• Annual Conference of KIPS
• /
• 2015.10a
• /
• pp.1448-1450
• /
• 2015

본 논문은 3D 스캐너 및 센서 등으로 캡처되어 3D로 복원된 얼굴 객체의 부위별 의미 있는 영역에 대한 분할을 자동으로 수행하는 기술을 제안한다. 3D 스캔된 얼굴 모델을 모델링, 애니메이션, 3D 프린팅 등의 다양한 응용분야에 활용하기 위해서는 스캔된 영역의 의미 있는 부위별 인식이 필수적이다. 본 논문에서는 부위별 의미 있는 영역 레이블링이 된 템플릿 모델을 입력된 3D 복원 모델로 전이하여 복원된 3D 모델의 부위별 의미 있는 영역을 자동으로 분할하고 분할된 영역의 일관성을 유지하는 알고리즘을 제안한다.

• Archives of design research
• /
• v.17 no.2
• /
• pp.87-94
• /
• 2004

3D character animation uses the various entertainment factors such as movie, advertisement, game and cyber idol and occupies an important position in video industry. Although character animation makes various productions and real expressions possible, it is difficult to make character like human body without anatomical understanding of human body. Human body anatomy is the basic knowledge which analyzes physical structure anatomically, gives a lot of helps to make character modeling and make physical movement and facial expression delicately when character animation is produced. Therefore this study examines structure and proportion of human body and focuses on character modeling and animation production based on anatomical understanding of human body.

• Journal of the Korea Institute of Information and Communication Engineering
• /
• v.5 no.3
• /
• pp.427-433
• /
• 2001

This paper proposes a web-based 3 dimensional face modeling system that makes a realistic facial model efficiently without any 30 scanner or camera that uses in the traditional methods. Without expensive image-input equipments, we can easily create 3B models only using front and side images. The system is available to make 3D facial models as we connect to the facial modeling server on the WWW which is independent from specific platforms and softwares. This system will be implemented using Java 3D API, which includes the functions and conveniences of developed graphic libraries. It is a Client/server architecture which consists of user connection module and 3D facial model creating module. Clients connect with the facial modeling server, input two facial photographic images, detects the feature points, and then create a 3D facial model modifying generic facial model with the points according to the procedures using only the web browser.

• Annual Conference of KIPS
• /
• 2002.04a
• /
• pp.741-744
• /
• 2002

본 논문에서는 3D 모델의 눈 변형을 계산하기 위해 검출된 눈 형태를 이용한 눈 움직임 합성 방법을 제안하였다. 얼굴 특징들의 정확한 위치 측정과 추적은 MPEG-4 코딩 시스템을 기반으로 한 고품질 모델 개발에 중요하다. 매우 낮은 비트율의 영상회의 응용에서 시간의 경과에 따라 눈과 입술의 움직임을 정확히 추적하기 위해 얼굴 특징들의 정확한 위치 측정과 추적이 필요하다. 이들의 움직임은 코딩되어지고 원격지로 전송되어 질 수 있다. 애니메이션 기술은 얼굴 모델에서 움직임을 합성하는데 이용되어진다. 본 논문에서는 얼굴 특징 검출과 추적 알고리즘으로 잘 알려지고, 효과적으로 향상시킬 수 있는 휴리스틱 방법을 제안하겠다. 본 논문에서는 눈 움직임의 검출뿐만 아니라 추적, 모델링에도 초점을 두었다.

• Proceedings of the Korea Contents Association Conference
• /
• 2005.11a
• /
• pp.111-114
• /
• 2005

Squash & Stretch principle is playing an essential principle for animation action. The application of this principle gives the illusion of weight and volume to an animation character, and makes it possible that an animation action be the smooth and soft by escaping from the stiffness and rigidity. If an action of human or object on animation is expressed like a real world, it seems to be unnatural. Any action without Squash & Stretch will look rigid, uninteresting and not alive. It can be applied to movement of all objects, characters' actions, dialogues and facial expressions with a basic rule of mass, volume and gravity. Any action will not be well expressed without this principle. To be a good animation action, it should be deeply applied in 3D animation, not only 2D animation. Thus, a systemic analysis of Squash & Stretch principle is required.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
• /
• 2002.05a
• /
• pp.602-607
• /
• 2002

In this paper, we proposed an approach to efficiently compress and transmit multiresoltion 3D lariat models for multimedia and very low bit rate applications. A personal facial model is obtained by a 3D laser digitizer, and further re-quantized at several resolutions according to different scope of applications, such as animation, video game, and video conference. By deforming 2D templates to match and re-quantize a 3D digitized facial model, we obtain its compressed model. In the present study, we create hierarchical 2D lariat wireframe templates are adapted according to facial feature points and the proposed piecewise chainlet affined transformation(PACT) method. The 3D digitized model after requantization are reduced significantly without perceptual loss. Moreover the proposed multiresoulation lariat models possessed of hierarchial data structure are apt to be progressively transmitted and displayed across internet.

• Journal of Korea Multimedia Society
• /
• v.14 no.6
• /
• pp.813-823
• /
• 2011

This study is to suggest the facial animation methodology for that 3D character animators can use CGS system effectively during on their stage which they create ideas and use repeating a process of facial animation, it has suggested the CGS(Character Generation System) that is a creative idea generation methodology identified and complemented the problem of the existing computerized idea generation, in addition, this research being extended on the article vol.13, no.7, "CGS System based on Three-Dimensional Character Modeling II (Part2: About Digital Process)," on Korea Multimedia Society in July 2010 issue, Through the preceding study on 3D character facial expression according to character's feelings as an anatomical structure and the case study on character expressions of theatrical animation, this study is expected to have effectives as one method for maximization of facial animation and idea generation ability.

• Journal of Korea Game Society
• /
• v.10 no.5
• /
• pp.103-113
• /
• 2010

In this paper, we present a practical method for generating facial animation by using an optical motion capture system. In our setup, we assumed a situation of capturing the body motion and the facial expression simultaneously, which degrades the quality of the captured marker data. To overcome this problem, we provide an integrated framework based on the local coordinate system of each marker for labeling the marker data, hole-filling and removing noises. We justify the method by applying it to generate a short animated film.

• Proceedings of the Korean Information Science Society Conference
• /
• 2012.06c
• /
• pp.323-325
• /
• 2012

스마트폰 기반 3D 아바타를 이용하여 임의의 표정을 합성 및 제어하여 애니메이션 할 수 있는 방법과 응용을 제안한다. 사용될 아바타에 표현되는 임의의 표정 Data Set을 PCA로 처리 후, 인간의 가장 기본적인 6 표정으로 컨트롤러 축을 생성한다. 만들어진 제어기에, 임의의 연속 표정을 유저에 의해 정해진 시간에 생성하여 애니메이션 할 수 있는 방법을 시스템을 제안하다. 빠른 계산을 장점으로 하는 본 제어기는 스마트폰 환경에 맞게 탑재 되었으며, 이 제어기를 활용하여 모델워킹 모션에 다양한 표정을 적용할 수 있는 시스템을 구현하였다.

• The Journal of the Korea Contents Association
• /
• v.6 no.12
• /
• pp.269-277
• /
• 2006

In this paper, we propose an interactive system that generates emotional expressions from arm gestures. By extracting relevant features from key frames, we can infer emotions from arm gestures. The necessary factor for real-time animation is tremendous frame rates. Thus, we propose processing facial emotion expression with 3D application for minimizing animation time. And we propose a method for matching frames and actions. By matching image sequences of exagerrated arm gestures from participants, they feel that they are communicating directly with the portraits.