• Korean Journal of Child Studies
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• v.21 no.2
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• pp.67-81
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• 2000

This study explores the concept of children as perceived in the late Chosun period by analyzing there sets of paintings on the panel screen, the Baekdongjado (the paintings of one hundred children at play). Although these paintings originated in China, there were many differences between Chinese and Korean paintings. Results of the analysis show that children were recognized as important members of the family by the late Chosun period, that parents hoped for many children, possibly sons, to fulfill each family, and that childhood meant the period of the youngster.

• The Journal of the Korea Contents Association
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• v.17 no.10
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• pp.394-405
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• 2017

The predominant concern of the study consist of: (1) the effect of young Chinese's consuming of Korean cultural wave contents including Korean TV drama, film, and K-pop on their anti-Korean sentiment; (2) the second-order mediating effects of both liking for Korean wave and positive perceptions of Koreans. The research is based on a survey conducted with 695 chinese people between high-teen and 20's, located in eleven cities of seven provinces. The notable findings are as follow: First, the higher consuming of Korean cultural wave contents, the higher anti-Korean sentiment. Second, young Chinese, consuming more Korean cultural contents, show more liking for Korean wave. The more favor of Korean cultural contents, the more positive perceptions of Koreans. The more liking for Koreans wave contests and the more positive perception of Koreans, the less anti-Korean sentiment. Therefore, it is proved that liking for Korean cultural wave contents and perceiving Koreans with a positive view are important mediator to reduce the anti-Korean sentiment. Some practical implications are discussed based on this study's findings above.