• 화약ㆍ발파
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• 제12권1호
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• pp.5-31
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• 1994

On the Seoul Sub-way Tunnel works (8-6 site ). Cautious blasting works were so effectivelly tarried out the vibration record were under 0.3cm /sec and blasting noise was under 75dB which was measured at the ground of house. As a result cautious blasting works under above allowable value was not influenced the structure of house and living. On the architectural survey, There were some hair crack on the wall and floors but this was not a crack from balsting work.

• 건축사
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• 5호통권55호
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• pp.61-76
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• 1973

첫째 부지 선택, 둘째 규모 결정, 셋째 특징, 이러한 순서로 resort hotel을 계획하는 것이 건축가의 가장 중요한 결정의 하나이다. 이상3가지를 어떻게 이용을 하고 또 보존을 하나 하는 것이 건축주들의 토지이용과 더불어 커다란 책임이다. 창조적이고 가장 적절한 부지의 선택이나 이용은 resort hotel건축에 빼놓을 수 없는 성공적이 열쇠가 된다. 이러한 중요한 사항들을 가장 이상적으로 활용을 하여 계획된 resort hotel을 근저 Architectural Record지에서 발췌 소개한다

• 한국소음진동공학회논문집
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• 제24권3호
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• pp.253-260
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• 2014

conducted. In-situ measurements were conducted to investigate the noise characteristics in high-speed trains such as KTX and KTX-Sancheon. Binaural microphones and spherical microphone were adopted to record and evaluate the spectral characteristics and noise incidence characteristics at the seats in the passenger cars. Environmental elements were also recorded during the noise measurements using a camcorder and GPS application. In addition, auditory tests were conducted to investigate annoyance of interior noise of high-speed trains. Based on the objective measure and subjective responses on interior noise, statistical analysis such as correlation and regression analyses were carried out. From the results perception models for evaluating the interior noise of high-speed train were derived.

• 건축역사연구
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• 제26권3호
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• pp.7-18
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• 2017

This research focuses on the cadastre and cartographic tradition regarding the representation of Rome that had lasted until the middle of 18th Century. Since the early period of Roman Republic until the early 18th Century, map was considered as a effective medium to record the status of urban facts and also a manifestation of changing perception of reality. These facts allow to diagnose social and conventional changes that had occurred in the field of representation techniques and methodologies derived from diverse intention and objective in elaboration of each map. Cartography also has affinity to architectural drawing as many categories of individuals are involved, clients, researchers, craftsmen, publisher and collectors. Fundamental task of documenting the contemporary physical reality was given to the map, however, as architects had practiced through the drawings, cartographers also reconstruct in subjective way specific buildings and urban aspects according to various needs and demands. As such, philology and imagination play important role as two constitute extreme poles in the evolution of the cadastre. Through analysis of paradigmatic examples in the genealogy of cartography of Rome, it was possible to understand the changing episteme that testify the mentality and custom in the field of visual representation.

• 건축역사연구
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• 제25권6호
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• pp.45-60
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• 2016

Sangnyang-mun(上樑文) is not only a memorial address for the ceremony of putting up the ridge beam, namely the sangnyang-ceremony(上樑式) but also the executional record of building construction. This paper aims at researching on the oldest five sangnyang-muns written for the constructions of palaces and government offices in Goryeo Dynasty, especially viewed in the architectural history. The results of that are as follows: First, it is supposed that sangnyang-mun originated in the ancient Chinese ceremonial songs for the celebration of building construction. Second, as compared against the former times, the sangnyang-muns in Goryeo Dynasty were written to the advanced establishing forms and literary patterns, so to speak, these were the more developed styles. Third, in the 12th century, sangnyang-mun was introduced from Chinese Song to Goryeo. To the late period of J oseon Dynasty, sangnyang-mun had been to write for the sangnyang-ceremony as necessary memorial address. Fourth, the writers of five sangnyang-muns in Goryeo Dynasty were the new civil ministers appointed by the soldier rulers. They wrote the contents of their sangnyang-muns, especially focused to the king's achievements. And in the yugwi-song(六衛頌), they recited six poems in which were complicated the world view and aesthetics of the time.

• 건축역사연구
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• 제27권3호
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• pp.27-42
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• 2018

This study aims to reinterpret Jeonggwanheon(靜觀軒) in terms of its use and architectural style after restoration work through the recently discovered [Deoksugung Palace's original plan](1915). It is presupposed that the existing interpretation of Jeonggwanheon, such as its status as the banquet hall of the Imperial Empire and the place where Emperor Gojong enjoyed coffee here, was a fantasy made from the transformation after the 1930s. When it was built around 1900, Jeonggwanheon arranged small and large rooms around the corridor in the center, and the porch surrounded the three sides of the building. From 1900 to 1907, there is no remaining record telling us who did what or when something happened in Jeonggwanheon except for several portraits of Emperor Gojong and his son which were drawn in 1902. The mixed use of brickwork and wooden porch are found in many of American style houses built in Incheon and Seoul at that time. Especially, the style and decoration of wooden porch seem to be influenced by Queen Anne style in the 19th century in America.

• 건축역사연구
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• 제31권5호
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• pp.57-64
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• 2022

Architectural Monuments have to overcome the challenge of time due to physical properties. The fundamental issue must be grounded in an understanding of history and art to overcome this challenge and make themsustainable. Many efforts to preserve the monuments through the 19^th century and at the beginning of the 20^th century to record them in scientific form were successful. To be aware of the meaning of the art and not to be 'barbare' anymore was behind the promotion of these activities. Above all, the 19th-century French architect Viollet-le-Duc contrasted the concept of barbarism with the concept of art and tried to redefine architecture as art. The ritual to escape 'barbare' played an important role in the end. This consciousness was also at work in the propaganda for the preservation of medieval architectural monuments in France, led by intellectuals such as Rodin. Also, the concept of 'barbare' served as an important yardstick whenever the cause of their loss was questioned while important monuments were destroyed in the First World War. From the viewpoint of Germany, Dehio was the pioneer of the preservation movement and documentation of monuments. The principle he advocated was preservation, not restoration. The historian Pevsner, who moved to England, also surveyed monuments in various parts of England and left them in the same format as Dehio. These facts show that architecture as art plays a fundamental role in the history of human life.

• 대한건축학회논문집:계획계
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• 제35권2호
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• pp.105-114
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• 2019

Yeongbojeong was a famous pavilion of Joseon, which was located in Chungcheong-Suyeong, Ocheon-myeon, Boryeong-si. It was an open place for poets and calligraphers to freely visit during 400 years. Until today, it is widely said that Yeongbojeong was newly built by LeeRyang in 1504, who was Sugunjeoldosa(naval forces officer). The researcher investigated Gyujanggak to search Lee Maenghyu's "Asulrok-Book", and it was determined that Yeongbojeong was created by Gang Soon, 36 years earlier than LeeRyang. Accordingly, this research aimed at determining the appropriateness of the creation of Yeongbojeong. "Asulrok-Book", which said, "Yeongbojeong was Wonjeong(園亭) of Gang Soon during Yejong's reign", however this research could settle imperfection of Geungeo Gimun which was not clearly explained. Yeongbojeong was created due to Gang Soon's Wonjeong in 1468, however he was also a traitor and was executed, so that nobody wanted to mention about it. Therefore, it was determined that no phrase related to the record of creation of Yeongbojeong by Gang Soon out of lots of Yongbojeong Jeyoungsi and Gimun. Lee Maenghyu was a brave scholar who recorded 'Yeongbojeong was Gang Soon's Wonjeong' confidently, breaking such taboo. This research intended to clearly investigate the year of foundation of Yeongbojeong and establish the history of Chungcheong-Suyeong by thoroughly analyzing newly discovered "Asulrok-Book", existing "Ocheong GoonJi", and "Chungcheongsaryejib" and considering the fact relevance. As the result of this research, it was determined that Yeongbojeong was Gang Soon's Wonjeong through "Asulrok-Book". The point that Yeongbojeong was forfeited reverted to neighboring Chungcheong-Suyeong after Gang Soon was executed due to his participation in a conspiracy also was a newly discovered fact. LeeRyang, Sugunjeoldosa, can be said a brave commander, since he put up the original Yeongbojeong instead of abandoning the name Yeongbojeong of Gang soon. So far, Yeongbojeong is widely accepted as 'new construction of Yeongbojeong by LeeRyang in 1504'. However, since the record of Gang Soon's Wonjeong was discovered, and as the result of diversified analysis and examination, it is proper to correct the foundation year of Yeongbojeong as 1468.

• 한국농촌건축학회논문집
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• 제23권4호
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• pp.80-87
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• 2021

This study is initiated after discovering that Minsu, a man about 600 years ago, mentioned a new architectural type called 'Pan-ock' in a record he left when he was punished for slavery at Jeju. Although there are no additional records or architectural remains, the following two hypotheses were made regarding the existential possibility of Pan-ock. First, Pan-ock was originated from materials obtained from ships. Second, it was related to the Pan-ock-seon. The hypotheses are based on the premise that large wooden ships such as trade ships were being actively built, as it was 160 years before Chullyuk Geumjiryeon of king Injo was banned, and the woodworking skills were considerable. Another hypothesis is also established by comparing the records of Pan-ock with other records of the same period and inferring the relationship of related events. This study can serve as a basis for explaining the diversity of our architecture to overcome that most of the architecture have been lost compared to Korea's splendid history. Therefore, a sequent study intends to compare the hypotheses proposed after this study with the architecture in the coastal and island regions of the Korean Peninsula, in order to find and verify the authentic cases of Pan-ock in Korea and East Asia.

• 한국산학기술학회논문지
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• 제13권5호
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• pp.2360-2367
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• 2012

건축은 한 나라의 문화적 역량과 자취를 가장 잘 표현해주는 문화유산이다. 그럼에도 불구하고 현재 이 분야의 자료 및 정보들은 많은 부분 소멸되었거나 그럴 위험에 처해있고, 그나마 존재하는 자료들 역시 산재되어 관리되고 있는 열악한 형편이다. 따라서 본 논문은 현재 한국의 건축도시 관련 박물관의 운영 현황을 살펴보고자 한다. 또한 해외 선진사례의 비교분석을 바탕으로 한국적 상황에 맞는 건축박물관의 모델은 어떠해야 하는지를 살펴보고자 한다. 이를 통하여 본 논문에서는 건축박물관의 유형별 특징요소를 도출하고자 한다. 그 결과 본 논문은 박물관의 공간 및 기능구성은 그것의 운영특성에 따라 상당히 좌우되며 이는 아카이브중심, 전시중심, 연구중심의 시설특성으로 반영됨을 밝혔다. 또한 이러한 유형별 특성이 실제 사례에서 어떻게 반영되는가를 분석하기 위하여 MAXXI, Nai 등의 사례를 비교분석하였다. 본 논문은 궁극적으로, 건축박물관의 공간프로그램은 변화 가능하고 미래의 수요에 적응가능한 단계별 프로세스로서 접근하는 것이 합리적임을 사례를 통하여 분석하였다.