• Fire Science and Engineering
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• v.23 no.5
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• pp.125-132
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• 2009

In this study we could contribute to the development of a precise checking tool with which the reliability of the automatic fire detection systems was enhanced and the safety of the people was ensured. In the same way as the domestic technical standard, the portable smoke sensitivity tester, which was developed in this work, could be used to check the capability of the smoke detectors installed in the field. Its heater inside was warmed up to $400^{\circ}C$ in 40 seconds and the paper as a smoke source was burned to produce smoke for the test. With the Photoelectric smoke detector it was possible to measure and control the smoke concentration in a range from 0%/m to 25%/m. With the adjustment of rpm of the fan, it was possible to keep a constant wind velocity in a range from 20cm/sec to 40cm/sec.

• The Journal of the Korea Contents Association
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• v.14 no.4
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• pp.78-85
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• 2014

Europeans experienced the horror and cruelty of war through the first and second World Wars. They began to raise fundamental questions and doubt about the preexisting World Order of God and humans leading to the birth of Existentialism. The Theater of the Absurd is one of the genres in theater resulting from the existentialist theories. The Theater of the Absurd has a format opposed to the traditional Realist Theater and emphasize the absurdity of human and society's existence. In particular, Fernando Arrabal who is a French Absurdist playwright, expressed the absurd human conditions using his unique forms and contents and his work 'Fando et Lis' depicts the absurdity of the adult world through the eyes of a child. Many unrealistic elements typical and inherent in the Absurdist plays are present in his work. Especially, the actors were required to apply not only the realistic acting approach but also to study and analyze characteristics of all Absurdist plays and internalize them based on the creative foundation of recreation. Then, they were asked to examine the characters' personality, emotions, and actions and think hard about creating an unrealistic action of voice and movements. This creative process by actors is a must in developing the reliable and trustworthy Absurdist acting.

• The Journal of the Korea Contents Association
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• v.13 no.1
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• pp.137-146
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• 2013

Anton Chekhov was able to deliver a significant influence to the 20th realist drama types and styles, because his deep thoughts about diverse aspects of human life were realistically expressed on stages. Western realistic actors endeavored to embody their routines based on their words, behaviors, and habits. Chekhov used his outstanding talent to identify the characteristics of people, created unforgettable drama characters, and focused on their behavioral motives. From his philosophical point of view, Chekhov argued that secrets are hidden in life itself, and that everything, shown on the stage, should be as it is in our actual daily life. The realistic acting, recognizing the difference between the daily truth and the truth mentioned in works, pursued acting styles by which audiences regarded play characters as the real people.

• Journal of Practical Engineering Education
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• v.16 no.2
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• pp.251-257
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• 2024

After the pandemic, the world has brought about a society that connects to digital content faster. In the performing arts world, technology is also changing the production environment, content, and format of works. In addition, theatre and performances linked to digital media and virtual reality continue to be actively developed and increased. This paper first diagnoses how theater and acting education are meeting consumers(students) in a time when these changes progress rapidly. In the post-COVID-19 era, a crack began in the traditional method of education. We look at the existing problems of traditional education of theatre and acting in detail and look at the points of change from the changes in the virtual world and digital media environment. In conclusion, post-pandemic theater and acting education needs to shift to a consumer-centered paradigm.

• Korean Architects
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• no.6 s.66
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• pp.36-42
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• 1974

설계가 잘 되어있는 문은 사람이나 물건의 출입에 큰 지장을 주지않고 분리, 차음 및 안전등의 제기능을 충분히 발휘할 것이다. 화염이나 연기의 확산을 조지시키는 일은 안전상 가장 중요한 일 중의 하나이다. 건물의 여러곳에 위치한 문의 기능, 성능의 평가방법과 기준등은 전세계에서 논의의 대상이 되고 있다. 건물의 각부분은 내화구조구획에 의해 각각 분리될 수 있으며, 각 구획을 통하는 개구부는 화재시 자기의 기능을 충분히 발휘할 수 있는 문에 의해 차단될 수 있다. 첫째, 문은 그 문이 위치한 벽체에서 화재차단의 효과를 가져야 하며, 둘째, 피난통로의 안전을 조해하는 연소부산물이 침투하는 것을 방지하여야 한다. 그러므로 모든 방화문은, 건물에서 그 위치의 정도에 따라 연기와 화재의 확산을 막는 장벽으로서의 역할이 요구된다. 본 내용은 현재 논의되고 있는 상황에 대한 영국건축연구소의 연구보고서의 요약 소개이다.

• Journal of Korea Entertainment Industry Association
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• v.13 no.1
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• pp.89-98
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• 2019

Performing arts, for instance, theatre and dance that perform on the stage, should recognize the contemporary characters and also emphasize the trend of the times. Thus, the subject of those varies and provides the audience diversity contents and style. People who perform those try to put the contemporary characteristic and sociality into their stage by utilizing new technology for their stage to be more sophisticated in aesthetic and philosophic aspects. According to the trend of the times, science and technology have been making great progress. As a result, the stage technology continues to develop, contributing to enhance the aesthetic and philosophical completeness of the performing arts. Also, there are technical and formal researches or methods constantly that make the performing arts new and diverse. Therefore, it can be said that it is very important to widen a category of the performing arts that amplify the actor's acting and emotions on the stage and then give the audience an experience. This paper will analyze in the way which various image techniques utilize to widen the actor's technique in the performing arts and the actor's technique progresses in the era called the Fourth Industrial Revolution era that grafts the art onto new media. Through this paper, in the era of the Fourth Industrial Revolution, a new paradigm in actor's acting which is becoming a hot topic in performing arts is predicted and anticipated.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.21 no.4
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• pp.81-87
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• 2021

Artificial intelligence technology is developing as it enters the fourth industrial revolution. Active researches are going on; visual-based models using CNNs. U-net is one of the visual-based models. It has shown strong performance for semantic segmentation. Although various U-net studies have been conducted, studies on tracking objects with unclear outlines such as gases and smokes are still insufficient. We conducted a U-net study to tackle this limitation. In this paper, we describe how 3D cameras are used to collect data. The data are organized into learning and test sets. This paper also describes how U-net is applied and how the results is validated.

• Journal of Korean Medical classics
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• v.19 no.1 s.32
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• pp.41-46
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• 2006

재(在)${\ulcorner}$소문(素問) 옥기진장론(玉機眞藏論)${\lrcorner}$중(中), 유관어병지전변적내용(有關於病之傳變的內容), 연기내용난해(然其內容難解), 차주가적해석상이(且注家的解釋相異), 설명야불구충분(說明也不充分), 소이불역이해(所以不易理解). 소이차기내용수요정리(所以此其內容需要整理), 약부저론자적견해여하(若夫著論者的見解如下). 기지역행시가이심양개방면(氣之逆行是可以審兩個方面). 기일시(其一是), 출어상극관계적일반전변규율(出於相克關係的一般傳變規律), 선전어모장이후재종모장전이상극관계(先傳於母藏而後再從母藏傳以相克關係). 차지어사적시점(且至於死的時點), 반위본장지승극적관계(反爲本藏之勝克的關係), 저취시출어일반적규율(這就是出於一般的規律). 기이시(其二是), 유속발성질환적의(有續發性疾患的義), 가위이병적정도위중위역행의(可謂以病的程度危重僞逆行矣). 기외감병시(其外感病是), 사기유어형(표)이입어장(리)(邪氣由於形(表)而入於藏(裏)), 연후재오장내(然後在五藏內), 이폐합피모(以肺合皮毛), 고폐선수사기(故肺先受邪氣), 이후자폐전이상극관계(而後自肺傳以相克關係). 기졸발병시(其卒發病是), 어내상혹외감적병인(於內傷或外感的病因), 부가진원탈갈적내재원인이발병(附加眞元脫竭的內在原因而發病), 우가이칠정상(又加以七情傷), 소이불수일반전변규율(所以不隨一般傳變規律), 이차병적정도갱심위중의(而且病的程度更甚危重矣).

• Cartoon and Animation Studies
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• s.49
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• pp.143-167
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• 2017

The purpose of this study is to analyze the characteristics that appear when actual comedy movie is made into animation, from the singularities which arise from producing remake of existing media contents into animation. Animation and slapstick comedy movies possess a similarity in that they both evoke laughter from the viewer via exaggerated motion, expression and action. In the case of live action film, people must carry out the acting and there exists spatial limitations, whereas animation does not have such limits, which allows the comic animation to materialize spatial scene directing and acting which are different from that of live action comic films, despite the fact that they share elements of the same genre. Accordingly, this study performs comparative analysis of and which is based on the contents of the same event, from the English comedy TV program and the , the TV animation which is a remake animated version of the original series, to conduct comparative analysis the character acting and the scene directing in accordance with the live action movie and animation. The result of studying the point that makes it easy to create comic genre into animation and the advantages possessed by the media of animation, through analyzing two works that deal with the same character and the same event, were as follows. It was proven through the analysis that comedic directing with doubled composure and amusement is possible through the anticipation of exaggerated directing in the acting through expression and action, and diversity of the episodes with added imagination in the story, as well as the estrangement effect of the slapstick expression and etc.

• The Magazine of the Society of Air-Conditioning and Refrigerating Engineers of Korea
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• v.12 no.2
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• pp.81-100
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• 1983

이 글은 본인이 1982년 9월부터 11월까지 약 2개월간 일본 자치성 소방연구소에서 연수중에 지도 받은 내용으로서 고층건물 등 대형건물에서 화재의 조기 감지 및 오동작억제에 많은 문제점이 대두되고 있어 동 연구소의 죽원소부씨와 도변창부씨가 공동 연구한 결과이다. 연기감지기의 작동에 영향을 미치는 연소 생성물에 대한 근본적인 연구 결과는 우리나라도 '86 Asian Game 및 '88 Olympic 등을 대비한 대형 Hotel등의 조기 화재 경보 체제를 위해 많은 도움이 될 것으로 사료되어 소개한다.