• 한국과학예술포럼
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• 제22권
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• pp.393-402
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• 2015

This study investigated Seoul's image as a tourism destination that Chinese tourists perceived, taking advantage of Chinese Social Media "Renren". The study used visual method (V-method) to collect images and analyzed them in terms of convergent disciplinary approach. It searched Chinese word, "首爾", in Renren social network. 526 Seoul's photos were collected from 129 users' mini-homepage. Destination planners and marketers should understand how the Chinese tourists perceive the Seoul's image and recognize the contribution factors to representations of the city. It is recommended that more cultural experience should be offered to Chinese tourists.

• 유통과학연구
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• 제22권3호
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• pp.21-31
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• 2024

Purpose: The primary aim of this study is to explore how social media marketing influences customer purchase intention, focusing on the roles of customer engagement and trust as mediators. Research Design, Data, and Methodology: The investigation utilized an online survey conducted in Chinese on the Questionnaire Star platform. It targeted male and female consumers aged 18 and above who purchase products online, yielding 1107 valid responses from across major Chinese cities. Results: Analysis reveals that social media marketing significantly affects customer purchase intention in a positive manner. It also enhances customer engagement and trust, which serve as crucial mediating variables linking social media marketing to purchase intention. The study found that engagement and trust facilitate brand identification and alignment, thereby directly boosting purchase intention. Conclusion: The findings offer essential insights for businesses aiming to improve their social media marketing impact on consumer behavior. It highlights the importance of fostering user engagement and trust, as well as creating a favorable brand image. These elements are key to influencing consumer purchase decisions within social media contexts. The study advises businesses to engage deeply with consumers and build trust, providing practical recommendations for navigating the evolving social media environment towards sustainable growth.

• 대한가정학회지
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• 제43권2호
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• pp.159-174
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• 2005

A comparison of students' media environments and media use patterns among Korean-Chinese in Yanji and Shenyang, Chinese students in Yanji and Korean students in Ulsan revealed significant differences. The research surveyed 3,241 students between 10-18 years old on their home media environments, media use patterns and social characteristics including achievement motivation and the locus of control. Korean children not only have more media in their homes, but they are also heavier users of computers and other media than the other two groups. Despite the lower rates of access to computers and other media at home, Korean-Chinese in Yanji reported more use of media including TV, VCRs and computers at the computer rooms than Chinese students in Yanji. Additional analyses revealed negative correlations between computer gaming at home and at computer rooms and achievement, internal locus of control and psychological and physical home environments. Impacts of Korea culture and societal changes on the Korean-Chinese use of media, and choice of media language were discussed.

• 한국콘텐츠학회논문지
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• 제22권4호
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• pp.337-351
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• 2022

소셜미디어의 전면적인 보급과 빠른 발전에 따라 소셜미디어 정보전파의 탈중심화 추세가 나날이 뚜렷해지고 있으며 수용자들이 소셜미디어 정보를 이용한 시간의 세분화가 뚜렷하게 진행되고 있다. 따라서 본 연구는 기존연구들을 바탕으로 소셜미디어의 가짜뉴스에 대한 태도, 사회자본, 위험인식 및 판별의도 간의 미치는 영향 관계를 연구하고자 하다. 이에 따른 연구모델은 관련한 연구가설을 제시하고 설문지를 구성하여 총 500건의 유효설문을 수집하였다. 자료 분석하기 위해 SPSS 26.0 프로그램과 AMOS 24.0 프로그램을 사용하였다. 연구결과는 다음과 같다. 첫째, 소셜미디어의 가짜뉴스 판별의도에 대한 이용자들의 태도가 적극적일수록 인터넷 정보의 진위성을 판별하기 위해 다양한 방식이나 도구를 활용하려 한다. 둘째, 소셜미디어 가짜뉴스에 대한 이용자의 태도가 적극적일수록 소셜미디어 가짜뉴스가 자신의 신체, 심리, 재무 등에 미치는 잠재적 위협을 인식할 수 있다. 아울러 자신의 위험인식을 높이고 소셜미디어 가짜뉴스에 대한 반펼의도가 높아진다. 셋째, 중국 이용자가 가진 사회자본이 풍부할수록 정보 소양이 강해지기 때문에 소셜미디어 가짜뉴스에 대한 판별의도도 강해진다. 넷째, 중국 이용자 가진 사회자본의 가치가 높을수록 가짜뉴스에 받은 피해를 더 크게 볼 수 있다고 판단하며, 자신의 이익을 보호하기 위해 가짜뉴스에 대한 위험의식이 높아진다. 다섯째, 중국 이용자가 소셜미디어에 의심한 정보를 인식하고 상응한 조치를 시실한 것을 의미하다.

• 경영과정보연구
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• 제35권1호
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• pp.1-22
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• 2016

한국의 외국인 근로자 문제는 1988년 서울 올림픽 이후 외국인 근로자수가 급증하면서 본격적으로 제기되기 시작하였다. 이들은 열악한 근무환경과 저임금, 임금체불, 문화적응 등으로 많은 어려움을 겪고 있다. 본 연구는 외국인 근로자들의 사회적 자본(사회적 네트워크 및 사회적 지원)과 미디어 이용(한국 및 중국 미디어)이 그들의 문화적응과 직무만족에 미치는 영향을 분석함으로써 이들을 고용하는 기업들과 이들을 지원하는 공익단체에 실무적 시사점을 주고자 한다. 본 연구의 목적달성을 위하여 중국인 근로자 273명(조선족 근로자 216명과 한족 근로자 57명)에 대한 설문조사를 근거로 하여 연구가설을 검증하고 이론적이고 실무적인 결과를 제시하고자 하였다. 본 연구를 통해 도출된 실증적 연구결과는 다음과 같다. 첫째, 외국인 근로자의 사회적 자본 중 모국인 네트워크, 한국인 네트워크, 가족지원 및 모국인 지원 등의 독립변수가 매개변수인 문화적응에 정의 (+) 영향을 미치는 것으로 나타났고, 또한 이들의 독립변수들은 직무만족에도 정의 (+) 영향을 미치는 것으로 나타났다. 둘째, 미디어 이용변수 중 한국 미디어는 문화적응과 직무만족에 모두 정의 (+) 영향을 미치는 것으로 나타났다. 셋째, 매개변수인 문화적응은 모국 네트워크와 직무만족의 관계, 그리고 한국인 네트워크와 직무만족 간의 관계에서 부분매개의 역할을 하는 것으로 나타났다. 또한 문화적응은 가족지원과 직무만족의 관계, 모국인 지원과 직무만족의 관계, 그리고 한국 미디어와 직무만족의 간의 관계에서 완전매개의 역할을 하는 것으로 나타났다. 본 연구의 결과는 사회적 자본과 한국 미디어 이용이 문화적응과 직무만족의 중요한 요인임을 확인시켜 주었으며, 문화적응의 변수가 중요한 매개요인으로 나타난 것은 외국인 근로자의 경우에, 문화적응이 매우 중요한 매개관계를 하고 있음을 각인시켜주고 있다.

• Journal of Contemporary Eastern Asia
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• 제17권2호
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• pp.147-175
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• 2018

Under authoritarian regimes, citizen-led NGOs such as environmental NGOs (ENGOs) often operate under close scrutiny of the government. While this presents a challenge to a single ENGO, we propose here - in line with existing research on network effects - that there are opportunities for multiple ENGOs to coordinate and thus work in ways that supersede government controls, affect public opinion, and contribute to policy revision and/or creation. In this paper, we specifically examine the possibility that the gamut of citizen-based ENGOs in China are coordinating. Based on network analysis of ENGOs web pages as well as interviews with more than a dozen ENGO leaders between 2014 and 2016, we find that ENGOs have few direct and public connections to each other, but social media sites and personal connections offline provide a crucial function in creating bridges. A closer examination of these bridges reveals, however, that they can be substantive to the environmental discussion or functional to the dissemination of web page information but typically not both. In short, ENGOs in China are not directly connected but rather are connected in a way that responds to the available social media and the government's censorship practices.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제16권8호
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• pp.2571-2586
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• 2022

The rapid popularity of government social media has generated huge amounts of text data, and the analysis of these data has gradually become the focus of digital government research. This study uses Python language to analyze the big data of the Chinese provincial government Weibo. First, this study uses a web crawler approach to collect and statistically describe over 360,000 data from 31 provincial government microblogs in China, covering the period from January 2018 to April 2022. Second, a word separation engine is constructed and these text data are analyzed using word cloud word frequencies as well as semantic relationships. Finally, the text data were analyzed for sentiment using natural language processing methods, and the text topics were studied using LDA algorithm. The results of this study show that, first, the number and scale of posts on the Chinese government Weibo have grown rapidly. Second, government Weibo has certain social attributes, and the epidemics, people's livelihood, and services have become the focus of government Weibo. Third, the contents of government Weibo account for more than 30% of negative sentiments. The classified topics show that the epidemics and epidemic prevention and control overshadowed the other topics, which inhibits the diversification of government Weibo.

• 미술이론과 현장
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• 제6호
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• pp.27-50
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• 2008

This thesis examines contemporary Chinese painting after the Cultural Revolution(1966~76), focusing upon so-called "Chinese Pop art", which I termed as "Socialist Pop art". I considered the art of this period within the broader context of social changes especially after the Tienanmen incident of 1989. After the Cultural Revolution during which idolization of Chairman Mao was at its peak, one of the major changes in communist China was that an anti-Mao wave was generated in almost every social class. For example, novels that revealed the hardships during the Cultural Revolution were published. Posters that openly criticized the Maoism were also produced and displayed on the walls, and demand for democracy spurred widespread activist movements among young generations. These broad social changes were also reflected in art. A variety of art movements were introduced from the West to China, and after a period of experimentation with the new imported styles, artists began to apply the new artistic idiom to their works in order to visualize their own social and political realities they lived in. It was a shift from earlier Socialist Realism to a new expression either directly or indirectly, "Socialist Pop", an amalgam of Socialist Realism and Pop art tradition. After the 1989 crackdown of Tienanmen Square protest, when communist government quelled with brutal measures the students, workers, and ordinary people who rose for democracy, greater urge to protest the Deng Xiaoping regime emerged. This time coincided with the gradual emergence of art using Pop art vocabulary to satirize the social reality, the Socialist Pop art, along with many other art forms all with avant-garde spirit. One of the most frequent subjects of Chinese Pop art was visual images of Chairman Mao and his Cultural Revolution, and new China that was saturated with capitalism, which tainted the Chinese way of life with a Western way of consumerism and commercialism. The reason for the popularity of Mao's image was spurred by the "Mao Craze" in the early 1990's. People suddenly began to fall in a kind of nostalgia for the past, and once again, Mao Zedong was idolized as an entity who can heal the problems of modern China who had been marching towards their ultimate destination, the economic development. But this time Chairman Mao was no more an idol but just a popular, commercial product. He is no more an object of worship of almost religious nature but he has become an iconography symbolizing the complex nature of present Chinese society. During this process of depicting the social reality, Chinese artists are making the authority and sanctity of Maoism ineffective. Dealing with this new trend of contemporary Chinese art in view of "Socialist Pop art" two manners of re-creating Pop art can be illustrated: one that incorporates the propaganda posters of the Cultural Revolution; the other borrows from Chinese traditional popular imagery or mass media, such as photos taken during Mao era. What is worth mentioning is that these posters and photos of the Cultural Revolution can be identified as 'popular' media, as they were directed to educate the popular mass, thus combination of this ingenuous pop media with Western Pop art can be fully justified as a genre unique to China. Through this genre, we can discover a new chapter of the Chinese contemporary painting and its society, as their Pop art can be considered as self-portraits true to their present appearances.

• 한국멀티미디어학회논문지
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• 제24권10호
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• pp.1425-1434
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• 2021

Lately, the mental issues of Chinese worldwide understudies have become an unavoidable examination issue. As per important explores in different nations, the level of discouragement inclination of Chinese understudies has been on the ascent. This examination utilizes the Bread cook Wretchedness Scale II to test the psychological condition of 249 Chinese understudies concentrating in South Korea. The outcomes show that Chinese understudies in South Korea likewise have a specific level of mental issues. The extent has reached 34.5% of the absolute number of Chinese understudies in South Korea. This exploration investigates the current circumstance dependent on the review results, and directs a top to bottom examination of the attributes of worldwide understudies in Korea. Simultaneously, it is recommended that mental treatment can be utilized to work on their psychological state. Through the pertinent inquiries for grounds mental directing administrations, it obviously presents the issues that Chinese global understudies face in South Korean grounds mental guiding, just as the school's improvement measures. Simultaneously, this examination consolidates the media SNS social stage, investigates existing issues, and proposes how schools can adequately construct a SNS stage at the degree of mental advising, just as the adapting techniques and systems for Chinese understudies dealing with mental issues.

• 경영과정보연구
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• 제34권1호
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• pp.191-209
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• 2015

Social Media 상의 Electronic word-of-mouth(eWOM)는 다양한 사업 경영에 있어서 핵심적인 마케팅 도구로 인식되고 있다. 환대산업에서는 이 Social Media eWOM를 이해하는 것은 잠재적 고객들에게 국제적으로 쉽고 빠르게 다가가는 핵심요인이라 볼 수 있다. 그러나 환대산업분야에서의 Social Media eWOM의 효율성을 국제적 관점에서 평가하는 실증 연구는 아주 부족한 실정이다. 환대산업시장의 경쟁적인 특성을 고려하면, 마케팅 종사자들은 Social Media eWOM의 효율성의 평가는 물론, 외국인 고객을 촉진하고 수익성을 증대하기 위한 문화적 요소에 의한 효과의 평가하여야 한다. 본 연구의 핵심 목적은 환대산업에서 Social Media eWOM가 문화적 가치에 영향력을 검증하는 것이다. 본 연구는 중국, 한국, 미국의 세 나라를 비교 하여 나라마다 Social Media eWOM에 관여하는 정도의 차이의 존재를 실증하였다. 본 연구는 환대산업 마케터에게 국제적 Social Media 마케팅 전략에 중요한 의미를 제공할 것이라 기대된다.