• The Journal of the Convergence on Culture Technology
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• v.10 no.3
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• pp.901-907
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• 2024

The desire to be beautiful naturally focuses on aesthetics, and the beauty industry is growing significantly accordingly. Among them, art makeup is developing in the beauty field as a creative and experimental art field that breaks away from the fixed framework centered on color and expression. Art makeup is a field that requires research on a new artistic form of art makeup that applies formative principles through design ideas based on integrated arts such as fashion, architecture, and art according to formative principles. Formative principles were classified into balance, unity, emphasis, and rhythm, and practical cases based on his applied integrated arts were divided into landscaping, architecture, flowers, painting, fashion, and interior design, and art makeup design using formative principles was analyzed. Accordingly, we aim to contribute to the development of new designs by explaining how makeup design forms that apply formative principles are being applied in the field of art makeup, exploring expansion into creative areas, and providing academic theoretical foundations and basic materials for the development of art makeup.

• Digital Contents
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• no.5 s.144
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• pp.20-23
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• 2005

지난 5년간 영화‘디 워(D-War)’한편을 만들기 위해 절치부심해 온 영구아트무비의 심형래 사장. 5년 동안 절치부심했던 그가 야심작‘디 워’를 앞세워 세계 재패를 꿈꾸고 있다. 금세기의 대작으로 꼽히는‘반지의 제왕’을 넘어서겠다는 야심마저 품고 있는 심형래 사장과‘디 워’로 세상을 깜짝 놀래킬 준비를 하고 있는 영구아트무비 제작진들을 만났다.

• 프린팅코리아
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• s.69
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• pp.62-67
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• 2008

한국제지(주)(대표 전원중)가 지난 2월25일로 창립 50주년을 맞이했다. 지난 1958년에 설립된 이래 백상지, 아트지 등 고급 인쇄용지를 전문적으로 생산해 온 한국제지는 품질 개선과 기술 개발에 주력, 국내외에서 널리 인정받고 있는 기업이다. 또한 국내 최초라는 칭호를 자주 받은 바 있는 한국제지는 지난 1970년대부터 우표용지, 승차권 용지 등 수많은 지종을 국내 처음으로 개발했으며 1982년에는 '천년의 종이'라 불려 질 정도로 내구성이 뛰어난 '중성지' 제조기술을 국내 최초로 개발하기도 했다. 특히 1993년에는 국내 최초로 더블코팅 아트지를 개발, 생산하였으며 1994년에는 국내 제지업계에서 처음으로 ISO9002 인증을 획득하기도 했다. 21세기에 들어서도 한국제지의 기술 개발은 계속됐다. 지난 2000년에 국내 제지업계 처음으로 ERP 시스템을 구축한데 이어 2004년 8월에는 기존 아트지의 수준을 한 차원 높인 것으로 호평 받은 프리미엄(Premium) 아트지인 엑스프리(X-PRI)를 개발, 출시해 한국제지의 높은 기술력을 다시 한 번 과시했다. 창립 50주년을 맞이한 한국제지의 발자취를 아트지의 변천사와 함께 되짚어 보았다.

• 한국HCI학회:학술대회논문집
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• 2007.02b
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• pp.458-463
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• 2007

인터랙티브 아트는 최신의 기술을 이용하여 관객에게 예술적 경험을 풍요롭게 하고 컴퓨터를 통해 관객과 작품이 상호소통 할 수 있도록 실감현실을 제공하는 예술표현 장르이다. 테크놀로지의 진보에 의해 생겨난 사회, 문화, 예술에서의 혁명은 인터랙티브의 영향으로 개인과 다른 주역들 사이의 관계방식을 뒤섞이게 한 커뮤니케이션의 혁명이었다. 본 논문에서는 현대예술의 중요한 표현 매체 수단인 컴퓨터를 매체로 비전 시스템을 활용하여 제작되고 있는 인터랙티브 아트를 구현하는 실시간 영상처리(Real-time Digital Processing)에 대하여 알아보며, 특히 PC카메라로 관객을 인식하여 관객을 작품 속으로 끌어들여 소통하게 하고, 관객의 감정과 생각들을 동요시켜 관객의 반응을 피드백(Feedback)할 수 있는 작품의 제작방법을 제시한다. 또한 이 연구는 실제로 작품을 제작하였고, 컴퓨터를 이용하여 제작된 인터랙티브 아트 작품들을 유비적으로 논구하여 컴퓨터로 생성되는 이미지의 가상현실 문제가 현대미술에 미치는 다각적인 영향에 대하여 논의한다.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 2022.11a
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• pp.240-243
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• 2022

본 논문에서는 네일 아트를 한 손 이미지가 주어졌을 때 손톱에 있는 네일 아트의 컬러를 자동으로 분류해주기 위한 시스템을 제안한다. 네일 아트 컬러 자동 분류기는 Object Detection 모델을 이용하여 인풋으로 들어오는 손 이미지에서 손톱 영역을 찾고, 각 손톱에 대하여 13 가지 컬러 중 하나로 분류한 결과를 아웃풋으로 반환한다. 본 프로젝트에서는 사용자가 요청하는 네일 아트 손 이미지에 대하여 컬러 라벨링 결과를 반환해주는 API 형태의 서비스를 제안하며, 반응형 웹을 통해 시연 가능하도록 시스템을 설계 및 구현하였다.

• The Journal of the Korea Contents Association
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• v.13 no.12
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• pp.585-594
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• 2013

In this study, we studied methods of communication among audiences, artwork and artist and analyzed interactive media art using the nonverbal communication methods. We analyzed the 4 types of nonverbal communication based on sign and meaning[1] and reclassified suitably for analysis of interactive media art. According to the analysis result, we draw typical characters by analyzing interactive media artwork which were corresponding to the each types. Also we analyzed overlap area and classify. Through these processes, we found communication methods in interactive media artwork connect audiences and artwork by organic combination of several nonverbal communication. In this paper, we suggest a new approach about the communication among audiences, artwork and artist through analyzing interactive media art using nonverbal communication.

• The Journal of the Convergence on Culture Technology
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• v.6 no.1
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• pp.395-401
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• 2020

Sound Art retains heterogeneous and borderless inborn-characteristics on it. Despite it is a non-mainstream art which could not foster fertile soil to bring up many established artists yet, the domestic area is keep growing and expanding. And now it will soon be that time of overcoming the debates between the art world and the music world to widely embrace de-facto artworks and practices, and bringing more quality critiques. This article talks about a concise history of sound art by addressing some singularities and chronicle traces of it which may be helpful information to lead into more opened future discussion forums in the domestic sound art field.

• The Journal of the Convergence on Culture Technology
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• v.10 no.3
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• pp.635-641
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• 2024

Based on Merleau-Ponty and Lakoff's research on the inseparability of body and mind, this thesis seeks to explore the impact of experiences in multi-layered spaces based on media art on the understanding of human existence. The sensory experience provided by media art strengthens the viewer's physical presence and induces a new perception of reality by blurring the boundaries between reality and virtuality. Through this, it shows that it is possible to newly recognize and explore the deep relationship between human existence and the world. This paper analyzes how media art can be an important means of expanding existential experience through the connection between body and mind, and explains how the combination of art and technology contributes to ontological understanding.

• Trans-
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• v.14
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• pp.1-33
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• 2023

In the Web 3.0 era, the third generation of web technologies that uses blockchain technology to give creators ownership of data, metaverse is a crucial trend for developing a creator economy. Web 3.0 aims for a value in which content creators are compensated from participation without being dependent on the platform. Blockchain NFT technology is crucial in metaverse, a vital component of Web 3.0, to ensure the ownership of digital assets. Based on the theory that investigates the concept and characteristics of metaverse, this study identifies five features of the metaverse based NFT art ①'Continuity', ②'Presence', ③ 'Concurrency', ④'Economy', ⑤ 'Application of technology'. By focusing on metaverse based NFT art <Hybrid Nature> case study, we analyzed how the concepts and characteristics of the metaverse and NFT art were reflected in the work. This study focuses on the concept of NFT art, which is emerging at the intersection of art, technology and industry, and emphasizes the importance of finding creative, aesthetic, and cultural values rather than the NFT art's potential for financial gain. It is still in its early stage for academic studies to focus on the aesthetic qualities of NFT art. Future academics and researchers can find this study to gain deeper understanding of the traits and artistic, creative aspects of metaverse based NFT art.

• The Korean Journal of Archival Studies
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• no.80
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• pp.197-232
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• 2024

This study aims to understand archival art, which is spreading in the art world, and to look at records in a new way. Archival art refers to the act of creating and exhibiting art using records as a medium of expression. Archival art is attracting attention as a method of exhibition and creation of works, forming a trend in contemporary art. Archival art was born amid changes in art creation methods resulting from the rise of conceptual art, the development of media including photography and advancements in digital technology, and the influence of Foucault and Derrida's discourse on archives. The encounter between archives and art, which originated from photographic aesthetics in the 1920s, led to archival turn in contemporary art in the 1990s, thanks to the spread of conceptual art, digital technology, and postmodernism. Archival art not only subverts traditional art creation methods, but also includes criticism and deconstruction of social systems, including modern archives. Archival art rearranges and reorganizes records according to the artist's intention, and even accepts fiction rather than fact. The essence of records in archival art is not the reproduction of the past, but the expression of present needs. The way records are utilized in archival art shakes up the concept of records in archival science, calling for a new look at records as objects with not only legal and administrative value but also aesthetic value.