• 한국주거학회논문집
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• 제16권2호
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• pp.1-10
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• 2005

The purpose of this study is providing useful information for consumer-friendly house plan by investigating remodeling apartments according to the area type and size. In order to achieve this aim, case study was applied. The case study was conducted of five small, medium, and large size apartments through depth-interviews, actual survey, and questionnaires on the remodeling behavior, interior design, and interior atmosphere. The results of the study are as follows: Structural alterations were frequent in communal area, and then in private and household areas. Changing lighting fixtures was frequent in all area types, and especially, in communal areas installing extra decoration was frequently observed. Besides, alterations of doors and window frames were carried out in communal, private, housework and service areas by using wood, aluminum sashes, double-glazing, and paint coating. Finally, in housework areas the material and color of counters were changed into wooden and achromatic.

• 한국통신학회논문지
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• 제26권8B호
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• pp.1161-1167
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• 2001

본 논문에서는 칼라 영상에 대한 인간 시각 특성과 무채색으로부터 정보를 추출하여 칼라 정지 영상에 효과적으로 워터마크 신호를 삽입하는 방법을 제안하였다. 워터마크는 이진 워터마크를 사용하였으며, 일반적으로 인간 시각 체계 특성에서 무채색(achromatic) 신호보다 유채색(chromatic) 신호에 대한 변별력이 떨어지는 특성을 이용하여 입·출력 장치로 획득된 RGB 좌표계의 칼라 정지 영상을 무채색 성분과 유채색 성분으로 완벽히 분리되는 다른 좌표계로 변환하여 워터마크를 유채색 포화도 성분에 삽입한다. 워터마크를 검출하는 과정은 원영상을 사용하지 않고 유채색 포화도 성분의 변경 형태를 추정하여 삽입된 워터마크를 검출 가능하였다. 실험 결과 특히 비가시성 특성 부분에서는 기존 방법들과 비교할 때 향상된 결과를 얻을 수 있었으며 강인성 또한 좋은 결과를 얻었다.

• 복식문화연구
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• 제19권6호
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• pp.1163-1176
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• 2011

The purposes of this study was to identify characteristics of total coordination in the pursuit fashion sensibility among women their 20's. A self-administered questionnaire was used for data collection from 410 women in their 20's. Data collection was conducted Aug. 5 to Aug. 15, 2009. Most women emphasized on clothing for total coordination and utilized clothing color and style as a selection criteria. They tried to match makeup and clothing, and spent more time considering makeup, hair styles, and fashion accessaries than clothing for their total coordination. Factors of fashion sensibility included luxury and fashion, casualness and ethnicity, modernity, sociality, activity, and sexual attractiveness and women were segmented into fashionably sensible intermediate, low, and high groups according to their fashion sensibility. The fashionably sensible intermediate group predominantly encompassed women who were unmarried or in their late 20's, unemployed, highly educated, or of low economic status, preferred to mixing and matching colors, and who utilized their individuality or makeup color for total coordination. The fashionably sensible low group encompassed homemakers, in their early 20's, high school graduates or university students, who utilized their clothing or hair color within their total coordination criteria. The fashionably sensible high group encompassed unmarried career women in their mid 20's or of high economic status, who spent much money on their clothing, makeup, hair styles, and fashion accessaries, who preferred achromatic, warm or cool colors, and utilized their individuality or fashion color.

• 한국멀티미디어학회논문지
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• 제4권2호
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• pp.97-107
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• 2001

본 논문은 유색 디지털 영상을 위한 새로운 광원 추정 방법을 제안한다. 제안된 광원 추정 방법은 두 단계로 나누어진다. 첫째,유색 영상의 분광 반사율이 먼저 복원된다 이때 복원되는 표면 분광 분포는 수정된 그레이 월드 가정을 적용한 영상의 최대 휘도 영역에 제한된다 다음, 선택된 최대 휘도 영역에 대해 주성분 분석을 통하여 영상의 표면 분광 반사율을 얻는다. 둘째, 표면 분광 반사율을 구한 후 유색 영상의 최대 휘도 영역에 대한 반사광의 분광 분포를 구한다 즉 최대 휘도 영역에 해당하는 화소와, 먼셀 표색계와 대표 광원의 곱으로 만든 반사광의 분광 분포 사이에 색차 비교를 하여 최대 휘도 영역의 화소와 색차가 가장 적은 반사광의 분광 분포를 찾는다. 최종적으로 최대 휘도 영역의 반사광을 해당하는 표면 분광 반사율으로 나누어 줌으로써 영상에 포함된 유색 광원을 추정한다. 제안된 광원 추정 방법을 평가하기 위하여 인공 유색 영상과 다양한 유색 조명 아래에서 디지털 카메라로 촬영한 실영상에 대하여 광원 추정을 실험하였다. 결과 제안된 광원 추정 방법이 인공영상과 실 영상, 모두에 대하여 광원의 분광 분포의 추정에 효과적임을 확인하였다.

• 한국의류산업학회지
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• 제14권2호
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• pp.320-330
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• 2012

The natural dyeing of cotton fabrics with guava leaf extract was investigated. The temperature and time of dyeing are $40^{\circ}C$ and $90^{\circ}C$ for eighty minutes, respectively. In addition, the dyebath has been set at pH 5. Sn pre-mordanted fabrics showed the highest K/S value. Regardless of dyeing temperature, K/S values were high when Al, Cu, Fe-mordanted fabrics were dyed in post-mordanting and Sn-mordanted fabrics were dyed in pre-mordanting. The K/S value of dyeing fabrics could be increased with repetitive dyeing and mordanting. Compared to untreated dyed fabrics, the K/ S values of fabrics which had been treated with soybean milk, chitosan and gall nut tannin were increased. The changed surface colors of fabrics that were treated with soybean milk, chitosan and gall nut tannin were Y, YR and achromatic colors. Fabrics dyed with alkaline water extract showed reddish color. Sn-mordanted fabrics dyed with acidic water extract showed vivid yellowish color, and Cu-mordanted fabrics dyed with ethanol extract showed yellowish green color. In case of Sn-mordanted fabrics, the washing fastness was level 4. The dry cleaning fastness also showed very excellent result with level 4-5. The rubbing fastness was better in dry rubbing than in wet rubbing of the fabrics. For the light fastness, all dyed fabrics showed low fastness. For antibacterial activity, the powder of guava leaf extract and the dyed fabrics with guava leaf extract showed 99.9% of high antibacterial activity. All dyed fabrics showed higher deodorization and UV protection rate than control fabric.

• 인지과학
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• 제22권3호
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• pp.235-254
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• 2011

양안 부등 정보가 네온 색 확산에 미치는 영향을 알아보기 위해 두 편의 실험을 수행하였다. 자극으로는 Redies와 Spillmann(1981)의 연구에서 사용된 네온 색 확산 자극에 유도 선분과 분절을 추가하여 변형시킨 자극을 사용하였다. 실험1은 선분을 바깥 분절, 가운데 분절, 안쪽 분절 세 부분으로 나누어 각 분절의 양안 부등 정보를 달리하였을 때 네온 색 확산이 어떻게 달라지는지 살펴보았다. 실험 2에서는 다른 깊이 평면에 추가된 분절이 네온색 확산에 미치는 영향을 알아보았다. 실험 결과 모든 분절이 동일한 평면에 놓일 때 가장 선명하게 색 확산이 지각 되었으며 색 분절이 다른 분절들보다 가까이 있는 경우나 멀리있는 경우에는 색 확산이 약화되었다. 분절을 추가한 경우에는 추가된 분절이 네온 색 확산평면보다 앞쪽이든 뒤쪽이든 상관없이 네온 색 확산이 감소하지만 안쪽 분절이 추가된 경우보다 바깥쪽 분절이 추가되었을 때 네온 색 확산에 더 큰 영향을 미치는 것으로 나타났다. 이러한 결과는 네온 색 확산 현상이 깊이 정보에 의해 영향을 받을 수는 있지만 깊이처리 이전 단계의 정보처리에 더 크게 영향 받음을 시사한다.

• 한국의상디자인학회지
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• 제10권1호
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• pp.55-68
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• 2008

This study is aiming to set a characteristic design and a fashion trend by analyzing hat style trends and fashion images shown in fashion collections in recent seven years. Also, based on the result of the analysis on the five world's major collections, the influence and the interrelation of hat and fashion image were analyzed. The study was performed by the context analysis method and the image evaluation method. In the context analysis method, the 1,391 pictures for hat-styles which were believed to be the standard of fashion style from the S/S season of 1998 to the F/W season of 2004 were analyzed. The research is summarized as follows. Based on the result of the fashion collections, the kinds of hats came Bowler, Beret, Cloche, Capeline, Cap and Hood in order, and Casual, Feminine, Natural, Formal, Romantic, and Mannish came in order for the case of the fashion images for putting on a hat. The result of the analysis on the characteristic of fashion design according to the kinds of hats, the casual image, with highest frequency, was found from all of the kinds except Capeline. Bowler and Cloche were conspicuous in jackets/slacks, Capeline was conspicuous in one-piece shape, and cloth silhouette showed the highest frequency in H type. As for Bowler, the color of cloth and hat was mostly black, and as for Beret and Cloche, achromatic color showed the highest frequency. But as for Capeline, the cloth color, including chromatic color, was various. As for Beret, pattern and material image were various comparatively, but as for other kinds of hats, there were the materials with no pattern and with hard material image.

• 한국의류산업학회지
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• 제18권6호
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• pp.858-868
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• 2016

This study aims to examine the formative characteristics of seniors' fashion in overseas social media, and look into the psychological characteristics of seniors by analyzing the emotions and the characteristics of psychological mechanism in seniors' fashion. The study methods include statistical analysis and content analysis for literary study and data analysis. For data analysis, statistical and content analyses were conducted to analyze 992 data collected from Advanced style, Facebook, and Instagram for 4 years from 2013 to 2016. In formative features shown at overseas social media, circle and square silhouette, achromatic color and warm color, showy tone color, soft material, horizontal details, plain and natural patterns, cap and sunglasses production, and sophisticated elegance styles appeared high. The emotional characteristics in senior's fashion had a silhouette that expressed stability, color that expressed passion, love, happiness, joy, hope and comfort. Materials were expressed by the emotions of dependence and attachment, details were expressed by stable, maternal, calm, comfortable and harmonious emotions. Patterns were expressed by the images of beauty, love, fruit and psychological stability. Accessories were expressed by young and characterful images. Style expressed the emotions of trust, pride, longing, intoxication and ecstasy. The characteristics of psychological mechanism used such shapes and patterns as flower, heart and lips to symbolize the emotions of love, humor, and fun. Young and trendy fashion were expressed in compensation for aging. Kitsch and kidult style was expressed by regression. Elegance fashion was expressed by the sublimation of pride, trust and intoxication.

• 한국의상디자인학회지
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• 제25권2호
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• pp.135-150
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• 2023

The purpose of this study is to understand the formative characteristics of futuristic virtual fashion revealed in virtual fashion platforms targeting the human body. First, the current status of fashion in the metaverse and futurist fashion were reviewed and summarized by referring to prior research. Next, among the items posted on DRESSX, "futurism" was searched and those resturning a positive result were collected as research subjects. The characteristics were organized into design elements: colors, shapes, materials, and patterns. Futuristic aesthetic characteristics were derived from the characteristics of each design element. As a result, color showed the characteristics of achromatic, vivid and neon colors, multi-color and gradation, multi-color due to reflected light, and color conversion. As for the form, a body-concious look or exaggerated silhouettes, spatial expressions in geometric structures, forms imitating living things, and fluid silhouettes using clouds were prominent. Materials showed the digitization of universal clothing materials, application of industrial materials, use of metal materials, and unrealistic materials. In the patterns, geometric abstract patterns, patterns that reveal the digital world view, and moving fluid patterns appeared. The aesthetic characteristics of futurism in virtual fashion were revealed in four categories: visual dynamics, high-tech sensibility, variability, kineticisim. Visual dynamics were revealed in geometric forms, and intense neon colors. High-tech sensibility was prominent in the use of metal and industrial materials, light emission, and patterns of the digital world view. The expression of multiple colors by reflected light and the change showed the variability of futurism. The use of unrealistic materials, such as clouds and fire and fluid silhouettes expressed kineticisim. The infinite expressiveness of virtual fashion made it possible to actively express the aesthetic characteristics of futurism.

• 트랜스-
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• 제12권
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• pp.51-79
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• 2022

본 연구에서는 색채 계획을 통해 콘텐츠를 제작할 때 참고할 만한 색을 도출하는 방법을 모색하기 위하여 진행되었다. 대상이 된 이미지는 한국 내의 자연풍광을 다룬 사진들로 머신러닝을 활용해 낮과 밤이 어떤 색으로 표현되는지 알아보고, KSCA를 통해 색 빈도를 도출하여 두 결과를 비교, 분석하였다. 낮과 밤 사진의 색을 머신러닝으로 구분한 결과, 51~100%로 구분했을 때, 낮의 색의 영역이 밤의 색보다 2.45배가량 더 많았다. 낮 class의 색은 white를 중심으로, 밤 class의 색은 black을 중심으로 명도에 따라 분포하였다. 낮 class 70%이상의 색이 647, 밤 class 70% 이상의 색이 252, 나머지(31-69%)가 101개로서 중간 영역의 색의 수는 적고 낮과 밤으로 비교적 뚜렷하게 구분되었다. 낮과 밤 class의 색 분포 결과를 통해 명도로 구분되는 두 class의 경계 색채값이 무엇인지 확인할 수 있었다. KSCA를 활용해 디지털 사진의 빈도를 분석한 결과는 전체적으로 밝은 낮 사진에서는 황색, 어두운 밤 사진에서는 청색 위주의 색이 표현되었음을 보여주었다. 낮 사진 빈도에서는 상위 40%에 해당하는 색이 거의 무채색에 가까울 정도로 채도가 낮았다. 또 white & black에 가까운 색이 가장 높은 빈도를 보여 명도차가 크다는 것을 알 수 있었다. 밤 사진의 빈도를 보면 상위 50% 가량 되는 색이 명도 2(먼셀 기호)에 해당하는 어두운 색이다. 그에 비해 빈도 중위권(50~80%)의 명도는 상대적으로 조금 높고(명도 3-4), 하위 20%에서는 여러 색들의 명도차가 크다. 난색들은 빈도 하위 8% 이내에서 간헐적으로 볼 수 있었다. 배색띠를 보았을 때, 전체적으로 남색을 위주로 조화로운 배색을 이루고 있었다. 본 연구의 색의 분포와 빈도의 결과값은 한국 내의 자연 풍경에 관한 디지털 디자인의 색채 계획에 참고 자료로 활용될 수 있을 것이다. 또한 색 분포를 나눈 결과는 해당색이 특정 디자인의 주조색이나 배경색으로 사용될 경우에 두 class 중 어느 쪽에 더 가까운 색인지에 대해 참고사항이 될 수 있을 것이며, 분석 이미지들을 몇 가지 class로 나눈다면, 각 class의 색 분포의 특성에 따라 분석 이미지에 사용되지 않은 색도 어느 class에 얼마큼 더 가까운 이미지인지 도출할 수 있을 것이다.