• The Korean Journal of Archival Studies
• /
• no.82
• /
• pp.87-128
• /
• 2024

This paper offers a theoretical examination of the political role of records and archives, focusing on the ideas of German literary theorist Walter Benjamin. The study specifically explores how the advent of the age of technical reproduction has influenced the essential characteristics of records and how they transform into political tools. Reinterpreting Benjamin's concept of aura within the context of records, the paper investigates how the notions of aura and authenticity affect the political role of records in the digital era. By doing so, it analyzes the tension between the loss of authenticity in electronic records and the increased democratization of information access. Furthermore, the study explains the ways in which records are used either to uphold the legitimacy of power or as tools of resistance. Based on Benjamin's theoretical framework, the paper discusses how the reproducibility of records can simultaneously contribute to the democratization of information and increase the risk of manipulation and distortion. The research critically examines ethical issues that arise during the politicization of records, with a particular focus on case studies, and explores the practical role that records can play in mediating and resolving political and social conflicts. By applying Benjamin's theory to the archival context, this study provides a comprehensive analysis of the political implications of records in the digital age, shedding light on the impact of archival practices on democracy and power relations in contemporary society.