• 영어영문학
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• 제56권6호
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• pp.1339-1360
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• 2010

An analogical reading of socio-historical context of Harold Pinter's The Caretaker employs some postcolonial discursive analyses of postimperial British capitalistic interests in their post war reconstruction. It is also concerned with causes of so-called broken society. The Caretaker dramatizes minimal actions: a tramp is invited by the elder brother; a job as caretaker is offered; he is reluctant to accept the first offer by the elder brother, but is willing to the second by the younger; eventually, he is excluded because he makes noises while dreaming. These trivial actions produce serious and critical speech acts with their socio-historical implications. The tramp Davies is socially and thereby existentially excluded from the centre of the cold, banished to even colder peripheries. The audience face to the question. Why is Davies excluded? This study tries to answer the question, uncovering deep-rooted capitalistic racism, and reading its symptoms. Even after 50 years The Caretaker was staged, post-imperial broken society tries to operate the betrayals of disparity between the cause and effect of what has gone wrong. Pinter confirms that the action of the play takes place in a house in west London. With the city of London as its capitalistic centre, British imperialism lavished much of its wealth which has only served sectional interests dividing people against themselves. Pinter dramatizes the root of broken society. On the one hand, Pinter foregrounds the very general conflicts between individuals and forms of power; on the other hand, he underlies the very specific strategies of socio-historical exploitation, domination and exclusion.

• 영어영문학
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• 제56권4호
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• pp.719-751
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• 2010

While Lukacs advocated the progressive effect that Darwin's evolutionary theory had on Goethe and Balzac, he was convinced that the "influences of Nietzsche, Freud, or Spengler on the writers" of his own time were "devastating." He maintains that to the "'vacuous' reality" of bourgeois life, "the bourgeois writer counterposes 'the life of the soul,' which is 'alone decisive.' This life of the soul then becomes the centre of gravity, and sometimes the sole content of his portrayal." Naming this creative tendency psychologism, he warns against the danger of "depicting only the 'inner life,' and carrying on a more or less conscious education in the direction of political and social indifferentism, of ignoring and pushing aside the 'inessential,' 'external' struggles of the world, in favour of the 'life of the soul,' which is all that matters." However, Frantz Fanon's analysis of the psychology of the colonized in Black Skin, White Masks displays that after all, "the life of the soul" cannot be separated from the "external' struggles of the world." Pat Barker's Regeneration Trilogy, which criticizes the conduct of World War I by British leaders and the British society in general with its patriarchal, gender, and class repression by depicting the psychopathology of the shell shock victims of the same war amply shows the possibility of portraying the "external struggles of the world" through the in-depth probing into "the life of the soul" and finding political and social relevance in the process.

• 영어영문학
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• 제55권4호
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• pp.619-639
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• 2009

In his 1993 stage play, Arcadia, Tom Stoppard appropriates scientific theories to dramatize the difficulty in predicting the future and in describing the past. Arcadia tracks the archaeological efforts of two present-day literary critics, Hannah Jarvis and Bernard Nightingale, as they attempt to piece together the events that occurred at a large country house called Sidley Park, from 1809 to 1812. While employing a variety of historical and cultural references to the changes taking place in British landscape gardening around the early nineteenth century, the play also turns around the intuitive-romantic versus rational-classical dichotomy represented by Hannah, and present in its discussion of science and the recoverable/irrecoverable past. Stoppard's use of chaos theory as a metaphor for the difficulties faced by those involved in biographical/bibliographical literary research suggests that unsubstantiated assumption can result in the construction of its subject, rather than in its recovery. This paper explores the way in which Stoppard uses scientific concepts, particularly the chaos theory, as a metaphor for human life and behaviour, and how he successfully describes the dilemmas and contradictions of life in so doing. Influences from his famous British predecessors, George Bernard Shaw and Oscar Wilde, are evident, but Stoppard transcends both playwrights and crafts a dramatic style distinctively his own. The combination of wit, comedy, intellectual depth, intriguing ideas, literary allusions, scientific concepts, metaphors, and cultural references, all combine to make Arcadia a dramatic edifice that will stand the test of time.

• 영어영문학
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• 제56권5호
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• pp.931-946
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• 2010

This paper examines the role of gender ideology in early British and American detective fiction focusing on the female detectives. Since a detective's attributes honor and idealize such traditionally masculine qualities as independence, intelligence, heroism, and bravery, the woman detective fiction has potentiality to operate against the established gender norms. The narratives about women in pursuit of justice and order through their criminal investigation can allow women to possess the masculine rationality and power. The subversive possibility inherent in the woman detective fiction is, however, contained by the representation of the female detectives and the negotiation through narratives. A female detective is represented either as unfeminine and thus unattractive and unlikeable or as desperate for survival. Her threatening potentiality is easily dismissed as that of an inadequate woman or a desperate one. The compromise in narratives is effected by the following three ways: first, a female detective is assigned to investigate crimes as an assistant to the male detectives; second, staying within the domestic sphere, she solves crimes by using her expert knowledge of the domestic service; and third, her detective narrative ends with the conventional marriage plot. Confining the female detectives within the conventional feminine roles and domains, the woman detective fiction supports and reestablishes the dominant gender ideology.

• 아시아태평양코퍼스연구
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• 제1권1호
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• pp.31-60
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• 2020

This paper investigates changes in relativization in Singapore English broadsheet newspapers from 1993 to 2016. One of the first diachronic studies in Singapore English (SgE), it also explores corresponding data from the diachronic Siena-Bologna (SiBol) news corpus. As SgE is in the endonormative stabilization phase in Schneider's (2007) Dynamic Model of postcolonial Englishes, divergence from British English (BrE) is to be expected. In this study, the dataset is a new Singapore English Newspaper (SEN) corpus compiled from local news articles in 1993, 2005 and 2016, and the corpus tool employed is Sketch Engine. The results reveal changes in relativization practices in SEN over the given period, many of which occur in a similar pattern as those identified in SiBol, albeit at varying rates of change. Most significant of these include a sharp decline in the which relativizer in restrictive relative clauses with non-animate antecedents, complemented by a rise in that. The change has been so rapid that although which relative clauses were more common than that clauses in 1993, that has subsequently overtaken which for both the corpora. One shift in SEN that is different from SiBol is the increase in frequency of non-restrictive relative clauses in SgE. The likely motivators for the changes in the two varieties are identified as colloquialization, densification and prescriptivism. The effect each of these factors could have had on the varieties are discussed, as well as the implications that the findings have on our understanding of the evolutionary status of SgE as a postcolonial variety.

• 영어영문학
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• 제57권3호
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• pp.473-493
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• 2011

This paper aims, first, to trace the trajectory of Sebastian Barry's dramatic works in terms of retrieving the hidden (hi)stories of his family members, and second, to analyze his most successful play to date in both critical and commercial senses, The Steward of Christendom, in terms of the tension or even rupture between Irish national history and the dramatic representation of it. If contemporary Irish drama as a whole can be seen as an act of mirroring up to nation, Barry's is a refracting than reflecting act. Whereas modern Irish drama tends to have helped, however inadvertently, consolidate the nation-state by imagining Ireland through its other (either in the form of the British empire or the Protestant Unionist north), Barry's drama aims at cracking the surface homogeneity of Irish identity by re-imagining "ourselves" (a forgotten part of which is a community of southern Catholic loyalists). Furthermore, the "ourselves" re-imagined in Barry's drama is more fractured than unified, irreducible in its multiplicity than acquiescent in its singularity. The playwright's foremost concern is to retrieve the lives of "history's leftovers, men and women defeated and discarded by their times" and re-member those men and women who have been expunged from the imagined community of the Irish nation. This he does by endowing "every life" with "an after-life" and "every demon" with "a fairy tale." The Steward of Christendom is Barry's dramatic attempt to bestow upon the historically demonized Thomas Dunne, an Irish policeman in the British Empire, his fairy-tale redemption.

• 영어어문교육
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• 제17권4호
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• pp.313-337
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• 2011

The purpose of the study is to investigate the effectiveness of the cultural instruction based on the critical pedagogy through film. The participants were 21 college students enrolling 'Understanding American/British culture'class and the class was 15 week long. During class, they discussed and selected the cultural topics related to the movies, complete the research papers, and then gave presentations. The students' portfolio, which consists of the goal statements, research papers, and the reflective journals, was analyzed to investigate the effectiveness of the instruction. The results showed that the instruction was effective in five aspects. They are, 1)accumulation of the cultural knowledge, 2)better understanding of the target culture and its people, 3)acquisition of the critical perspectives toward the target and their own cultures, 4)teaching method, and 5)increase of the motivation for studying other cultures. The study suggested that the instruction should be applied to English-medium class with more advanced students.

• 비교문화연구
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• 제45권
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• pp.325-348
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• 2016

본 논문은 브렉시트 캠페인 기간 동안 영어권 국가, 영국, 미국, 캐나다, 그리고 호주의 미디어에서 이민자들이 어떻게 표현되는지 살펴본다. 코퍼스 지원 담화연구의 틀을 사용한 본 연구는 브렉시트 국민투표 캠페인이 시작된 날부터 국민투표가 실시되기 전 날까지(2016년 4월 15일-6월 22일) 검색기간으로 설정하고, 검색어 'Brexit'가 포함된 모든 기사를 수집하여 브렉시트 캠페인 코퍼스를 구축하였다. 수집된 코퍼스 자료를 통해서 이민자를 나타내는 어휘들, IMMIGRANT, MIGRANT, 그리고 REFUGEE의 빈도를 관찰하고, 이 어휘들과 함께 나타나는 연어를 분석하였다. 또한 세 어휘의 연어들을 사회적 행위자 범주에 따라 분류 및 분석하였다. 분석 결과, IMMIGRANT의 연어는 법적 상태 및 출신지역 어휘들과 연관성이 있고, MIGRANT는 경제적인 용어들과 주로 연어 관계에 있으며, REFUGEE는 큰 수를 나타내는 어휘와 관련성이 있는 것으로 나타났다. 그리고 이민자들은 기능범주, 유형범주, 그리고 평가범주를 통해서 묘사되며, 특히 영국과 미국의 미디어에서 이민자들이 부정적으로 그려지고 있는 것으로 관찰되었다. 본 연구를 통하여 특정 현상 및 특정 집단의 사람들을 가리킬 때 특정 어휘가 사용되며, 코퍼스 지원 언어분석이 해당 사회의 사회 문화 정치적 상황을 파악하는데 도움이 된다는 것을 확인할 수 있었다.

• 한국주거학회논문집
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• 제15권6호
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• pp.57-65
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• 2004

This paper has attempted to analyze the site planning theories of Raymond Unwin (1863-1940), who is called the father of British town planning. A prominent contribution of his was to establish both the site planning of garden suburb and urban housing style in British type. Here it attempts to analyze how he greatly and firmly established the concept of Housing Group, and how he got this the concept from the life and spatial composition of villages. It could be pointed out that the main factors of the Unwin theory are social mixture, creation of community consciousness and informal landscape design, and that the small enclosed space with plenty of amenity is his main theme. It is pointed out that the Unwin theory is composed of recognizing urban life as totality, and group planning theory, and that he definitely originated a new technique: Housing Group. It is analyzed that the syntactic relations between the group planning theory and housing designs in the English garden suburbs are epitomized in Hampstead Garden Suburb, Middlesex.

• 인지과학
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• 제24권3호
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• pp.203-235
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• 2013

본 연구의 목적은 선행 연구에서 보고된 영어 모국어 아동의 굴절형태소 습득 과정을 대규모 언어습득 데이터베이스를 활용하여 검증하는 것이다. 이를 위해, 우리는 CHILDES(Child Language Data Exchange System) 데이터베이스에 등장하는 1-7세 영국 및 미국 아동 1,630명이 발화한 470만 어절 말뭉치를 대상으로 굴절형태소의 발달 과정을 분석하였다. 본 논문에서는 동사의 현재분사 -ing, 과거형 -(e)d, 형용사의 비교/최상급 -er/est 등의 형태소에 대해 어휘 유형(Type)과 사례(Token) 빈도, 전체 사례(Token)에 대한 유형(Type) 비율인 TTR(Type per Token Ratio), 어휘 다양성 척도인 Lexical Diversity(D) 값을 구하여 이를 국가 및 연령별로 비교, 분석하였다. 그 결과, 굴절형태소별로 연령과 D 값의 상관관계가 다르게 나타났다. 특히, 현재분사 -ing와 D 값 사이에는 주목할 만한 상관관계가 나타나지 않은 반면, 과거형 -(e)d의 경우 양의 상관관계 경향성이 보였고, 비교/최상급 -er/-est는 유의미한 상관관계를 보였다. 이는 현재진행형이 과거형보다 먼저 습득된다고 보고한 Brown(1973)의 견해를 지지한다. 다음으로, 과잉일반화에 따른 오류 표현이 2-3세 사이에 많이 나타나면서 U자형 발달 양상을 보였다. 과잉일반화도 현재분사보다 과거형에서 많이 나타났는데, 이것 또한 현재분사가 과거형보다 일찍 습득된다는 주장을 지지한다. 영국과 미국 아동의 연령별 굴절형태소 사용 양상을 비교한 결과, 미국 아동의 D 값이 영국 아동보다 높았다. 이는 미국 아동이 영국 아동보다 더 많은 어휘 유형에 대해 굴절형태소를 사용했음을 의미한다. 본 연구는 소수의 아동을 대상으로 수행된 선행 연구의 다양한 논점을 대규모 데이터베이스로 검증하고, CHILDES 코퍼스를 효율적으로 분석하는 연구 방법론을 제안했다는 점에서 의의가 있다.