• Journal of the Korean Institute of Landscape Architecture
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• v.27 no.4
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• pp.108-121
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• 1999

Creative spatial production in Environmental design relies, in large part, on the artistic talent of the designer(s) that is applied to the design solutions or schematic plans. This study proposes the importance and necessity of the use of 'Plastic Arts" or the technique of artistic manipulation and definition of space in Environmental Design studio programs. This fundamental design approach is currently lacking in Korean design studio programs. Moreover, the current trend of interdisciplinary design (that is, between landscape architecture, architecture, urban and environmental planning) emphasizes the importance of such techniques. "plastic Arts" techniques can serve as a basic code of communication between design disciplines and can in itself be a common approach. The method of this study is based on the empirical datas, that is, the educational performances which are executed in Landscape studio programs of some Korean Universities. The results are summarized as follows; 1. The program, "Plastic Arts" Should be included in the basic organization of Landscape design studio programs. 2. Unlike France where "Plastic Arts" program is implemented through out Landscape Architecture programs in Korea, "Plastic Arts" should be intensified and continued for longer period of time for students in the initial years. 3. In creation of "Plastic Arts" programs for Korean Landscape Design studios, the traditional and contemporary values of aesthetic of the Nature should be taken in consideration. 4. In order to confirm the necessity of "Plastic arts" program in the organization of landscape curriculum, more studies should be done, with empirical datas.pe curriculum, more studies should be done, with empirical datas.

• Journal of the Korean Society of Clothing and Textiles
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• v.45 no.3
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• pp.546-558
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• 2021

As consumers' demand for corporate social responsibility (CSR) has increased, luxury fashion brands have been providing support for arts and culture as CSR activities. The purpose of this study is to examine patronage of arts and culture as corporate philanthropy and to analyze the motives luxury fashion brands have for supporting arts and culture. The study investigates patronage of arts and culture through literature reviews and conducts case studies of luxury fashion brands' patronage. The results of the analysis are as follows: first, patronage based on public interest reduces the social costs of arts and culture and helps to create aesthetic experiences for the public; second, sustainable patronage is not only priceless PR for luxury fashion brands, it also supports the development of arts and culture; third, authentic patronage obviates the criticism that luxury fashion brands only support arts and culture for the purposes of profit, by separating business operations from patronage. In conclusion, those three elements are at the heart of patronage for the arts and culture and fashion companies need to support culture and the arts by taking a long-term perspective when it comes to creating social value.

• Proceedings of the Korea Society of Design Studies Conference
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• 2001.10a
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• pp.35.2-35
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• 2001

• Proceedings of the Korea Society of Design Studies Conference
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• 2003.05a
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• pp.164-165
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• 2003

• Proceedings of the Korea Society of Design Studies Conference
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• 2005.05a
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• pp.156-157
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• 2005

• International Journal of Computer Science & Network Security
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• v.21 no.12spc
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• pp.437-442
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• 2021

This article highlights the importance of design in the formation of worldview paradigms in global culture. The research aims to investigate the design development as a part of the culture and its significance in the social development of society and worldview standards. The article uses general scientific methods of cognition, showing the transformation of design in the social and cultural sphere based on scientific and business literature. The research results show the chronology of design development as a factor determining the development of society and its worldview. In particular, the epoch of modernism, classical functionalism, postmodernism, post-industrialism, and digital design show their own particularities of design development. Furthermore, the article reveals the peculiarities of design development and its requirements depending on the development of society, progress, and civilization in general. The question of current and future trends in the development of design as a factor of worldview paradigms in the culture is based on digitalization, globalization, and the formation of design as an independent entity that determines man's place in the world and society.

• International Journal of Contents
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• v.6 no.4
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• pp.43-48
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• 2010

Because of the social and political reasons, Chinese design higher education has come a long and difficult road. Before and after the Reform and Opening-up, Chinese design higher education system has gone through two different models: "Arts and Crafts" and "Arts & Design". By comparing external environment and Education Concept of two models, this paper points out that the correct direction of design higher education reform is to understand and learn the advantages of two education systems.

• Journal of Information Science Theory and Practice
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• v.8 no.3
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• pp.15-29
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• 2020

This study aims to describe the general patterns of Korean research in Arts and Kinesiology, particularly from the perspective of authorship. Among the 12 sub-areas of Arts and Kinesiology indexed in the Korean Citation Index (KCI), journals in three sub-areas, "Arts," "Design," and "Kinesiology" have the longest publishing histories and produced the largest volume of articles. 68 journals in the "Arts," "Design," and "Kinesiology" sub-areas were accredited in the KCI between 2001 and 2019; 40,955 articles which were published in the journals between the years of accreditation and the end of 2019 serve as the context of this article. Authorship, affiliated institutions and countries, openness to new authors, top researchers, topological properties of authorship networks, overall research performance by authors, and co-authorship patterns were analyzed and compared among three sub-subjects.

• Proceedings of the Korea Society of Design Studies Conference
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• 2002.05b
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• pp.86-87
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• 2002

• Proceedings of the Korea Society of Design Studies Conference
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• 2002.05b
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• pp.118-119
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• 2002