• The Journal of the Korea Contents Association
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• v.13 no.2
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• pp.147-156
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• 2013

It is almost impossible to keep the exact documentations of veterans' works due to the fastidious and convoluted nature of this particular field. The histrorical recordings of Korean Theater in general has been improved due to growing educations of staffs and actors through theatre associated universities But the need of preserving the recordings of veteran actors has not been recognized enough, therefore their precious assets has been lost, which is such a regretful truth. However, with the necessity in mind, the following study is focused on Gil-ho Kim, an actor, playwright, director, and his works on 'Namdo-Mokpo-Plays'. Comparisons will be made, focusing on these plays, between his life as an actor and the meaning of documenting a veteran actor's assets.

• The Journal of the Korea Contents Association
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• v.15 no.5
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• pp.108-118
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• 2015

One hundred years have passed since the Western modern play emerged in Korea. Meanwhile, the numerous actors have appeared and disappeared as well, but leaving the record of their great art of acting is still negligible. For stage performances recorded and restoration of works of art creative process is a very important basis for future generations inherit a world of art. The aim of this study will look back on the life and achievements of the greatest senior actor, Jang Min-ho(1924-2012) died in 2012 and see his acting career and world of art. He was born at the time actors were not valued as an expert yet. Recording a life of an actor itself becomes an opportunity for fundamental reflection for the essence of play and role of actor, and introspecting an actor's life on acting becomes an effect that the actor's unique acting style is delivered to younger generations. By recording the actor's life and life on art, I hope that the contemporaries are able to recognize the value and importance of artists leading the contemporary era with being increased interest.

• The Journal of the Korea Contents Association
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• v.12 no.12
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• pp.93-102
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• 2012

This study started from the project that make the record of legendary actor's heritage in Korea. This research was focused on Sung Hee Beck's artistic footprint which was almost same steps as the Korean modern play of the centennial theater history by reviewing her; domestic royal actor; acting techniques which learn from real acting field by herself and her career. Her life shows constant resistance for the social negative reputation of the acting field, and her frantic effort to Korean play and actor's phase. Above all, this passionate actor's life contributes to society, and improve the Korean theater through 70 year's her experiences with countless roles in around 400 performances and her own valuable acting techniques. To look up legendary actress of our time, Sung Hee Beak's life gives us a chance to reflect art of acting which emphasizes its fundamental.

• Korean Architects
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• no.3 s.335
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• pp.53-63
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• 1997

"제가 하고 싶은 비평은 우리 건축물의 좋은 점이 무엇이고 그것이 왜 좋은지를 먼저 찾아보는 것입니다. 저는 아직 연구가 부족해서인지 지금까지 우리의 건축이 (진심으로) 어떤 점에서 잘됐다는 얘기를 들어본 적이 별로 없습니다. 그런데 제가 아는 원로 건축가들은 어려운 중에 무척 열심히 살아오신 분들로 알고 있습니다. 아무리 여건이 나쁘다 하여도 그들의 작품 안에 좋은 점이 하나도 없으리라고는 생각지 않습니다. 그런데 아무도 그 좋은 점을 찾아내려하지 않으면, 그 건물이 사라지고(좋은 건물이 아니라고 생각하니까 언젠가는 헐리겠죠.) 도면도 기억도 사라진 후 우리는 계속 우리를 한심하게 생각하고 있을 것입니다. 우리가 우리의 좋은 점을 찾지 않는데 누가 우리의 좋은 점을 찾아주겠습니까? 한국 건축의 자부심(개혁?)은 건축가에 의해서가 아니라 건축 비평가에 의해서 먼저 이루어져야 합니다. 잘 팔리는 신파극 뒤에는 잘나가는 변사가 있듯이 말입니다. 물론 배우도 잘 나가야하지만. 그리고 저는 제가 모르는(건축가나 사용자나 같이 모르는) 서양철학에 비추어 이 건물을 이해하지 않겠습니다. 또 건축가가 건축역사의 어느 부분에 속할 것을 목표하여 설계하지 않은 이상, 건축사에 비추어 특히 세계건축사에 비추어 이 건물을 보지 않겠습니다. 저는 이 건물을 설계하는 이의 입장에서 또 사용하는 이의 입장에서 이해하려 노력하겠습니다.

• The Journal of the Korea Contents Association
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• v.17 no.1
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• pp.750-758
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• 2017

Korean film actors and staff participated in Incheon(Terence Young, 1981) Hollywood filmmaking workforces had taken in South Korea. According to the dictation of the elders who participated in the making of the film Incheon, through the movie they were able to experience Hollywood film production system and said it had an impact on Korea filmmaking system. It is the reason that this study tracks the historical traces of the almost forgotten film. This article analyzed an expert assessment and recognition of the audience about the film Incheon produced by the Hollywood production system. Expert review was utilized in such press articles and tomes about the actors and staff who participated in the film. Also, the audience rating was analyzed in terms of the recognition at the theater or watching cable TV, Internet etc. Evaluation of expert in Incheon was monotonous but negatively red, I could confirm that the viewers recognized in various ways, rather than evaluated the film.