• Title/Summary/Keyword: Chinese characters in Korean & Chinese

검색결과 352건 처리시간 0.03초

대한제국이후 광복이전까지의 모자에 관한 연구(1897-1945) - 신문광고를 중심으로 - (A Study of the Headgear from the Greater Korean Empire to the Time of Independence (1897-1945) - Focused on the Newspapers -)

  • 김은정;강순제
    • 복식
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    • 제62권4호
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    • pp.164-180
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    • 2012
  • This study focuses on the hats in the advertisements of the newspapers from the Greater Korean Empire to the Time of Independence. There were Yeomo(禮帽), Jungsanmoja(中山帽子), Jungjeolmoja(中折帽子), Women's hat, Undongmoja(運動帽子), and Hakdomoja(學徒帽子) from 1897 to the 1900s. The names of the hats were written with Chinese characters as there was no specific name for women's hats. There were a lot of hats in the 1910s; Jungjeolmoja, Jungsanmoja, Hukyeomoja(黑禮帽子), Panama, Doriuchi(鳥打;とり-うち), Maggomo(麥程帽), Ilkyomoja(一交字帽), cheongyeonmo(靑年帽), Jajacheongyeonmo(刺子靑年帽), Hakaaksangmo(學生帽), Undongmo, Laparyunmoja, Banghanmo(防寒帽), Mokchulmo(目出帽), Pungbangi(風防耳), Nambaui, and Pungdongi(風憧耳). Most of the hats were western hats for men. From the 1920s to 1930s, the hats were classified as to the shape and uses as compared to before that period. The hats were advertised in the newspapers such as Jungjeolmoja, Jungsanmoja, Panama, Doriuchimo, Maggomo, Ilkyomoja, cheongyeonmo, Jajacheongyeonmo, Hakaaksangmo, Undongmo, Banghanmo, Mokchulmo(目出帽), Adongmokchulmo(兒童目出帽), Pungdongi, and Pungchasamsangun(風遮三山巾). There is little information about hats from the late 1930s to the time of independence because of the censorship of the press. The hats during that period were almost the same as the before that time. There was a new name of a cap, Jeontumoja(戰鬪帽子) which was for a soldier. The hats in that period were one of the westernized items with shoes before the westernization of the Korean costume under Japanese imperialism. Furthermore, the western hats could be spread by the men who were in the center of the society. On the other hand, women's western hats were not common because women had rarely worn them before that period. They just wore traditional winter caps steadily.

석곡(石谷) 이규준(李奎晙)의 "포상기문(浦上奇聞)"과 석곡(石谷)의 대서양(對西洋) 인식(認識) (A Study on Seokgok Lee Gyujoon's Posangkimun(浦上奇聞) and His Perception of the Occident)

  • 박상영;한창현;안상영;이준규;권오민
    • 한국한의학연구원논문집
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    • 제16권2호
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    • pp.65-73
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    • 2010
  • This study is to discuss the content of Posangkimun on the whole and to report the understanding of Seokgok Lee Gyujoon on western civilization. Through the overall analysis of Posangkimun, it is found the following facts: 1. Posangkimun aroused interest of academic circles as it covered theories of western civilization. Most of the introduction to western civilization contained in the book is related to astronomy and geography. Seokgok criticized all the western theories on revolution of the earth, astronomy, continents and oceans on the ground that these theories were not congruous with the teaching of the Oriental sages. 2. Seokgok found the reasons why the West had led the East from 'nationalism' of the West. The nationalism mentioned here were more similar to 'democracy' in modern sense, or rather 'democratism'. What is specially noteworthy is that he did not find the reasons of western advancement from the spiritual issues not from the machine civilization. In this way, Seokgok could avoid the fallacy of throwing away traditional ideas to concentrate in western machine civilization. 3. The content of Posangkimun shows that Seokgok was a person with a very conservative view. Notwithstanding his inclination, he had good knowledge about western theories, most of which were gathered from newspapers and magazines at that time. It means that newspapers and magazines should be treated with more importance when studying Korean intellectuals in late Joseon period or during the time of Japanese forced occupation.

일본의 운기학(運氣學)에 관한 연구(硏究) (A Study on Five Circuits and Six Qi Learning of Japan)

  • 윤창열
    • 대한한의학원전학회지
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    • 제31권2호
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    • pp.17-47
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    • 2018
  • Objectives: The three nations of far Northeastern Asia, namely China, Korea, and Japan, have developed a tradition of Asian medicine within a common cultural realm. Studying Japan's Yunqi not only helps our understanding of Japanese traditional medicine, but the course of development taken by the three nations' traditional Asian medicine as a whole. Methods: All books relating to Yunqi published in Japan were studied, with special focus on books that are especially more important. Results: It is assumed that Japan's first book on Yunqi is 吉田宗桂's Ungiileonjib. The Japanese mainstream study on Yunqi is the annotations and studies on Suwenrushiyungilunao, written by Liuwenshu. YunQiLunAoKouYiis the first annotation on Suwenrushiyungilunao and had the greatest impact. Yunqilunjujie is an annotation book written by a Confucian scholar, and Yunqilunaoshuchao an annotation book composed by a Confucian doctor who was a thorough expert on sinology and the annotations ranged greatly from medical books, Confucian books, historical books and hundred schools of books. Aotouyunqilun is the most slight in terms of annotations compared to other annotation books, and Yunqilunaoyanjie is special in that it writes with both Chinese characters and Japanese language in order to help easier understanding by the novice scholars. Conclusions: Suwenrushiyunqilunao includes astronomy, geography, delivery sound, calendar, the eight trigrams, the Twelve laws, Shier chen, Constellation of twenty eight, Thirty-six birds, and secret days, which is leading to further study in these fields. Suwenrushiyunqilunao also contains excerpts from Suwen Liujiecangxianglun to describe the algorithm of the operation of Sun and Moon, which is also leading a further study in the field.

다산의 염습의 제도에 관한 연구 -상구정을 중심으로- (A Study on Dasan s System of Washing and Shrouding a Dead Body - Focused on SANGUJUNG -)

  • 손남숙;임영자
    • 복식
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    • 제51권3호
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    • pp.75-85
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    • 2001
  • The system of washing and shrouding a dead body is a series of procedures for encoffining in funeral rites, which are taken after death indentification by using CHOKWANG and praying for the resurrection of a dead body by calling a soul departed from the body. The washing and shrouding a dead body (hereinafter reffered to as "YEOMSEUP") is the broad concept which contains the procedures of washing, clothing and shrouding the body. The clothing includes washing, putting rices into the mouth. and then dressing while the shrouding includes first wrapping, second-wrapping and encoffining. The clothes for YEOMSEUP (all clothes and articles for funeral rites are designated) will be put in the coffin along with a dead body according to the YEOMSEUP procedures. Dasan, a SILHAK scholar in the late Yi Dynasty, pointed out some problems of the funeral rites observed in those days. At the same time, he found that the problems had arisen from the misinterpretation of the original descriptions in Chinese characters. and had tried to correct them. The books written by Dasan basically emphasized his ideology reshaping the whole procedures by trimming and removing meaningless formalities which are too much luxurious and wasteful and making them as a part of the original principles of the funeral rites. His Intents are clearly shown in his wrings on practical ettiquttes, such as SANGRYESAJON and SANGUIJEOLYO. In its attempt, this study aims at reformulating the DASAN\\`s SANGRYESAJON in terms of YEOMSEUP methods. A lot of virtues of the Dasan, like WOOSU, SIMUI, DAEDAE, MO, SORYUMHYO and DAERYUMHYO could also be found accordingly. The merits and characteristic in funeral rites are an obedience in filial duty, the pursuit of frugality. and the efficiency of practical functions. It could be said that the resurvey of DASAN′s theory on YEOMSEUP procedures is a meaningful work today when the original meaning of funeral rites fades out. Furthermore, discussions of refined burial service and encouraging cremation designed to improve land use, which are widely spread among people, could weaken the basic philosophy of YEOMSEUP and more likely propagate the atmosphere of despising the dignity of human beings.

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연산자 LIKE의 새로운 한글 탐색 패턴 (A New Korean Search Pattern of the Operator LIKE)

  • 박성철;노은향;박영철;박종철
    • 한국정보과학회논문지:데이타베이스
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    • 제34권3호
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    • pp.244-260
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    • 2007
  • 데이타베이스 언어인 SQL의 연산자 LIKE는 문자열을 탐색하기 위한 연산자로서 문자열 양식을 설정함으로써 그에 부합하는 칼럼값들을 식별할 수 있게 한다. 표음문자인 한글의 각 음절은 초성과 중성으로 구성되거나 초성, 중성, 그리고 종성으로 구성된다. 본 논문은 연산자 LIKE의 한글 음절의 탐색 양식으로서 한글 음절로 표현되는 기존 양식에 추가하여 한글의 초성과 중성에 기반한 새로운 양식을 제안한다. 제안하는 한글 탐색 양식은 특정 초성을 가지는 한글 음절들, 특정 중성을 가지는 한글 음절들, 또는 특정 초성과 중성을 가지는 한글 음절들을 탐색할 수 있게 한다. 제안하는 한글 탐색 양식을 SQL의 기존 연산자들로 표현하는 것은 실질적으로 많은 불편을 수반하며 DBMS의 문자 집합에 따라 응용 프로그램의 호환성 문제를 초래할 수 있다. 본 논문은 제안하는 한글 탐색 양식을 고려한 연산자 LIKE의 수행 알고리즘을 한글과 한자에 대한 정보 교환용 부호계의 국가 표준인 KS X 1001로 표현된 문자들을 기반으로 제시한다.

I.M. 페이의 뮤지엄건축 특성에 관한 연구 - '지역적 컨텍스트' 개념의 뮤지엄 사례분석을 중심으로 - (A Study on the Characteristics of Museum Architecture Designed by I.M. Pei - Focused on Museum as a Concept of Local Context -)

  • 이성훈
    • 한국실내디자인학회논문집
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    • 제21권1호
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    • pp.211-219
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    • 2012
  • I.M. Pei, 2nd generation Chinese immigrant to America, has been one of the most recognized architects who designs museum architecture through out the world for completing significant projects such as the East Building of National Gallery of Art(1068-78) as well as Le Grand Louvre Renovation(1983-89) to name a few. His museum architecture, in particular, reveals his detailed consideration on viewer's artistic experience by providing well balanced architecture design to support exhibiting objects while showing his sensitivity on overall functionality of space. In recent projects such as Miho Museum in Japan, Suzhou Museum of China, and Museum of Islamic Art of Qatar, reveals his growing interests in considering "local context" in museum architecture. Therefore, the purpose of this study is focused on analyzing I.M. Pei's three museum projects having its concept focused on local context. Through out the paper, above mentioned museums were analyzed and compared to summarize his design characters and concept including site plan, spatial organization and architectural form. As a result, it is evident that I.M. Pei had put full effort to apply oriental context with modernism through out his museums. In particular, his site plan, spatial organization, and architectural form shows visible connection to comply with nature which is fundamental idea in oriental philosophy. While his basic design philosophy has been borrowed from the tradition, his ultimate design concept shows nature friendliness as well as theoretical system of thoughts and emotion and most of all, his design excellency in representing local context.

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소쇄원 목판본과 김린후의 소쇄원사십팔영 시문분석을 통한 별서 소쇄원의 경관특성에 관한 연구 (A Study on Landscape Characteristics of the Ratreating Villa Sosewon Garden though a Woodcut of Sosewon Garden and the analysis of the Kim, In Hu's 48 Poems)

  • 김현;김용기
    • 한국조경학회지
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    • 제21권3호
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    • pp.11-19
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    • 1993
  • This study was intended to clarify the landscape characteristics of the Sosewon Gaden through interpreting the Kim, In Hu's 48 poems(in Chinese characters) which clearly represented the landscape image of th user about this garden by selecting the cultural position of how then the users of the garden interpreted and manipulated its landscape rather than the scientific position. The following were the results from the analysis and review of the review of the woodcut and the 48 poems through names and scenic element. 1. When analyzing the names, those names due to the human experience were the most. This revealed that sensitive perception and experience was emphasized in the garden life. 2. It was important that can be experienced as nature and human beings come in contact each other at stream. 3. The landscape of the Sosewon Garden empasized not only the elements of the form and their combination but also on the unusual experience of human behavior and climatic element. The elements of the form which was recognized as the subject of poet was regarded as the cultural one of this garden and had an ideological background to convey the meaning of the landscape. 4. The Sosewon Garden was divided into four characteristic spaces as it is considered in terms of the sense of place represented in the 48 poems; the approach space, the space for poetic recital, the ideal space, and the space of pleasure.

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Embedded Korean in American Oriental Imagination: Kim Sisters' "Their First Album"

  • Lee, Yu Jung
    • 비교문화연구
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    • 제24권
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    • pp.46-61
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    • 2011
  • This paper considers how Koreans found their positions in the complex, overlapping, disjunctive, and interconnected "Oriental" repertoires in the early Cold War years. When we use the term, Oriental, it should require careful translation from context to context because it may be subject to very different sets of contextual circumstances. Klein views Cold War Orientalism in the complex of various regions including East Asian and Southeast Asian countries; however, when Koreans are contextualized at the center of the discussion the Orientalism produces another discursive meaning. Even though many great researches have been done on Korean immigrations, Korean American literatures, and US-Korea economic, political, and foreign relations, not many discussions about Korean American popular cultures have been discussed in the basis of the Oriental discourse in the United States.For this argument, this paper investigates the performative trajectory of a girl group "Kim Sisters" who began to sing at the US military show stages in South Korea in 1952 during the Korean War. They moved to Las Vegas show stages in 1959 and later appeared in Ed Sullivan Show more than thirty times during the 1960s and 70s. Meanwhile, they not only returned to South Korea often times to perform at the stages for Korean audiences in South Korea but also played at the shows for Korean immigrants in the United States. Korean American immigration to the United States has followed a different route from the majority of Asian American population such as Chinese or Japanese Americans, which means that efforts to compare this particular group to the others may be unnecessary. Rather doing comparative studies, this paper, therefore, focuses on the formation of the intersecting and multiple identities of Korean female entertainers who were forced or forced themselves to be incorporated into the American popular "Oriental" imagination, which I would call "embedded" identities. This embeddedness has been continuously maintained in the configuration of Korean characters in the United States. This will help not only to observe the discursive aspect of Asian American identity politics but also to claim a space for comparatively invisible Korean characters in the United States which has been often times neglected and not brought into a major Asian American or Oriental historical discourse. This paper starts with American scenes at the beginning of the twentieth century to trace Americans Oriental imagination which was observable in the various American cultural landscape and popular music soundscape. It will help us more clearly understand the production and consumption of the Korean "Oriental" performances during the early Cold War period and especially the Korean performance in the American venue, silently overshadowed into the political, social, and cultural framework.

Xanthomonas campestris pv. campestris의 병원성 관련 형질 탐색에 관한 연구 (Molecular Approaches to Evaluate the Role of Some Genes Required for Plant Pathogenicity of Xanthomonas campestris pv. campestris)

  • 배동원;윤한대;김희규
    • 한국식물병리학회지
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    • 제13권3호
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    • pp.172-178
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    • 1997
  • 십자화과 작물에 발생하는 검은썩음병(Black rot or Black vein of crucifer)의 병원성 세균인 Xanthomonas campestris pv. crucifer)의 병원성 세균인 Xanthomonas campestris pv. campestris를 분리, 동정하고 병원성을 검정하였다. 이 X. c. pv. campestris 는 3가지 종의 Chinese cabbage에 병원성을 나타내었고, 병원성과 관련된 특성을 결정하기 위하여 Tn5 mutagenesis를 실시 cellulase negative mutant를 선발하여 병원성 검정하였다. 선발된 cellulase negative mutant를 배추에 분무 접종하여 광학 현미경과 전자현미경으로 관찰한 결과 cellulase negative mutant는 wild type와 함께 기공표면과 기공하부조직에서 정착하였지만 그 밀도는 낮았다. 반면 접종 24시간 이후 wild type은 기공표면과 기공하부조직이 lysis되기 시작하여 48시간 이후에는 병원성의 진전으로 보다 많이 lysis되었다. 6일 후, wild type은 cellulase활성에 의해 식물체 조직에서 높은 증식력을 보이며 조직을 lysis 시키고 또한 조직 깊숙이 침입, 정착하는 것을 관찰하였다. 이 결과로 X. c. pv.c campestris의 cellulase는 병원성에 관여하는 중요한 요인으로 생각된다.

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초등 과학 '읽기 자료'의 이해력 향상을 위한 자료 개발 및 그 효과 (The Development of materials and the Effects to Improve Understanding of Science Reading Materials for Elementary Students)

  • 손준호;김종희
    • 대한지구과학교육학회지
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    • 제4권3호
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    • pp.205-217
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    • 2011
  • This study analyzed the reading materials presented in the existing 'Experiment Observation' targeting 31 elementary school students and conducted a preliminary investigation to examine the cause which makes the science reading materials of elementary school difficult to read. Also, on the basis of a preliminary investigation, this study developed the reading materials on science. After that, by examining the degree of understanding about existing reading materials on 'Experiment Observation' targeting 55 students of elementary schools and the newly developed reading materials targeting 44 students of elementary schools, the study proved its effect. As the result of the study, the causes for which students felt difficulty in reading were as follows: the scientific or non-scientific terms were explained by using more higher levels of Chinese characters compared to the levels of students; the scientific terms never treated in the classroom were used in the reading materials without any explanation; the overall structure of existing reading materials was distracted and listed the fragments of information, and the sentences were described complicatedly; the contents of a text and the photo materials were not connected functionally. In addition, the newly developed science reading materials were preferred by students because more various methods were devised, such as more systematic structure, arrangements of simpler sentence structure, additional explanation of scientific terms, divisions of paragraphs and postscript and their understanding was found to be improved.