• Korean journal of communication and information
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• v.43
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• pp.247-281
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• 2008

The purpose of this article is to re-examine the issue of Chobo's origin, which has not been clearly determinated thus far. Also, the research investigates Chobo's name, time point of discontinuance, character of the article on disaster, and civil-printed incident of Chobo during King Sunjo. As an internal bulletin, handwritten Chobo began to come out at the end of 15th century, roughly King Sungjong period of Chosun Dynasty. Systematically developed in the period of King Jungjong, it had continuously been released until November, 1907 when fairly organized and competitive commercial daily newspapers were published and when the office of secretary named Biseogam was abolished. Because handwritten Chobo was exclusive and narrow in its communication nature and difficult to read it's fast handwritten Nancho calligraphic style, in August, 1577 (10th year of King Sunjo) a few civilian in Seoul obtained a permission from authorities (Uijungboo and Sahunboo) published a wooden type printed Chobo. Unfortunately, privately printed Chobo was forced to cease in 3 month because of King Sunjo's oppressive measure. However, considering it was published for a profit by civilian and used the world's first type printing, it is highly probable that Chobo seems to be the world’s first type printing commercial daily newspaper.

• (The) Research of the performance art and culture
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• no.23
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• pp.313-346
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• 2011

This thesis investigated basic thinking of Pansori reading text appearance. Among Pansori reading texts, it is versions include unfamiliar contents and scenes in text. They was created by writers of Pansori reading text. Why created a writers of Pansori reading text them? First, writers of Pansori reading text created new contents and scenes in order to show their knowledge. Reading texts of this feature are 28pages version Chunhyangjun belonged to Kim Kwang-sun, 87pages version Chunhyangjun belonged to Sa Jae-dong, 154pages version Chunhyangjun belonged to Hong Yun-pyo etc. This reading texts was effected on knowledge culture of Chosun later period. Second, writers of Pansori reading text created new contents and scenes in order to reenact festivities field. Reading texts of this feature are 75pages version Chunhyangjun belonged to Kyungsang university, 52pages version Chunhyangjun belonged to Keimyung university etc. the former shows story field and Pansori field, the latter shows play field of Walja. Third, writers of Pansori reading text created new contents and scenes in order to lampoon yangban authority. Reading texts of this feature are 72pages version Chunhyangjun belonged to Chungnam university and it's affiliation, 59pages version Chunhyangjun belonged to Park Sun-ho and it's affiliation etc.

• Journal of the Daesoon Academy of Sciences
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• v.49
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• pp.53-92
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• 2024

The abbot of Gobulseonwon Monastery (古佛禪院) in Chungju has disclosed his monastery's possession of materials such as an allegedly handwritten copy of Daesoon Jeongyeong (The Canonical Scripture of the Great Itineration) and Cheonsimgyeong (The Scripture of the Heavenly Mind), gasa (Lyric) collection books, and old letters, and subsequently, investigative research reports and monographs were also published. According to Gobulseonwon Monastery, their copy of Daesoon Jeongyeong was reported to have been written in 1910. In addition, they consider their copies of Cheonsimgyeong, gasa collection books, and old letters to be closely related to Jeungsan (甑山), with the possibility that their copy of Cheonsimgyeong was directly written by Jeungsan. For context, the object of faith in the gasa collection books is Jeungsan, and the old letters describe situation that were contemporary during Jeungsan's time. However, the gasa collection book, To be Learned with True Spirit, is a collection of nearly 20 songs that encourage enlightenment, and Cheonsimgyeong is likely to have come from the Jeondoju (Transmitted Dao-Incantations) used in ritual practices, rather than having been handwritten by Jeungsan. The 36 examples of old letters contain ordinary events in daily life. As such, these materials are not specifically related to Jeungsan. The copy of Daesoon Jeongyeong kept by the monastery was transcribed by Lee Yang-Seop, who resided in Jangseong, Jeonnam, in 1957, and it is significant as it includes various religious gasa such as Chaeyakga and Jeseshinyakga. The materials of unknown origin are especially worthy of attention. The materials preserved in Gobulseonwon Monastery are valuable materials related to various Korean new religions such as Gyeongjeongyudo and various Jeungsan-inspired religions. It is necessary to find the true nature of these materials, and this line of research will contribute to the study of Korean new religions.

• Digital Contents
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• no.9 s.148
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• pp.78-83
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• 2005

구술 시대에서 필사 시대와 인쇄 시대를 넘어서서 디지털 시대에 이르기까지, 인간이 존재한 이래 이야기는 끊임없이 계속돼 왔다. 이야기란 인간의 정신적, 육체적 과정에 깊이 뿌리박고 있기 때문에 이야기 없이 우리는 재미있게 살 수 없다. 이야기를 생산, 소비하고자 하는 인간의 욕망은 끊임없이 계속되고 있지만, 그 이야기를 담아내는 틀과 유형은 시대와 문화에 따라서 달라지기 마련이다. 틀과 유형이 달라지면서 발생하는 또 다른 문제가 바로 새로운 수용과 해석의 문제이다. 우리 시대의 게임은 분명 새로운 서사 양식이므로 새로운 틀 안에서 이해돼야 한다. 이번 호에는 지난 호에 이어 게임의 서사와 상호작용성에 대해 집중적으로 살펴보고자 한다.

• 프린팅코리아
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• s.24
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• pp.88-93
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• 2004

동서양을 막론하고 책의 역사를 거슬러 올라가 보면 인류문명의 기록을 남기기 위한 필사의 노력들을 발견할 수 있다. '기록'과 '보존'이라는 절대절명의 목적이 있었기 때문이다. 그러므로 최초 책이 등장하면서부터 미적기능을 통한 시각적인 효과 보다는 보존을 위한 기능이 더욱 중요시 되었다. 그러나 활자문화가 대중화되고 책이 상품으로 인식되기 시작하면서부터 보호.전달기능을 넘어서 보다 미적인 처리가 요구되었다. 이같은 책은 역사의 변화와 더불어 오래 보존이 가능하고 독특한 멋을 내기 위해 가죽, 나무, 비단, 철판, 비닐, 종이 등에 갖가지 화려한 문양을 첨가하면서 변모해 왔다.

• Digital Contents
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• no.8 s.147
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• pp.60-65
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• 2005

구술 시대에서 필사 시대와 인쇄시대를 넘어서서 디지털 시대에 이르기까지, 인간이 존재한 이래 이야기는 끊임없이 계속돼 왔다. 이야기란 인간의 정신적 · 육체적 과정에 깊이 뿌리박고 있기 때문에 이야기 없이 우리는 재미있게 살 수 없다. 이야기를 생산 · 소비하고자 하는 인간의 욕망은 끊임없이 계속되고 있지만, 그 이야기를 담아내는 틀과 유형은 시대와 문화에 따라서 달라지기 마련이다. 틀과 유형이 달라지면서 발생하는 또 다른 문제가 바로 새로운 수용과 해석의 문제이다. 우리 시대의 게임은 분명 새로운 서사 양식이므로 새로운 틀 안에서 이해돼야 한다. 이에 이번호에는 복잡다단한 게임 서사의 층위를 집중적으로 살펴보고자 한다.

• Proceedings of the Korean Society for Information Management Conference
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• 2001.08a
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• pp.111-116
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• 2001

본 연구에서는 기록물 자료를 관리 수 있는 메타데이터 형식을 설계하기 위해서 기록물의 목록 규칙과 관련된 네 가지 종류의 자료 즉 국제표준기록물기술$\ulcorner$ISAD(G)], 미국 기록물/필사본 기계가독목록(USMARC AMC), MARC21 및 EAD(Encoded Archival Description)를 참조한 다음 전통적인 도서관 자료와의 통합검색을 가능하게 하면서 기록물정보의 고유의 속성을 잘 표현할 메타데이터(목록 레코드와 인벤토리)를 설계하여 구현해 보았다.

• Journal of the Korean association of regional geographers
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• v.16 no.3
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• pp.249-264
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• 2010

This study is to comparatively analyse the place names on "Cheonggu-do"("靑邱圖", manuscript edition, 1834) and "Daedongyeo-jido"("大東輿地圖", woodblock-edition, 1861). Though the same person-Kim, Jungho(金正浩)- published those maps, and the latter was based on the former map, place names on thos maps are very different. The hypothesis is that those different information on maps were not from the cartographic, but from the social aspects at that times. The whole township names on "Cheonggu-do" were erased in "Daedongyeo-jido". The other names such as mountain, river, port, castle, beacons, official waer houses were recorded instead of township. Especially military names which were recorded newly in "Daedongyeo-jido", such as castle, beacon, ranches for the defense of nation, was geographical distributed in a strategic and key point in the northern and coastal area. This shows that there were rules for the mapping of "Daedongyeo-jido" and those rules could be come from the social demand.

• The Journal of the Korea Contents Association
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• v.16 no.10
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• pp.656-663
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• 2016

The study focused on the printed sheet music delivering the classical music contents in the view of the media. Media scholar Marshall Mcluhan declared that the media is not just simple tool of delivery but is the main subject affecting the human perception and the content itself. The music media, sheet music invented by the development of the printing technique allowed the massive production and it generalized the classical music contents. However, the editing, the mandatory process for sheet music, created the editors who are standardizing and visualizing the music contents and until today, the sheet music delivers the editor's interpretation rather than the composer's. To prove this notion, the study will compare the manuscript and sheet music of Unaccompanied Violin Sonata no. 3 'Fugue' by J. S Bach and will discuss about the compatibility of the sheet music as the music media now.

• Journal of the Korean association of regional geographers
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• v.19 no.1
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• pp.31-44
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• 2013

The academic values of Joseon jiji jaryo (Geographical Documents of Joseon) are that native Korean toponyms corresponding with toponyms in Sino-Korean characters (hanzi 漢字) are abundantly recorded nationwide. Through analysing these documents, it is able to examine the linguistic features of toponymic changes while reasoning about geographical named sources and administrative districts as well as obtaining primary data. This article aims to preliminarily analyze these documents for encouraging academic studies which haven't been investigated sufficiently since they was introduced into the academic world. Noticing the toponymic values of these documents, I reexamined the bibliography and composing contents centering around the volume of Chungcheongbuk-do province in these documents. Consequently, I pointed out the possibility of regional differences of compilation times and mistakes in the contents of these documents. In addition to that, I proposed the toponymic values, referring to the transcription changes of village toponyms and the tendencies of loan transcription.