Journal of the Korean Society of Costume (복식)

The Korean Society of Costume (한국복식학회)
권호 표지
DOI QR코드

DOI QR Code

Modern Fashion Design Development using Morphological Characteristics of Hanbok

한복의 형태적 특성 분석에 따른 현대 패션디자인 개발

  • 박명희 (건국대학교 의상 디자인학과) ;
  • 심상보 (건국대학교 의상 디자인학과)
  • Received : 2016.01.03
  • Accepted : 2016.02.24
  • Published : 2016.02.29
Download PDF
⟨ Previous Next ⟩

Abstract

The mainstay of modern fashion design has always been Western costumes. Though Asian costumes do get featured in collections at times, most instances are just instances of the western culture showing curiosity toward non-mainstream costumes. Until recently, Japan, which has been the most active in cultural exchanges, has been the main recipient of these curiosities, and has been used as the representative style and culture of East Asia. What needs to be let known is that Korea has its own costume style and culture, which have been developed according to its tradition and beliefs. Hanbok, which is the representative traditional costume in Korea, has existed since the beginning of the Kochosun dynasties. I started this study to figure out the design source of Hanbok's shape and develop it into a modern costume. In the fashion industry, "Mandarin Collar" and "Kimono Sleeve" are common terms, And I hope that words like 'Korean Collar' and 'Hanbok Sleeve' will one day become a household term. Hanbok contains Korea image. And its shape is formed depending on how Koreans have been treating all sorts of objects or things for many years. If my study can identify and express the unique Korean way of pattern and considering clothes, which is clearly different from those of China and Japan, I will be able to establish a concept of 'Korean style', that people of the world could come to recognize.

Keywords

References

  1. Cho, H. S. (2003). Our Hanbok, two thousand years. Seoul, Korea: Seminar materials of Arumjigi foundation.
  2. Choi, S. E. (2002). Comparison between Korea and Japan: aesthetic characteristics of traditional costume. Korea Society for Science of Eastern Art, 6, 317-349.
  3. Choi, Y. (2007). An Aesthetic analysis of the modern Chipao (Unpublished master dissertation). Hongik University, Seoul, Republic of Korea.
  4. Gu, A., & Lee, S. H. (1992). A Study of the transitional Development of Buttons and Buttonholes. Journal of the Korean Society of Costume, 18, 247-267.
  5. Hong, N. Y., Kim, C. j., You, H. K., & Lee, J. H. (1999). A Study on Comparative Culture about the Development Process of the Cultural Heritage Style in Asia (2). Asian Comparative Folklore Society, 17, 315-334.
  6. Kim, Y. H., & Kim, M. J. (1991). The Form of Oriental Dress Depicted on the 20th Century Western Fashion(I). Journal of the Korean Home Economics Association, 29(1). 1-12.
  7. Kim, M. J. (2009). Finding the Je-daum of Korean Fashion Design. Seoul, Republic of Korea: National University Press.
  8. Lee, J. M., & Kim, M. J. (2006). Aesthetic Characteristics of Korean and Japanese Women's Traditional Costumes From the Viewpoint of Oriental Aesthetics. Journal of the Korean Society of Costume, 56(5), 132-149.
  9. Namgung, M. J. (1999). (A) study on the influence of Japanese folkcostume in the modern Japanese fashion (Unpublished master dissertation). Seoul Women's University, Seoul, Republic of Korea.
  10. Park, C. S., & Cho, W. H. (2002). Chinese Minority Costume. Seoul, Republic of Korea: Minsokwon.
  11. Ryu, H. K., Kim, M. J., Cho, H. S., Park, M. Y., Shin, H, S., Kim, Y. J., & Choi, E. S. (2008). 2000 Years of Korean Fashion and Culture. Seoul, Republic of Korea: culture of art.
  12. Soh, H. O. (2002). Korean costume's association with a foreign culture. Proceedings of the World Congress of Korean Studies, 1, 476-487.
  13. Son, W. S. (2007). National Identities of Korea, China, and Japanese Depending on the Traditional Costume. Asian Comparative Folklore Society, 34, 301-336.
  14. You, Y. (2012). A study on Chi-pao design In contemporary fashion through change process of Chi-pao (Unpublished master dissertation). Chung Ang University, Seoul, Republic of Korea.

Cited by

  1. A Study of the Aesthetic Sense of Hanbok and Kimono by Analyzing Korean and Japanese Ink Painting Style vol.66, pp.5, 2016, https://doi.org/10.7233/jksc.2016.66.5.082
  2. A Study on the Jeong-Jung-Dong [Movement in Silence] Expression Contemporary Design vol.67, pp.2, 2017, https://doi.org/10.7233/jksc.2017.67.2.052
  3. The Study of Costume Design for Traditional Korean Cultural Contents : A focus on the Performance Costume of 『Nonverbal Taekkyon Performance Taekkyon Arirang Lyeon(連)』 vol.67, pp.7, 2017, https://doi.org/10.7233/jksc.2017.67.7.054
  4. Application of the Motifs of the Hanbok for Pattern Designs and Fashion Cultural Products vol.27, pp.4, 2018, https://doi.org/10.5934/kjhe.2018.27.4.277
  5. 전통보자기 기법을 응용한 배자 디자인 개발에 관한 연구 vol.67, pp.3, 2016, https://doi.org/10.7233/jksc.2017.67.3.133
  6. Research on the Development of Inclusive Safety Vest Design for Traffic Accidents using LilyPad and a Light Sensor vol.71, pp.2, 2021, https://doi.org/10.7233/jksc.2021.71.2.142