• Title/Summary/Keyword: 연기의 원리

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A Study on Manufacturing Method of iron Sickles Found in Jangjae-ri, Yeongi, Korea (연기 장재리 출토 철겸의 제작방법 연구)

  • Cho, Hyun Kyung;Cho, Nam Chul;Lee, Seon Young
    • Journal of Conservation Science
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    • v.31 no.4
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    • pp.489-497
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    • 2015
  • Iron sickle is tool used in various ways and have various form. It has agricultural feature as well as is used in weapon. Previous studies have been focused on features of farming tools. In this study, metallurgical analysis of iron sickles are introduced because examples of analysis for iron sickles is rare. Two sickles form Yeongi Jangjae-ri are investigated and compared to one sickle of Yeongi Songwon-ri. Three sickles have forging molding process and heat treatment process. No.1 sickle of Jangjae-ri have martensite of quenching. No.2 sickle of Jangjae-ri was undergone high temperature as compared with others. This show manufacturing technology of sickles from Jangjae-ri in over the Songwon-ri's.

Development strategy of acting skills based on the principle underlying physical behavior - Using Taekwondo technology - (신체행동에 내재된 원리를 바탕으로 한 연기술의 발전방안 - 태권도 기술을 활용하여 -)

  • Nam, Chan-Gyu
    • The Journal of the Convergence on Culture Technology
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    • v.5 no.2
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    • pp.233-238
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    • 2019
  • The purpose of this study was to realize and apply Taekwondo's technology and the fact that actors on stage and screen have much in common. In the meantime, there have been many prior studies on the development of the theoretical field. However, there is a slight lack of practical development and development plans, and it is time to improve. This seems to be a lack of practical experience leading to the creation of physical images. In that sense, I think that it should be supported by the complement of concrete and detailed research that seeks to make changes in open technology significantly. Considering this situation, it is necessary to further develop the practical field in parallel with the theoretical field. Therefore, I suggested the principle of physical behavior through Taekwondo technology and the development of acting skill. The performance training using these taekwondo techniques is meaningful research.

Use of Pansori for Developing Actor's Aesthetic Voice (배우의 미학적 발성을 위한 판소리의 활용방안)

  • Lee, Ki-Ho
    • The Journal of the Korea Contents Association
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    • v.9 no.12
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    • pp.181-192
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    • 2009
  • The purpose of this research is to investigate appropriate usage of pansori's method of breathing, sound making, and resonance in order to develop actor's aesthetic voice. Today's theatre no longer see inter-cultural approach as new or experimental, but see it as a part of global current. Actors are required to integrate some global-ness into their acting. It's not enough, however, for actors to equip some cosmopolitan sensibility. More important thing is that they should be able to integrate one's own culture and aesthetic into their performance. Only after acquiring one's own cultural identity, it is possible to step into inter-cultural work. It is fundamental, therefore, for actors to assimilate traditional movement and aesthetic voice. It's been known that traditional Korean voice traits are well preserved in Pansori. In this paper, based upon well-known theories and practices of western voice training, pansori's principles and practices are utilized to bring a new aesthetic voice.

The Paper on The Martialarts Acting System for Action Acting Technic (효율적인 액션연기를 위한 '무예武藝연기술시스템' 의 논의)

  • Kim, Sunam
    • The Journal of the Korea Contents Association
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    • v.15 no.7
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    • pp.57-74
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    • 2015
  • This paper will concentrates on martialarts acting system. I will sugest a kind of actor's training system for the safe method of action acting. In this study I solve the following problems. First, what is main factors to interfere with performer to act and how do they get rid of factors. Second, what is very economic and effective challenge to develope the new acting system for action acting performers. For this discussion I studied four parts. The first, I gives purpose and direction of the safe for martialarts actor. The second, I traces the development of contemporary idea of acting such as Stanislavsky and Meyerhold. The third I introduces Korean martialarts training system. The last I conclude which refer to effective action acting by result of training 'Korean traditional martialarts acting system'.

Study on the Principle of a Performer's 'Spontaneity' and its Adaptability in a Process of Text Analysis and Creating a Character Focused on the Concept of Augusto Boal (분석과 인물 창조 과정에 있어 '자발성'의 발현 원리와 적용 가능성에 관한 연구 - 보알의 방법론을 중심으로 -)

  • Son, Bong-Hee
    • Journal of Korea Entertainment Industry Association
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    • v.14 no.3
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    • pp.277-284
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    • 2020
  • This thesis interrogates the term a performer's 'spontaneity' as the key principle to approach and enhance contemporary performer's training and acting. Drawing on a number of problematic issues, this thesis particularly examines the paradigm of the subtle bodily movement inform the experience of a performer's spontaneity as embodied and understood in approaching and adapting through text analysis and action. The in-depth process of the relationship between a performer's action and the transformative effects, is central to understanding and adapting the key principle of acting/training that a specific text would pursue through a specific performance by means of what a performer must do on stage. Following the discussion of acting in training and rehearsal, this thesis argues the necessity of an alternative way(s) and model of the performer's work via how the performer's action is sincerely emerged from the moment-by-moment rather than the performer anticipates what comes in the next and therefore pretend to do/be something/someone. Expanding upon the assumptions mentioned above, this thesis provides some pragmatic and descriptive work(s) from the practitioners' concepts and approaches that invites us to reconsider the nature of acting and its adaptability for contemporary performers.

A Study on expression method of Animation Movement forms (애니메이션 움직임에 따른 동작의 표현방법에 관한 연구)

  • 이미정;김치용
    • Proceedings of the Korea Multimedia Society Conference
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    • 2004.05a
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    • pp.679-683
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    • 2004
  • 흔히 애니메이션은 캐릭터의 표정이 얼굴에만 나타난다고 생각한다. 하지만 캐릭터의 몸도 얼굴만큼이나 풍부하게 감정을 표현할 수 있다. 이에 따라 본 논문에는 캐릭터 움직임에 따른 동작이 어떻게 변화되고, 생동감 있게 움직일 것인가에 대해 알아보고자 한다. 애니메이션의 기본 동작원리에는 스쿼시, 스트레치, 동작의 속도와 타이밍, 관성, 선행동작, 포물선 따라 움직이기, 인비트위닝 등 많은 것이 있다. 이들 기본동작들은 모두 애니메이션 성공에 크게 영향을 끼친다. 애니메이션에서 캐릭터의 연기는 보는 사람들로 하여금 필요한 동작을 통하여 어떤 표현을 전달할 수 있도록 올바른 타이밍을 가져야한다. 본 논문은 애니메이션 동작을 표현하기 위해 각각의 이미지들의 표현방법에서 감성위주의 느낌들을 어떻게 보여줘야 할 것인가에 대해 다양한 표현들로 나타내었다.

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Usefulness of Meyerhold's 'Biomechanics' as an Alternative for a Method of Actor Training I - focused on the background and theoretical principles of 'Biomechanics' (배우 훈련 방법의 대안으로서 메이어홀드 '인체역학'의 효용성 I -'인체역학'의 형성 배경과 이론적 원리를 중심으로)

  • Cho, Han-Jun
    • The Journal of the Korea Contents Association
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    • v.14 no.5
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    • pp.95-106
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    • 2014
  • Meyerhold's 'Biomechanics', which germinated from a critical point of view towards naturalism theatre, is a primary acting method that attempted to approach to acting in a material way, along with Stanislavski's 'System'. However, not only for a reason of the political background that all study on Meyerhold were forbidden in Russia but also for a reason of universalization of Stanislavski's 'System' through the world mutated into American acting method, it is a fact that Meyerhold's 'Biomechanics' is not actively utilized in a field of actor training at the present day. Especially, in case of actor training in Korea, 'Biomechanics' is also misunderstood as a method only focused on an actor's physical approach. Therefore, a purpose of this study is to explore usefulness of 'Biomechanics' in order to practically apply it to the actor training through correct understanding.

How to Use EVT Figures for Actor Voice Training I (배우 음성 훈련을 위한 EVT 구조연습 활용방안 I)

  • Lee, Young-Su
    • The Journal of the Korea Contents Association
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    • v.21 no.9
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    • pp.136-148
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    • 2021
  • In this study, the theoretical principle and structural practice of Estill Voice Training model that enables independent control of voice organs in the actor's acting art using voice as a medium of artistic expression. Its purpose is to explore the positive utility that can be applied to operation. The research on the speech science methodology that controls the differences in speech output due to the principle of the generation organ is a reality that has not been actively introduced in Korea compared to the existing actor's speech training that encompasses both the mind and the body. Voice can guarantee the accuracy and stability of operation when an understanding of our body is preceded based on anatomical physiology as well as contribute to the characterization of the character's phonetic character an element of character creation. Considering the training model through proprioception in actor voice training has practical value and alternative significance that the actor can be sought as a principle and practical methodology in the process of generating a series of target sounds.

Technical and Financial Benefits of Electrical Energy Storage (IEEE EPEC 발표논문 - 전기 에너지 저장의 기술 및 경제적 이득)

  • 대한전기협회
    • JOURNAL OF ELECTRICAL WORLD
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    • s.433
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    • pp.102-113
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    • 2013
  • 전통적으로, 전력망의 규모는 최대 수요에 따라 결정된다. 이것은 많은 양의 전기를 저장하는 것은 기술적 및 경제적으로 실현 불가능하기 때문이다. 따라서 결과적으로 현재 사용하지 않는 거대한 용량의 전력망 이용이 가능하다. 이러한 비사용전력망의 이용이 가능하다면, 동일한 전력망으로 더 많은 에너지를 전송할 수 있어서 전력망 증강을 위한 투자를 연기하거나 생략 할 수 있다. 이를 위해서는 전기수요를 적기에 변경, 더 정확하게는, 전력 전송을 적시에 변경하는 것이 가능하여야한다. 원리적으로, 이것은 (분산되어 있는) 전기 저장을 전력망에 통합하면 가능하다. 본 논문은 전력 그리드를 위한 에너지 저장 기술에 관한 현재 지식상태를 요약하고자 한다. 가능하다면, 폭 넓은 이용과 관련된 핵심적인 특징들을 강조하는 체계적인 방법으로 에너지저장 기술 및 적용 등을 비교하여, 에너지 저장 기술 및 적용범위에 관심이 있는 정책 입안자를 위한 참고자료로 제공하기 위함이다.

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