• 한국융합학회논문지
• /
• 제12권4호
• /
• pp.151-159
• /
• 2021

본 연구의 목적은 수사학과 문학에서 주로 이용되었던 '아이러니'를 통해 20세기 펑크 도예 작품을 분석함으로써 융합적인 연구를 시도하는 것이다. 아이러니가 현대에 와서 학자들마다 그 분류와 정의가 서로 다르고, 위트, 유머, 역설, 풍자와의 착종현상이 심화되어가는 현상을 발견하고, 이러한 문제를 해결해서 새롭게 아이러니를 분류한 문학평론가 정끝별의 아이러니의 유형(모순형용의 아이러니, 반대진술로의 아이러니, 극적 전환의 아이러니, 시적 진술로의 아이러니)을 20세기 펑크 도예가들의 작품을 분석하기 위한 준거의 틀로 수용했다. 결과적으로 펑크 도예에서 발견되는 조형언어는 표면과 실재의 이중성이라는 아이러니의 특징과 유사한 부분이 많았고, 문학에서 보여주는 무겁고 멜랑코리한 어조보다 유머스럽고 희극적 성격이 더욱 두드러졌다. 또한 흙과 유약이라는 도예 미술의 미디어적 특성과 공예적속성이 도예 조각가들이 펑크 미술에서 주목받을 수 있는 동인이 되었음을 알 수 있었다.

• 한국가구학회지
• /
• 제21권1호
• /
• pp.72-82
• /
• 2010

The objective of this study is to identify the species of 17 wooden Buddhist statues of the late Joseon Dynasty (the 17th and 18th century) in Jeollado, southwestern region of Korea. The bodies of statues were made of Ginkgo (Gingko biloba L.: 88%) and alder (Alnus spp.: 12%). The hands of statues were alder(64%), willow (Salix spp.: 27%) and Ginkgo(9%). The bottoms of hollow bodies were covered all with Japanese red-pine (Pinus densiflora S. et Z., 'sonamu') panels. The main species of statue body, Ginkgo tree was known to be introduced to Korea from China with Buddhism. The results indicated that Ginkgo trees of Korea in the 17th century had already become large and rich enough to be used for most of statues. Ginkgo wood has low shrinkage and even texture, which are crucial for carving sculptures. Alder and willow woods used for statue hands have fine and firm textures. The pedestals for these statues were also made of red pine wood. Red pine woods have rather high shrinkage and low hardness, but it is versatile woods strong enough to support heavy statues.

• 한국의사학회지
• /
• 제31권1호
• /
• pp.1-12
• /
• 2018

Gyoojoon Lee is a prominent figure of Confucianism and traditional medicine representing southern region of Korea during late $19^{th}$ and early $20^{th}$ century, but studies on his achievements were just started merely a decade ago. We would provide foundation for the further multidisciplinary study on his legacy. We reviewed his chronology, written works, interactions with intellectual figures, and current studies on his works to provide foundations for more thorough research on his legacy. We found he has wide spectrum of studies in medicine, confucianism, literature, humanism and philosophy during the late Chosun dynasty, Korean empire and Japanese colonization period. He wrote twenty five books in diverse fields and was found to have interactions with fifty seven figures with idea during his lifetime which need more detailed examination. Multidisciplinary studies on Gyoojoon Lee is guaranteed for the future in depth study on his works including Buyunglon (theory of supporting Yang).

• 한국가구학회지
• /
• 제22권2호
• /
• pp.126-131
• /
• 2011

The purpose of this study were to analyze the species and tree-ring dates of coffin woods excavated at Yerim site in Yesan, Chungnam, Korea. We sampled 12 pieces of woods from two coffins. The species of all coffin woods were identified as red pine group, most likely, $Pinus$ $densiflora$. The last rings of both coffins were dated A.D. 1557 and A.D. 1601, respectively. The tree-ring dates indicated that the coffins were made in the late 16th and early 17th century.

• 한국융합학회논문지
• /
• 제12권3호
• /
• pp.141-149
• /
• 2021

20세기 후반에 등장한 3D 프린터는 21세기에 들어와 4차 산업혁명의 핵심 분야로 자리매김하고 있다. 메이커 운동의 핵심 장비이자 21세기 새로운 가내수공업의 시발점인 3D 프린터는 여전히 낮은 출력 속도와 한정된 필라멘트 재료로 대량생산의 한계를 드러내고 있지만, 최근 도자 공예가들의 3D 프린터 사용은 기하급수적으로 늘고 있다. 하지만 과거 공예사에서 지난하게 반복되어 온 공예의 경전과 새로운 기술과의 불협화음을 타계하는 방법의 일환으로 본 연구는 3D 프린터를 이용하는 '석고 캐스팅' 기법에 주목했다. 이에 세계 도자 공예분야에서 활발히 석고 기법을 개발해 작가만의 디자인에 적용하고 있는 도예가 토니 한센, 위베 반 간스베크, 제이드 크롬프톤, 류희도의 캐스팅 기법을 분석한 후 효과적인 3D 모델링 방법과 3D 프린터를 이용하는 최적의 슬립 캐스팅 방법의 사례를 제시함으로써 3D 프린터와 공예의 융합을 위한 접점을 찾고자 했다.

• International journal of advanced smart convergence
• /
• 제12권4호
• /
• pp.98-103
• /
• 2023

As technology advanced dramatically in the late 20th century, a new era of science arrived. The emerging era of scientific discovery, variously described as e-Science, cyberscience, and the fourth paradigm, uses technologies required for computation, data curation, analysis, and visualization. The emergence of the fourth research paradigm will have such a huge impact that it will shake the foundations of science, and will also have a huge impact on the role of data-information infrastructure. In the digital age, the roles of data-information professionals are becoming more diverse. As eScience emerges as a sustainable and growing part of research, data-information professionals and centeres are exploring new roles to address the issues that arise from new forms of research. The functions that data-information professionals and centeres can fundamentally provide in the e-Science area are data curation, preservation, access, and metadata. Basically, it involves discovering and using available technical infrastructure and tools, finding relevant data, establishing a data management plan, and developing tools to support research. A further advanced service is archiving and curating relevant data for long-term preservation and integration of datasets and providing curating and data management services as part of a data management plan. Adaptation and change to the new information environment of the 21st century require strong and future-responsive leadership. There is a strong need to effectively respond to future challenges by exploring the role and function of data-information professionals in the future environment. Understanding what types of data-information professionals and skills will be needed in the future is essential to developing the talent that will lead the transformation. The new values and roles of data-information professionals and centers for 21st century researchers in STEAM are discussed.

• 한국식생활문화학회지
• /
• 제37권1호
• /
• pp.26-38
• /
• 2022

This study used the big data method to analyze the chronological frequency of seafood appearance and variety mentioned by the veritable records of the Joseon dynasty. The findings will be used as a basis for Joseon Period's food cultural research. The web-crawling method was used to digitally scrap from the veritable records of the Joseon dynasty of Joseon's first to the twenty-seventh king. A total of 9,536 cases indicated the appearance of seafood out of the 384,582 articles. Seafood were termed "seafood" as a collective noun 107 times (1.12%), 27 types of fish 8,372 times (87.79%), 3 types of mollusca (1.28%), 18 types of shellfish 213 times (2.23%), 6 types of crustacean 188 times (1.97%), 9 types of seaweed 534 times (5.60%). Fish appeared most frequently out of all the recorded seafood. Sea fish appeared more frequently than the freshwater fish. Kings that showed the most Strong Interest Inventory (SII) were: Sungjong from the 15^thcentury, Sehjo from the 15^th, Youngjo from the 18^th, Sehjong from the 15^th, and Jungjo from the 18^th respectively. Kings of Chosen were most interested in seafood in the 15^th and 18^th centuries.

• Architectural research
• /
• 제12권1호
• /
• pp.33-38
• /
• 2010

Many theorists acknowledge that Modern architecture denied the architect's crafty gesture for the sake of pure formal and compositional status of a building. As well, modern technology in construction has been prevailing as the sole support for modern architecture. But there exists architects who proposed a dialectic development of traditional and modern techniques. This thought was prominent in Germanic circle where technological development was in advance. Throughout $20^{th}$ century, the works of Adolf Loos, Mies Van der Rohe, and Peter Zumthor are representatives in each period. A common point begins from their apprenticeships as craftsmen: Loos and Mies as stonemasons, Zumthor as a cabinetmaker. More than this fact, their craftsmanship is embedded in their works and express creativity of architects. While mass production system raises non-participatory practice that merely require assemblage of products, the adjusted techniques with craftsmanship brings forth a participatory practice that does not limit the creativity of architects.

• 한국의류산업학회지
• /
• 제12권2호
• /
• pp.139-148
• /
• 2010

As a designer, Rei Kawakubo had become one of the most influential woman of the 20th century. Comme des Garçons, which means "like boys"-what women in the early 1980s were least supposed to be-expressed criticism of the prevailing social construct of women and, importantly, of the very concept of fashion. The press had a field day with the so-called post Hiroshima look, with its aesthetic of destruction, poverty, and hunger and with its depressing mood engendered by the use of the color black. This research divided the change of design transition on Kawakubo's fashion by the three categories. The first category was experimental pattern, the second category was esthetics of omission and the third category was innovation of body consciousness. The costume messages through these design works of Kawakubo could summarize 5 items, punk sprit, beyond sex, reality, proposal of new body consciousness and representation of black.

• Genomics & Informatics
• /
• 제12권4호
• /
• pp.208-215
• /
• 2014

Recently, new methods have been developed for estimating the current and recent changes in effective population sizes. Based on the methods, the effective population sizes of Korean populations were estimated using data from the Korean Association Resource (KARE) project. The overall changes in the population sizes of the total populations were similar to CHB (Han Chinese in Beijing, China) and JPT (Japanese in Tokyo, Japan) of the HapMap project. There were no differences in past changes in population sizes with a comparison between an urban area and a rural area. Age-dependent current and recent effective population sizes represent the modern history of Korean populations, including the effects of World War II, the Korean War, and urbanization. The oldest age group showed that the population growth of Koreans had already been substantial at least since the end of the 19th century.