• 한국콘텐츠학회논문지
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• 제21권6호
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• pp.552-560
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• 2021

새로운 미술품 유통방식의 발달로 미술품의 미적 효용을 넘어 투자재로서 바라보는 시각이 활성화되고 있다. 미술품의 가격은 주식이나 채권 등과 달리 객관적 요소와 주관적 요소들이 모두 반영되어 결정되는 이질적 특성이 있기 때문에 가격 예측에 있어서 그 불확실성이 높다. 본 연구에서는 LSTM(장단기 기억) 순환신경망 딥러닝 모형을 활용하여 낙찰총액 순위 1위부터 10위까지의 한국 작가의 회화 작품을 대상으로 작가의 특성, 작품의 물리적 특성, 판매적 특성 등을 입력으로 하여 경매 낙찰가의 예측을 시도하였다. 연구 결과, 모델에 의한 예측 가격과 실제 낙찰 가격의 차이를 설명하는 RMSE 값이 0.064 수준이었으며 작가별로는 이대원 작가의 예측력이 가장 높았고, 이중섭 작가의 예측력이 가장 낮았다. 투자재로서 미술품 시장이 더욱 활성화되고 경매 낙찰 가격의 예측 수요가 높아지면서 본 연구의 결과가 활용될 수 있을 것이다.

• 미술이론과 현장
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• 제16호
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• pp.257-272
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• 2013

This paper analyzes six different ways of articulating the relationship between art and politics. It calls attention to the differences that lurk behind the seemingly simple phrase-everywhere in vogue today-the "politics of aesthetics." Five of these models are drawn from contemporary discussions regarding the politics of art. The last model is the attempt to develop an account of the politics of aesthetics that is faithful to the difficult and ambiguous dimensions of the aesthetic experience that were hinted at by the texts of classical philosophical aesthetics. Most notably, this paper is concerned with the idea that the aesthetic experience can be understood as a form of disinterested contemplation-one that is not reducible to cognitive or moral considerations-and with some of the consequences that this entails. It explores some of the political significance that can be attributed to this idea of disinterested contemplation, arguing that the aesthetic should be understood as a withdrawal from the world's pre-established meanings. Unlike some of the other thinkers discussed in this paper, this author doubts that a single, uniform meaning can be ascribed to the aesthetic experience. I thus argue that we need to approach the aesthetic through the networks of textual significance that have been built up around it. Throughout this paper, I attempt to explain how the efforts to link art and aesthetics to politics simultaneously give rise to ideas about the nature of the human community. In looking at the sixth and final model, what I have called the "anarchical politics of aesthetic ambiguity," I argue that the aesthetic tradition offers a rather unique way of understanding the relationship between the individual and the community. Here, we see that the aesthetic is prone to a number of paradoxes, central among them the one that makes art the bearer of a solipsistic pleasure in which we nevertheless discover our capacity for genuinely communicating with others, outside of cliches and banalities.

• Nuclear Engineering and Technology
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• 제54권1호
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• pp.310-317
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• 2022

The mass attenuation coefficient is the primary physical parameter to model narrow beam gamma-ray attenuation. A new machine learning based approach is proposed to model gamma-ray shielding behavior of composites alternative to theoretical calculations. Two fuzzy logic algorithms and a neural network algorithm were trained and tested with different mixture ratios of vanadium slag/epoxy resin/antimony in the 0.05 MeV-2 MeV energy range. Two of the algorithms showed excellent agreement with testing data after optimizing adjustable parameters, with root mean squared error (RMSE) values down to 0.0001. Those results are remarkable because mass attenuation coefficients are often presented with four significant figures. Different training data sizes were tried to determine the least number of data points required to train sufficient models. Data set size more than 1000 is seen to be required to model in above 0.05 MeV energy. Below this energy, more data points with finer energy resolution might be required. Neuro-fuzzy models were three times faster to train than neural network models, while neural network models depicted low RMSE. Fuzzy logic algorithms are overlooked in complex function approximation, yet grid partitioned fuzzy algorithms showed excellent calculation efficiency and good convergence in predicting mass attenuation coefficient.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2009년도 학술대회
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• pp.1069-1074
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• 2009

공공디스플레이는 상호작용이 없는 일 방향적인 개념에서 탈피하여 다양한 미디어의 전환이 일어나는 매체로 변해가고 있다. 쌍방향적인 공공디스플레이를 보는 관점 또한 여러 가지인데, 크게 HCI적인 측면에서 인간과 디지털 디스플레이의 상호작용이라는 시각에서 바라볼 수 있다. 특히 넓은 의미로서의 HCI로 공공디스플레이에서 인간과 디지털 기술에 기반한 아트의 상호작용을 인식하고 주목할 필요성이 있다. 이러한 시각에서 본 연구는 공공디스플레이에서 더욱 풍부한 미디어 경험을 제공하고자, 보는 거리에 따라 다른 상호작용, 그리고 보는 주체의 방향에 따라 다른 상호작용을 위한 인터랙션 모델을 제안한다. 또한 이러한 인터랙션 모델이 미디어 아트에 적용되는 사례를 실험 작품 제작을 통해 테스트하고자 한다. 특히 본 연구에서는 향상된 인터랙션 모델 제안을 위해 HCI 분야에서 두 가지 방법론을 도입하였다. 먼저 상황 분석적 접근(Context Analytic Approach)으로 공공디스플레이에서 거리에 의존한(Distance-dependent) 다단계 인터랙션 모델들에 기반한 인간과 디지털 아트의 상호작용을 위한 인터랙션 모델을 제시하였다. 두 번째 방법론으로서 사용자 분석적 접근(User Analytic Approach)의 측면에서 HCI 분야의 아우라(Aura) 개념을 도입하여 보는 주체의 방향(Direction)에 의존한 상호작용이라는 목적성을 가지고 재정의하였다. 결과적으로 이 두 방법론의 효과성을 검증하기 위해 공공디스플레이에서 인간과 디지털 아트 간의 상호작용을 향상시키기 위한 최종 인터랙션 모델(Interaction Model)을 제시한 다음, 테스트베드를 구축하고 실험하였다.

• 복식문화연구
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• 제9권1호
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• pp.111-126
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• 2001

This study concentrates on the relationship between the early 20th century italian artists and their works in the field of clothing design. They advocated the creation of art for life and introduced a new type of work of art which I will call 'experimental clothing for art'. The experimental clothing for art showed its dynamic characteristics in the field s of line and form, color, pattern, and material. The Italian artists made simple and functionalistic dresses, using asymmetric, geometric cuts. in pattern making. They employed dynamic patterns in textile design and favored brilliant colors which they debunked as storage and traditional. With regard to material, they used unusual materials such as metal, net, wire, and paper and inexpensive materials. To investigations of the visual expression of experimental clothing for art in Italy have led us to the internal expressions which are avant-garde, dynamic & speed, functionality & popularity, ephemeral & transformable, and warlike. As a result of the reflection of the times and the artists's will and roles the experimental clothing for art in Italy implicated contemporary clothing in the early twentieth century and it was only laboratory art that underwent various experiments in canvas but a model of efforts for the at of living, which was anti-traditional. It offered a new future and created a new environment. It is left for future research how the experimental clothing for art developed in countries other than Italian.

• 한류연구
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• 제2권1호
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• pp.27-31
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• 2023

The purpose of this paper is to study the relationship between Art management and Cultural activities in China from the K-wave case. Research design, data, and methodology: This study used the method of the cases study survey, with the K-wave case in as the survey objects, 3 valid survey sample case were collected in this paper. Results: The two dimensions of art management and cultural activities differently influences from the K-wave, and the influence of availability on customer satisfaction is not significant. Conclusion: The results of this study will provide useful reference for the Art management and Cultural activities in China from the K-wave case. And improve the development of art management and cultural activities in China by improving the K-wave of service quality. Art management can shape urban commercial space in a beneficial way, create a good consumption atmosphere, and enhance the attractiveness and competitiveness of the city. The introduction of art elements into urban commercial space can create a strong cultural atmosphere, so that the city presents a smart look. Art management has a positive impact on K-Wave production and operation activities, which can promote the shaping of art commercial space, the promotion of urban cultural atmosphere.

• 트랜스-
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• 제16권
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• pp.33-68
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• 2024

급성장하는 디지털 경제 환경 속에서 NFT가 예술계 내에서 화제의 중심으로 부상하였다. 그러나 중국에서는 NFT 예술이 중국의 정치경제, 사회문화적 상황과 관련된 제약으로 인해 발전이 더딘 상황이다. 엄격한 관리 및 통제로 인해 암호 화폐의 유통이 제한되어 있고, NFT 예술에 대한 대중의 인식 및 수용 수준, 시장의 성숙도도 아직 낮은 편이다. 이러한 한계에도 불구하고 본 논문에서는 중국 미술 창작자와 시장 참여자가 중국 시장의 특성에 맞는 온라인 개인 미술 IP 모델을 구축할 수 있다고 전망하여 그 현황과 가능성을 모색한다.

• 한국중재학회지:중재연구
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• 제17권1호
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• pp.117-136
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• 2007

Currently, it is the general trend that the party's autonomy principle is applicable in determining the applicable law for the international private law and the international commercial arbitration. The purpose of this article is to make research on the party's autonomy principle for the international commercial arbitral awards. For this purpose ist to analyse regal issue the applicability of the lex mercatoria and the possibility of $d\acute{e}pe\c{c}age$ relating to the party autonomy. In this Article ist dealt with Art. 29 para. 1 of the Korean Arbitration Act in comparison with Art. 28 para. 1 UNCITRAL Model Law and Art. 1051 para. 1 of the German Code of Civil Procedure. The Art. 28 para. 1 UNCITRAL Model Law and Art. 1051 para. 1 of the German Code of Civil Procedure provides equally. "The arbitral tribunal shall decide the dispute in accordence with such 'rules of law' as chosen by the parties as applicable to the substance of the dispute. Any designation of the law or legal system of a given State shall be construed, unless otherwise expressed, as directly referring to the substantive law of that State and not to its conflict of laws rules." The term 'rule of law' used to describe the applicability of the lex mercatoria and the possibility $d\acute{e}pe\c{c}age$. Unlike Art. 28 para. 1 UNCITRAL Model Law and Art. 1051 para.1 of the German Code of Civil Procedure. Act, Art. 29(1) of the Korean Arbitration Act provides that the arbitral tribunal shall decide the dispute in accordence with the 'law' chosen by the parties as applicable to the substance of the dispute. However the majority view in Korea takes the position that the term 'law' should be interpreted broadly so as to encompass 'rules of law' at UNCITRAL Model Law and the German Code of Civil Procedure.

• 한국의류학회지
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• 제47권3호
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• pp.459-474
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• 2023

Contemporary fashion criticism tends to rely solely on the established art criticism process without consideration of the distinctive characteristics of fashion. Thus, this study aims to reveal the unique roles and characteristics of fashion criticism by recognizing it as an independent field in contemporary art with its own social significance. This study will first apply traditional art criticism models to analyze and explore contemporary fashion criticism's empirical content before uncovering the uniqueness of contemporary fashion criticism by content analysis. Contemporary fashion criticism discusses not just physical objects but various topics and ideas, as well. Accordingly, the existing criticism model was modified in this study to fit contemporary fashion criticism and organized into five stages: description of historical fashion, form description, external evaluation, interpretation, and internal evaluation. Commerciality, the human body, coordination, the critic's individuality, trends, and fashion-related persons were identified as key factors of contemporary fashion criticism's uniqueness. In conclusion, rather than build a single contemporary fashion model, this study found it more effective to create individual fashion criticism models suitable for detailed fields, as these enable the discussion of multifaceted topics in the fashion field. This study is expected to serve a meaningful guide for the fashion discourses.

• 한국콘텐츠학회논문지
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• 제5권5호
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• pp.33-42
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• 2005

본 논문에서는 ART 신경회로망의 성능을 개선하기 위해, 불필요한 클러스터의 생성과 변화를 억제하여 효율적인 패턴 분류가 가능하도록 하는 학습 알고리즘을 제안한다. 또한, 패턴 분류의 정확성을 향상시키기 위해 한글의 구조적 특징을 이용한 위치추출 알고리즘을 적용하였다. 제안하는 학습 알고리즘은 현재 학습되는 패턴과 최초 패턴간의 일치도를 비교한 후 리세트 시스템을 작동케 한다. 그 결과, 신경회로 망은 이미 입력되었던 패턴이 다시 입력되어도 새로운 클러스터의 생성을 방지하여 오인식율을 줄이게 된다.