• Proceedings of the Korean Information Science Society Conference
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• 2007.10b
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• pp.221-225
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• 2007

본 논문은 시나리오를 입력하여 자동으로 애니메이션을 저작하는 기술에 관한 것으로서 시나리오 내용에서 매핑 되는 3D 데이터를 온톨로지 기법을 통해 추출할 수 있도록 한다. 또한 Flow Chart 그래픽 유지 인터페이스를 통한 직관적이고 손쉬운 입력방식과 애니메이션 분기 및 흐름 제어를 이용한 인터액티브 애니메이션을 제작할 수 있다. 본 기술을 활용하여 비전문가도 원하는 애니메이션 콘텐츠를 기존 애니메이션 콘텐츠 제작 방식보다 쉽고 간편하게 제작할 수 있도록 한다.

• Proceedings of the Korea Multimedia Society Conference
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• 2004.05a
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• pp.679-683
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• 2004

흔히 애니메이션은 캐릭터의 표정이 얼굴에만 나타난다고 생각한다. 하지만 캐릭터의 몸도 얼굴만큼이나 풍부하게 감정을 표현할 수 있다. 이에 따라 본 논문에는 캐릭터 움직임에 따른 동작이 어떻게 변화되고, 생동감 있게 움직일 것인가에 대해 알아보고자 한다. 애니메이션의 기본 동작원리에는 스쿼시, 스트레치, 동작의 속도와 타이밍, 관성, 선행동작, 포물선 따라 움직이기, 인비트위닝 등 많은 것이 있다. 이들 기본동작들은 모두 애니메이션 성공에 크게 영향을 끼친다. 애니메이션에서 캐릭터의 연기는 보는 사람들로 하여금 필요한 동작을 통하여 어떤 표현을 전달할 수 있도록 올바른 타이밍을 가져야한다. 본 논문은 애니메이션 동작을 표현하기 위해 각각의 이미지들의 표현방법에서 감성위주의 느낌들을 어떻게 보여줘야 할 것인가에 대해 다양한 표현들로 나타내었다.

• Proceedings of the Korea Contents Association Conference
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• 2019.05a
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• pp.63-64
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• 2019

중국의 새로운 정책이 나오면서 중국 애니메이션 산업은 지속가능한 산업구조의 사슬을 형성하고 있고, 애니메이션 시장의 생산액도 지속적으로 증가하고 있다. 2013년 중국 애니메이션 '저령화'부터 '전 연령화'으로 발전해왔으며, 동시에 중국 범(泛)오락 산업의 발전에 따라 인터넷과 모바일 인터넷의 다분야 공생을 촉진하여 스타 IP(Intellectual Property)를 만들었다. 본문은 최근 몇 년간 중국 애니메이션 IP 시장의 발전 및 중국 애니메이션 시장의 발전 추세를 연구합니다.

• Proceedings of the Korea Contents Association Conference
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• 2019.05a
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• pp.365-366
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• 2019

3d 애니메이션 제작 기술의 발전은 시청자의 수요를 충족시키기 위해 다양한 방면에서 성장을 해오고 있는데 툰 쉐이딩 기술역시 빠른 발전을 거듭해오고 있다. 2019년 개봉한 스파이더맨 애니메이션은 마블과 DC코믹스의 그래픽 노블 애니메이션의 새로운 시각적 스타일을 제시하고 있다. 기존의 툰 쉐이딩 스타일에서 벗어나서 캐릭터 뿐 아니라 배경, 카메라, 애니메이션, 편집에 이르기까지 영화의 전 영역에서 그래픽 노블을 보는듯한 착각을 일으키게 한다.

• The Journal of the Korea Contents Association
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• v.12 no.6
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• pp.132-141
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• 2012

This paper historically sheds the new lights on the artistic worth and achievement of abstract animation in the animation genre, and presents the contemporary significance and importance of abstract animation through the study on the avant-garde characteristic and the works of abstract animation artist, including Mirai Mizue. Though abstract animation which is artists' experimental work dealing with speed and movement of image has an essential role for the development of modern visual culture and animation, it is losing meaning and value because of the commercialism and capitalism of digital contents industry. Therefore, this paper first presents that the study of experimental animation like abstract animation contributes to the diversification and improvement of digital contents industry then it discusses the effect on the contemporary digital contents industries, next analyze the historical development and comtemporary evolution of abstract animation, which is diversified from modernism to contemporary art, and finally discuss the experimental feature and expression of abstract animation.

• Cartoon and Animation Studies
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• s.48
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• pp.45-67
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• 2017

Many of the modern animations have 3D technology, and as time goes by, their production technology becomes more diverse and sophisticated. When John Alan Lasseter insisted on studying CG animation technology, he might have taken our jobs to the computer in the near future, as many people were worried about. It may be premature to worry that an unstable future may become a reality at this point, but I do not think there will be any difference in the fact that many animations are being produced using 3D technology. Since the Toy Story was screened in 1995, the 3D animation production technology has started to develop rapidly and now it has been elaborately developed so that it can not distinguish the part where computer graphics technology is applied from the live film. On the other hand, Disney's 2D animation part falls into the decline path because the appearance of 3D animation was perceived as a new expression technique at that time, and the efficiency of the work process was superior to the 2D animation in addition to receiving the attention from the audience. Is it necessary to accept the retrogression of 2D animation technology, reflecting the environment of the animation industry that 3D animation production technology has become mainstream in the first 20 years since the first theatrical works appeared? Since 2D animation technology has a long history and is still attractive to the audience, it is not hard to find an attempt to combine 2D and 3D animation technology. In this paper, I want to study 2D hand - drawn character in 3D animation. Through this, it is hoped that animation convergence technology will be applied more actively in the future.

• Cartoon and Animation Studies
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• s.36
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• pp.325-347
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• 2014

"The art challenges the technology, and the technology inspires the art." By this word John Lasseter expressed Pixar animations main soul of story. Media technology has a close relation with the animation. As media developed more and more, an animation has been widen a lot and have given new visions to the audiences. We can see such this figure from the history of the Disney animation. They had tried to make all the kind of animations such a silent animation, planetary animation, black and white animation and the multi colored animation. Lately Disney had made animation that has traditional style. But the method of making traditional animation stable side story's holdup the audience. So Disney animation decided to change this method. For the result of Disney animation studio effort Frozen had produced after a computer graphics work following Rapunzel. What was the reason for entertain well of Frozen? Not only changing the method of producing traditional to computer graphic is could not make entertain well. We can see from the Frozen concordance of the original idea and modern scenario, OST the perfection of computer graphics work. In this paper work Disney animation has worked from the silent animation to computer graphic works result of "The Frozen". For the contribution of technology development makes able to analyze animations expression and relation. There is a lot shots that hard to analyze in the Frozen. But I will study it with the method named "Expansion in space" to making main analyzing expressive extension that appears on the scene.

• Cartoon and Animation Studies
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• s.18
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• pp.17-35
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• 2010

The purpose of this study is to find out the way to improve the funding system of Korean animation, which will lead the establishment of virtuous circle of Korean animation industry. The funding structure of Korean animations in the period of 2005-2009 is analyzed to find out that the funding surveyed to find out that the domestic funding source for Korean animation has reached its limitation. Without any active involvement of public fund, this will result in the shrink of Korean animation industry with heavy reliance on foreign capital and limited quality of Korean animation. This is not only a serious problem of Korean animation industry, but also the problem of Korean cultural identity and variety because it is related with the diminish and degradation of Korean children and family content. Meanwhile, in France and Canada, which are the major co-production partners of Korean animation, the animation production is being activated by the full support of government fund system, because the animation is regarded as the important genre which plays a critical public role in establishing the cultural identity and variety of such countries. Improvement of Korean animation funding system is not pursued by more injection of public fund into the industry. It should be designed to facilitate the investment from the private sector by improving the profitability of Korean animation. This goal can be achieved by public fund with annual budget of 25 billion Korean Won supporting the distribution and production of Korean animation. Discussion should be needed for securing the funding resources such as establishment of new animation fund or utilization of existing fund.

• The Journal of the Korea Contents Association
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• v.19 no.3
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• pp.236-251
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• 2019

The animation industry is an emerging and promising industry of the 21st century, characterized by a wide range of consumer segments, high market demand, and a long life cycle of products. The paper is aimed at examining the current situation of the animation industry of Korea, the U.S., China and Japan, analyzing the success factors and presenting measures for activation of problems in China's animation industry, and contributing to the promotion of China's animation policies in the future. To realize this goal, the study methods were adopted literature review by using Internet data, statistical data, reports, papers and academic journals which are related to the Chinese animation industry and presented methods for activation. The aviations as follows, firstly, it is suggested actively train creative men of animation for profession. Secondly, it is advised to encourage the creativity and originality of Chinese animation works through various ways. Thirdly, it is suggested to develop an industry chain of animation which is suitable for the market circumstances. Fourthly, it needs to expand its viewer and strengthen its reality in the form and content of animation works.

• Digital Contents
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• no.2 s.153
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• pp.52-56
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• 2006

해외 시장에서 국내 3D 애니메이션 제작 업체들의 선전이 이어지고 있다. 전통적인 2D 애니메이션 시장에서는 하청 국가에 머물렀던 우리나라가 3D 애니메이션 분야에서는우수한IT 기술과 참신한 기획력이 접목돼 세계시장에서 주목받고 있는 것. 뉴미디어 시대를 대표하는 문화콘텐츠로 부상하고 있는 3D 애니메이션이 새로운 한류문화를 전파하기 시작했다.