• 제목/요약/키워드: Background Music

검색결과 233건 처리시간 0.025초

Comparative Study using EEG between Music Major Group and Non-major Group

  • Jeong, Su-Yeon;Lee, Hyeseung;Lee, Naesun;Choi, Doo-Hyun
    • 대한인간공학회지
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    • 제32권5호
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    • pp.421-427
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    • 2013
  • Objective: This paper is to analyze the impact of musical training to the fast ${\alpha}$ wave activation of the EEG. Background: EEG is neurological research method that can observe the brain function in real time. EEG can be used to determine the nervousness and relaxedness of a person who receives stimuli in a structured environment. Therefore, it is possible to interpret the functional state of human brain by the analysis of EEG. Method: The brain activities of two groups of university students in the point of RFA(Relative Fast Alpha) caused by different music are analyzed in this paper. One is the group of music majors and the other is the group of non-majors. Results: Music major and non-major groups show meaningful differences in RFA during exposed to classic and metal music. Conclusion: Learning experience on music affects RFA increment of music majors. Application: The result of this study will be used as basic data to evaluate the learning effects of students who want to study music.

Effect of Music Training on Categorical Perception of Speech and Music

  • L., Yashaswini;Maruthy, Sandeep
    • Journal of Audiology & Otology
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    • 제24권3호
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    • pp.140-148
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    • 2020
  • Background and Objectives: The aim of this study is to evaluate the effect of music training on the characteristics of auditory perception of speech and music. The perception of speech and music stimuli was assessed across their respective stimulus continuum and the resultant plots were compared between musicians and non-musicians. Subjects and Methods: Thirty musicians with formal music training and twenty-seven non-musicians participated in the study (age: 20 to 30 years). They were assessed for identification of consonant-vowel syllables (/da/ to /ga/), vowels (/u/ to /a/), vocal music note (/ri/ to /ga/), and instrumental music note (/ri/ to /ga/) across their respective stimulus continuum. The continua contained 15 tokens with equal step size between any adjacent tokens. The resultant identification scores were plotted against each token and were analyzed for presence of categorical boundary. If the categorical boundary was found, the plots were analyzed by six parameters of categorical perception; for the point of 50% crossover, lower edge of categorical boundary, upper edge of categorical boundary, phoneme boundary width, slope, and intercepts. Results: Overall, the results showed that both speech and music are perceived differently in musicians and non-musicians. In musicians, both speech and music are categorically perceived, while in non-musicians, only speech is perceived categorically. Conclusions: The findings of the present study indicate that music is perceived categorically by musicians, even if the stimulus is devoid of vocal tract features. The findings support that the categorical perception is strongly influenced by training and results are discussed in light of notions of motor theory of speech perception.

Effect of Music Training on Categorical Perception of Speech and Music

  • L., Yashaswini;Maruthy, Sandeep
    • 대한청각학회지
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    • 제24권3호
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    • pp.140-148
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    • 2020
  • Background and Objectives: The aim of this study is to evaluate the effect of music training on the characteristics of auditory perception of speech and music. The perception of speech and music stimuli was assessed across their respective stimulus continuum and the resultant plots were compared between musicians and non-musicians. Subjects and Methods: Thirty musicians with formal music training and twenty-seven non-musicians participated in the study (age: 20 to 30 years). They were assessed for identification of consonant-vowel syllables (/da/ to /ga/), vowels (/u/ to /a/), vocal music note (/ri/ to /ga/), and instrumental music note (/ri/ to /ga/) across their respective stimulus continuum. The continua contained 15 tokens with equal step size between any adjacent tokens. The resultant identification scores were plotted against each token and were analyzed for presence of categorical boundary. If the categorical boundary was found, the plots were analyzed by six parameters of categorical perception; for the point of 50% crossover, lower edge of categorical boundary, upper edge of categorical boundary, phoneme boundary width, slope, and intercepts. Results: Overall, the results showed that both speech and music are perceived differently in musicians and non-musicians. In musicians, both speech and music are categorically perceived, while in non-musicians, only speech is perceived categorically. Conclusions: The findings of the present study indicate that music is perceived categorically by musicians, even if the stimulus is devoid of vocal tract features. The findings support that the categorical perception is strongly influenced by training and results are discussed in light of notions of motor theory of speech perception.

3 Days of Peace & Music & Fashion : A History of Festival Dress from Woodstock to Coachella

  • Divita, Lorynn
    • International Journal of Costume and Fashion
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    • 제16권1호
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    • pp.71-85
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    • 2016
  • Since their emergence in the 1960s, music festivals have attracted young people the world over with similar tastes, attitudes and styles. Now a worldwide phenomenon, music festivals such as Glastonbury in England, Primavera Sound in Barcelona, Spain and Pentaport Rock Festival in Incheon, South Korea draw hundreds of thousands of attendees from around the world and have become a major event not only for music fans, but for trend forecasters who now chronicle what has come to be known as "festival fashion", which has several distinctive style markers. This paper provides a historical background of festival fashion, examines the phenomenon using fashion theory and discusses the controversies facing the music festival and festival fashion, in particular the role that sponsorship from major corporations currently plays as advertisers who want to get their products into the hands of influential festival attendees and allegations of cultural appropriation on the part of attendees. In conclusion, the future of music festivals and festival fashion as a category is examined.

Mickey Mousing Technique for the Unique Expression of Music in Nature Documentaries

  • Kim, Hyung-Jin;Um, Kang-iL
    • International journal of advanced smart convergence
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    • 제9권4호
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    • pp.86-95
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    • 2020
  • There is a unique method of musical expression in the nature documentary. The expression method is Mickey Mousing technique, which expresses the movement of animals with music. The Mickey mousing technique can also be used in other types of documentaries, but it is most prominently used in nature documentaries. The Mickey Mousing technique cannot be used in any field other than music composition, because the composer should describe the movement of animals by playing music to match the animal's movements exactly. It is also because they have to play the instrument separately according to the sound source. In this study, we examined the nature documentaries broadcast by KBS over the last five years and analyzed the cases of Mickey Mousing technique. Therefore, we obtained research results that the Mickey Mousing technique is necessary and that the music composition is also necessary as a background music of nature documentaries.

Perspectives of Medical Oncologists regarding Music Therapy for Patients with Cancer in Turkey - Can Musicology be Integrated into Psycho-oncology?

  • Tanriverdi, Ozgur;Aydemir, Nil Fatma
    • Asian Pacific Journal of Cancer Prevention
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    • 제14권11호
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    • pp.6537-6540
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    • 2013
  • Background: Music therapy is a common complementary and alternative therapy in addition to medical treatment for patients with cancer. If music therapy, which is known has a positive effect on human emotions and behaviors, is a useful additional therapy, it should be more integrated into pyscho-oncology. In this study, we aimed to determine medical oncologist attitudes to music therapy for patients with cancer and knowledge about musicology and music therapy in Turkey. Materials and Methods: This survey study included questions about participant attitudes and knowledge regarding music therapy as well as demographic characteristics. The population of the study were 402 physicians working in medical oncology in Turkey and the sample covered 112 participants in the the survey. For statistical analyses the chi-square test, Fischer exact test, and Mann-Whitney U analysis are applied. Results: In our study the rate for medical oncologists who were interested in music therapy was 28% (n=112). Some 30% (n=34) of medical oncologists recommended music therapy for their patients and 55% (n=61) recommended music therapy to prevent anxiety in patients with cancer. Conclusions: In this study, for more harmony with patients and in order to ensure management of adverse effect, it was concluded that music therapy should be regrded as an additional therapy in oncology clinics.

럭셔리 vs. 비(非)셔리 브랜드의 광고에서 배경음악 내 적합도가 브랜드 기억에 미치는 영향 (The Effect of Fit in Background Music on Brand Memory for Luxury vs. Non-luxury Brand Advertising)

  • 민동원
    • 디지털융복합연구
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    • 제16권12호
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    • pp.147-152
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    • 2018
  • 선행문헌들은 사람들이 럭셔리 브랜드에 대해 非럭셔리 브랜드보다 추상적으로 아이덴티티를 형성하며, 브랜드 처리에 있어 적합의 영향을 많이 받음을 보여왔다. 본 연구는 럭셔리 브랜드에 대해 非럭셔리 브랜드 광고에 있어 실행단서 내의 적합 vs. 非적합이 브랜드의 기억에 미치는 영향을 살펴보았다. 특히 음악에 주목하여 배경음악과 사운드 로고가 적합하거나 그렇지 않은 조건에서 피험자들이 브랜드를 얼마나 잘 기억하는 지 살펴보았는데, 럭셔리 브랜드 광고에서 적합의 긍정적 영향이 강하게 나타났다. 이 같은 결과는 실행단서와 브랜드 이미지나 실행단서 간 적합 뿐 아니라 실행단서 '내'에서의 적합 또한 긍정적 영향력이 있음을 보여준다는 데에서도 의미가 있다. 본 연구는 이 같은 결과를 바탕으로 학문적 및 시사점을 제안하였다.

한국전통음악의 음악적 요소가 정서반응에 미치는 영향 (Effects of Musical Elements in Korean Traditional Music on Affective Responses)

  • 장인종
    • 한국콘텐츠학회논문지
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    • 제9권3호
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    • pp.152-163
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    • 2009
  • 본 연구에서는 한국 전통음악의 음악적 요소들이 각각 어떠한 정서를 유발하는가를 기분반응검사를 통하여 조사하였다. 조사 결과, 장단조선법, 템포, 음색, 수직텍스쳐의 두께와 수평텍스쳐의 밀도는 특정한 정서를 유발하는 효과가 있는 반면, 평조와 계면조로 구분되는 전통 선법은 정서반응에 미치는 영향이 거의 없는 것으로 드러났다. 또한 전통적인 국악보다는 현대에 창작된 국악이 일정한 정서반응을 이끌어 내는데 효과적인 것으로 나타났다. 서양음악과 마찬가지로 한국 전통음악 역시 음악적 요소에 따라 감성 반응을 유발해내며 이러한 특성은 배경음악, 광고음악, 음악치료 등 다양한 분야에 응용될 수 있을 것이다.

하모닉 정보를 이용한 SAOC의 보컬 신호 제거 방법에 관한 연구 (A Study on Vocal Removal Scheme of SAOC Using Harmonic Information)

  • 박지훈;장대근;한민수
    • 한국멀티미디어학회논문지
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    • 제16권10호
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    • pp.1171-1179
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    • 2013
  • IAS는 대게 사용자가 자신의 취향에 맞는 음악을 직접 제작 및 편집 가능한 기능을 제공하는 서비스이다. SAOC는 낮은 전송률로 IAS가 가능한 다객체 오디오 코딩 기술이다. 하지만 SAOC 기법은 특정 객체를 제거하는 경우, 특히 보컬 객체를 제거하는 경우 배경음악에 보컬 객체의 하모닉이 남아있는 문제점이 있다. 그래서 본 논문은 하모닉 추출과 제거를 사용한 보컬 객체 제거 기법을 제안한다. 제안 하는 기법은 부호화기에서 추출한 하모닉 정보를 이용하여 복호화기에서 보컬 객체 신호를 다운믹스 신호에서 제거하는 기법이다. 하모닉 정보로써, 기본 주파수, MVF, 하모닉 크기를 사용한다. 성능평가로 객관적, 주관적 실험을 수행하였으며 모든 실험 결과를 통해 SAOC 기법보다 제안하는 기법이 우수함을 확인한다.

음악의 화음 전개 수준에 따른 감상자의 정서 지각 연구 (A Study on the Listener's Emotional Perception of Music According to Harmonic Progression Level)

  • 유해인;최진희;정현주
    • 인간행동과 음악연구
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    • 제19권1호
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    • pp.93-112
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    • 2022
  • 본 연구의 목적은 화음의 전개 수준에 따라 감상자가 지각하는 정서 차이를 비교하는 데 있다. 만 19세-29세 사이 음악 전공자 73명, 음악 비전공자 71명의 성인 144명을 대상으로, 조성(장조-단조)과 화음 전개 수준(낮음-높음)이 서로 다른 총 네 가지의 음악을 온라인으로 제공하여 실험을 진행하였다. 연구 참여자들은 각 음악에 대해 정서적 역동감, 각성, 화음이 감정에 영향을 미치는 수준, 선호도의 총 네 가지 항목을 리커트 7점 척도로 평가하였다. 연구 결과, 첫째, 화음 전개 수준과 조성에 따라 감상자가 지각하는 정서적 역동감, 각성, 화음이 감정에 영향을 미치는 수준, 선호도에서 유의한 차이가 있었다. 둘째, 전공 배경을 기준으로 하여 음악 전공자와 음악 비전공자로 그룹을 나누고 화음의 전개 수준 차이에 따른 그룹 간 정서 지각을 분석하였을 때, 정서적 역동감에서 그룹 간 유의한 차이가 나타났으나, 각성, 감정에 영향을 미치는 수준, 선호도에서의 그룹 간 상호작용 효과는 유의하지 않은 것으로 나타났다. 결론적으로 본 연구는 조성, 감상자의 외생 변인을 통제하여 제공한 음악에서 화음의 전개 수준에 따른 감상자의 다양한 정서 반응의 차이를 확인할 수 있었다. 본 연구에서 도출된 결과는 내담자의 필요에 따른 음악 선곡 시, 화음의 전개 수준을 다르게 제공하는 기초자료로 활용될 수 있을 것으로 기대된다.