient e r a . That reason can be assumed bccausr Iunlorb t r j to solve the ex~sting problems thr~urglr their ow11 new viewpoints and sights. So, i t should be studied whether the 11SlF on the artic1t.s of the new subject matters and viewpoirrts is influenced to the changing of the core jorlrnal or not.