• 패션비즈니스
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• 제27권3호
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• pp.115-131
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• 2023

The revolution of digital fashion continues along with the development of technology. In particular, after COVID-19, fashion design development, exhibitions, and fashion shows using the metaverse space are being actively developed. In particular, as research on 3D virtual costumes becomes active, creative ideas are needed to develop creative virtual costumes. The purpose of this study is to examine the geometric formative characteristics of constructivism in art and fashion design and to develop 3D virtual works using them. Geometric form is a logical and rational basic form that includes the order of nature as an artistic material that has been constantly studied along with the creation of mankind a long time ago, and it has become a motif of many artworks and fashion. In this paper, we studied the application of the costume design of geometric shapes according to the 3D Clo, virtual-wear production software, and understood the effect of the combination of geometric shapes on costume styling. As the formative characteristics of constructivist art, three types of overlap, asymmetry, and simplicity were derived, and the geometric form was visually simple, clear, and concise. The first work produced virtual costumes that reflected the overlapping elements of constructivism. The second costume was produced by reflecting the asymmetric formative characteristics of constructivism. The third costume was a jacket that applied the simplicity of constructivist art.

• Acta Via Serica
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• 제8권2호
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• pp.1-24
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• 2023

The art of carpet weaving is the most habitual form of traditional art in Azerbaijan, it reflects a rich inner world and occupies a special place in the history of a national culture's development. The Azerbaijani carpet has always stood out for its plots, ornaments, compositions, and high quality and the Azerbaijani people, faithful to their spiritual values, have protected and developed it throughout the centuries. In this article, several Ganja-Gazakh-type carpets from the Azerbaijan National Carpet Museum collection and their artistic and technical characteristics are discussed. Specimens of material, sacred language, and ornamentation are considered. The deepest meaning is embodied in tamga in particular. Tamga is a unique phenomenon serving as an amulet, lineage sign, and self-identification of Turkic peoples. The Gazakh carpets of the Ganja-Gazakh type cover the Gazakh region of Azerbaijan, the Borchali region of Georgia, and the Goycha Lake region of Armenia. Karapapakh Azerbaijani Turks have inhabited these areas since ancient times. Tarakama (nomads) are often equated with the name Karapapakh (black hat). One of the densely populated regions of Tarakama is Gazakh. Gazakh, Garagoyunlu, Salahli, Shikhli, Kamarli, Damirchilar, Gaymagli, Goycali, Daghkasaman, Oysuzlu, Gachagan, and pile carpets with different compositions are woven in the Gazakh carpet weaving center. Large, simple in form, step-shaped or hook-like medallions, horn-shaped patterns, animal images, and stamps with symbols of ancient Turkic tribes characterize the Gazakh carpet weaving group.

• International Journal of Advanced Culture Technology
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• 제12권2호
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• pp.16-29
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• 2024

Mogao Grottoes in Dunhuang, China is one of the world cultural heritage, is the largest ancient grottoes art group in the world, and is a natural and cultural place with outstanding universal value for mankind all over the world. Dunhuang music and dance derived from the murals of Mogao Grottoes is an artistic representation of its thousand-year-old glorious history and an indispensable historical material for research. As one of the iconic images of Dunhuang music and dance, the "rebound lute behind the back" dance posture has unique charm value both in the original mural composition and the stage image. This paper analyzes the characters holding pipa in Dunhuang murals by case analysis, comparative research and other relevant research methods, then studies the stage image and posture of "rebound lute behind the back", and finally analyzes the stage works of "rebound lute behind the back". It is concluded that the dance image of "rebound lute behind the back" is a dynamic stage art work gradually formed by artists from the static Dunhuang murals through refining, developing, processing and transforming. This is to revive the image of Dunhuang music and dance murals, to provide reference and reference for the inheritance and development of Dunhuang culture, and then to enhance and enrich the artistic value of excellent traditional Chinese culture and world cultural heritage.

• 한국전통조경학회지
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• 제32권3호
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• pp.58-68
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• 2014

크리스티안 케이 로렌츠 히르시펠트(Christian Cay Lorenz Hirschfeld)(1742-1792)는 18세기 독일의 미학자이자 정원이론가로 당대에 '풍경식 정원예술의 아버지'라고 불리었다. 그는 '정원예술론'이란 5권의 저작에서 정원이론을 집대성하였고 이는 현재까지도 가장 포괄적인 정원이론서로 여겨진다. 정원역사에서 식물소재, 공간구성요소와 정원유형 등을 다루고 있는 이 이론서는 당대에 유럽에 널리 알려졌고, 이로 인해 영국 풍경식정원을 널리 보급시키는데 크게 이바지하게 된다. 그러나 히르시펠트의 정원론에 관한 연구는 미비한 실정이다. 이 논문은 히르시펠트 정원론의 주요 내용을 살펴보고 현대적 관점에서의 주요 쟁점을 해석하는데 그 목적이 있다. 히르시펠트 정원이론은 18세기 독일 계몽주의와 낭만주의가 교차하는 지점에 태동되었고, 자연이 지닌 정신적 가치를 중시하는 독일문화의 산물이기도 했다. 당대 독서문화가 활성화되고 기행문학이 유행하게 된 사회 현상이 정원이론서가 소비될 수 있었던 배경이 되기도 했다. 오늘날 관점에서 히르시펠트 정원론이 기여한 바와 이를 재해석할 수 있는 쟁점은 다음과 같다. 첫째, 정원예술의 위상을 높이는데 크게 기여했다는 점이다. 둘째, 히르시펠트는 정원예술은 자연의 모방이라는 전제 아래 자연의 원형 경관과 고안된 정원과의 관계를 규명하였으며, 정원은 자연의 아름다움을 최대한 표현하고 끌어낼 때 진정한 예술적 가치를 지닐 수 있다고 주창하였다. 셋째, 히르시펠트는 특정 정원의 인상과 관념이 연합하여 화학적 작용을 일으킨다는 점을 강조하였다. 특정 감정을 불러일으키는 공간을 그는 유쾌하고 쾌활한 축제와 같은 정원, 온화하고 멜랑코리한 정원, 낭만적인 정원, 장엄한 정원 등으로 구분하였다. 넷째, 그는 정원에서의 움직임이 감정을 불러일으키는 중요한 국면임을 강조하였다. 움직임이 중시되는 풍경식정원에서 풍경화식 재현방식이 적절한 방식으로 활용되었다. 다섯째로는 정원은 단지 물리적 공간이 아닌 정신이 구현된 장소임을 환기시켰고, 나아가 삶의 은유로서 윤리적 정원을 실천해야 한다고 주창하였다. 히르시펠트의 정원론은 18세기에 저술된 이론적 저작으로 현재적 시점에서의 구체적인 실천적 함의가 부족하다는 비판적 시각이 있다. 하지만 그는 공공 정원에 대한 논의를 통하여 19세기 도시공원운동의 단초를 제공하였다. 정원예술의 위상제고, 지역성의 강조, 실천이념으로 중재 개념이 그의 이론에서 우리가 주목해야 할 지점이다. 무엇보다도 정원문화가 새롭게 부각되는 오늘날 인문학적 조경론의 가능성을 제시했다는 점에서 의의를 찾을 수 있다.

• 복식문화연구
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• 제6권4호
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• pp.84-103
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• 1998

The purpose of this study si focused on Futurism style and contemporary fashion in the 20th century, by researching the Giacomo Balla, Fortunato Depero, Tullio Crali, Erenesto Thayate characteristics fashion design. The results of this study are following as : The general traits of Futurism style are classified with aesthetics, formative characteristics. First, aesthetic characteristics are based on H. Bergson's life-phylosophy and F. Nietzche's art theory. Second, formative characteristics is Dynamism. Futurism Dynamism are classified with psychological Dynamism and physical Dynamism. Futurism trends in the costume : first, dynamism in fashion design, second, asymmetrical balance, third, formativeness, forth, technology, fifth, anti-traditionalism. Dynamism are expressed textile, pattern and costuem shape in contemporary dress. Asymmetrical balance are expressed costume silhouette shape and framework through the geometrical asymmetrical balance. Formativeness are agree with Paco Rabanne's fashion design expressed body and movement and phychological world of human through the secondly fabric. Technology are expressed new mechanical dynamism in used technology art and new fashion material by metal. The last, anti-traditionalism is recognized new value and idea in fashion.

• 한국실내디자인학회논문집
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• 제13권3호
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• pp.61-68
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• 2004

Contemporary Architecture stands on the basis of the influence of the formative arts, and it carves out a new field of architecture through various technical or material expressions. Herzog ＆ de Meuron, whose has been recognized internationally, are one of few artists following this Contemporary architectural flow. This thesis analyzed his work of art by the trend of times, and base on the results, tried to find his architectural language. Three points have been concluded through this architectural thesis. The architectural language does not deal with our monotonous environment, but deals with it technically. It's expressed all the architectural factors that we already know and used through new ways, so that, finally, it makes people feel the work of art in different point of views. I desire more future researches will focus on the many types of architectural and interior design languages that the Contemporary society craves.

• The International Journal of Costume Culture
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• 제3권1호
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• pp.21-29
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• 2000

The purpose of this study was to analyze the 21C Fashion's expression related to 'Verfremdung' theory, in aesthetic theories established after modern times, and then to examine a new meaning and value. The expressions of 'Verfremdung(estrangement)' in modern fashion, appear the followings: 1) placing distance with traditional sex and rational beauty of body. 2) paradox of inversion, 3) illogical juxtapositions by encounter. 4) dismantlement of material concept etc. After showing practically production technique that breaks traditional exception, that is, a new design method of open concept which drives positive idea about discrepancy of realities. This trial has warning abut art's self-control occurring at the time when aesthetic disinterestedness theory is expanded, and is considered indictment about a inhuman property of modern civilization and culture, and is considered expression of will to show alienation by it.

• 한국건설순환자원학회논문집
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• 제1권3호
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• pp.163-172
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• 2013

This paper presents a comprehensive review of recent advances in ultra-high performance concrete (UHPC). Fundamental characteristics of UHPC are elaborated with focus on its material constituents, mixing, and formulation procedures. Use of state-of-the-art materials such as carbon nanotubes or nano-silica is discussed as well, whose inclusion may enhance the performance of UHPC. The review evaluates supplementary treatment methods (e.g., pressuring curing) and identifies applicable standard test methods for determining the properties and behavior of UHPC. Site implementation is provided to link laboratory research with full-scale application. Research needs are suggested to further develop UHPC technologies from technical and socio-economical perspectives.

• 한국가구학회지
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• 제15권2호
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• pp.41-51
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• 2004

Since Cubists represented a way of expressing image moving away from traditional illusion effect, new realities represented by collage and assemblage. Furthermore, Marcel Duchamp, a French Dadaist, suggested the concept of ready-made that everyday objects exhibited in an odd way in a gallery. These early fine art cases highly influenced to furniture design in the second half of the twentieth century. The use of objects in contemporary furniture is closely related to the emergence of Pop Art in the late 1950s and that of Postmodernism. After the 1970s the use of found objects were frequently utilized in furniture design of all over the countries. As an ecological issue became a new consideration to furniture designers, found objects also gave a chance to use recycled materials. Even in studio furniture area which is considered wood as a major material at the early stage, many studio furniture designers began to adapt found objects in their designs as a new source of Inspiration after the 1970s. This study explored various examples of found objects in furniture design and examined the meaning of the use in different designers and regions.

• 대한치과기공학회지
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• 제42권3호
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• pp.298-305
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• 2020

Here, we studied the sports mouse guard as an oral device system, to minimize the sports related facial and dental injuries, jawbone fracture and brain injury, and by layering the hardened sheets for improving the activity performance and stable wearing. By pressuring and layering 2 soft- and 1 hard-layers of ethylene vinyl acetate (EVA) thermoplastic materials, for a category of martial art, record sports and leports, here we introduce a methodology for thickness control of layers to protect the teeth and oral structure. A personally customized mouse guard optimized for sports by layering a mixture of soft and hardened sheets is not easily detached during the sporting activity, easy to breathe through, comforts to wear, and also improves the sporting record. A designed EVA thermoplastic material for individual sports is used as the mouth guard, which is stably attached, easily removed, and convenient for breathing through the mouth.