• Koreanishche Zeitschrift fur Deutsche Sprachwissenschaft
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• v.5
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• pp.1-22
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• 2002

본 논문의 목적은 게르만제어(예를들어 고트어, 고대북구어, 고고지독일어, 고대영어 등)에 나타나는 공명음중복 현상이 원-인도유럽어시기의 후두음에 기인함을 보이는 것이다. 고트어의 ddj/ggw, 고대북구어의 ggi/ggr, 고고지독일어 ij/uw (이상 소위 '예음화현상'으로 불림)와 그 외 게르만제어에 공통적으로 나타나는 공명음들의 중복, -rr-, -ll-, -nn-, -mm- 등은 원-게르만어시기에 각각 $\ast-ii-,\;\ast-uu-,\;\ast-rr-,\;\ast-ll-,\;\ast-nn-,\;\ast-mm-$ 등으로 소급된다. 그러나 이러한 자음군이 게르만어 이외의 다른 인도유럽어들( 대표적으로 고대인도이란어, 고전희랍어, 라전어 등)과 비교되어 원-인도유럽어시기로 소급되는 경우, 각각 $\ast-iH-,\;\ast-uH-,\;\ast-rH-,\;\ast-lH-,\;\ast-nH-,\;\ast-mH-$ 등으로 재구된다. 따라서 원-게르만어의 자음중복 현상이 후두음의 영향으로 나타난 것으로 해석되는데, 아마도 후두음이 선행하는 공명음에 동화되어 일어난 것으로 보인다. 소쉬르(1987)이래 발전해 온 후두음이론은 현재 그 이론적 틀을 확립한 상태이다. 이 이론은 고전 인도유럽어학에서 설명하지 못했던 여러 언어현상들을 설명하였고, 현대 인도유럽어 역사비교언어학에서 언어변화에 대한 필수적인 설명기재로서 사용되고 있다. 원-인도유럽어의 많은 특징들을 계승한 전형적인 다른 고대 인도유럽어들과는 달리, 시기적으로 늦은 고대 게르만어에서 음운론적 층위에서 공명음중복 현상이 후두음에 기인함은 인도유럽어 역사비교언어학에서 뿐만 아니라 게르만어학에서도 큰 의미를 갖는다고 볼 수 있다.간접으로 본동사 앞에 놓여 있어야 되는 모든 문장성분과 부문장 때문에, 즉 한국어의 전면적인 전위수식 현상으로 흔히 큰 부담/복잡함을 야기한다는 데에 그 원인이 있다. 이러한 상황에서 동사는 가능한 한 그의 문장성분을 줄이려 한다. 통사적으로 보장되어 이미 있으니 말이다. 그래서 한국어 동사의 부정성은 일종의 부담해소 대책으로 간주될 수 있을 것이다. $\ast$ 두 비교 대상에서의 핵 및 최소문장 가능성은 역시 원자가에 대한 비구속성에서 비롯된다. $\ast$ 우리 한국인이 빨리 말할 때 흔히 범하는 부정성으로 인한 인칭변화에서의 오류는 무엇보다도 정형성/제한성을 지닌 독일어 정동사가 인칭 변화하는 데 반해 한국어에서는 부정성/비구속성을 지닌 동사가 그것과는 무관한 페 기인한다. 동사의 속성을 철저히 분석함으로써 이런 과오를 극복해야 할 것이다. 한국어 동사의 부정성은 지금까지 거의 연구되지 않았다. 이 문제는 또한 지속적으로 수많은 다른 자연어들과의 비교분석을 통해 관찰돼야 할 것이다. 이 논문이 이런 연구와 언어습득을 위한 작업에 도움이 되기를 바란다.적 성분구조가 다르다는 것을 알 수 있다. 우리는 이 글이 외국어로서의 독일어를 배우는 이들에게 독일어의 관용구를 보다 올바르게 이해할 수 있는 방법론적인 토대를 제공함은 물론, (관용어) 사전에서 외국인 학습자를 고려하여 관용구를 알기 쉽게 기술하는 데 도움을 줄 수 있기를 바란다.되기 시작하면서 남황해 분지는 구조역전의 현상이 일어났으며, 동시에 발해 분지는 인리형 분지로 발달하게 되었다. 따라서, 올리고세 동안 발해 분지에서는 퇴적작용이, 남황해 분지에서는 심한 구조역전에 의한 분지변형이 동시에 일어났다 올리고세 이후 현재까지, 남황해

• The Journal of the Korea Contents Association
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• v.19 no.3
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• pp.302-312
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• 2019

Stamps are the smallest image symbols that can be read in the period, and they include the history, culture, politics, and figures and events of the issuing country. In particular, the stamps of the past presidents include the contemporary history of Korea, and reexamining and reviewing the meaning of the presidential stamps historically has a meaning that can not be overlooked as a researcher who studies the image of political leaders. In this study, the scope of research from the first republic to the fifth republic, where the publicity of political leaders through the advertisement of stamps and placards was high, was conducted and the leader image formation and change process centering on the former presidents Rhee Seungman, Park Jeong Hee, Chun Doo Hwan, Respectively. For the interpretation of the image of political leaders according to the changes of time, the images were classified by using Osgood's Semantic Differential Scale, and the images were analyzed using Saussure's semiotics. The image continues to move and change, and the conclusion that the image of the political leader of the time is not a simple personal image but a social product reflecting the specific age of the era.

• The Journal of Korean Philosophical History
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• no.30
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• pp.191-225
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• 2010

This paper is the outcome of attempting to approach for reading the Analects of Confucius through the polysemy of Chinese character and indecidability of articles. For this purpose at first, I explained which this Chinese character can be applied for 'philosophy language'. In the 16th century Matteo Ricci had tried to find out the possibility of ideographic script as standing for a universal language. On the other hand, Hegel and Heidegger strictly insisted on the Chinese character is inappropriate for expressing the logic thought of the human being. The reason was as next; firstly, this character had not the preposition and articles, and secondly the only one word could not indicates the bisemy including the meaning of opposition, lastly this language system expresses and communicates only with the change of word order without inflection. But With some scholar like Cassirer, Saussure and Derrida we can confirm the possibility which will discover the Chinese character for using the logic and reasoning language of from different view. Because in the language system of this Chinese character the connection of words in contexts is more important other than meaning as the individual word, in comparison to the language of the West. The Chinese character hides the original meaning until being what kind of event and thing relationship watch inside with different letters. So to speak, the Chinese character is called as 'language of indecidability'. For these points, even though The Chinese character lacks of preposition, articles, and inflection speech etc. the letter systematic, this language system can play a role for expressing as the philosophic language which manages with the complicated problems of the human being.

• Archives of design research
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• v.19 no.5 s.67
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• pp.119-128
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• 2006

The scale of visual expression has expanded from freeze frame to motion picture as media have developed. Moving pictures such as animation, movies, TV CM and GUI become formative elements whose movement is necessary compared to freeze frame as apparent movement phenomenon and unit structure such as short and scene appear. Therefore, of formative elements such as a shape, color, space, size and movement, movement is importantly distinguished in the moving image. The expression and form of image as a relationship between the signified and signifier explained by Saussure are accepted as a sign by mutual complement even though they limit the content. This makes it possible to infer that the formal feature of movement participates in the message content. To verify this, the result of moving picture visual perception experiment based on the gestalt grouping principle result shows that 70-80 percent of subjects think that 'movement' is the important grouping clue in perception. Movement affects the maintenance of the context of message content in the communication process when the meaning structure of moving picture is analyzed based on the structural feature. The identity can be maintained with if there is a movement with similar directive point even if the color and shape of people, things and background are changed. Second, the clarity of the content is elevated by a distinguished object as a figure by movement. Third, it acts as a knowledge representation which can predict similar movement process of next information processing. Forth, movement gives the content consistency even though more than two scenes have fast switch and complicated editing structure like cross-cutting. Movement becomes a clue which can make grouping information input by visual perception reaction. Also, it gives the order to the visual expression which can be used improperly by formation of structural frame of image message and has the effectiveness which elevates the clarity of signification. Moving picture has discourse with several mixed unit structures because it fundamentally contains time and the common and distinguished expression is needed by media-mix circumstances. Therefore, by the application of gestalt grouping principle to moving picture field, movement becomes the more distinguished than other formative elements and affects the formation of meaning structure. This study propose a viewpoint that develops structural formative beauty and new image expression in the media image field.

• The Journal of the Korea Contents Association
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• v.13 no.3
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• pp.65-75
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• 2013

Movie captured audience's whole sense organs to the screen which is made up of visual story-telling decorated by color, sound, and smell. The audience rediscovered native emotions(pleasure, fear, terror) suppressed and left in the compressed world of space and time, that is to say a movie world separated from the real world, by being immersed in the movie story. This study revealed audience's feelings of pleasure and fear by analyzing the movie . First of all, the pleasure would be discussed in terms of Nietzsche's "the will to power." Nietzsche defined something to breathe, move, and will as being alive, and he insisted that its power to life is 'the will to power.' Human beings wish to have power and want to increase it: pleasure, the real motivation of human behaviors and phenomena. The movie well revealed the pleasure by showing nonperson's challenge and victory against social rulers. Second, the fear and terror of the audience will be discussed in terms of in Lacan's psychoanalysis. Lacan extended Freud's id, ego, and superego into the worlds of reality, imagine, and symbol, and suggested a father in symbol world among those worlds. He suggested as a basic and connecting instrument of the socialization just like Signifi$\acute{e}$ and Signifiant, Saussure' basic linguistic structure in "Cours de lingustique g$\acute{e}$n$\acute{e}$rale"(1916). Because father is the symbol and the metaphor of law, the absence of him and resistance against him means obstacles of social stabilization. Finally this paper will also discuss that the fear from the absence of law and the pleasure provoked by self-preserving instincts, that is to say natural feelings, are connected to values of progressivism and conservatism.