• 한국식생활문화학회지
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• 제16권2호
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• pp.147-157
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• 2001

In order to investigate the eating out behavior of university students, this survey was conducted using the questionaires for 710 students(369 male, 341 female) from 11 universities in Seoul. It was revealed that 39.4% of the subjects spent $60,000{\sim}100,000$ won for monthly eating out cost and 57.8% of them ate out more than once a day. Most of them expended less than 3,500 won for lunch, while 36.5% of them spent $4,000 {\sim}5,000$ won for dinner. Dinner was regarded more important than lunch. Korean foods were the most preferred menu for eating out with friends and fast foods were the second. But Boonsik(snack bar foods), Chinese foods and Japanease foods were rarely selected. Frequency of selecting fast foods was 8 times greater than that of Boonsik. This indicates that the preference of western flavor and the pursuit of convenience is getting more obvious. While dating, western foods were preferred, followed by Korean foods, fast foods. The 80 kinds of foods were reported as favored eating out foods. Although 50 among 80 were Korean foods, the rest of them were Koreanized foreign foods most of those were western style. This may suggest that when the students become adults, they will be much fond of western dish for their dinning out. This tendency of preferring western flavor were much apparent in foods for dinner compared with lunch. In both sexes, the standard of food choice was in the order of taste, price, mood, hygiene, service and brand name. But male students were more conscious of price and service while female students were more concerned about taste and hygiene. Most unsatisfying feature in restaurant was unstable atmosphere for both sexes. Taste was the most important sensory factor in selecting the foods, followed by appearance, smell and texture. Major source of restaurant information was recommendation by friends or relatives. But the use of internet or magazine was negligible. Female students had more positive attitude, compared with male students, in using restaurant information and pursuing eating out for gourmet. The dining out menu of which price ranges about $3,000{\sim}5,000$ won could be preferable foods for most people. Therefore, instead of blaming them for eating too much fast foods, new menus which fit the food preference and affordability of the students should be developed.

• 유통과학연구
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• 제14권8호
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• pp.123-128
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• 2016

Purpose - Korean Wave that overspreads around Asia and America, especially the Korean beauty wave, has reached Mongolia and Mongolian consumers. Mongolia consumers usually prefer foreign cosmetic brands to local brands, because the local brands cannot satisfy fast changing needs and wants of local consumers. Research design, data, and methodology - Based on previous studies about life style of Mongolian consumers, advertisement properties and consumer behaviors, we propose a research model and related hypothesis. In order to test hypotheses, we analyzed 366 survey data out of 376 by eliminating improper 10 responses. Factor analysis and reliability analysis was conducted by SPSS 22.0. We used multiple regression analysis and parameter analysis to test the relation between variables. Results - As exploring the Mongolian consumers' current usage of cosmetic products, we found that the customers' focus is how the products fit with their skin. Mongolian consumers often get the information about cosmetic products through TV and internet. Mongolian consumers show positive attitudes on the appearance of Korean celebrities in responsibility, while there is no significant effect on attractiveness. Mongolian consumer's behaviors toward brand have positive effect on both responsibility and attractiveness of Korean commercial celebrities. Responsibility and attractiveness of Korean commercial celebrities have positive effect on the behaviors toward advertisements of cosmetic products. Conclusions - Behaviors toward advertisements of cosmetic products have positive effect on both purchase intention and loyalty of customer. Responsibility and attractiveness of Korean commercial celebrities have positive effect on mediating variable of behavior toward advertisement and independent variable of purchase intention. Responsibility and attractiveness of Korean commercial celebrities have positive effect on mediating variable of behavior toward advertisement and independent variable of loyalty of customer. In order to improve the effect of advertisements, firms need to consider not only the technique of the model but also the image of model in regard to trust and professionalism appealing to consumers. In addition, firms need to choose the model who fits in with the image of the firms and the products and service of the firms. Finally, Mongolian consumers tend to acquire the shopping information through TV advertisements, especially featuring Korean popular stars, thus, TV advertisements can be a wise option in Mongolian cosmetic market.

• 박물관보존과학
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• 제17권
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• pp.69-84
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• 2016

유소는 족자를 걸기 위한 끈의 역할을 한다. 본 연구는 기존 어진과 공신도상의 유소 연구결과를 기반으로 사대부상의 유소에 초점을 맞추어 연구하였다. 조사대상은 국립중앙박물관 소장 초상화에 장착된 유소 7점으로 형태와 제작 재료에 관해 분석하였다. 그 결과 대부분 16사의 동다회로 6점은 홍색, 1점은 쪽색으로 제작되어 전형적인 사대부상 유소의 형태를 보이고 있었다. 분석 결과 윤급 초상(덕3503)은 종이에 금박을 입힌 것이며, 금 아래 적색 안료 입자는 Fe로, 산화철 계통의 안료인 석간주가 사용된 것으로 보인다. 신임 초상(덕수4846)은 속지의 주성분이 금으로 납, 수은, 은이 소량 확인되었고, 이성원 초상(본10122)은 주성분이 Ag로 은지인 것이 확인되었다. 이서구 초상(신1065)은 주성분이 Ag, Fe, Br이며 속지는 가죽으로 제작되었다. 가죽을 FTIR로 분석한 결과 지문 영역에서 양가죽의 스펙트럼과 거의 일치하고 있어, 양가죽을 가공한 피금(皮金)인 것으로 확인되었다.

• 한국콘텐츠학회논문지
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• 제14권3호
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• pp.113-124
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• 2014

뮤지컬 <여신님이 보고계셔>는 '담론으로서의 서사', '화자가 꾸미는 서사', '스토리로서의 서사' 등의 서사 구조를 골고루 지니고 있다. '담론으로서의 서사'는 무인도에서의 남한군과 북한군의 우정을 그리는 것으로, '화자가 꾸미는 서사'는 순호 석구 주화 창섭 동현의 사연이 동현 여신 석구가 대역으로 등장하는 극중극으로, '스토리로서의 서사'는 '여신님'의 등장으로 현실 세계와 환상 세계가 교차하는 것으로 나타난다. 이는 ${\triangle}$공간의 성격화 ${\triangle}$ 무대의 전략적 간소화 ${\triangle}$중심 캐릭터의 다수화 ${\triangle}$유사 내력담의 반복 ${\triangle}$탄력적인 시점 변화 등에 기여한다. 또 뮤지컬 넘버는 ${\triangle}$극적 캐릭터의 다양성 추구 ${\triangle}$비극적인 심리표현의 극대화 ${\triangle}$아이러니와 판타지에 의한 흥미 유발 ${\triangle}$섬세한 감성과 순수한 희망에 대한 향수 자극 ${\triangle}$보편적 여성상에 의한 치유와 구원의 시도 등의 극적 기능을 지님으로써 이 뮤지컬의 사실적 재현과 양식적 환상에 기여한다.

• 복식
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• 제6권
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• pp.7-26
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• 1982

Investigation for industrial revolution has been recognized as an important issue of historical science, since industrial revolution itself was a historical moment in modern economic society and in the forming of modern capitalistic culture. If clothing culture had been developed in close relation to social culture. industrial revolution which gave a base for modern capitalistic culture, would be a birth of modern clothing as well as a moment for modernization of western clothing. As it takes for granted that industrial revolution, historical phenomenon is a developmental base of modern clothing culture. This study tried to enlighten the origin of modern clothing culture phenomenon with investigation of industrial revolution as a historical moment in modern clothing culture through documental study. Historian's point of view and method of studying are important when we investigate the clothing phenomenon. Although culture phenomenon of industrial revolution has been evaluated usually through socialogical aspect, studying for clothing culture phenomenon must be carried out on aethetical as well as well as sociological aspect, on account of dualism of clothing, as it is social and artistic nature. In 19th century, there were technical improvement, changing patterns of production, changing social relation and beginning of mass culture. At the same time clothing culture phenomenon was changed in relation to modern capitalistic society. The findings of the study could be summarized as follows. 1. Technical improvement in textile industry and fitting process brought about mechanization of clothing industry. 2. Appearance of popular clothing culture made it easy to spread to various classes of society. 3. Development of transportation system and communication channel made it internationalization of western clothing. 4. Recognition of importance in functional style of clothing. 5. The pursuit of modern aesthetics made rapid changing mode of clothing. Above distinctive features of modern clothing culture were derived from by-product of machinary culture, mass culture, internationalism, rapidly changing mode of various culture during industrial revolution. Industrial revolution was a change of the material world as well as in industry owing to machine advent, then the culture part that displayed directly these changes was the plastic arts of living that mould the material. The problem of clothing construction caused by industrial revolution was solved by pursuing the functional aesthetics. Clothing phenomenon as a process of value transfer participates mass culture in closs relation to general change of various culture caused by industrial revolution. Therefore western clothing gained the qualities of modern culture, condensed as function, and popularity in the process of modernization.

• 수산해양기술연구
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• 제52권3호
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• pp.183-190
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• 2016

This study carried out an experiment to find out the reaction of hairtail, Trichinus lepturus to the colors of LED light as a basic study on the development of the trolling gear and a method to enable the day-night operation. We used hairtails caught around Seongsan-po, Jeju Island by set nets and hairtail angling. The seven hairtails of the average length 68.9 cm (SD 9.2 cm) and the average weight 135.9 g (SD 47.9 g) were adapted themselves in the experimental water tank, 15 m Self-Governing 1.7 m in height and 1.5 m in depth, and then they were studied. We conducted experiment at the Ocean and Fisheries Research Institute in Jeju Special Self-Governing Province, from November to December 2015, and the sea surface temperature was between 16.5 and $19.5^{\circ}C$. The four colors of LED light, blue, white, green and red, were set up to transmit downward from the marginal area of tank. The 1 meter depth light intensity of LED colors is as follows: $0.09w/m^2/s$ (blue), $0.18w/m^2/s$ (white), $0.04w/m^2/s$ (green) and $0.007w/m^2/s$(red) To know the optimum LED color light, we selected one with better reaction rate after comparison of two colors simultaneously and the selected color was again compared to the other color in a tournament style two times a day (day and night) and ten times totally. The reaction rates were shown as the frequencies of hairtail appearance for 5 minutes in the lighting zone after turning on the LED lights. The reaction rate of the blue was at 97% unlike the red 3% (p < 0.001). The blue was at 75% unlike the green at 25% (p < 0.001). The blue was at 67% unlike the white at 33% (p < 0.001). Therefore, the color of light source showing the highest reaction rate was the blue.

• 대한가정학회지
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• 제49권5호
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• pp.33-48
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• 2011

본 연구의 목적은 결혼이주여성과 한국인 여성의 결혼만족도에 영향을 미치는 요인들을 규명하는 것이다. 이를 위해 현재 한국에 거주하고 있는 409명의 결혼 이주여성과 474명의 한국인 여성을 대상으로 설문조사를 실시하였다. 위계적 회귀분석 결과, 평등한 의사결정방식은 결혼 이주여성들만의 결혼만족도를, 우울 수준은 한국인 여성들만의 결혼만족도를 설명하였다. 하지만 남편의 의사소통 양식은 결혼 이주 여성과 한국인 여성 두 집단 모두의 경우에 결혼만족도를 설명하는 가장 강력한 변수였다. 결혼 이주 여성의 경우 문화적 맥락(한국에서의 거주기간, 인종차별 경험) 또한 결혼만족도를 설명하는 중요한 변수였다. 본 연구의 결과는 결혼이주 여성과 한국인 여성의 결혼만족도를 설명하는데 있어 변수들의 상대적 영향력을 규명하고, 결혼이주 여성의 결혼만족도에 있어서 문화적 맥락 변수들의 고유한 기여점을 설명함으로써 결혼 이주 여성의 결혼만족도에 대한 이해를 돕고자 하였다.

• 자연과학논문집
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• 제8권2호
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• pp.289-321
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• 1996

조선 후기는 임진.병자 양난을 계기로 사회전반에 급격한 변화를 겪으며 근대 사회로의 전환기를 맞는다. 즉 전쟁으로 인한 국가제도의 문란과 혼란해진 사회구조 속에서 신분제도가 해이해졌고, 상업경제체제와 화폐경제의 발달로 인한 부유한 중인 계층이 대두되었고, 사상적으로는 유교가 공리공론에 빠지면서 유교윤리의 약화현상이 나타나면서 현실치중 의식을 보이는 실학사상이 등장 하였다. 또한 서민문예의 대두로 서민의식을 가진 서민계층(서민의식을 가진 양반계층 포함)이 등장하게 되었다.이 서민 계층의 등장은 복식에 있어서의 대중복식문화를 부각시키면서 유행현상이 출현되었다. 그리고 대중은 이 전환기 사회에서 변화된 그들의 역할과 가치관은 이제 더 이상 지배층에게서 영향력 행사할 충분한 권력이나 매력을 찾지 못했다. 따라서 이들은 새로운 상징적 선도자(Symbolic leaders) 즉, 모범을 보여주는 새로운 대상을 찾았고, 그들의 상징적 선도자는 바로 '자유분방하고, 사회활동을 하는 독립된 여성, 그리고 시와 가무를 즐기는 풍류가이고 또한 신체적으로 매력을 지닌 멋장이인' 기녀들 이었다. 선도자 그룹인 기녀계층에 의해 제시된 새로운 Fashion과 Style인 Erotic Mode와 사치 Mode는 그 시대 사조를 반영하면서 대중이 의식과 기호에 크게 맞아 떨어지자 큰 호응을 얻고 수용되었다. 즉 이들대중은 선도자 그룹을 모방 함으로써 그들과 자신들의 동일시를 성취하고 선도자의 Prestige를 나누어 가지고자 했던 것이다.이러한 이유로 해서 기녀들은 하류계층임에도 불구하고 조선후기 시대의 "패션의식적인"사회집단으로서 대중으로부터 주목받고 대중의 기호를 장악하며, 그들의 복식행동은 대중으로부터 강한 수용을 받게 되면서 대중의 의복 행동에 크게 영향을 미치는 유행선도자(Fashion leader)였음을 보게 된다.

• 디지털융복합연구
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• 제10권11호
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• pp.659-664
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• 2012

본 연구는 애니메이션 캐릭터 기호가 점점 다양하게 진행됨에 따라 관객과의 효과적인 커뮤니케이션에 대한 애니메이션 캐릭터는 영화의 주인공이 되어 전체의 분위기를 이끌어 간다. 캐릭터는 작품 속에서 자신의 행동과 사고 방식을 표현함으로써 관객에게 어필한다. 캐릭터가 어떤 유전적인 요인과 환경적인 요인에 대한 영향을 받는가에 대한 것은 내러티브와 전체적인 세계관과 밀접한 관계가 있다. 새로운 세계에서 어떤 신체적 특성, 어휘, 말투, 버릇, 액션, 성격을 가지고 있느냐에 따라서 캐릭터는 더욱 확실하고 쉽게 관객에게 전달된다. 그러므로 이 연구는 새로운 세계관 속에서 사물을 판단하고 행동하는 캐릭터의 외모와 성격을 잘 나타내는데 필요한 요인은 무엇인지에 대하여 분석하고자 한다. 분석 결과, 캐릭터의 설정 방법은 첫째, 애니메이션 캐릭터의 행동과 사고방식을 규정 요인은 세계관에 있다. 그것을 표현하는 외면적 성격요소로는 용모, 스타일, 행위, 표정, 말투, 취미, 직업, 지위가 있으며 내면적 요소는 기질, 사상, 교양을 나타낸다. 둘째, 애니메이션 캐릭터의 일반적인 성향들, 문화적 배경, 핵심 특성과 경험 등을 주어진 조건, 즉 세계관에 의하여 형성된다. 그 기질은 외향/내향, 직관/감각, 사고/감정, 판단/지각으로 나타난다. 셋째, 애니메이션 캐릭터의 매력은 친근함(familiarity), 독창성(originality), 유머(fan), 다성적 감각, 유연성으로 나타난다. 넷째, 새로운 세계관과 캐릭터의 조화이다. 새로운 세계관에 맞게 설정된 캐릭터는 애니메이션의 재미와 완성도를 더해 주지만 그렇지 못한 캐릭터는 내러티브의 흐름을 방해하는 요소가 되기도 한다는 결과를 볼 수 있다. 애니메이션 캐릭터의 설정은 독특한 세계관을 관객에게 다가가기 쉬운 친근함(familiarity)과 다른 작품과의 차별화 되는 독창성(originality), 웃음을 선사하는 유머(fan)와 서로 다른 시간에 서로 다른 방식으로 상호작용 다성적 감각을 보다 유연하게 관객에게 전달되기 쉬운 설정이 가장 바람직하다고 볼 수 있었다.

• 한국연극학
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• 제48호
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• pp.51-84
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• 2012

In Korea, historical plays took an epoch-making turn from the previous historical plays in terms of approaches to topic and material and methods of rewriting history in the 1990s. Historical plays became dehistoricized with individual, everyday life, and faction emerging as major codes of historical plays according to mistrust in history and grand narrative as the original and disappearance of trust in the growth and totality of history. A new trend became dominant of presenting fictionality prominent instead of reproduction of history and freely playing with history outside the context. While modern historical plays were subject to the content of history, post-modern historical plays sought after new history writing to tell a new story on history within a framework of fiction. Focusing on some of the trends in post-modern historical plays since the 1990s, which include play with history, daily life-style history writing, and reproduction patterns of colonial modernity, this study examined the goals, representations, and text strategies of new history writing in three historical plays, Generation After Generation(2000) by Park Geunhyung, The Mercenaries(2000) by Park Sujin, and Chosun Detective Hong Yunshik(2007) by Sung Giwoong. In Generation After Generation, the author adopts a plot of starting with the present and tracing back to the past, breaking down the myth of racially homogeneous nation. At the same time, he discloses that the colonial history is not just by the oppressive force of Japan but also by the voluntary cooperation of Korean people. That is, we are also accountable for the colonial history of the nation. The Mercenaries contrasts the independence movement during the colonial period against the modern history developed after Liberation, thus highlighting the still continuing coloniality, namely post-colonial present. The past is presented as the "phantom of history" making its appearance according to the request of the present hoping for salvation. The author politicizes history and grants political wishes to history by summoning the history by personal memories such as fictional diaries and letters with Messiah-like images opposed to the present of collapse and catastrophe. In Chosun Detective Hong Yunshik, the author makes an attempt at the microscopic reproduction of daily life by approaching the 1930s as the modern period when capitalist daily life started to take root. The lists of signs comprising daily life in colonial Gyeongseong are divided between civilization and savagery and between modern and premodern. With the progress of narrative, however, they become mixed together and reversed in the representation system in which the latter overwhelms the former.