• 건축역사연구
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• 제9권2호
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• pp.85-100
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• 2000

This paper is a study of the Beaux-Arts discipline of architecture, as it was established during the late nineteenth century in America. It focuses on trio particular modes of vision and representation that were at the heart of the discipline. The paper argues that Beaux Arts vision was centered on what may be called 'planar vision'; a mode of seeing through which the multiple aspects of the architectural design imbedded in the plan were read and re-interpreted. Similarly Beaux-Arts training in drawing required its student to draw within the multiple layers of historical traces; the new design being in effect a new layer placed on often unseen traces of monumental precedent. The theoretical basis of this practice was not based on history but on the concept of composition. Composition, in the French tradition was regarded more a matter of practice than theory. The Anglo-American discourse on composition, on the other hand, formed a body of theoretical literature based on formalist assumptions. There was, however, a fundamental gap between these formalist theories of composition and the 'layered' modes of vision and drawing involved in the design process. This practice leaned more on the modern romantic notion of 'intuition' for its theoretical basis, once again forming an immanent conflict with the mimetic practice of classical and historical architecture. The paper draws a picture of a discipline centered on a 'theory of the plan,' a potentially modern discipline integrated with classical forms and details. It was clearly effective as a practice. However, structured by conflicts between theory and practice, history and form, mimesis and intuition, the Beaux-Arts was unable to defend itself at the philosophical and theoretical level the modernists engaged their attacks on this system. At the same time, the paper poses the question of how different modern architecture is from this system. Is not the 'theory of plan,' in its many transformations and guises, still the central discipline of twentieth century modern architecture, and is it not structured by basically the same kind of conflicts and paradox that were immanent to the Beaux-Arts system.

• 한국전자거래학회지
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• 제8권2호
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• pp.49-62
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• 2003

최근 국내외적으로 활발하게 전자거래가 활성화됨에 따라 많은 양의 건축 설계 정보가 디지털 포맷으로 변환되어 데이터베이스에 저장되었으나, 정보의 활용도는 초기에 기대한 것보다 활발하게 이루어지지 않고 있다. 여러 가지 이유 중 건축 정보의 용어의 표준화가 이루어지지 않아 검색이 효과적으로 이루어지지 않는 점도 포함되어 있다. 건축설계 과정에서 같은 객체에 대해 서로 다른 용어들을 사용하고 있는 경우가 많고 용어들 간의 관계도 충분히 활용되지 않고 있다. 본 논문에서는 건축 정보의 효과적인 검색을 위하여 용어들 간의 관계를 이용하였다. 이러한 용어들 간의 관계를 온톨로지 DB에 저장하고 검색에 활용하는 방법을 기술하고 그 프로토타입을 설명하였다.

• 한국멀티미디어학회논문지
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• 제20권4호
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• pp.713-720
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• 2017

We present a non-photo realistic pen-ink drawing method for outlining and shading of the input image. Especially, we focus on the detailed illustration of the image of which stroke's direction is important. The pen-ink renderer is an alternative display models user can generate traditional illustration renderings of their photo realistic image. The previously proposed pen drawing methods produce feasible description in general image but it is difficult to express in detail for the sophisticated images that need to consider the direction of stroke for each image region. In order to overcome the disadvantages of the conventional method, a direction vector is extracted from a tensor field and we determine a stroke's direction in consideration of not only an edge area but also a gradient of a surrounding area in the image. For more detailed description for the sophisticated image, we generate white noises based on the light and shade of the input image and determine the direction and length of the stroke by using the tensor field for each generated white noise. The proposed method works particularly well for traditional architectural images where the direction and detailed description of the pen is important.

• 한국디지털건축인테리어학회논문집
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• 제13권3호
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• pp.33-40
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• 2013

The purpose of this study is to propose an curriculum for architectural studio in university to implement BIM process, through the analysis of the advantages of the BIM tool. The limitation of this study was to analyze the case study of only half year a single university. University education in the design process, the design that can be used in applying BIM content should be universal, university education considering the special working conditions, excessive BIM-based application can be difficult. Therefore, a systematic and reliable design that can be applied to education applies BIM design process is necessary to establish. University education applying BIM design review and design proposal the various 3D visualization can be used effectively to determine. In addition, the planned representation for thinking about and drawing 3D model building, architectural space can be used for visualization, and other subjects in conjunction with structural analysis, environmental analysis, facility layout, etc. can be used.

• 교육시설 논문지
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• 제23권6호
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• pp.11-17
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• 2016

The objective of this paper is to introduce a curriculum for BIM design and explores characteristic of BIM Design. In order to get our approach, conducted by means of BIM throughout an actual experiment by elementary school from Architectural programming, preliminary design to design development and construction drawing. The experiment states that curriculum for BIM design requires systemically to be made in the architectural education. And also schools integrate BIM teaching early into in their curriculum. Some schools claim that BIM is often perceived as stumbling block student' creativity on account of its instant building elements. But this is not so; it all depends on how BIM is taught in the architectural education. The results state that students in the architectural school today is required to learn design by means of BIM early in the first year. Also more importantly, in order to advance the BIM design, a curriculum for BIM design is required to diversely open class in the architectural education.

• 한국멀티미디어학회논문지
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• 제12권12호
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• pp.1787-1795
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• 2009

This paper describes an automation of architectural design processes and the direction between this automation and robotic system in building construction using the concept of the object-oriented design in architecture. The research starts from the premise that many computer-aided design systems are mostly aimed at serving as drawing tools which are used only after a design formal solution has already been established by the architect. If the computer is well applied to the architectural design process, many positive things such as standardization of design detail, increasing productivity and collaboration, minimizing construction costs etc. can be done. To support an early design solution in the computer-based environment, the proposed automation was developed and tested in a real building project, using the object-oriented design concept such as product model. This design automation gives various design alternatives from the early design phase to the final stage of design details, according to musical harmony. This paper shows how architectural design process can be automated and how the data of the applied architectural design can be integrated into product model environment, in relation to robotic system in building construction.

• 국제학술발표논문집
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• The 1th International Conference on Construction Engineering and Project Management
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• pp.1150-1153
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• 2005

The orders of Design-Build Delivery System (DBDS) in a large and public construction project have been increasing. Single Source Responsibility (SSR) for design and construction, which contributes to quality improvement of design and construction, has been performed. The DBDS performs SSR for design and construction, but, it has not maximized effect because of the dissatisfied alternative analysis procedures which are based on constructability evaluation and the information system in the design step. In this research, Constructability Evaluation Factors (CEFs) that must be evaluated, investigated, and reflected in the basic design step for design-build projects. The CEF proposed and the business process of each conductor has been systematized. To propose constructability evaluation factors, first classify drawing information by the constructability evaluation sphere. CEFs must be proposed to evaluate factors according to interference among work items. Second, applicable CEFs must be classified by preference ranking and weight. Third, the values of constructability factors in accordance with building elements and work items, need to be calculated. Finally, the CEFs proposal will support rational decision making, design cost reduction, and quality improvement through the values for constructability of building elements and work items.

• Spatial Information Research
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• 제18권5호
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• pp.47-54
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• 2010

기존의 소방대상시설물 도면은 이미지도면이나 CAD도면 형태의 2차원 도면형태로 존재하고 있다. 구축되어 있는 데이터의 형태도 다양한 방식으로 이루어져 있기 때문에 소방방재업무에서 필요로 하는 신속 정확한 대응체계를 위해서는 기존의 2차원 도면형태로 구축된 도면을 3차원으로 변환할 필요가 있다. 본 연구에서는 소방방재 대상이 되는 2차원 건축도면을 3차원 공간정보로 손쉽게 구축하기 위하여 건축도면에 대한 분석과 3차원 공간정보 데이터모델을 설계하고 이를 3차원 공간정보로 변환할 수 있는 툴을 개발하였다. 본 논문에서 제안한 소방대상 2차원 도면의 3차원 변환방법을 통하여 다량의 2차원 도면을 3차원 공간정보로 쉽게 변환할 수 있으며 이를 통해 소방방재 업무의 활용도를 향상 시킬 수 있다.

• 대한건축학회논문집:계획계
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• 제34권4호
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• pp.103-111
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• 2018

The Soswaewon Garden, which was constructed by Yang San-Bo around 1520, is a private traditional garden in Korea. Soswaewon Garden has long been and still is the focus of continuous research. However, relatively few studies have been conducted on the restoration of buildings that were lost in the past. The Goam-Jeongsa and Boohwondang buildings, which were lost in 1597 during the Japanese invasion, were restored in 1614 and depicted in a picture of Soswaewon Garden in 1755. However, they eventually disappeared and no longer exist in the present. Therefore, the restoration of these two buildings is considered an urgent task. This research aims to search for the original location of these buildings and estimate their size and shape in terms of physical space. Several years ago, an estimation of the building site was carried out, providing a stepping stone on this matter. This can be studied through "Soswaewon's 48 quatrains with five Chinese characters in each line," "Soswaewon-sasil," and "Soswaewon's drawing." Some parts of the shape of Soswaewon also appear in the "Yuseoseokrok," which is helpful. Thus, in this research, information on the Goam-Jeongsa and Boowondang buildings appearing in research results and literature to date are collectively analyzed. The location and architectural features of both buildings are identified by focusing on excavations. Also, for the purpose of restoration planning, base data on the location, size, and shape of both buildings are presented. In line with this process, a valid restoration plan is presented by analyzing the abovementioned historical research materials and comparing empirical data, such as excavation results.

• 한국조경학회지
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• 제46권2호
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• pp.1-13
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• 2018

이 연구는 지금까지 조경 드로잉에서 컴퓨터 테크놀로지가 어떠한 역할을 해왔는가를 검토하고, 근래의 디지털드로잉에서 발견되는 사실적 묘사 경향에 관한 쟁점을 진단한 후 대안적 방향을 모색한다. 조경 드로잉의 매체가 손에서 컴퓨터로 이행하는 시기에 드로잉 테크놀로지는 대체로 손 드로잉의 테크닉을 모방하는 기계 도구의 기능을 담당했다. GIS는 레이어 케이크의 절차를 보다 정확하게 효율적으로 처리했고, CAD는 물리 모형을 시공 도면으로 변환했으며, 그래픽 소프트웨어는 콜라주와 몽타주를 보다 쉽게 만들 수 있도록 도왔다. 근래에 디지털 조경 드로잉에는 경관의 외양을 회화와 같이 사실적으로 묘사하려는 경향이 짙다. 그래픽 소프트웨어를 이용하여 사진 재료의 조립 흔적을 지워내 마치 실재 경관을 포착한 사진처럼 보이도록 제작되고 있다. 이러한 사진과 같은 이미지는 대중과의 의사소통에 수월하지만, 경관의 다감각적 특성을 온전하게 구현하기 힘들고, 좀처럼 현실에서 발생하기 힘든 경관의 가장 이상적인 순간을 묘사하여 수용자를 기만하는 경우가 발생하기도 하며, 자칫 최종 결과물처럼 여겨져 드로잉의 생산에만 집중하게 할 우려가 있다. 이에 대한 대안적 방향으로, 경관의 기능 정보를 삼차원으로 모델링하고, 디지털 테크놀로지를 설계 전반 프로세스에서 설계 아이디어를 발전시키는데 활용하며, 서로 다른 드로잉 테크닉과 테크놀로지를 혼용하여 경관의 다양한 국면을 시각화하는 실험이 필요하다.