• 제목/요약/키워드: Amulet

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『부적』: 광기의 시대와 구원으로서의 문학 (Amulet: The era of madness and the literature as salvation)

  • 김현균
    • 비교문화연구
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    • 제21권
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    • pp.31-52
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    • 2010
  • Even though Chilean writer Roberto $Bola{\tilde{n}}o^{\prime}s$ novel Amulet was inspired by a historical account, it significantly rewrites the story as well as redefines the people who witnessed the history. This novel focuses on the Uruguayan poet Auxilio Lacouture, the self-anointed "mother of Mexican Poetry". She is trapped in a bathroom at the UNAM in Mexico City for thirteen days while the army storms the campus for the repression of the student movement, which was decreed by the sinister Díaz Ordaz and culminated in the holocaust of Tlatelolco. In the space isolated from the outside world, Auxilio attempts to reconstruct the past and to describe the future through an illogical exercise of times. In the meantime, her temporal recollections finally approach the definition of a generation whose historical experience is crucially marked by the key year of 1968, when the novel is set. The only one who remained on the campus, she defends the university's autonomy only by reading and writing poetry. The novel ends in a scene densely imbued with allegorical imagination, by which the author endeavors to justify her generation, more concretely, "the peoples without history", as defined by bohemian poets. The protagonist represents, in some sense, an allegory of the innocence and truth of the history. Her existence per se manifestly demonstrates the power of literature because the literature within this novel in short becomes the most resilient amulet resisting the political violence in an era of increasing madness.

O Valor Documental dos Balangandãs: Uma Análise Simbólica e Formal

  • Carmo, Sura Souza;Borges, Luiz C.
    • 이베로아메리카
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    • 제23권1호
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    • pp.79-111
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    • 2021
  • The purpose of this article is to present the potential of balangandãs as a documentary source for intersectional studies of gender and slavery, from the analysis of formal and symbolic aspects of the museum objects in the Museu Nacional Nacional (MHN) and Museu Carlos Costa Pinto (MCCP). Balangandãs are a type of creole jewelry, made in gold or silver and used in Brazil since the 18th century by black women - women who worked, especially in the commercialization of foodstuffs in large urban centers. They are described in printed sources and engravings, and preserved in some museum institutions. In the study, the meanings attributed to the object over the centuries are observed: jewelry, amulet, peculium, document, travel memory and heritage. As a result, the article seeks to highlight the objects as a historical and documentary source, verifying similarities between the pieces musealized at the MHN and at the MCCP, also emphasizing the documental power of the pieces produced today.

비동기식 임베디드 프로세서를 위한 적응형 파이프라인 구조 (Adaptive Pipeline Architecture for an Asynchronous Embedded Processor)

  • 이승숙;이제훈;임영일;조경록
    • 대한전자공학회논문지SD
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    • 제44권1호
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    • pp.51-58
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    • 2007
  • 본 논문은 비동기식 프로세서에서 동작 상황에 따라 파이프라인 구조가 변경 가능하고 명령어 종류에 따라 병렬처리를 지원하는 적응형 파이프라인 구조를 제안하였다. 제안된 구조는 동작이 불필요한 스테이지를 건너뛰는 스테이지 스키핑(stage-skipping)과 다음 스테이지가 비어 있으면 현재 스테이지와 다음 스테이지를 하나로 통합하는 스테이지 통합(stage-combining) 기법을 지원한다. 이 기법들은 명령어 종류에 따라 서로 다른 데이터패스를 사용하는 명령어들을 병렬로 처리하여 머신 사이클을 단축시켜 프로세서의 동작 속도를 증가시킨다. 본 논문에서는 제안된 파이프라인 구조를 적용한 ARM 명령어 호환 프로세서를 설계하였다. 이 프로세서는 VHDL로 설계한 후 $0.35-{\mu}m$ CMOS 표준 셀 라이브러리를 이용하여 합성되었다. SPEC2000 벤치마크를 사용하여 성능을 평가한 결과, 타겟 프로세서는 평균 365 MIPS의 속도로 동작하여 영국 맨체스터 대학에서 개발한 비동기 프로세서인 AMULET3i에 비해 2.3배 높은 성능을 보였다. 제안된 파이프라인 기법과 프로세서 구조는 고속 비동기식 프로세서 설계에 적용 가능하다.

터키지역 전통염색 카페트의 문양 특성 (The Caracteristics of Traditional Dyeing and Patterns on Turkish Carpets)

  • 신정숙
    • 한국의상디자인학회지
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    • 제6권1호
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    • pp.34-45
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    • 2004
  • The purpose of the study was to investigate weaving, traditional dyeing, fiber material, pattern how carpet developing according to Turkey area for using the data that can rear to the export strategic industry for carpet production and development that is correct in culture. The result are followed: 1) Life of the age was expressed in color and pattern using according to geographical environment, climate, lifestyle, religion etc. 2) In the case of weaving, there is Kilim, Soumak that appears only weft on the surface as plane weaving without knot and carpet of knotted pile weaving and knot of carpet is duplex knot difference with carpet of the other country. 3) In the case of textile material, there is use most wool fiber that can get easily from breeded sheep by nomads. 4) In the case of dyeing, did the local traditional color to use dye extracting in dyeing material that can get easily in the area. Red that can extract in madder that can get easily in which area of Turkey, dark navy blue of indigo dye that indigo plant fermentation and cream beige that is wool's natural color were exposed representative traditional color of Turkey carpet. 5) Pattern was advanced uniquely as culture of the area; weaving person's sensitivity and desire are reflected through centuries. Amulet, riches & honors, fecundity and happiness appeared most pattern in any area.

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입원 노인과 재가 노인의 신체능력과 낙상효능감 및 우울수준 비교 (Comparison of Physical Ability and Fall Efficacy and Depression between Elderly and Hospitalized Elderly)

  • 빈유민;안소윤;안성자
    • 대한물리치료과학회지
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    • 제25권3호
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    • pp.1-8
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    • 2018
  • Background: The purpose of this study is to provide basic data on physical therapy intervention by comparing the physical ability and fall efficacy and depression of elderly and hospitalized elderly. Method: This study was carried out with 22 hospitalized elderly who can live in Y-Hospital and 22 elderly people in Busan. We measured body mas index, time up & go test, function reach test, 10m walking test, bracket lifting test, fall efficacy and geriatric depression scale. The data collection period was from November to December 2017. The collected data was analyzed using SPSS Win 18.00 program. Results: There was a significant difference between the elderly and hospitalized elderly form physical ability and depression(p<.05). But Fall efficacy was no significant difference(p>.05). 10m walking with TUG, heel with fall efficacy showed quantitative correlation and 10m walking with fall efficacy, depression with fall efficacy, heel with TUG, 10m walking showed amulet correlation. There was a statistically significant difference. Conclusion: Elderly showed better results in physical ability and depression than hospitalized patients.

On the Issue of the Attribution of Gazakh Carpets of the Ganja-Gazakh Type

  • Shirin MELIKOVA
    • Acta Via Serica
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    • 제8권2호
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    • pp.1-24
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    • 2023
  • The art of carpet weaving is the most habitual form of traditional art in Azerbaijan, it reflects a rich inner world and occupies a special place in the history of a national culture's development. The Azerbaijani carpet has always stood out for its plots, ornaments, compositions, and high quality and the Azerbaijani people, faithful to their spiritual values, have protected and developed it throughout the centuries. In this article, several Ganja-Gazakh-type carpets from the Azerbaijan National Carpet Museum collection and their artistic and technical characteristics are discussed. Specimens of material, sacred language, and ornamentation are considered. The deepest meaning is embodied in tamga in particular. Tamga is a unique phenomenon serving as an amulet, lineage sign, and self-identification of Turkic peoples. The Gazakh carpets of the Ganja-Gazakh type cover the Gazakh region of Azerbaijan, the Borchali region of Georgia, and the Goycha Lake region of Armenia. Karapapakh Azerbaijani Turks have inhabited these areas since ancient times. Tarakama (nomads) are often equated with the name Karapapakh (black hat). One of the densely populated regions of Tarakama is Gazakh. Gazakh, Garagoyunlu, Salahli, Shikhli, Kamarli, Damirchilar, Gaymagli, Goycali, Daghkasaman, Oysuzlu, Gachagan, and pile carpets with different compositions are woven in the Gazakh carpet weaving center. Large, simple in form, step-shaped or hook-like medallions, horn-shaped patterns, animal images, and stamps with symbols of ancient Turkic tribes characterize the Gazakh carpet weaving group.

장신구사에 나타나는 상징적 의미에 관한 연구 -반지를 중심으로- (The study on the symbolic meanings of jewelry history -Focusing on the ring-)

  • 홍혜진
    • 디자인학연구
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    • 제18권1호
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    • pp.157-166
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    • 2005
  • 본 논문은 장신구에 내재하고 있는 상징적 의미에 대한 연구이다. 상징적 의미란 상징의 여러 속성들 중 의미와의 연관관계를 말하는 것이다. 장신구를 사용하는 것은 인류 문명사의 초기에서부터 나타나는 본능적 행위이다. 인간은 자신을 치장하기 위한 장식적인 목적이나 바라는 바를 이루기 위한 주술적인 이유에서 권력이나 힘을 과시하기 위한 수단으로 또는 사랑이나 그리움 등의 감정을 전달하기 위해서 등 다양한 목적으로 장신구를 사용하였다. 본 논문에서는 여러 종류의 장신구들 중 상징적 성격이 가장 강하게 나타나는 반지를 중심으로 장신구의 상징적 의미를 역사적 배경 속에서 살펴보았다. 고대 중세에는 상징성이 강하게 나타나며 근대와 현대에 이르러 약해지는 경향을 보인다. 또, 고대 중세에는 공통성, 보편성을 가진 의미가 많은 반면, 근대 이후 현대에는 개인적이고 사적인 의미가 증가하였다. 시대별로 장신구의 의미들은 시대상황과 연관관계를 맺으며 조금씩 변화하였지만, 장신구는 어떠한 시대상황에서도 우리의 마음속에 의미와 상징을 불러일으키며 인간의 내면의 사상과 감정을 표현하는 역할을 한다.

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성인의 우울과 문제음주 발달궤적: 기초생활 수급여부와 장애인여부의 융합적 요인을 중심으로 (Trajectory of Development of Depression and Problem Drinking in Adults: Focused on the Convergence Factors of Basic Livelihood Receipt and Disabed People)

  • 이형하
    • 한국융합학회논문지
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    • 제12권5호
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    • pp.303-311
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    • 2021
  • 본 연구에서는 한국복지패널(Korean Welfare Panal Study) 11차년도(2016년), 12차년도(2017년), 13차년도(2018년), 14차년도(2019년) 자료 중 가구주용 데이터와 가구원용 데이터를 활용하여 성인의 문제음주가 우울에 종단적 영향을 미치는지에 대해 검증하였다. 분석결과, 첫째, 우울의 초기값은 문제음주 초기값과 정적(+)인 관계가 있는 것으로 나타났고, 문제음주 변화율과도 유의미한 관계가 나타났다. 둘째, 수급가구의 경우는 우울의 초기값, 문제음주의 초기값과 정적(+)인 관계를 나타냈다. 셋째, 장애인의 경우는 우울의 초기값, 문제음주 초기값과 부적(-)인 관계를 나타냈다. 따라서 성인기 이전의 학교교육에서 음주문제 예방 프로그램 개발과 교육이 적극적으로 이루어져야 할 것을 제언하였다.

'Magic Imperialism': The Logic of Magic in Edith Nesbit's Fantasy Novels

  • Park, Sojin
    • 영어영문학
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    • 제56권3호
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    • pp.501-517
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    • 2010
  • This paper examines the British imperialism found in Edith Nesbit's fantasy stories by looking at the function of magic and of the hierarchical relationships seen in the books. Although Edith Nesbit is relatively unknown in Korea, she is widely recognized as having had a great influence on the 20th century British literary world, and is also well-known for her political position as a socialist. Nesbit's fantasy books are commonly differentiated from other Victorian children's books written before her in that she created realistic and liberal children characters and rejected the adult didactic tone. While Nesbit's books have been recognized as revolutionary and being distinguished from other Victorian children's books, I suggest that the ideas found in her fantasy novels largely include the dominant Victorian message of British imperialism. This imperial ideology is delivered by the logic of magic and the multilateral hierarchies. The two magic creatures (The Psammead and the Phoenix) and the two magic items from an Oriental background (the Carpet and the Amulet) all have a magic power to grant people's wishes, wholeheartedly exercising their power and knowledge for the sake of the British characters. While the magic agents serve to fulfill the children's wishes, the children aim to please their parents and to benefit their family, showing layered hierarchies among the characters. Also, there is a hierarchical distinction between the magic items and the magic creatures in that the magic items have no voice to express themselves but only serve and obey the British children. The foreign characters that the children encounter in their adventures also cooperate with the British characters to help them to fulfill their goals. In short, magic frees the children from the adult-centered world but ultimately their free adventures serve their parents and other adults, and represent the ideals and hierarchical concepts of British imperialism. Thus, Nesbit's position as a modern writer seems to be ambiguous, switching between modern characterization and style, and the old Victorian imperial messages that also exist in her fantasy novels.

향(香) 집에 관한연구 (A study on Perfume case)

  • 이선재
    • 복식
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    • 제33권
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    • pp.117-142
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    • 1997
  • This study is on perfume case that is one of a great number of ornaments which was designed by out ancestors. We had developed the tradition and the history of perfume case bag fan-weight etc. These have the same function as the present perfume. case. There were basket-shaped perfume cases which were the smellest one among the personal girdle ornaments in the silla era. The various patterned perfume case were made of gold metal coral platinum or green jadeite etc. In the single-crop trinkets a embroidered perfume bag with the gold and silver thread whose forms perfectly match their functions appeared during the Yi Dynasty. There was also a perfume bag which was one of the daily necessities. A precious "jul perfume" was carried by noble women. A fan-weight perfume bag was attached to the fan to emphasize the intrinsic beauty of utility and function. It is necessary to know the function of prefume case. As perfume case is weared on the clothes it was given more decorative effects as well as the function of medicinal amulet with a sweet smell. Therefore it is very important for us to study perfume case that has various function as an ornament. So The purpose of this study is to investigate the practical and decorative side of perfume case with the general examines of perfume finding how to practice use through our life. The results were as follows; 1. The first use of perfume is perfume through smoke which is for ceremony of religion It removes human body odor by degrees and spreads a sweet odor. Also the materials for making perfume of early age is aromatic plants which will be used flour-made flowers stems. As the materials for making perfume use is increasing today we can invent alcohol perfume today 2. Our country the custom of perfume-used is wide. Among them men's perfume-used was very special phenomenon. For example men were wearing perfume bag in the Silla era. Because perfume represented wealth and noble in those days. They shew off social position personality through perfume-used. 3. One of early religion ceremony article there was the perfume. And perfume case was means for containing perfume. Gradually the perfume case was used widly as increasing needs of perfume in human life. 4. In the middle period of 'Koryo' Dynasty perfume cases had a close relationship with clothes but after Mongolian has been attacked 'Koryo' there were changes in wearing clothes therefore the position of perfume cases were transfered to coat string that was the origin of decoration style that they began. That is to say the perfume case has been influenced the position of perfume case shapes with changing of fashion. 5. The perfume case has been made manifest various function as an ornament. In the practical side First medical-perfume in perfume case has been played an important role in first-aid medicine in critical condition. Second it was amulet for self protection. That is the shape pattern color materials perfume of the perfume case was represented the amuletive nature. Third it was used as substitute article of perfume. Modern women use liquid-perfume as our ancestors used perfume case bag or jul perfume As started above. Also In the decorative side the perfume case has a beautiful formative arts by itself as well as a close relationship with clothes. That well as a close relationship with clothes. That is when the perfume case is worn on the clothes costume is showed aesthetices. That is the materials shapes color pattern of the perfume case we can see the visual beauty also the materials colors embroidered pattern knots tassel that are used the perfume case are increased the decorative beauty of costume. Sixth the symbol in pattern of the pattern case is shown ancetor's wealth and rank health longevity immortality many-born-boy in those days. Today the perfume case is not used with changing of costume by degrees, Accordingly I hope that the result of this study is an influened in devlopment of the perfume case design with matching the modern fashion.

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