• Monthly Duck's Village
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• s.78
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• pp.81-83
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• 2009

• The Korean Publising Journal, Monthly
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• s.244
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• pp.22-23
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• 1998

음유시인과 같은 떠돌이요, 식객의 신세를 면치 못했던 문필가들에게, 아직 출판사가 없던 시절 저작을 책으로 만들어주고 숙식을 해결하고 때로 일터까지 보살펴주는 패트런의 손길은 구세주와 같은 존재였다.

• Cartoon and Animation Studies
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• s.17
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• pp.97-115
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• 2009

Most films have not made by original storytelling. They get their storylines and themes from diverse sources such as novels, comics, performing arts, and previous film products. Comics have become a primary source for film production since 1960s in such nations as Japan and USA. In the contemporary period, this becomes a more visible trend in many countries including Korea, China, and France. Unlike novel, comics combine words with images. Since a comic strip isa graphic medium in which visible images are created in order to express a sequential narrative, it seems more relevant when films adapt original comics in order to recreate new products. The progress of 3D graphics technology enables film creators to realize imagined images in screen, most of which were once imagined only in comics. Keeping an eye on the strength of comics, this study tries to tries to investigate the relationship between a comic strip and its adaptation to film. It will firstly discuss the cases of comics in Korea, which are adapted to film in Korea. And this study will discuss "Le Grand Chef"as a case study in order to investigate what is the difference between original comics and film adaptation.