• Title/Summary/Keyword: Bon-jung

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${\ll}$황제내경(黃帝內經)${\gg}$ 의 표본(標本) 의미에 대한 분석적(分析的) 연구(硏究)

  • Kim Jung-Han;Kim Dong-Gwan
    • Journal of Korean Medical classics
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    • v.13 no.1
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    • pp.17-43
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    • 2000
  • This study on the conception of Pyo Bon expressed in Hwang Jae Nai Kyung was summarized as follows: 1. The conception of Pyo Bon in the Yi Jung Byun Gi Lon(移精變氣論) and Tang Eak Yo Le Lon(湯液료醴論) of So Moon(素問) is that Pyo means the doctor and Bon means the disease. The Pyo Bon of this chapter has a meaning of time, namely first and last. 2. The conception of Pyo Bon in the Soo Yul Hyul Lon(水熱穴論) of So Moon is that Pyo means the lung and Bon means the kidney. The Pyo Bon of this chapter has a meaning of space, namely the upper and lower sides. 3. The conception of Pyo Bon in the Pyo Bon Byung Jun Lon(標本病傳論) of So Moon is that Pyo means a earlier disease and Bon means a later disease. The Pyo Bon of this chapter has a meaning of time, namely first and last. 4. The conception of Pyo Bon in the Chun Won Gi Dae Lon(天元紀大論), Yug Mi Ji Dae Lon(六微旨大論) and Ji Jin Yo Dae Lon(至眞要大論) of So Moon is that Pyo means a Yug Gi(六氣), namely wind, cold, heat, dampness, dryness, fire and Bon means a Sam Eum Sam Yang(三陰三陽), The Pyo Bon of this chapter includes a meaning of time and space. 5. The conception of Pyo Bon in the Sa Jun(師傳) of Yung Chu(靈樞) is that Pyo means a inside of the body and Bon means a outside of the body. The Pyo Bon of this chapter a meaning of space, namely the inside and outside. 6. The conception of Pyo Bon in the Wi Gi(衛氣) of Yung Chu is that Pyo means the end of limbs and Bon means the part of head, face, chest, abdomen, back. The Pyo Bon of this chapter has a meaning of space, namely center and circumference.

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A Study of Representation of Jong-no and Bon-jung in Modern Boy and Assassination : Focusing on the Post-colonialism (<모던보이>와 <암살>의 본정과 종로 재현 연구 -탈식민주의를 중심으로-)

  • Chin, Su-Mee
    • The Journal of the Korea Contents Association
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    • v.19 no.7
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    • pp.234-245
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    • 2019
  • In this paper, I examined the representation of post-colonialism focusing on the spaces in Modern Boy and Assassination. These movies represented Bon-jung and Jong-no as a mixed-residence quarter, over the dual city theory, the orthodoxy of geography. It can be interpreted as the birth of a hybrid subject in post-colonialism. The representation of Bon-jong in Modern Boy was centered around Mitsukoshi Department Rooftop Garden, Namsan Music Center and Myeongdong Cathedral. The representation of Bon-jung in Assassination was centered around Anemone Cafe and Mitsukoshi Department Store. Set in the history of the new building the Japanese Government General of Korea in Jong-no, Modern Boy used it as a place of struggle. The representation of Jong-no in Assassination was centered around the mansion of Kang In-kuk, a pro-Japanese collaborator. Modern Boy and Assassination showed the post-colonialism that breaks through modern binary oppositions by a 'female' national heroine. describing Bon-jung as both a mixed-residence quarter and the original home of post-colonialism movement, they also showed a different aspect from the existing Kyung-sung representations.

The study of a Process to Sasang Constutitional Pathology about Gyemagakban-tang (계지마황각반탕(桂枝麻黃各半湯)의 사상체질(四象體質) 병증용약(病證用藥)에 관한 연구(硏究))

  • Kim, Jung-Ju;Park, Seong-Sik
    • Journal of Sasang Constitutional Medicine
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    • v.17 no.1
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    • pp.25-32
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    • 2005
  • 1. Objectives There are two kind of ${\ulcorner}$Dongyi Suse Bowon${\lrcorner}$ and ${\ulcorner}$ShinchukBon${\lrcorner}$ These books are similar each other, and there are difference from the contents of books. Among them we studied the sentence of Gyemagakban-tang between ${\ulcorner}$GaboBon${\lrcorner}$ and ${\ulcorner}$ShinchukBon${\lrcorner}$ of ${\ulcorner}$Dongyi Suse Bowon${\lrcorner}$2. Methods The study is to compare to ${\ulcorner}$GaboBon${\lrcorner}$ and ${\ulcorner}$ShinchukBon${\lrcorner}$ on the basis of texts of ${\ulcorner}$Dongyi Suse Bowon${\lrcorner}$. 3. Results 1) We can see that Lee Je-Ma was trying to cure Soeumin by the treatment of ascent and grow up Yang(陽) and Ki(氣) as seen in the text of Gyemagakban-tang. 2) We can see that Lee Je-Ma considers sweating as the symptom of Taeumin and evacuating of stools as the symptom fo Soyangin in the text of ${\ulcorner}$GaboBon${\lrcorner}$ 3) We can see fever in the text of Gyemagakban-tang is the fundamental of the pathology of Soyangin. 4. Conclusions In addition more bliolographic study, clinical investigation will be needed.

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Case of Monocular Partial Oculomotor Nerve Palsy in a Patient with Midbrain and Thalamus Hemorrhage (중뇌 및 시상 출혈 환자에 나타난 단안의 부분 동안신경마비 증례보고)

  • Rhee, Jae-Hwa;Kim, Young-Eun;Kim, Il-Wha;Lee, Key-Sang;Lee, Seung-Geun
    • Journal of Physiology & Pathology in Korean Medicine
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    • v.24 no.2
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    • pp.333-337
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    • 2010
  • A 51-year-old man developed diplopia while driving. The brain CT film demonstrated a hemorrhage in the left midbrain and thalamus. On our first diagnosis after 8 days from onset, partial ptosis and limitation of adduction in the left eye were detected. We evaluated that the patinet's digestive system was weak, so that treated the patient with Bojungikki-tang and Sa-am acupuncture Bi-Jung-Geouk(脾正格). As a result, limitation of adduction was recovered to about 90% of normal range and Ptosis was recovered just likely with the normal eye.

A Study on the Pyo-bon(標本) concept based on the verse "The Principal and secondary aspects must first be decided(標本須明後先)." in the Sanghan(傷寒) Chapter of "Yixuerumen(醫學入門)" ("의학입문.상한편(醫學入門.傷寒篇)"의 "표본수명후선(標本須明後先)" 조문(條文)에서 나타난 삼음삼양병(三陰三陽病)의 표본(標本) 개념에 대한 고찰)

  • Shin, Sang-Won;Jeong, Chang-Hyun;Baik, You-Sang;Jang, Woo-Chang
    • Journal of Korean Medical classics
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    • v.25 no.1
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    • pp.1-16
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    • 2012
  • "Yixuerumen" is a comprehensive medical text published in the Ming-dynasty by Li Chan(李梴). In this text, Sanghan(傷寒, cold damage) is categorized among external contraction(外感) with much emphasis. The subject of this study is the verse "The Principal and secondary aspects must first be decided." and its annotations in the in the Sanghan chapter of "Yixuerumen". The complex theoretical structure of this verse was firstly analyzed, together with the historical background of how and why Li Chan adopted this concept. The Pyo-Bon concept is the contrast between phenomena(標) and its underlying source of motivation(本). The methodology for this study was to compare and analyze this main verse with contents on Sanghan and Un-gi(運氣) within the text, while reviewing historical theories explaining the physiology and pathology of the human body in terms of the Pyo-bon(標本) concept. As a result, we discovered that the Pyo-bon(標本) concept used in the aforementioned verse of "Yixuerumen" matches the Three Eum Three Yang(三陰三陽)-標本中氣(pyo-bon-jung gi)-gi transformation(氣化) theory of Un-gi(運氣). Li Chan created the connecting link in understanding the Three Eum Three Yang diagnosis system through the viscera/bowels theory(臟腑論) by adopting the Three Eum Three Yang(三陰三陽)-標本中氣(pyo-bon-jung gi)-gi transformation(氣化) theory from Un-gi. Li's work lead to several changes in the field of Sanghan. First, Li understood the disease pattern of Sanghan by using the accumulated knowledge of the viscera/bowel theory during the Jin-Yuan dynasty, and developed a medical perspective that observes the disease pattern based on the body's essence gi(精氣). Second, he set the category of the Sanghan-Three Eum Three Yang disease pattern, establishing a separate guideline. Third, by adding knowledge of herbs to the accumulated knowledge of the viscera/bowel theory, the process of diagnosis and herbal application were made explicable. On the other hand, in the process of interpreting the 三陰三陽 diagnosis system with viscera/bowels theory, theoretical inconsistencies appeared, of which Li tried to mend by several means. The results of the research on "Yixuerumen(醫學入門) the Sanghan chapter(傷寒篇)" calls for further studies, as it has effected both "Dongeuibogam(東醫寶鑑) the Sanghan part(寒門)" and "Dongeuisoosebowon(東醫壽世保元)" as well.

A research on the medical theory of Choo-Joo(鄒澍) -- (추주(鄒澍)의 의학사상(醫學思想)에 대한 연구(硏究) [약리설(藥理設)을 중심(中心)으로])

  • Lim, Jin Seok;Park, Chan Kuk
    • Journal of Korean Medical classics
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    • v.9
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    • pp.381-429
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    • 1996
  • Choo-Joo(鄒澍;1790-1844) was the medicine scholar who lived in the late peroid of the Chung-Dynasty and wrote "Bon-Kyung-So-Jeung(本經疏證)", "Bon-kyung-Sok-So(本經續疏)", "Bon-Kyng-Seo-So-Yo(本經序疏要)". In the books mentioned above, He annotated the chief effectiveness of herbal medicine(本草) which had been presented on "Shin-Nong-Bon-Cho-Kyung(神農本草經)" and "Myoung-Eui-Byul-Lok(名醫別錄)". He defined medical action of 315 herb-items with the many theories of various scholars. Scholars whom Choo-Joo has qoutated belong to the school of study of Chinese classics, and they have regarded "Hwang-Je-Nae-Kyung(黃帝內經)", "Shin-Nong-Bon-Cho-Kyung(神農本草經)" and "Sang-Han-Lon(傷寒論)" as great important cannon and have lived during the Myoung Chung Dynasty. The distinctive character of Choo-Joo belongs to similar academic traditions. It seems that he was appected mainly by "Bon-Cho-Gang-Mok(本草綱目)" written by Lee-Si-Jin(李時珍), Mok-Jung-Soon(繆仲淳)'s "Sin-Nonng-Bon-Cho-Kyung-So(神農本草經疏)", You-Yak-Guem(劉若金)'s "Bon-Cho-Sul(本草述)" and Yang-Si-Tae(楊時泰)'s "Bon-Cho-Sul-Gu-Won(本草述鉤元)". He contributed in two big sides. First, Choo-Joo(鄒澍) have achieved much contribution in biliographical study of Chinese classics(考證學). He analyzed the medical theory of herb-medicine, combining with "Nae-Kyung(內經)", "Sang-Han-Lon(傷寒論)" and many theory of various scholars in order to make research on the chief effectiveness that had been presented in "Shin-Nong-Bon-Cho-Kyung(神農本草經)". Therefore the practical application of medical theory and term which had been represented on classics were offered. Secondary, Choo-joo did great accomplishment in pharmacology. The point of his theory was grasping the effect of a medicine through distinctive one beyond general feature. He set up standards that grasp distintive feature as form, color, energy and taste, place of production and temper. And on the basis of these standards he investigated distinctive feature on various fields, then he induced 'the Uem-Yang-0-Haeng Theory(陰陽五行說)' from distictions. According to the these method of classification, form(形) stand for the resultant shape of herbal function, color(色) represent the active direction of herb, energy and taste(氣味) imply the ultimate active function of herb, the place of production(産地) and the period of occurrence(發生時期) symbolize symptoms. When he applied these method to seek for effetiveness, he regarded the field which revealed most representative feature as of great importance, and Combining remained distinctions with one another, he determined more accurate medicinal value. These method of obsevation solved contradiction which occured by equaly appling all medical herbs for the regular standard. The most important theory that represented in Choo-Joo(鄒澍) is to induce and to certify the distintive feature of herb into the 'Uem-Yang-0-Haeng Theory'. That is, concluded as "spring(生), growing(長), change(化), collecting(收) and storing(藏)". As the results of these studies, he made clear the action of medicine more concretly and made 'the Uem-Yang-0-Haeng Theory(陰陽五行說)' more concret and actual for applying. And he contrbuted to establish the standard for grasping the effect of medicines.

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Classification of Entries in Bon-cho-kang-mok (Ben Cao Gang Mu) -I. Entries in the Part of Herbs- (본초강목 수재생약의 식물분류학적 고찰-I -초부편-)

  • Sung, Jung-Sook;Suh, Kang-Tae;Moon, Sung-Gi;Lee, Chung-Kyu
    • Korean Journal of Pharmacognosy
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    • v.26 no.3
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    • pp.276-306
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    • 1995
  • The plant entries in the part of herbs in Ben Cao Gang Muwas classified according to the protocols of Engler and other botanists. Total numbers of plant written in chinese names were 635. Among them only 432 entries were able to be classified by elucidation of several references. They were classified as eight Divisions, 13 Classes, nine Subclasses, 60 Orders, 38 Suborders, 119 Families, 304 Genera, 377 Species with 25 Varieties and one Forma. According to the category of division, the Angiospermae was the largest group of 94 Families, 276 Genera, 348 Species, 24 Varieties and one Forma, whereas only one Genus and one Species belonged to Fungi and the Gymnospermae. Other 203 entries were unable to be classified because of their ambiguities in name.

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