• 한국컴퓨터정보학회논문지
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• 제25권6호
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• pp.183-191
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• 2020

본 연구에서는 커스터마이징 시스템 개발을 위한 신한복 치마 패턴 개발의 기초자료를 얻기 위해 신한복 브랜드의 치마 패턴을 비교 분석하고자 하였다. 신한복 6개 브랜드의 패턴을 분석하여 가상착의를 시킨 후 외관평가와 의복압 및 공극량을 평가하였다. 시판 신한복 브랜드 A, B, C, D, E, F의 허리치마 패턴을 분석한 결과, 같은 디자인의 free 사이즈 치마임에도 불구하고 각기 다른 치수로 제작되는 것으로 나타났다. 허리치마의 패턴은 기존의 한복과 같이 평면적인 패턴으로 구성되었다. 외관평가 결과 앞면, 옆면, 뒷면 모든 평가항목에서 6개 브랜드의 패턴 간에 유의미한 차이가 있는 것으로 평가되었다. 외관평가 모든 항목에서 B 브랜드의 허리치마가 우수한 것으로 평가되었다. 의복압을 알아보기 위해 색분포도와 공극량을 살펴본 결과, 허리에 둘러서 착용하는 허리치마의 특성상 대부분의 부위에서 공극량이 큰 것으로 나타나 의복압이 낮은 것으로 평가되었다. 본 연구에서는 신한복 활성화에 따른 치수 및 패턴 규격화를 위한 기초자료를 제안하며, B브랜드 패턴을 기본으로 한 통일된 패턴개발이 이루어져야 할 것으로 생각된다.

• 대한가정학회지
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• 제43권8호
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• pp.69-81
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• 2005

The purpose of this study is to design high school boy's uniforms, which fit well and express the traditional aesthetics of Korean clothing. Korean traditional clothing is getting ground for the use as active wear as well as formal wear such as wedding or special holiday clothing. This is partly due to the introduction of western clothing in Korea because of the practical nature of this type of clothing. This study was carried out as follows: 1. First, 197 high school boys from 5 different high schools were surveyed. All of these schools use Korean style school uniforms. The survey asked the students about their satisfaction with the current designs, problems and design preferences for Korean style high school uniforms. In general, the boys are not satisfied with the aesthetic and fashionable aspects of their uniforms. 2. The second survey dealt with design preferences from a variety of design options of Korean-style school uniforms. The design options were presented to the students as in the form of 10 different types jackets and 6 different types of pants. Using the results of the second survey as a guideline, the designs of Korean style school uniforms were developed. 3. In order to make the test garments, a block bodice pattern for the Korean style school uniforms was developed. Using the developed bodice block pattern, 6 designs were made of wool. The 6 test designs consisted of 3 different types of jackets and 3 different types of pants. 4. Incorporating the most preferred design features, school boy Korean style school uniform designs were developed. The characteristics of the design include neck line opening and its finishing, AH and sleeve shape, embroidered traditional patterns and fastenings. In this study we were able to develop comfortable clothing, which expressed the traditional aesthetics of Korean clothing.

• 복식
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• 제66권2호
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• pp.134-147
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• 2016

The mainstay of modern fashion design has always been Western costumes. Though Asian costumes do get featured in collections at times, most instances are just instances of the western culture showing curiosity toward non-mainstream costumes. Until recently, Japan, which has been the most active in cultural exchanges, has been the main recipient of these curiosities, and has been used as the representative style and culture of East Asia. What needs to be let known is that Korea has its own costume style and culture, which have been developed according to its tradition and beliefs. Hanbok, which is the representative traditional costume in Korea, has existed since the beginning of the Kochosun dynasties. I started this study to figure out the design source of Hanbok's shape and develop it into a modern costume. In the fashion industry, "Mandarin Collar" and "Kimono Sleeve" are common terms, And I hope that words like 'Korean Collar' and 'Hanbok Sleeve' will one day become a household term. Hanbok contains Korea image. And its shape is formed depending on how Koreans have been treating all sorts of objects or things for many years. If my study can identify and express the unique Korean way of pattern and considering clothes, which is clearly different from those of China and Japan, I will be able to establish a concept of 'Korean style', that people of the world could come to recognize.

• 한국의상디자인학회지
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• 제17권4호
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• pp.1-14
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• 2015

This study mainly analyzes that designing patterns of an adult women Jeogori that takes advantage of patterns from each textbooks and complements the disadvantages based on the analysis of data from the dress evaluation and comparison of materials. The modification of a size specification is needed for the standard body as an adjust of the length of Jogori between front and back, mediation for bust width between front and back, a movement for the based line of Sup and Godae. As a result, the suitable pattern according to the standard somatotype is as below. Jeogori Length of front is determined by the length of back which was measured from side neck point to bust point plus three centimeters, and give three and half centimeters more in front. This three and half centimeters is for the curved in front of your body due to the chest. Bust width of front and back have to show the differences of human body. Bust width of front is calculated as bust girth into quarters and add two centimeters. Bust width of back gives one centimeter behind the curve from the center line in order to reduce the floating phenomenon. So, the amount of center back line dart is one centimeter. Arm hole girth measures as dividing bust girth into four. Also, Goedae width has two methods to measure. First, divide bust girth into ten equal parts and subtract 0.5 centimeters from it. Second, measure neck girth and divide it by four. Sleeve length is equal to Hwajang minus bust width of front. Hand wrist calculates in using bust girth. Make bust girth into quarters and multiply three fifths. Side line measures as deducting from Jeogori length of back to Arm hole girth and multiply two thirds.

• 한국생활과학회지
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• 제23권6호
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• pp.1191-1204
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• 2014

Even though a Han-bok, or traditional Korean costume, should be inherited since it is invaluable part of our culture, research on Han-bok is scarce. Since the development of a Jeogori pattern, the upper garment of Korean traditional clothes, is done mostly based on the chest size, the design does not completely consider on wearer's body shape. Moreover, unless made by an expert, trial and error is almost always necessary to improve the fit of the clothes. In this research, a Jeogori pattern was suggested that improves the fit based on the shape of the upper back(straight or bent) of a female in her late 20s who often wears a Han-bok and is comfortable when moving. Using a 3D virtual clothing system, the optimum pattern was selected based on the body shape. The final selection was made, and each subjects tried the garment on to evaluate the comfort when moving, along with its appearance, based on a seven point Likert scale. As a result, for a straight body shape, the optimum ease for the front bust width was 2.5cm, and that for the back bust width was 2.0cm. The optimum center back dart was 1.0cm. The optimum Geodae width was 7.6cm, and the optimum back Geodae point was 2.0cm. For the bent body shape, the optimum ease for the front and back bust was 2.0cm. The optimum Geodae width was 8.4cm, and the optimum back Geodae point was 1.5cm. Furthermore, if the Hwajang slope was set at half of the vertical distance between the laterals of the neck and shoulder, a fitted silhouette appeared, which is preferred nowadays. In the appearance evaluation, the final pattern designed in this research received higher scores than the original design(straight; p<.001, bent; p<.05). The results of the evaluation of the comfort when moving also showed higher scores for the final pattern that was designed.

• 한국지역지리학회지
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• 제17권6호
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• pp.698-709
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• 2011

1990년 중구, 종로구, 서대문구, 마포구 등지에 위치해 있었던 웨딩 업체들이 1995년 이후부터 입지상 급속한 변화가 나타나서, 2010년에는 대부분의 업체가 강남구에 집중되어 있다. 강남구 웨딩드레스 업체는 1990년대 초기 광림교회~압구정역 사이에 주로 분포하였다가 점차 도산공원 쪽으로, 그리고 학동사거리를 거쳐 청담동쪽으로 이동하였다. 청담동의 고급 이미지가 웨딩 업체들이 집적하게 된 주된 이유였다. 업체들의 집적은 청담사거리에서 최고를 보였다. 청담동에서 사업을 시작하게 된 동기로는 지역의 높은 인지도, 이미지, 업체 간의 협력 및 연계의 용이 등이었고, 높은 임대료와 교통 불편이 불만족한 점이었다. 업체 간 협력 및 연계는 컨설팅 업체를 통해서 대부분 이루어지고 있었고, 관련 업체의 수준 및 평판이 중요한 요소였다. 연계 및 협력 업체도 청담동에 가장 많이 위치해 있고, 이어서 논현동, 신사 압구정동 순이었다. 웨딩스튜디오, 웨딩드레스, 웨딩컨설팅, 한복 업체 등이 클러스터 관계가 가장 뚜렷했고, 수평 클러스터보다 수직 클러스터의 빈도가 더 높게 나타났다. 서울 웨딩 업체의 이용자 행태는 주로 인터넷과 웨딩컨설팅 업체를 통하여 결혼 정보를 수집하고 있었다.

• 한국산학기술학회논문지
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• 제16권11호
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• pp.7485-7493
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• 2015

한류의 활성화에 따라 한류 관광객을 위한 문화 상품의 중요성이 부각되고 있다. 그러나 현존하는 상품들은 연예인 캐릭터의 생활용품이 주를 이루고 있으며, 실용성이 가미된 의류제품의 문화상품은 현저히 그 수가 적다. 특히 아동복과 관련된 문화상품은 거의 개발되지 않았으며, 소수의 상품은 기본 티셔츠에 그래픽 또는 전통한복이 주를 이루었다. 이러한 상황에서 중국인들의 소비 패턴과 한류 문화상품을 적용시켜 볼 때, 한류 문화 상품으로써의 아동복이 개발 된다면 한류의 활성화 및 국내 패션시장에도 도움이 될 것으로 사료된다. 이에 본 연구에서는 한류 문화상품으로써의 아동복 디자인을 개발하여 실증적인 연구 결과물을 제시하고자 하며 다음의 연구목적을 수행하고자 한다. 첫째, 한류 문화상품의 개념을 파악하고 이들의 현황을 분석하여 현 시점의 한류 문화상품 개발을 위한 데이터를 구축하고자 함이며 둘째, 디자인 개발을 통한 실물작품을 제작하여 한류 문화 상품 시장에 실증적 자료로 제공하고자 함이다. 연구방법 및 내용으로는 선행연구 리뷰 및 질적 연구를 위한 일대일 심층 면접, 시장조사와 작품 개발의 실증적 연구로 진행하였으며, 최종 연구결과물인 4벌의 작품을 통해 소비자 니즈를 만족할 수 있는 한류 문화상품 아동복을 실증적 자료로 제시하였다. 본 연구는 국내 패션 시장 및 문화상품 시장에 기초자료로 활용될 수 있으며 중국 소비자 니즈 분석을 위한 참고자료로 그 의의가 있다.