• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2004.05b
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• pp.203-207
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• 2004

This treatise presents that a possibility of non-musician's composition. In fart, as a development of music composition program(used by IAVA) helps to compose music easily, but non-musician still feels hard to compose some musics and perform some musics even though the band-in-a-box is already existed(which is an auto accompaniment program). This treatise shows non-musicians' special music composition way. Select a cord and put the cord to special program which ratted ‘the cord composition program’, and then the cord composition program creates the rest cords. After this progress, non-musicians overwrite their own melodies in accordance with created cords. Finally, they can perform their own musics with the sound of master-keyboard and other sound sources using by the band-in-a-box program.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2003.05a
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• pp.293-297
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• 2003

In general, we thought only composers can compose musics. And now we should have opportunities to make some musics by Computer Music System which called 'MIDI', but the composition is still unfamiliar to non musician men or women. In this report, we exhibit the possibility of the auto code composition by computer program which should make non musician men or women to composers.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2003.10a
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• pp.272-276
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• 2003

The appearance of the computer composition system(MIDI) expects that non-musicians can make musics easily, but, in fact, non-musicians still compose hard. This thesis shows that a computer makes lord progress through a database, which in-putted all practicable cord progress. In other words, non-musicians just makes some melodies over the settled cord progress, so they can make a music more easely.

• Journal of the Korea Institute of Information and Communication Engineering
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• v.7 no.7
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• pp.1545-1550
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• 2003

In this Paper, systematic quad-tree array method for easy composition is proposed, which is based on music cord. The appearance of the computer composition system, so called MIDI, expects that non-musicians can make musics easily, but, in fact. non-musicians still compose hard. This approach shows that a computer makes cord progress through a database, which in-putted all practicable cord progress. Experimental results showed that this method is superior to conventional method such as. composition time as well as that of method.

• Journal of Digital Contents Society
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• v.5 no.3
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• pp.245-249
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• 2004

This paper shows the reconstruction of existing composition chord program using back propagation neural network. In this approach, in order to produce the expectation values, weight values are controlled by neural network which rued chord pattern as a input vector. Experimental results showed that proposed approach is superior to a popular chord pattern method rather than existing composition program.

• The Journal of Korea Institute of Information, Electronics, and Communication Technology
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• v.6 no.3
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• pp.189-194
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• 2013

In this paper, chord progress pattern of popular music is analyzed, and based on this optimal chord pattern, bit matrix of melody information is used for the input vector of neural network. Experimental result showed that possibility of computer composition based on neural network is verified. With regard to some given melody, by making use of proposed method, it is also possible to reconstruct the various melody.

• Proceedings of the KAIS Fall Conference
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• 2011.05b
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• pp.615-618
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• 2011

하이브리드 코드는 현대 재즈에서 적극적으로 사용되고 있는 화성 언어 중 하나이다. 본 논문에서는 하이브리드 코드의 사운드를 이해하기 위해 보이싱의 텐션을 살펴보고, 사용가능한 모드를 코드로부터 도출할 것이다. 더 나아가 Jerome Kern 작곡의 재즈 스탠다드 'All the Things You are'를 하이브리드 코드를 적용하여 보이싱을 하고, 어떻게 그 위에서 모던한 사운드의 솔로 라인을 구사할 것인지 연구한다. 본 논문은 하이브리드 코드의 기초적 활용 방법을 논한다.

• Journal of KIISE
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• v.43 no.2
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• pp.204-211
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• 2016

In this paper, we propose an automatic melody composition system that can generate a sophisticated melody by adding non-harmony tone in the given chord progression. An overall procedure consists of two steps, which are the rhythm generation and melody generation parts. In the rhythm generation part, we designed new fitness functions for rhythm that can be controlled by a user setting parameters. In the melody generation part, we designed new fitness functions for melody based on harmony theory. We also designed evolutionary operators that are conducted by considering a musical context to improve computational efficiency. In the experiments, we compared four metaheuristics to optimize the rhythm fitness functions: Simple Genetic Algorithm (SGA), Elitism Genetic Algorithm (EGA), Differential Evolution (DE), and Particle Swarm Optimization (PSO). Furthermore, we compared proposed genetic algorithm for melody with the four algorithms for verifying performance. In addition, composition results are introduced and analyzed with respect to musical correctness.

• The Journal of Korea Institute of Information, Electronics, and Communication Technology
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• v.1 no.3
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• pp.77-82
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• 2008

In this paper, in the middle of progressing popular music chord, a method of inserting melody is addressed, which utilized by analyzing chord progress pattern. Firstly, a method for transforming melody into bit pattern which is to be used for neural network input is described. In order to insert the melody, composition pattern is learned from back propagation neural network, and based on these data new melody is to be generated. Experimental results verified the possibility of neural network based computer composition.

• Proceedings of the Korean Institute of Communication Sciences Conference
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• 2004.07a
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• pp.274-274
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• 2004