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Effect of Music Training on Categorical Perception of Speech and Music

  • L., Yashaswini (Department of Audiology, All India Institute of Speech and Hearing) ;
  • Maruthy, Sandeep (Department of Audiology, All India Institute of Speech and Hearing)
  • Received : 2019.12.20
  • Accepted : 2020.04.17
  • Published : 2020.07.20

Abstract

Background and Objectives: The aim of this study is to evaluate the effect of music training on the characteristics of auditory perception of speech and music. The perception of speech and music stimuli was assessed across their respective stimulus continuum and the resultant plots were compared between musicians and non-musicians. Subjects and Methods: Thirty musicians with formal music training and twenty-seven non-musicians participated in the study (age: 20 to 30 years). They were assessed for identification of consonant-vowel syllables (/da/ to /ga/), vowels (/u/ to /a/), vocal music note (/ri/ to /ga/), and instrumental music note (/ri/ to /ga/) across their respective stimulus continuum. The continua contained 15 tokens with equal step size between any adjacent tokens. The resultant identification scores were plotted against each token and were analyzed for presence of categorical boundary. If the categorical boundary was found, the plots were analyzed by six parameters of categorical perception; for the point of 50% crossover, lower edge of categorical boundary, upper edge of categorical boundary, phoneme boundary width, slope, and intercepts. Results: Overall, the results showed that both speech and music are perceived differently in musicians and non-musicians. In musicians, both speech and music are categorically perceived, while in non-musicians, only speech is perceived categorically. Conclusions: The findings of the present study indicate that music is perceived categorically by musicians, even if the stimulus is devoid of vocal tract features. The findings support that the categorical perception is strongly influenced by training and results are discussed in light of notions of motor theory of speech perception.

Keywords

Acknowledgement

We would like to thank the All India Institute of Speech and Hearing, Mysuru, for providing the necessary infrastructure and facilities to carry out the research. We would extend our sincere gratitude to all the participants of the study for their time and cooperation. No external source of funding was received to carry out the study.

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