• 복식
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• 제55권3호
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• pp.94-107
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• 2005

Kokuryo mural tombs are located in Jipan and Pyongyang, where were capital Cities of Kokuryo. Although there are many studies performed about costumes in Kokuryo mural tombs so far, the studies comparing regional differences are rare. In this study, we tried to compare about the costumes in Kokuryo mural tombs between Jipan, where was the capital city in early period (BC37-AD426) and Pyongyang, where was the capital city for 241 years after the King Jang Su moved.(AD427-AD668) The results of this study are as following. There are differences between Jipan and Pyongyang in the shape of Chima(skirt) and the direction of Yeomim (adjusting the necklines). While there was only one type, long and narrow pleated skirt in Jipan area, another type of Chima was existed in Pyongyang area including the one in Jipan. Also, the direction of Yeomim was different. Left was popular in Jipan while it was right in Pyongyang. Moreover there are no man's Po(coat) with straight collar which was considered as a basic shape in Kokuryo mural tombs costumes so far. Also we found that Baji(pants) was an ordinary woman's costume, not only for underwear.

• 한국생활과학회지
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• 제15권4호
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• pp.597-609
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• 2006

The purpose of the research was to compare the preference of coloration of traditional Korean dress according to tone variation of green jacket by Korean and American women college students. The results of research can be summarized as follows. Korean students preferred skirt of vivid red color and light green jacket, but American students did not like it. Korean students did not like the skirt and jacket of same color, but American students preferred it. Both Korean and American students preferred skirt and jacket of different tone. Korean students liked skirt of dull blue and jacket of light dull green, skirt of dark blue and jacket of vivid, dull green. American students liked skirt of vivid violet and jacket of vivid dull, dark green. They also liked skirt of light yellow and jacket of light green, light skirt of blue, violet and jacket of light, dull, dark green, skirt of dark blue and vivid, light, dull gueen, skirt of dark violet and jacket of dull, dark green.

• 대한안전경영과학회지
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• 제17권1호
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• pp.103-109
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• 2015

In this study, we quantitatively analyzed the data by measuring the radiation shielding rate and uniformity in order to evaluate the performance of an Apron. In addition, storage conditions were also evaluated. The uniformity measurement was performed by evaluating the Apron DICOM images using a PACS program. The experiment was intended for 51 Aprons being used in three hospitals in the Daejeon area. The radiation shielding rate and uniformity were measured per lead equivalent for 0.25 mmPb, 0.35 mmPb, and 0.5 mmPb. As a result, the higher lead equivalents were, the greater differences in the non-uniformity between the top part and the bottom part became (p=0.020). In all hospitals, regarding the non-uniformity of four places in Aprons, all showed statistically significant differences (p<0.01). The average value of the transmitted radiation dose showed less difference (p=0.005) in the bottom right than in the upper right but was statistically significant. There have been no marks of manufacturing date or the date of purchase in the Apron.

• 한국의류산업학회지
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• 제17권1호
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• pp.64-73
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• 2015

This paper examines the characteristics of Hungarian women's costumes under the Reign of the Habsburg Empire in the $19^{th}$ Century. Since the beginning of the $19^{th}$ century, the Habsburg Empire inflicted strong oppression on Hungary. Under the influence of the European upper class, exaggerated and sumptuous costumes were fashionable in the Hungarian Aristocracy. They preferred blouses decorated with colorful embroidery, pleated sleeves, gorgeous beads and lace, long pleated skirts with velvet borders, corsets decorated with delicate embroidery, coats adorned with lace, and capes. However, Hungarian nationalists protested against the Habsburg Empire's oppression; consequently, Hungarian national costumes expressed a sense of resistance and solidarity. The results of the study are as follows. The Hungarian women's costumes were different from women's costumes of the Habsburg Empire in regards to headdress, bodice, apron, pattern and shoes. The Hungarian women's headdress consists of the parta and veil. The bodice is richly adorned with colorful embroidery and differs from skirts in color and material. The Hungarian women's apron is distinct from the Habsburg Empire as a unique Hungarian item. Finally, Hungarian costumes are characterized by the Oriental pattern and short boots with metal heels.

• 한국의류산업학회지
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• 제9권5호
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• pp.478-485
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• 2007

This survey is about the disposition of ornament for the traditional women's Jegori and Chima in North and South Korea. And the results are as follows: Disposition of part was used a lot in Jegori and Chima by both North and South Korea. In the existence of ornament, the number and range decorated part and a type of disposition, there were the differences between North and South Korea. There were not many Chimas with ornament in South Korea, which means that South Korea focused on decorating Jegori. The number and range of decorated part in South Korea were many. Disposition type of Jegori ornament in South Korea was various but in North Korea disposition of type of Chima ornament was various. Compared to the traditional disposition, South Korea's Jegori tended to follow the traditional disposition. In case of Chima in North and South Korea and Jegori in North Korea, the proportion of traditional disposition, altered traditional disposition and modern disposition was little different.

• 식물분류학회지
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• 제38권4호
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• pp.557-563
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• 2008

Selaginella heterostachys Baker (Selaginellaceae), previously known only from southern Japan, China, Taiwan and Vietnam, was found on sunny slopes at forest edges, Gangchon-ri, Chuncheon-si, Gangwon-do. This species is distinguished from the related taxon by ovate lateral microphylls with shallowly cordate base and elongated median microphylls with recurved apex. The local name Gak-si-bi-neul-ikki, meaning of the bride's skirt shape of median microphylls with recurved apex rather than S. nipponica. The morphological characters and illustrations of this species are provided with photographs of the habit.

• 정보기술과데이타베이스저널
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• 제1권2호
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• pp.37-52
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• 1994

오늘날의 정보시스템 구축 방향은 대형 컴퓨터를 중심으로 수많은 단말기를 연결한 수직형네트워크 시스템에서 다운사이징과 네트워크 기술이 결합하여 분산적으로 자료를 처리하는 클라이언트/서버 시스템 구축으로 변화하고 있다. 본 연구는 모든 단말기를 통제하는 대형 컴퓨터를 운영하는 전산망에서 클라이언트/서버 전산망으로 전환하는 하나의 사례연구를 통하여 구축환경변화, 시스템구성, 경영환경변화를 분석함으로써 클라이언트/서버 시스템의 성공적인 사례를 제시하는 것이다. 클라이언트/서버 시스템으로 변환하기전에 재개발할 시스템의 목표와 방향을 설정하기 위해서 벤치마킹을 실시하였고, 이의 결과를 바탕으로 경영업무의 프로세스를 재설계 하였다. 그리고 기업의 내부와 외부자료에 관한 표준화를 실시하였다. 정보기술 투자의 경제성과 경쟁우위 확보를 위하여 클라이언트/서버 시스템을 구현하게 되었으며 판매물류, 생산물류, 그리고 재무회계에 관한 경영지원시스템으로 구성되는 종합물류시스템 이외에 영업소에 관련된 영업정보시스템과 자동창고시스템이 컴퓨터 네트워크와 관련해서 시스템을 구성하였다. 구성 전략 촛점은 리엔지니어링, 다운사이징, 그리고 벤치마킹이었다. 시스템을 재개발한 후 업무의 계획, 진행, 분석, 감리등에 관한 체계적 업무흐름이 정착될 정도로 변화하였으며, 통신방식의 확대 및 다양화로 의사소통의 원활화와 타 관련업무와 연계처리, 그리고 부서들 상호간에 정보를 공유할 수 있었다. 또한 정보기술에 의한 업무처리를 기본으로 하는 기능적 태도로 인하여 관리자와 실무자의 업무운영에 관한 사고와 의식이 변화하였다. 따라서 매출액의 증가와 종업원수가 감소되었다.

• 한국정보과학회논문지:소프트웨어및응용
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• 제31권5호
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• pp.555-562
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• 2004

소프트웨어 회사들은 새로운 개발보다는 기존 프로젝트의 유지보수와 성능향상 프로젝트를 보다 많이 수행한다. 기존의 비용 추정 모델들은 유지보수 프로젝트들에 적용할 수 있지만, 유지보수 분야에 적용시키기 위해서는 변경이 필요하다. 본 논문은 개발 프로젝트와 유지보수 프로젝트의 기능점수 계산방법을 분류하고 ISBSG의 밴치마킹 자료를 회귀 분석한 결과를 토대로 유지보수 프로젝트의 비용을 측정할 수 있는 방법을 제안하였다. 먼저, ISBSG 자료를 소프트웨어 비용에 영향을 미치는 요소인 프로그램 추가, 변경과 삭제 3가지 요소의 8가지 중에서 실제 유지보수가 나타나는 4가지 그룹으로 분류하였다. 그리고, 그룹별로 통계적 모델과 RBF 망(Radial Basis Function Network)을 이용한 모델을 개발하여 각각의 성능을 분석 평가한 결과 RBF 망이 통계적 모델보다 좋은 성능을 보였다.

• 한국의류학회지
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• 제25권8호
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• pp.1378-1385
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• 2001

Textile The purpose of this research is to develop the design for activation of women s hanbok focused on functionality and convenience as well as on keeping the traditional beauty, and then to produce them. As a result of these explorations, I have reached conclusions as follows. first, the transformation of jackets and skirts are mainly limited to partial change in elements of the dress design-width and length of a jacket string and the upper strip on the outside of a jacket, change in width, and granting of symbolic meaning. Second, aesthetic features and formative beauty of traditional hanbok that the harmonization of mainstream colors and highlighting colors and curved silhouettes evoke were mental by products created as our people wished to become friendly to and to harmonize with nature. Third, grounded upon study of lines form and survey on brands, I have developed designs that maintain hanbok’superiority and at the same time incorporate functionality and convenience to fit modern life. I believe that the outcome of these of these explorations will contribute greatly to carrying the traditional beauty of Korean dresses to the maximun, and to developing and popularizing functional and practical living-fitted Korean dresses.

• 한국의류학회지
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• 제36권1호
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• pp.99-111
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• 2012

This paper investigates the formative features and the historical meaning of the Korean dress collection held in the Horniman Museum in London. The Museum holds eighteen items of Korean dresses donated by Mrs. C. de J. Luxmore in 1948 and by Mrs. Bowra in 1953. Male dresses consist of white silk outer robe (durumagi), a pale violet silk waistcoat (jokki), a jade green silk jacket (jeogori), pale yellow silk trousers (baji), a pair of ankle bands (daenim), a cotton waistband (dae), a silk purse (jumeoni), a rattan under-vest (deungbaeja), a pair of rattan wristlets (deungtosi), a top hat (gat) and a skullcap (tanggeon). Female dresses comprise a jade green silk jacket (jeogori), an ivory silk skirt (chima), a light blue silk petticoat (sokchima), two kinds of white cotton trousers (sokbaji and soksokgot), a pair of silk wristlets (tosi) and a pair of padded socks (beoseon). A Korean dress collection of the Horniman Museum shows a set of ordinary dress items worn by a married couple in the 1930s and the 1940s. Of these items, a silk petticoat (sokchima) and a rattan under-vest (deungbaeja) can be highly evaluated as object resources in the history of Korean dress. The petticoat is a rare and valuable example that represents an early type of modern petticoat that has replaced a traditional petticoat (dansokgot). The rattan under-vest has square neckline and two tiny sleeves similar to a Western cap sleeve. This kind of under-vest is a transitional form shown between under-vest similar to the Korean waistcoat (baeja) and one similar to the Western waistcoat (jokki).