• The Journal of the Korea Contents Association
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• v.11 no.6
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• pp.385-396
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• 2011

Internet web pages can be classified by three major types such as texts only, images with texts and videos with texts. The purpose of this paper is to analyze how customers recognize and respond perspective of perceived risk and media richness with regard to design patterns of internet web pages. Additionally, we will examine the extent to which aforementioned factors affect customer satisfaction. Analyses with perceived risks revealed that customers feel less personal risks including performance, psychology and time/convenience when used web pages of text-images and text-videos, compared to text only based web pages. However, customers feel that web pages consisting of image-text or video-text have higher points in terms of symbolism and social presence in media richness, compared to text only based web pages. Finally, we showed that personal risk and text-based Web page negatively affect but symbolism and social presence positively impact on customer satisfaction. Therefore, this study suggests a clue that why video-based Web content did not grow different from many people's expectation.

• The Journal of the Korea Contents Association
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• v.10 no.5
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• pp.115-123
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• 2010

Because of development of information technology, moving picture can run various platforms. We should consider and apply users' attitude as well as production technique because convergence between mobile and media technology may be increased full-browsing service using mobile device. Previous research related to production technique in various platforms only focus on video quality and adjustment of screen size. However, besides of technical side, production techniques should be changed such as image production as well as image editing by point of view aesthetic. Mise-en-scene such as camera angle, composition, and lighting is changed due to HD image. Also image production should be changed to a suitable full-browsing service using mobile device. Therefore, we would explore a new suitable production techniques and image editing for smart phone. To propose production techniques for smart phone, we used E-learning production system, which are transition, editing technique for suitable converting system. Such as new attempts are leading to new paradigm and establishing their position by applying characteries such as openness, timeliness to mobile. Also it can be extended individual area and established as expression and play tool.

• The Journal of the Korea Contents Association
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• v.18 no.4
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• pp.38-47
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• 2018

Even though there are many discussions about how to plan new content, it is difficult to find the discourse about planning new content in media academy. I tried to check how useful the semantics is in planning new content by autoethnography and how liberal art approach connect with content production field. As I had had no experience of making new current issue program, I chose forced connection method to develop new program's title 'Danbak'. By listing the meaning of 'Danbak' which means 'at once', 'without delay', 'on the spot', 'frankly', I could arrange new mechanism for the program and decide whom to invite and this could be called content planning method by semantics. This is the result of forced production environment characterized by short period for planning and small team and it shows that liberal art approach is useful enough.

• Journal of Digital Contents Society
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• v.9 no.4
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• pp.551-560
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• 2008

The basic strategy of OSMU(One-source Multi-use) in digital image is a marketing that applying one source to other genres for leverage based on that cross-referencing in different genre enabled that one material(one-source) has synergy effect when reproduced to various products(multi-use) as cultural sources are available through on-line and digital format. Recently, according to the characteristics of culture industry with Window Effect, many culture contents such as movies, games, animations and characters are carefully planned at its design stage to get the maximum effect. Especially, the fact that one leading-trend source makes it easier to produce additional products with the least cost is observed and it enables organized management which resulted in low marketing and PR cost. This paper confirmed that OSMU strategy in Korea mainly get started from online to offline comparing to Japan and USA.

• Proceedings of the Korea Information Processing Society Conference
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• 2011.04a
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• pp.526-529
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• 2011

최근 각광 받고 있는 멀티 터치 인터랙션 시스템에서 기존의 디스플레이 방식인 벽면 디스플레이 방식의 네모난 형태의 디스플레이 방식이 아닌 볼록형(Convex) 불규칙 디스플레이 방식으로 산 모양의 디오라마 형태의 디스플레이에서 멀티 터치 인터랙션이 가능한 시스템을 제안한다. 먼저 볼록형 불규칙 표면의 산 디오라마를 제작을 하고 후면 투영 방식으로 프로젝터 영상을 산 디오라마 표면을 대상으로 디스플레이 하고 영상 분석 모듈을 통하여 터치 인터랙션 좌표 정보를 분석한다. 분석된 터치 인터랙션 좌표는 3D 좌표로 변환하고 디스플레이 모듈에 보내면 디스플레이 모듈에서는 인터랙션 메타포로 분석하고 결과를 콘텐츠에 실행시킴으로써 볼록형 불규칙 표면의 산 디오라마에서 멀티 터치 인터랙션에 따른 결과를 사용자가 체감 할 수 있도록 하였다. 본 시스템은 향후 다양한 디오라마 형태로 제작하여 목적에 맞는 전시 시스템으로의 디바이스나 체감형 아케이드 게임 디바이스로 활용이 가능할 것이다.

• The Journal of the Korea Contents Association
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• v.17 no.5
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• pp.540-551
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• 2017

While the way broadcasting contents are made has changed drastically, some conflicts appear to remain unchanged. And they are about allegedly unfair practices. The whole arguments may even be deemed natural to a certain degree, considering the characteristics of the overall creative industry. But it needs to be highlighted the conflicts are being aggravated both in drama and non-drama production industries for different reasons. The drama side of the issue comes from how the project-based organizations are organized, and will be resolved if broadcasting companies do not send over their directors. On the other hand, the non-drama side's issues are about the complaints that outsourcing production companies have about the production cost. In general, due largely to the genre's relatively weak power to generate revenue, the producers do not get the upper hand when it comes to the negotiations over financial matters.

• Proceedings of the Korea Contents Association Conference
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• 2005.11a
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• pp.324-329
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• 2005

최근 정부에서는 디지털 국토를 수치지도와 영상지도로 만들기 위한 본격적인 작업에 임하고 있다. 기존의 항공사진측량 방식에서 인공위성에 의한 원격탐사측량 방식으로 고해상도의 디지털 영상취득이 가능해지면서 이를 이용한 다양한 활용을 고려하고 있어, 본 연구에서는 기존의 지역영상자료와 위성영상자료를 조사하고 이를 보다 더 구체적으로 이용할 수 있는 영상지도 콘텐츠 생성을 실험 한 것이다. 그 결과 현지조사 및 측량에 의한 좌표변환방식을 보완하여 보다 효율적인 방법을 도출하였으며, 다양한 속성 콘텐츠와의 결합에 의한 보다 구체적인 지형 분석 모델링을 시도하여 일반인들이 활용 가능한 영상콘텐츠를 제작할 수 있는 방안을 얻었다.

• Proceedings of the Korean Information Science Society Conference
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• 2007.10b
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• pp.221-225
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• 2007

본 논문은 시나리오를 입력하여 자동으로 애니메이션을 저작하는 기술에 관한 것으로서 시나리오 내용에서 매핑 되는 3D 데이터를 온톨로지 기법을 통해 추출할 수 있도록 한다. 또한 Flow Chart 그래픽 유지 인터페이스를 통한 직관적이고 손쉬운 입력방식과 애니메이션 분기 및 흐름 제어를 이용한 인터액티브 애니메이션을 제작할 수 있다. 본 기술을 활용하여 비전문가도 원하는 애니메이션 콘텐츠를 기존 애니메이션 콘텐츠 제작 방식보다 쉽고 간편하게 제작할 수 있도록 한다.

• Journal of the Korea Society of Computer and Information
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• v.29 no.9
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• pp.137-144
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• 2024

Digital advertising, both indoors and outdoors, is evolving from traditional 2D formats to more immersive 3D forms. 3D advertising involves creating 3D content and displaying it through large LED installations on two sides of a building's corner, or using 3D hologram projectors indoors. This study examines the production process of 3D hologram projectors used indoors and LED-based 3D content used outdoors, analyzing potential issues and considerations when creating 3D digital advertising content. The findings reveal that while indoor hologram projector content provides 3D effects, the low resolution of the devices makes it challenging to implement complex content. However, they are cost-effective and easy to operate. On the other hand, LED-based 3D advertising content, produced in high resolution, requires more time for content creation and incurs higher hardware installation costs. Despite this, it effectively represents complex content and maximizes visibility due to its enhanced 3D effects. In conclusion, it is crucial to create tailored content that matches the resolution of the display device to maximize 3D effects in advertising. Specifically, when producing 3D billboard-style outdoor advertising content, the structure of the building on which it will be installed must be carefully considered.

• The Journal of the Korea Contents Association
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• v.12 no.9
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• pp.40-47
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• 2012

Existing art, media art, accompanied by a new path of awareness and perception instrumentalized by the human body, creating a new way to watch the interaction is proposed. Western art way to create visual images of the point cloud that represented a form that is similar to the Pointage. This traditional painting techniques using digital technology means reconfiguration. In this paper, a new appreciation of fusion of aesthetic elements and digital technology, making the point cloud in the form of video. And this holographic film projection of the spectator, and gestures to interact with the video content is presented. A Process of making contents is intent planning, content creation, content production point cloud in the form of image, 3D gestures for interaction design process, go through the process of holographic film projection. Visual and experiential content of memory recall process takes place in the consciousness of the people expressed. Complete the process of memory recall, uncertain memories, memories materialized, recalled. Uncertain remember the vague shapes of the point cloud in the form of an image represented by the image. As embodied memories through the act of interaction to manipulate images recall is complete.