• Cartoon and Animation Studies
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• s.13
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• pp.153-162
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• 2008

This paper show that we analyze the mise en scene of animation based on the theory of mise en scene in film. The mise en scene of animation has a large range of utilization in contrast to film. This affects the development of film synthesized with an actuality film. The theory of mise en scene of early realistic film director is extended by the animation techniques. And the theory of mise en scene in digital film is raised newly. The mise en scene in animation has the property that ail elements Is represented in one frame. And then this has a success in different aesthetics. The problems of in-country animation - the absence of production in the present condition - is to be achieved by the production using mise en scene.

• The Magazine of the Society of Air-Conditioning and Refrigerating Engineers of Korea
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• v.31 no.3
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• pp.19-22
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• 2002

• Proceeding of EDISON Challenge
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• 2015.03a
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• pp.396-399
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• 2015

제일원리계산을 기반으로 실리센을 보호하는 h-BN의 효과에 대해 연구하였다. h-BN의 화학적 안정성으로 인하여, 실리센에 대한 기판과 불순물의 영향을 차단하여 자유지지 실리센의 성질을 유지하는 것을 보였다. 부분적으로 수소처리된 실리센 역시 h-BN 단일층 내에서 안정적으로 고유의 성질을 나타내는 것을 보였다.

• Particle and aerosol research
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• v.14 no.4
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• pp.191-203
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• 2018

IIn this study, we have developed drying systems for reducing the error by humidity on measuring particulate matter (PM) in the ambient air with optical particle measuring instruments. Two types of drying systems were designed: drying systems using heating and dilution methods. In addition, 3 types of drying systems using a heating method were designed: Type A (1 hole), B (3 holes) and C (7 holes). After making them, the laboratory and field tests were carried out to evaluate the developed drying systems. As a result, it was shown that the PM concentrations obtained by PM monitoring devices with drying systems agree well with that of the reference devices. Therefore, it could be concluded that the drying systems can be applied to PM monitoring devices for real-time monitoring of the ambient aerosols.

• Cartoon and Animation Studies
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• s.44
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• pp.1-31
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• 2016

In this thesis, the movie with mise-en-scene established was compared with the peculiarity of the play that is the etymological source of the term to identify the peculiarity of mise-en-scene which was substituted into animation to find the peculiarity of mise-en-scene in animation. To emphasize the direct connection between the frame's visual peculiarity and the director's opinions, the mise-en-scene of director centered animation created under a restricted environment was reviewed. Mise-en-scene which started from movie critics theory does not simply mean the arrangement of images in a frame. Mise-en-scene emphasizes the exposure of the work's motive by the visual components. The animation's assuming the middle point of environmental share possessed by play and movie when schematizing the genre peculiarity of animation, play and movie was a noteworthy result. It can be said that the cause is that the animation's peculiarity yield different results depending on the making methods; we verified that this is a key factor in the analysis of animation's mise-en-scene. I emphasized that the peculiarity of animation mise-en-scene is in its making method and material and suggested identifying the work's making methods and analyzing the work's aesthetic results derived in this way. The russian animation which was perceived as peripheral arts was relatively free from the burden of censorship while receiving support from the Soviet as a media for propaganda. The russian animation's mise-en-scene which found the material for its works in the country's folklore was metaphorical, focused on new expression forms and achieved experimental elements. Russian animation pursues a unique aesthetic world through space expression based on the forms of opera or ballet and heavy motions formed static inbetweens.

• Journal of Digital Convergence
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• v.15 no.9
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• pp.407-413
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• 2017

Mis-en-Scene is a direction method of image aesthetics for constructing screen and space. Mis-en-Scene is important factor not only in plays and movies, but also in animations, and it is a strong method to induce audience to immerse in the works and to continue the immersion. This study examined animation's Mis-en-Scene based on theories of Mis-en-Scene in movies, how Mis-en-Scene is directed and expressed in virtual spaces, and what factors and characteristics induce audience to immerse in the works and continue the immersion through analysis on visual Mis-en-Scene factors of a specific case, VR animation . It was found that as visual Mis-en-Scene factors, character and props, background, unique quality and friendliness of character, natural movement and acting, symbolism and utilization, and variety and consistency of background induce and sustain immersion. It is thought that this study would helpful for related areas based on the findings which suggest that there is a need for differentiated measure and method to catch audience's eyes and sustain immersion utilizing characteristics of vidual Mis-en-Scene factors in VR animation in the future.

• Cartoon and Animation Studies
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• s.9
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• pp.199-219
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• 2005

This paper is studying about how things are showed the montage theory and mis-en-scene effect in the screen media, what the concrete project's cases and how those theories have been supported to the animation's effects and its development. Besides, 1 tried to describe the shown things in the animation area, what the montage theory and mis-en-scene effect had been imported and expressed based on the screen studies of representative genre in the visual media. The purpose of this thesis suggests to help the creative animation scenes by liberal understanding and acceptance about the montage theory and mis-en-scene effect for the future animation's progressive aspect. With the improvement, there this thesis's suggestions could help the creative and special effects of animation asa part of Screen Arts, and would be the part of the progressive factors in the animation area.

• Particle and aerosol research
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• v.14 no.4
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• pp.107-119
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• 2018

In this study, we have developed a real-time monitoring device for measuring PM10 and PM2.5 of ambient aerosol particles. The real-time PM monitor (SENTRY Dust Monitor) uses the optical scattering method and has 16 channels in particle size. The laboratory and field tests were carried out to evaluate the developed SENTRY Dust Monitor. Arizona Test Dust particles were used as test particles in the laboratory test and the field test was carried out at the Jongno-gu Observatory in Seoul. The measurements of PM10 and PM2.5 concentrations obtained by SENTTRY Dust Monitor were compared with Grimm Dust Monitor (Model 1.108) and a beta ray gauge. It was shown that the PM10 and PM2.5 concentrations obtained by SENTRY Dust Monitor agree well with that of the reference devices. Based on the results obtained in this study, it could be concluded that the SENTRY Dust Monitor can be used as a PM monitoring device for real-time monitoring of the ambient aerosols.

• Korean journal of applied entomology
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• v.26 no.4 s.73
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• pp.269-272
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• 1987

Effects of dithane flowable and dithane M-45 on the control of opium poppy downy mildew were examined under field conditions. Application of these two fungicides significantly reduced the disease and increased latex yield, compared to other non-systemic fungicides.

• Digital Contents
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• no.10 s.125
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• pp.136-138
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• 2003

하나포스의 센게임에서 서비스하는 Astro-N은 Full 3D RPG 비행 슈팅 게임이라는 조금은 생소한 장르의 온라인 게임이다. 한국게임산업개발원 주관으로 선정되는 8월 이달의 우수게임에 선정되기도 한 Astro-N은 기존의 아케이드 비행슈팅게임이 가지고 있는 스릴감과 기체의 성장과 무기의 개조라는 RPG적 요소가 합체된 퓨전 온라인 게임이라 할 수 있다.