• Title/Summary/Keyword: 센

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The Intermedial Relationship between the Animations, and (애니메이션 <인사이드 아웃>과 <센과 치히로의 행방불명>에서 나타난 상호매체성 관계)

  • Lim, Yong-Seob
    • Cartoon and Animation Studies
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    • s.43
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    • pp.103-122
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    • 2016
  • Inside Out(2015) and The Spiriting Away of Sen And Chihiro(2001) have similar narrative structures and scenes. This paper aimed to compare and analyze the intermedial relationship between the two animations. The result of the study showed intermedial relationship between Inside Out and The Spiriting Away of Sen And Chihiro, which was produced and released about 14 years before. However, it was hard to say the former referred to the system of the latter and adopted it. When seen from the narrative structure of exposition, development, crisis, climax, resolution, in Inside Out, various motifs of The Spiriting Away of Sen And Chihiro were restructured, creating a new feeling. This study considered intermediality as something that a single medium overcomes limitations and is transformed through materials, or media, and an important way to provide consumers with contents of better quality, and using Rajewsky's frame of analyzing intermediality, compared and analyzed the relationship of the two animations.

A study on the function of food and the meaning of eating(act of eating) reflected in (<센과 치히로의 행방불명>에 반영된 음식의 기능과 식사(먹는 행위)의 의미에 관한 연구)

  • Kim, Nam-seok
    • (The) Research of the performance art and culture
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    • no.43
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    • pp.263-292
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    • 2021
  • is Hayao Miyazaki's masterpiece and world-class masterpiece, but it is also an unknown text whose essential aspects have not been sufficiently studied. Existing studies overlooked the meaning of food and meal in , and thus overlooked an important characteristic of . Therefore, research that analyzes the text focusing on the function of food and discusses the meaning of the meal in depth is required. In , food is a direct expression of desire. Excessive appetite means excessive expansion of desire, and this expansion becomes a symptom of not only individual problems but also social problems. Therefore, the realization of how to control one's inner desires by protecting the moderation of food suggests the value that this work ultimately aims for.

Impossible Differential Attack on 30-Round SHACAL-2 (30 라운드 SHACAL-2의 불능 차분 공격)

  • 홍석희;김종성;김구일;이창훈;성재철;이상진
    • Journal of the Korea Institute of Information Security & Cryptology
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    • v.14 no.3
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    • pp.107-115
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    • 2004
  • SHACAL-2 is a 256 bit block cipher with various key sizes based on the hash function SHA-2. Recently, it was recommended as one of the NESSIE selections. UP to now, no security flaws have been found in SHACAL-2. In this paper, we discuss the security of SHACAL-2 against an impossible differential attack. We propose two types of 14 round impossible characteristics and using them we attack 30 round SHACAL-2 with 512 bit 18y. This attack requires 744 chosen plaintexs and has time complexity of 2$^{495.1}$ 30 round SHACAL-2 encryptions.

A Study on the Types of Love in and : Focusing on Plato's Theory of Eros (<센과 치히로의 행방불명>과 <하울의 움직이는 성>에 나타난 사랑의 유형에 대한 연구: 플라톤의 에로스론을 중심으로)

  • Kim, Min-Kyu
    • Cartoon and Animation Studies
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    • s.43
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    • pp.1-22
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    • 2016
  • So far, the Studio Ghibli's major masterpieces, and have been studied extensively from mythical and psychological perspectives due to the films' intrinsic symbolism within their characters and events. However, there have been insufficient in-depth research on the types of love the two works have. Therefore, this study will focus on how the types of love in the two animations mirror the concept of love in Plato's theory of Eros through the analysis of two films' characters. The desire for memory and recovery can be seen in , and glimpses of each phase of aim towards changes in physical appearance can be shown in . These describe the function and the purpose of Eros that Plato states in Socrates' terms in Phaedrus and Symposium. Plato ultimately defined Eros as a spirit that leads to the world of Ideas and suggested the five stages of love that are divided in accordance with the ultimate purpose and attitude of mankind towards Eros. The cognition area, changes in appearance of the characters and spatial ranks in and critically reveal such core concepts of the theory of Eros. It is noteworthy that the two works show the origin of the most universal ideology of the West. These two animation films are particularly significant in terms of that they reflect the western epistemology while covering exclusive and covert ethnic emotions.