• Journal of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.22 no.2
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• pp.26-34
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• 2008

The purpose of this study is to analyze daylight distribution and characteristics of light on the Korean traditional paper and to investigate a possibility as the shading systems. First of all, daylight distribution through the Korean traditional paper windows and doors of the Traditional House is analyzed at Genjaegotaek of the Asan Oeam Traditional Village. After making a model, the characteristics of light on the Korean traditional paper and Roller Shade fabric are analyzed Korean traditional paper has a good efficiency to diffuse the light and is less glare than Roller Shade fabric. In the present office buildings and apartmant houses, daylight characteristics of the Korean traditional paper windows and doors could be used as preliminary data to develop a window system which makes greatest performance of daylight.

• Korean Journal of Heritage: History & Science
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• v.48 no.1
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• pp.96-131
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• 2015

Hanji(Korean traditional paper) is a valuable cultural heritage highly praised, even to this date, for its importance and technology by craftsmanship of our ancestors; it is a product of a combination of craftsmanship, well-established technologies, natural paper mulberry fiber and eco-friendly and durable natural materials and mucilages. Origin of the word 'Hanji(Korean traditional paper)' is from handmade paper made of bast part of the paper mulberry; as paper manufacturing with paper machines introduced in Japan was adopted in late Joseon, paper produced previously was called 'Hanji' and paper produced with western machines was called 'Yangji(machine made paper)'. Hanji has been called by many different names and used in various ways according to materials and production methods; and the functions varied. Hanji, from the era of three states to Joseon era, has been praised for its unique and excellent quality in three Asian countries(Korea, China and Japan); its unique excellence continues to this date in many paper-related national cultural heritages. Also total of 11 cases are registered to UNESCO Memory of the World for its importance, 8 of which are associated with traditional Korean paper: Hunminjeongeum, the Annals of the Joseon Dynasty, Jikjisimcheyojeol, Seungjeongwon Ilgi, the Royal Protocols of the Joseon Dynasty, Donguibogam, Ilseongnok and A War Diary. To examine excellent characteristics of conservation science in Hanji, many studies have been developed. By developing analysis and manufacturing technologies, the excellence of our Hanji should be re-verified scientifically and the tradition should continue as one of the representative Korean cultural heritages.

• Journal of Agricultural Extension & Community Development
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• v.21 no.3
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• pp.121-154
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• 2014

This study explores standardization plans concerning industrialization of Hanjii which is traditional culture resources of rural community. Hanji is very useful in many ways, and its usefulness is not confined to only paper. In other words, it comes to have architectural uses, agricultural uses, clothing uses, and medical uses through fusion and convergence. However, the expansion of Hanji market dose not lead to profits for related stake holders because its standardization is not nurtured yet. For standardization, this paper argues, first, a industrial definition of Hanji is needed in which Hanji's own characteristics is involved. Besides maintaining traditional characteristics, the definition and quality standards of Hanji needs to be established by considering a given condition of Hanji industy. Second, a satisfactory method to measure Hanji's own material characteristics(i.g., mulberry paper content and long-term sustainability), which affects Hanji's quality, needs to be developed and standardized. Third, a government standard is urgently needed in order to keep consumers from being confused when they select Hanji products. The standardization of Hanji products and technology needs to be established in both case of current Hanji market and newly developed products and technology.

• Journal of Conservation Science
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• v.26 no.4
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• pp.377-383
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• 2010

The effect of gamma irradiation on the microbial growth inoculated in the Korean traditional paper, Hanji, was investigated. Also, the mechanical properties of Korean traditional paper were measured to verify the possible change by gamma radiation. Bacillus cereus and Aspergillus niger were cultivated and the spores were innoculated in papers at the 250,000 and 500,000 colonies, respectively. In these results, 5log spores of B. cereus could be all inactivated at the dose of 6 kGy, and 5log A. niger be inactivated at 8 kGy, respectively. There was also showed no significant change in tensile strength, bursting strength and color index of Korean traditional paper by the gamma irradiation upto the dose of 50 kGy. These results confirmed that radiation treatment of Korean traditional paper is extremely efficient and could be used to preserve ancient books and archives documents from being damaged by moulds and fungi.

• The Journal of the Convergence on Culture Technology
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• v.8 no.3
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• pp.83-89
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• 2022

For the purpose of promoting the excellence of Korea's unique traditional hanji around the world, it was intended to promote 'modernization of tradition' by producing and presenting cultural products suitable for modern sensibility using traditional hanji which is widely used in the arts. First of all, using hanji as a material, jumchi hanji was made by jumchi technique. Cut to a certain width according to the cultural products such as laptop case, cell phone case, hat, and bag. Weave the cut jumchi hanji with plaine weave, twill weave, and hexagon depending on the purpose of the cultural products to be made. A cultural products were made by matching the woven jumchi hanji with artificial leather, cotton, and denim.

• Proceedings of the Korea Society of Design Studies Conference
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• 2000.11a
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• pp.68-69
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• 2000

이 연구의 목적은 한국 전통문양을 커뮤니케이션의 기본단위로 상정하기 위해 이들이 지니는 기호학적 의의를 고찰하고, 이미지를(Image) 중심으로 분류하여 전통문양의 현대화 작업에 기여하기 위함이다. 상기 목적을 달성하기 위해 본 연구팀은 한국전통문양의 이미지 기호학적 고찰을 시도하고, 이에 근거한 분류 모형을 제시할 것이다.

• 프린팅코리아
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• s.69
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• pp.58-61
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• 2008

• Proceedings of the Korea Technical Association of the Pulp and Paper Industry Conference
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• 2001.04a
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• pp.201-205
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• 2001

본 연구에서는 한지가공공정의 하나인 도침공정을 현대의 칼렌다링 공정과 비교 분석을 실시한다. 도침은 커다란 나무뭉치를 사용하여 반복적으로 여러 장이 겹쳐 진 한지를 두두림으로서 한지 표면을 평활하게 하며, 광택도를 높이는 효과를 볼 수 있다. 나무뭉치는 밑면이 평활해야만 할 것이다. 보통 한지 제조업자들은 경험 을 토대로 얼마만큼의 도침이 필요한지 결정하고 실시하곤 한다. 이러한 도침공정 에서 현대의 칼렌다링이 할 수 없는 중요한 공정이 존재한다면, 현대의 초지기에도 이러한 원리를 적용함으로써 효과적인 종이의 품질개선을 이룰 수 있는 여지가 충 분히 있다고 판단된다. 한지에 있어서 도침의 역할이 무었인지, 도침은 칼렌다링으 로 대치할 수 있는 지 둥을 비교 검토하였다. 도침공정 연구를 위하여 라이너지 한 종류, 백상지 한종류, 최근에 제조된 전통 한지 세 종류를 사용하였다. 라이너지와 백상지는 일반 제지공장에서 제조되는 방 식을 그대로 사용하여 기계 칼렌다를 통과한 샘플을 얻었으며 칼렌다를 통과하지 않은 라이너지와 백상지를 특별히 같은 지종에서 얻어서 실험을 실시하였다. 기계 칼렌다링을 하지않은 라이너지와 백상지 세 종류의 전통한지는 실험실 칼렌다를 통과시켰고, 또 각각에 도침을 실시하였다. 샘플들의 기본 물성과 처리조건을 표 1 에 정리하였다. 도침 공정에서 사용한 나무 뭉치의 무게는 약 64Kg 이며, 최대 높이 41cm 로 들어올려져 자유낙하에 의한 충격을 종이에 가하였고, 분당 충격횟수는 63회 였다. 라이너지는 도침 및 칼렌다에 의해 밀도가 서서히 증대되는 것을 볼 수 있었다 (그림 1). 도침은 칼렌다에 비해 밀도 증대에 효과적이지는 못하였다. 반면 백상 지에서는 도침이 기계 칼렌다나 실험실 칼렌다보다 현저히 크게 밀도를 증대시킴을 볼 수 있었다 (그림 2). 칼렌다는 종이를 높은 전단력과 압축력으로 변형시키는데 비해 도침은 단순히 압축 압력만을 종이에 가하는 것이 다르다고 볼 수 있는데, 라 이너지와 백상지가 같은 조건하에서 왜 이러한 큰 차이를 보이는 이유를 아직 알수 없다.

• Journal of Korean Home Economics Education Association
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• v.16 no.1
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• pp.19-30
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• 2004

Korean traditional paper is more than paper itself to the Korean people because of its excellence, compared to western paper, in keeping records, flexibility, strength. air permeability. and blocking ultraviolet rays. It has been used for various purposes such as book-making. covering for walls. windows or floors. making clothes and living appliances. and so on. Notwithstanding these merits. mass-produced paper has been substituted for Korean paper. Recently, however, there is a growing tendency to re-evaluate Korean paper because of its physiochemical properties. traditional beauty. eco-friendliness. and applicability to crafts. Korean paper deserves widely received re-evaluation as teaching materials for the education of ecology. creativity. and traditional arts. The purpose of this study was to find out a way of using Korean paper as sewing materials in Practical Arts classes for the elementary school. Previous researches on what properties Korean paper has and how many kinds of crafts have been made of Korean paper were reviewed. Concrete methods of utilizing Korean paper as sewing materials. especially for the finishing skills of sewing. were also proposed.

• Journal of Science of Art and Design
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• v.8
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• pp.161-184
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• 2005

Traditionally, Korean ink painting used paper as a background medium. This tradition has sought a new attempt to meet today's demands while its expressive techniques and mediums become more diverse. The attempt of Korean ink painting to explore new mediums could change both its structure and style when considering the significance of the medium in the work. These new attempts have encouraged a further study of 'Korean Traditional Paper'. Today, 'Korean Traditional Paper' is considered to be an object itself rather than just being a background. In other words, there is no implication of a separation between the medium 'Korean Traditional Paper' and the work. Instead, the medium itself becomes the work. Therefore, 'Korean Traditional Paper' is not only a 'background' that contains the artist's desire to express, but at the same time also an 'object'. This study focuses on the attributes of 'Korean Traditional Paper' as an object, examines how this is visually applied in contemporary Korean ink painting in the relation to 'Korean Beauty', and reviews the work of some artists that use Korean Traditional Paper. The use of Korean Traditional Paper as an object first began with the experimental techniques of Lee , Eung-Noh and Kwon, Young-Woo in the 1960s, Then it seemed to stop for a while in the 1970s and 1980s until there was a renewed interest in the material personality of Korean Traditional Paper with the birth of the 'Korean Traditional Paper Artists Association' in the 1990s. This interest increased and Korean Traditional Paper was earnestly adopted by artists like Yim, Hyo Lee, Ki-Sook Won, Moon-Ja and Choi, Moo-Young, who used the paper in Broussonetia, the previous fibered state of rice paper. Here, the expression of the object through the characteristics of Korean Traditional Paper is a visual experiment to discover Korea's traditional art mediums that were forgotten once, focusing on the manifestation of Korean Beauty through Korean Traditional Paper. In this respect, this attempt has a valuable meaning in its use with a contemporary visual sense , based on the Korean sense of beauty.