• Journal of Convergence for Information Technology
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• v.11 no.9
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• pp.8-16
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• 2021

The purpose of this study is to suggest a development plan for the waterfront in the coastal ocean. The research method is conducted mainly on various materials such as marine design, waterfront, marine industry, harbor waterfront space, marine landscape related reports, papers, and articles. As a result, it was found that it is urgent to move, dismantle, and manage various sculptures or structures that are installed on the shore and cause visual pollution. The location management and maintenance of indiscriminately scattered fishing grounds are urgently needed, secure sufficient green buffer space, develop coastal marine roads across the country, create eco-tourism sites, contribute to regional revitalization and secure the production value of aquatic products by restoring the ecosystem. This study is expected to contribute to suggesting a direction for maintenance by focusing on the main management measures of the waterfront rather than the aspect of reckless development of marine design.

• The Journal of the Korea Contents Association
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• v.17 no.1
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• pp.465-474
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• 2017

This study aimed to identify the trends of related research as a basic study for the development of creative convergent formative education program of natural structure concept. This study sought to identify research trends present in previous studies. The nature structure of the preliminary research was limited to the three concepts: (i) fractal ; (ii) kinetic and (iii) biomimicry. In this study, the trends of domestic research in the last 10 years related to the concept of natural structure were analyzed using academic research information service. It was found that, to date, little research has been conducted on the three concepts across education fields. In relation to the fractal concept, previous research has focused on mathematics. This preliminary study sought to review the abovementioned three concepts or the development of a modeling education program. It should be significant, if an education program adopted unlimited modeling principles to understand the innate features of the nature structure. However, very few education programs have adopted the three concepts of the nature structure. Future studies would seek to review international research trends based on the three concepts of the nature structure and combine the results on international research trends with the results on domestic research trends found in this study.

• The Journal of the Korea Contents Association
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• v.12 no.2
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• pp.196-207
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• 2012

This paper aims to study the representation of basic design elements in patterns of fashion design by analyzing the examples and trends of how basic design elements have been represented in major collections of fashion designers, thereby contribute to enhancing the awareness of the importance of basic design elements in the field of fashion design education. In order to accomplish this goal, utilizing the fundamental concepts and principles of basic design elements, we have analyzed the examples and trends of representation of basic design elements, focusing on the design works of fashion designers from the 2000 collections to the 2010 collections that can be viewed to have been directly inspired by three basic design elements. The result of the analysis shows that there was a popular trend of emphasizing basic design elements as a design motif particularly from the 2000 s/s collections to the 2004 s/s collections. In these collections, we have found a wide range of design works that were inspired by the three basic design elements of dots, lines, and faces. Designers such as Jil Sander, Bill Blass, ..., etc. produced diverse designs that emphasized dots with various feeling of space, weight and texture. The collections by I.S.Suano Kuwahar, ..., etc. were based on the concept of coordinating the design element of lines with various textures. Vestium Officina, Loewe, ..., etc. produced the designs where faces were divided by lines in various ways and various forms of faces were decorated with diverse colors.

• Journal of Science of Art and Design
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• v.11
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• pp.5-35
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• 2007

When it comes to art, the two conflicting themes of 'scientific progress' and the 'nature' have often motivated the advent of the new mode of arts. By the late 20th century, uniform and simplified mode of arts, inspired by scientific and technological progress of that time, was gradually disillusioned by the contemporaries due to the adverse effect of science on human life. In this context, naturalism pursuing for harmony of human and the nature came up as an alternative to those living in the 21st century. The pendulum has swung from minimalism to naturalism. Though the quantitative improvement of human life cannot be denied, the uprise of such problems as environmental pollution and exhaustion of natural resources degraded the quality of human life, which, eventually, shifted the attention to the theme - 'revival of naturality.' Therefore, this thesis intends to represent the modem interpretation of the 'revival of naturality' by applying the major expressions of Art Nouveau that also emphasized naturalism. Art Nouveau found its motifs from organic figures of natural beings and put them to designs of decorative arts. This carries a historical significance in that Art Nouveau boldly revolutionized historicism, which only repeated adoption and modification of the existing modes of arts, and opened it to the modem design with new attempts to practical applications of the arts. Art Nouveau, which means 'new art', prospered from the late 19th century to the early 20th century, and even after one century, it is highly appreciated, reviving as novel and vivid forms in this contemporary art. Art Nouveau based on naturalism has revisited our contemporary period when naturalism and feminized romanticism came into fashion and its common motifs revive in different jenre of arts such as fashion, furniture, glass works, and jewelry works. This study illustrates and analyzes the works of four major artists who gave a specific attention to botanical motifs of Art Nouveau and applies decorative beauty of highly sophisticated and organic curved lines and the expressional forms of botanical figures to design. Art Nouveau proved this; the nature herself is as beautiful as she can be. Within Art Nouveau, the true humanism can be revitalized with the 'revival of naturality'. This study rediscovered the boundless potential of modern interpretation and application of Art Nouveau in decorative art and design.

• The Korean Society of Law and Medicine
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• v.6 no.1
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• pp.214-227
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• 2005

• Proceedings of the Korea Information Processing Society Conference
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• 2003.11a
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• pp.343-346
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• 2003

기존 쾌속조형시스템의 단점을 보완하기 위해 본 연구팀에서 개발한 쾌속조형시스템을 수직절단에 의해 층별 성형할 경우 가공된 물체의 표면에 계단형 표면과 같은 왜곡현상이 발생한다. 이러한 왜곡 현상을 보완하기 위해 수직절단이 아닌 경사절단하여 계단형 윤곽과 같은 표면 왜곡의 문제점을 보완하고자 한다. 최적의 경사절단선분을 구하기 위해 경사절단선분의 길이와 중간층 점의 거리를 정의하여 이를 최소화하는 에너지 함수를 구현하였다. 에너지를 최소화하기 위한 알고리즘으로 급강하법을 사용하였으나, 이 방법은 에너지가 작아지는 방향으로만 움직이기 때문에 물체의 윤곽이 복잡할 경우 최적이 아닌 다른 위치에 귀착하는 지역적 최적해가 발생한다. 본 논문에서는 이러한 지역적 최적해를 벗어나 최적의 경사절단선분을 찾기 위해 유전자 알고리즘을 사용하였다. 유전자 알고리즘을 사용할 경우, 급강하법에서 발생하였던 지역적 최적해 문제가 해결되어 최적의 위치를 찾을 수 있었다.

• Proceedings of the Korean Institute of Building Construction Conference
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• 2019.11a
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• pp.172-173
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• 2019

As the damage to fine dust increased, the Republic of Korea designated fine dust as a social disaster. The composition of the fine dust is composed of carbon, sulfate, nitrate, ammonium and minerals. The cause of fine dust is naturally generated by dirt, pollen, etc. In addition, there are artificial causes such as gaseous vehicle exhaust gas emitted from the use of fossil fuel. When fine dust enters the human body through breathing, it causes various respiratory diseases and skin diseases. In IARC, fine dust was designated as a carcinogen group 1. In this research, we tried to adsorb fine dust by physical adsorption using powdered activate carbon. Powdered activate carbon is a powdered activated carbon activated in a carbonized state. Porous material with high specific surface area and low density. Experimental items were tested for density, water absorption, and fine dust concentration according to the PAC addition ratio. Basic experiments were carried out to fabricate the fine dust adsorption matrix.

• Annual Conference on Human and Language Technology
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• 1992.10a
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• pp.591-599
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• 1992

한글의 신속하고 정확한 정보전달 기능을 유지 발전시킴과 동시에, 정보 전달의 목적 및 효율성을 높이기 위하여, 인간심리에 직접 영향 미치는 시각적 이미지를 지니는 조형적 문자의 서체 및 기능 개발에 필요한 현행 한글서체들의 시각적 이미지에 대한 분석적 연구를 시도하였다. 대표적인 24개의 현행 한글서체에 대한 이미지를 표본조사 및 수치분류적 기법에 의한 이미지 특성을 분석하였다. 연구결과, 현행 한글서체는 크게 5개의 그룹으로 구분되며, 예서체는 현행 한글서체 중에서 가장 독특하고 집중된 이미지를 지닌 서체로 나타났다. 한글서체 개발은 수치적 분석에 의하여 방향정립 및 높은 예측성을 지닐 수 있으며. 목적지향적인 폰트개발 및 균형있는 서체운용 체계의 운용에 의하여 극대화될 수 있다.

• Journal of the Korean Society of Clothing and Textiles
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• v.25 no.10
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• pp.1779-1790
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• 2001

새로운 탄생을 위해 과거의 것을 재조합하는 역사적 절충주의는 오늘날 과거로 회귀하고픈 현대인들의 요구에 부합하며 환영받고 있다. 본 연구는 복식에 표현된 역사적 절충주의 양식을 파악하기 위해 건축을 통해 그 특성을 규명하고 이를 복식에 적용시켜 19세기 복식은 복식사 문헌을 바탕으로 20세기를 대표하는 1990년대의 복식은 $\ulcorner$콜렉션$\lrcorner$지를 중심으로 복식의 역사적 절충주의 양식을 살펴보았다. 연구 결과, 서로 다른 두 장르에서 펼쳐진 역사적 절충주의는 비슷한 시기가운데 1)형태 참고를 특징으로 하는 조형성, 2)장식적인 아름다움을 특징으로 하는 장식성, 3)새로운 재질과 발전된 기술을 기반으로 하는 기술성, 4)불투명한 시대 경향을 지시하는 모호성이라는 조형적 특성을 나타내었고, 이로 인해 건축과 복식의 문화적 공유성은 재확인되었다. 이처럼 복식의 역사적 절충주의를 통해, 과거의 힘이 무엇이며 현재에 어떠한 의미를 지니는가를 상기한다면 복식사의 중요성은 더욱 부각될 것이다.

• The Journal of the Korea Contents Association
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• v.16 no.8
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• pp.601-610
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• 2016

The 21st century is as an age of culture, and cultural goods presenting the cultural spirit of one nation should reflect the tradition, culture, and techniques of that nation. The twelve horary signs of the gods are the creatures of our nation's native religion and thought have existed from the unified Silla period to today. Therefore, many things belong to the category of cultural goods, but in this study the guidelines for the design of cultural goods are limited to the characters of the twelve horary signs. For this study concept and classification of cultural goods, Korean traditional formative special qualities, concepts and composite elements, symbolic meanings and special qualities, personifications, and unique images of twelve horary signs of are researched. According to the results of the research guidelines for the design of cultural goods, images of cultural goods, classifications applying to each subject, the formative special qualities of Korean traditions, personifications, and concepts on the development of cultural goods are presented..