• 건축역사연구
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• 제13권2호
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• pp.7-19
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• 2004

This study is an attempt to prove a relationship between Le Corbusier's utopian attitude towards nature and architectural ideology and ideology by a form of inquiry into sociological interests. That is to find out contradictions and limitations in Le Corbusier's architectural world, namely particularity of his ideology by exploring the base entangled with special interests in the society up until formation of his architectural language. A process of this study is by; 1. Examining of background which affected Le Corbusier's attitude towards nature until the nature became his architectural language; 2. An analysis of Le Corbusier's architectural works. That is, this study's main interest is on formation of Le Corbusier's architectural language by his attitude towards nature which present in residential field especially focused on Villa Meyer and Villa Savoye, two best examples of his villa. 3. This study have a goal to investigate that utopian and ideological conception in architecture of Le Corbusier have a dialectic relationship between them. This goal can be achieved by observing in what ways Le Corbusier's utopian attitude towards nature is expressed in residential architectural language and researching into his inconsistent architectural ideology derived from applying architectural language present in villa to pre-fabricated apartment houses.

• 헤리티지:역사와 과학
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• 제49권1호
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• pp.120-145
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• 2016

건축문화재의 원형에 대한 이해는 보존 행위의 출발점으로서 매우 중요하다. 본고에서는 원형에 대한 이해를 몇 가지 유형으로 구분해보고, 이를 기반으로 하여 한국의 건축문화재 보존역사에서 특히 목조건축 문화재의 수리공사가 어떻게 진행되어 왔는지를 고찰해보고자 하였다. 한국은 일제강점기 일본인에 의해 수리가 시작되어 일본에서 수리공사 초기에 정립된 방법론의 영향을 직접적으로 받았다. 그 결과 '당초복원'이라고 하는 개념이 해방 이후까지 지속되었다. 한편 일본의 경우 1930년대를 전후하여 현상변경을 신중히 하는 방향으로 전환하면서, 수리공사에서의 조사연구가 강조되고 보고서의 발간이 체계화되었다. 한국의 경우에는 해방 이후 이러한 조사연구에 대한 인식부족과 수리보고서의 발간이 일반화되지 못한 채로, '당초복원'의 방식을 유지하여 형태 위주의 보존에 치중하는 결과를 낳았다. 이는 '유지보존'이라고 하는 방식의 공사에서도 재료의 교체가 일반화되는 결과를 낳았으며, 이러한 이유로 인해 한국의 건축문화재 보존에서 수리공사를 통해 형상은 보존되었으나 원상의 보존에 있어서는 의문이 남는다. 이러한 상황에서 국제적인 보존원칙과 한국적 상황을 고려한 건축문화재의 원형 보존에 대한 논의를 통해 원상의 보존에 대한 기준의 정립이 시급할 것으로 판단된다.

• 건축역사연구
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• 제11권1호
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• pp.65-84
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• 2002

This study has main purpose to understand and interpret the house Nok-U-dang, an upper class built in Chosun dynasty, not by outsider researcher's view but insider dweller's view. To interpret correctly, dweller's everyday life in the space and form is examined on a microscale beyond the physical space and form of the house, main object of architectural history To understand the present form exactly, the study restore traditional life in past era, 1940s. Main method of restoration is the ethnographic interview, based on cultural anthropology. Like any other upper-class house, the house has been influenced under ruling Confucian ideology in Chosun dynasty: separation of man's and woman's quarters and hierachical arrangement by generation, and worshipping ceremony for ancestor. However, it is by practical management for agricultural production that every court and building of the Noku-Dang can be explained correctly; preparing seed for sowing, tool storing, preparing and serving meal for laborers, making manure, harvesting, threshing grain, storing grain and so on. Precedent studies interpreted the house by the Confucian principle too much and made conclusion of dignity and austerity of ritual: woman's quarter, is closed and serene space. However this study shows that the space is semi-opened and composite space by agricultural works. And the Sarangchae, master's quarter, is located properly at visual center to control every agricultural activity.

• 한국실내디자인학회논문집
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• 제14권4호
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• pp.11-18
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• 2005

This study investigates and analyzes Catholic cultural traits in Gaudi's architectural designs on the assumption that the cultural identity of Spain has been built heavily on Catholic cultural tradition. Through examining thoroughly six residential buildings Gaudi designed, Catholic cultural traits were found in their interior ornaments, space formation, and expression of form. This study shows, first, that by making good use of interior ornaments, Gaudi sought to Catholic cultural uniformity among buildings that have different cultural characteristics. Second, with regard to space formation, he tended to build a chapel or an oratory inside structures which encouraged residents to worship in their home. Also, as for expression of form, his designs, expressing Catholic cultural features in various ways, succeeded to form visual uniformity among buildings and structures with a variety of styles. Lastly, by using properly Catholic cultural elements explained above and making those traits easily recognized even from a long distance, his architectural works represent very well the importance of Catholic culture as a foundation of Spain culture.

• 대한건축학회논문집:계획계
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• 제34권10호
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• pp.119-130
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• 2018

In the late 1950s, departing from their unquestioning following of Soviet architecture, North Koreans attempted to discover the specificities of traditional Korean architecture and apply them to their contemporary monuments. This paper examines the ways in which North Korean architects developed their unique version of Socialist realism in the making of Pyongyang Grand Theater. The traditional elements in harmony with North Korea's political ideology-an early form of Juche ideology-and modern building technologies were to be viewed as contemporary elements, and not as a simple revival of the past. This study applies Socialist realism's compositional principle "national in form and socialist in content" to Pyongyang Grand Theater and examines specifically what "socialist content" and "national form" were and how the two were combined in the construction of Pyongyang Grand Theater. By situating the building in the context of localization of Socialist realism which is universal art principle of the communist world, this study contributes to the deeper and wider understanding of North Korea's Modern Joseon Architecture.

• 대한건축학회논문집:구조계
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• 제34권3호
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• pp.69-76
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• 2018

General workers who assist various technicians in different fields with their work across the whole construction sites without having a particular skill are at risk of the highest accident rate and their accident form becomes varied. Accordingly, this study was conducted to identify the relationship between form of safety accident and influence factor in general workers and analyze accident severity by influence factor. The followings are the results from this study. First, as a result of analyzing major form of accident and influence factors in general workers with network analysis methodology, nine forms of accident and seventeen influence factors were drawn. Second, it was found that in accident severity among general workers, collapsing, among various forms of accident, appeared the highest, followed by fall, electric shock, fire, hit by an object, bumped against, trip, scission getting cut chopped in order. Third, main points of special, concentrated, and permanent management were presented in order to reduce the safety accident in general workers effectively.

• 한국실내디자인학회논문집
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• 제17권1호
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• pp.30-38
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• 2008

Borrowed landscape is an Oriental gardening method to draw inside external natural landscape, and borrowed landscape of Japan has a different characteristic from that of Korea or China nature is manipulated and re-interpreted by human will in the course of applying it to architectural space. In other words, not the original scenery, but manipulated one appears which is cut, reduced, or deleted by architectural elements such as wall, window, or fence. Therefore, this study examined how architectural structure of Ando Tadao symbolizing modernist architecture understood and adopted Japanese traditional views on nature, that is, borrowed landscape. To this end, on the basis of the understanding on 'polymerization of abstraction and form' he mentioned, his geometric architectural principles are discussed, since this serves to be an important beginning of architectural concretization by the concept of 'form' experienced and perceived by human being through geometric means called architecture 'abstraction.' The findings of this study are as follows: first, it was found that Ando Tadao generates borrowed landscape effects by polymerizing and manipulating his simple and geometric structures with each other and thereby editing natural scenery, while Japanese traditional borrowed landscape introduces source scenery inside, through condensation and symbolization. Second, the results of this study revealed that his architecture functions to transcend external and internal realm of a space, which is also observed in Japanese traditional architectural borrowed landscape. Therefore, this study is considered significant in the sense that it proved that Ando Tadao's architectural language is based on borrowed landscape as a specific Japanese traditional element, going beyond the scope of previous studies focusing simply on the introduction of natural elements.

• 한국건설관리학회논문집
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• 제19권5호
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• pp.70-80
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• 2018

최근 건설업계에서는 거푸집 공사의 작업 생산성 및 안전성을 향상시키기 위해 시스템 폼의 활용을 적극적으로 검토하고 있으며, 보 테이블 폼이 그 중 하나이다. 그러나 현재 보 테이블 폼은 층별로 보 규격이 일정한 건축물 시공에만 제한적으로 활용되고 있는 실정이다. 층별 용도에 따라 보 규격이 상이하게 설계된 건축물에서도 보 테이블 폼이 적용될 수 있도록 하기 위해서는 보 테이블 폼의 구성요소 중 하나인 보 브라켓이 간단한 조작만으로도 보 거푸집의 규격을 유연하게 조절시킬 수 있어야만 하는 것으로 분석되었다. 본 연구의 목적은 간단한 조작만으로도 보 거푸집의 규격 조절이 가능하며 현장 적용성 또한 우수한 보 테이블 폼 전용 가변형 보 브라켓의 개념 디자인을 제시하는 것이다. 본 연구의 보 테이블 폼 전용 가변형 보 브라켓 개념 디자인이 실물로 제작될 경우 층별 용도에 따라 보 규격이 상이하게 설계된 건축물에서도 보 테이블 폼의 적용이 가능하게 될 것이며, 이는 거푸집 공사의 작업 생산성 및 안전성 향상에 기여할 것으로 기대된다.

• 한국주거학회논문집
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• 제15권4호
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• pp.9-16
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• 2004

Architectural theories in western architecture have been considered as a basis for answering the fundamental questions of architectonics: proportion, symmetry, color, harmony and so on. Among those the architectural design theory is significant, since it affects the aesthetic evaluation of human perception. This paper gives an outline in applying the traditional design principles of architecture to contemporary architecture by 'unification through similarity' of architectural components such as form, scale, texture and color. As we see from this research, unification can be achieved in a design by the combination of the four components; that is, to balance between the four above-mentioned components in buildings, through the similarity of one or more of these components.

• 한국콘크리트학회:학술대회논문집
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• 한국콘크리트학회 1999년도 봄 학술발표회 논문집(I)
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• pp.836-839
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• 1999

Glossy architectural concrete means high qulity concrete which develops marble-like gloss on the surface of concrete. In spite of many benefits of architectural concrete to R.C. structure such as appearance of natural stone, saving of envelope materials and reduction of building weight, the failure of in-situ application of architectural concrete by the absence of knowledge on the physical properties and form work for it can often be found in Korea. This study is to offer the basic materials on the mix proportion, vibrating, curing and treatment of concrete result from the mock up test and in-situ application of architectural concrete to embody high quality architectural concrete in Korea.