• Journal of the Architectural Institute of Korea Planning & Design
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• v.36 no.5
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• pp.11-22
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• 2020

It is the juristocracy in architecture to judge the architectural plagiarism by copyright law. The architectural plagiarism should judge by architectural criticism. From the point of the criticism to discuss architectural plagiarism, the study on artistic imitation should be preceding. The current discussion on architectural plagiarism doesn't consider artistic imitation. Therefore, the result of the discussion only focused on whether the building is plagiarizing or not. From the point of architectural criticism, there should be three considerations, which are creation, imitation, and plagiarism. In the study of Aesthetics, it theorized artistic imitation as the appropriation. With the understanding of the appropriation, contemporary art is developing the discourse on plagiarism beyond the boundary of plagiarism fundamentalism. The purpose of this study is to apply the appropriation to the discussion of architectural plagiarism. The study introduces the discourse on architectural plagiarism rather than judging it with copyright law. There so the study categorized the aesthetics standard of appropriation art, then apply it to the architecture cases. The architecture cases subjects of analysis are the glasshouse by Philip Johnson, National Museum of Australia by Howard Raggatt, and the Meiquan 22nd Century in China. At the point of the appropriation theory, the glasshouse is the only architectural appropriation, and others need to apply the evaluation criteria of plagiarism.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.35 no.12
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• pp.3-12
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• 2019

The purpose of this study is to address the Issues on Architectural Plagiarism through the analysis of the discourses written in texts form. This study selected 60 texts of 20 suspected pairs of architectural plagiarism to derive key-words and key-passages to understand the Issues on Architectural Plagiarism. As a result, the Issues on Architectural Plagiarism are categorized into six different topics; Prototype, Archetype, Motif, Expression of Idea, Commodification, and Westernized-modernization. Meanwhile, the six issues were not discussed independently, but several issues were considered simultaneously in individual cases. This study is the first step to establish the objective guideline to judge Architectural Plagiarism and to be a basis in Architectural Plagiarism research.

• Journal of the Architectural Institute of Korea Planning & Design
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• v.34 no.1
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• pp.15-22
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• 2018

Raymond, who adopted Le Corbusier's Errazuris House Project, built Karuizawa Villa by incorporating Japan's aspiration for Western modern architecture and strong convictions regarding the preservation of traditional culture heritage, which were prevalent in Japan at the time. Despite the controversy over his plagiarism, Karuizawa Villa shows several unique architectural characteristics. First, in terms of the arrangement and access system, the villa has a common space that affords a view of the lake by accessing from the mountain side. Second, in terms of spatial composition, the common space is connected to the mesonnette by placing a trail to enable enjoyment of natural scenery. In particular, personal space is planned in the shape of a cross by connecting several surfaces to the outside in order to secure enjoyment of the natural environment. Lastly, in the aspect of structure and materials, both architectural buildings adopted masonry by using natural stone as well as building materials suitable for each region and climate by using logs in constructing the main columns and beams. Through Karuizawa Villa, Raymond is considered to have established his own style by combining the standard of Western modern architecture and the elements of Japanese traditional architecture while valuing local architectural technology.

• Journal of architectural history
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• v.24 no.5
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• pp.7-20
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• 2015

Drago $Gali{\acute{c}}$ (1907-1992) has been acknowledged as one of most important modern Croatia architects of the 20th century and noted for his controversial apartment buildings at 35-35a and 43-43a blocks on Vukovar Street in Zagreb, Croatia. Although the two housings were highly regarded as the best examples of the post-war housing design in Croatia, a plagiarism controversy arose due to its similar exterior looks to Le Corbusier's $Unit{\acute{e}}$ d'Habitation in Marseille in 1952. This research intends to comparatively analyze architectural features implemented on the works of apartment of Drago $Gali{\acute{c}}$ and Le Corbusier's $Unit{\acute{e}}$ d'Habitation. The analysis focuses on architectural characteristics categorized in three parts: unit plan, community space, and unit combinations. The site survey was carried out to yield more useful information for the analysis. During this process, written and photographic documentations are collected for the further interpretation. In addition, scale drawings are reconstructed for the in-depth analysis of the project.