• Title/Summary/Keyword: 싱어송라이터

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제7회 서울와우북페스티벌 성료

  • Im, Nam-Suk
    • 프린팅코리아
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    • v.10 no.11
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    • pp.114-115
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    • 2011
  • 제7회 서울와우북페스티벌이 지난 9월 28일부터 10월 3일까지 6일간 홍익대 주차장거리와 갤러리, 북카페 등에서 개최됐다. 이번 축제의 주제는 '책에, 취하다'로 문화체육관광부(장관 최광식)의 지원으로 약 100여개의 출판사가 축제에 참여했다. 10월 1일에 열린 개막 행사는 국내 최초의 기상캐스터 출신 방송인 이익선 씨의 사회로 김묵원 작가의 동양화 기법을 타 장르와 유기적으로 결합한 드로잉 퍼포먼스와 인디가수 '박솔'의 공연 등이 어우러져 화려한 개막 공연이 펼쳐졌다. 10월 2일에는 한국 캘리그래피의 개척자인 이상현 작가가 어쿠스틱 밴드 송 브리즈와 협연하여 캘리그래피와 음악의 조화를 보여줬다. 그 외 아트워크 집단인 '마스터 브릿지', 싱어송라이터 '양창근' 등이 공연을 펼쳤다. 거리 행사 마지막 날인 10월 3일에는 마포구 지역의 예술가들이 로컬 콘서트를 열어 마포구만의 특색 있는 공언을 선보였다.

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Study of Rhythm Section in Yong-Pil Cho & The Great Birth's Musics (조용필과 위대한 탄생 음악의 리듬섹션에 관한 연구)

  • Lee, Tae-Yoon;Cho, Tae-Seon
    • Proceedings of the KAIS Fall Conference
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    • 2011.05b
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    • pp.632-634
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    • 2011
  • 조용필은 대한민국 가요계의 살아있는 역사, 전설, 가왕, 국민가수 등의 여러 호칭으로 불려지고 있으며 한국의 대중음악을 크게 발전시킨 인물로 평가 되고 있다. 그는 수많은 곡들을 직접 작사 작곡하였으며, 다른 작곡가에게 받은 곡일지라도 밴드 '위대한 탄생'과 함께 편곡 과정을 거쳐 앨범 프로듀싱까지 하였다. 대한민국 가요계에 싱어송라이터 라는 개념을 확립시키는데 지대한 영향을 미친 인물이다. 2011년 현재도 콘서트등의 공연 활동을 통해 각종 진귀한 기록들을 낳고 있으며 한국의 콘서트 문화를 정착시킨 인물로도 평가받고 있다. 이 논문에서는 조용필의 1집부터 18집까지 주요 곡들에 나타난 위대한탄생의 연주에 나타난 리듬편곡의 기법과 그 특성에 대해 알아보도록 하겠다.

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A Study of Individuality of Seung_Hwan Lee's Music Represents (이승환의 음악에서 나타나는 개성에 관한 연구)

  • Lim, Hae-Kwon;Cho, Tae-Seon
    • Journal of Digital Convergence
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    • v.13 no.11
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    • pp.409-415
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    • 2015
  • Summary. With the advent of the internet and the concept of social network service, people of present days are flooded daily with new varieties of the communication channel. One of the most affected group of people may be singing artists. This over-growing number of communication channels pushes singers to put just as many efforts to establish and groom his or her unique identity as an artist. In old 'pre-internet' days, any singing artist's superficial features, like the tone of voice or stage presentation, were the only transcriptive criteria upon which the artist was adjudicated. New developments in technology, however, have set a new paradigm for singing artists of the present day. Respective criteria of today extend beyond the realm of music and comprise musicianship, requiring much scrupulous attention on the various area to propagate and protect one's unique identity as an artist. In light of this phenomenon, this study looks into Mr. Lee, Seung Hwan whom may undoubtedly be one of the most representative ballad singers of 90's. We can probably see his music in 5 features such as Rock Sound based on using various instruments, World Music Sound, Massive Choir, Challenge for the New Style, Lyrics of Life. As a singer-songwriter, he colored numerous albums and influenced the era, unlike many others. He still works vigorously, worthy of his epithet, a 'present-progressive' artist. The object of this study is how Mr. Lee has been proactively dealing with the phenomenon above.

A Study on the Album "MonoCrom" (모노크롬(MonoCrom)앨범에 관한 고찰)

  • Kim, Joon-Soo;Cho, Tae-seon
    • Journal of the Korea Academia-Industrial cooperation Society
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    • v.21 no.2
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    • pp.205-211
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    • 2020
  • The public knows the singer Shin Haechul as a musician who performs various musical activities as a producer, singer, and songwriter. However, he was also an all-encompassing entertainer who has been involved in different fields of popular media. His musical tendency is very progressive, and he pursues various attempts to create experimental fusion style music. Among his albums, 'MonoCrom' is the result of a combination of unique techno music and traditional music, and this album is known to bring the level of Korean popular music one step further in terms of musical value and meaning towards a new, unique sound. In this album, gukak holds great importance. In addition to the traditional samulnori instruments such as kkwaenggwari, janggu and jing, instruments like daegeum, taepyeongso, pumba and taryeong were used to show more progressive and expanded crossover music through the collaboration with gukak. In order for the current 'K-Pop' to continue to gain worldwide popularity, it needs a new attempt based on musical expandability. Therefore, if gukak is used as in the album MonoCrom, unique and differentiated music will be created, and will continually promote the worldwide interest in 'K-Pop'.

A Study on the Stevie Ray Vaughan Performance - focusing on Pride and Joy - (스티비 레이 본의 연주 특징에 관한 연구 -Pride and joy를 중심으로-)

  • Jeong, Sae-Eung;Cho, Tae-Seon
    • Journal of Digital Convergence
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    • v.16 no.9
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    • pp.239-245
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    • 2018
  • In the current mainstream pop music scene, Stevie ray vaughan's status is a singer-songwriter and electric blues guitarist, who occupies a very large position despite his short period of activity. His influence has remained to the present day as the voice of many guitarists ranging from his unique sound to his explosive stage performances. Let's take a look at the technical parts of his performance, rhythm and solo performances, among the various traces of his constant reproduction. Based on one of his most famous works, 'Pride and Joy' I analyzed the solo and rhythm, scale that Stevie Ray Vaughan played. Through the African American blues, a peripheral heritage he has been trying to influence and influence, how his traces congregate in the center of today's mainstream pop music scene. This will give us little clues to appreciate before the research that will have a variety of influences and values.