• Title/Summary/Keyword: 설치무대

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A Study on the Inspection Standard System of the Stage Machinery and Lighting Equipment (공연장 무대기계 및 조명장비 시스템 표준검사에 관한 연구)

  • Lee, Jang-Won;Lee, Gyeong-Han;Gwon, Hyeok-Hwan
    • Proceedings of the Safety Management and Science Conference
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    • 2012.11a
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    • pp.293-301
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    • 2012
  • 공연장의 무대기계설비 시스템 및 조명장비 시스템 설치 완료 후 각 시스템의 최종 검사에 적용되는 검사 기준과 검사 방법을 명시함으로써 효율적으로 최종 설비 상태를 점검하고, 발주처의 최종 검사에 효과적으로 대비할 수 있게 하고 안전사고를 미리 예방할 수 있게 하기 위하여 연구하였다.

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Preference factors of stage acoustics for duet performers according to on-stage performance evaluation (무대 위 연주평가에 따른 듀엣 연주자의 무대음향 선호요인)

  • Kim, Young-Sun;Kim, Yong-Hee;Jeon, Jin-Yong
    • The Journal of the Acoustical Society of Korea
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    • v.36 no.5
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    • pp.321-328
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    • 2017
  • The purpose of this study is to derive the preference factors of stage acoustics for duet performers through the measurement of the stage acoustics in a concert hall and the performance evaluation on the stage. 15 pairs (total 30 players) of the performers participated in the experiment, and the preference of selected 5 locations were evaluated. As a result, the preference in the center of stage was the highest, and CS (Clarity at stage) and $ST_{Late}$ were the most significant factors for the preference.

A study on the design of ensemble reflector in a concert hall (콘서트홀 무대반사판의 설계에 관한 연구)

  • Kim, Min Ae;Oh, Yang Ki
    • The Journal of the Acoustical Society of Korea
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    • v.37 no.5
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    • pp.356-362
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    • 2018
  • Stage in classical shoebox type concert hall is placed and occupy one side of the hall and have much early reflections from surrounded walls and ceiling nearby. On the other hand stage in vinyard terrace concert hall, which is surrounded by terrace seats instead of walls and ceiling, has lack of early reflections which may cause lack of communications among the players. Vinyard hall stage is enclosed with terrace seats front walls, while the players located on the stage riser keep the walls off as the walls have limited heights. Ensemble reflector installed above the stage is an effective way for the players to monitor the sound produced on the stage. That may help achieving a good ensemble of the performance. Ensemble reflector over the stage of a large vinyard terrace hall of 2,000 seats was designed with the variables of the location, the shape and the area. The effectiveness of the ensemble reflector is verified with the parameter of stage support.

A Study on the Fire Protection System in the Stage (공연장의 소방시설 설치기준의 개선방안에 관한 연구)

  • 장상태;이영재
    • Fire Science and Engineering
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    • v.13 no.4
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    • pp.13-19
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    • 1999
  • Currently, conventional fire prevention facility installation standard is based on the use and size of the domestic theaters. In the study, theaters with 1,900 seats were examined to suggest a suitable method to adapt a better fire preventing system. The proposed systems are as follow. - 100% of backup pressed-water outlet device, considering waterproof pressure for fire prevention facility at the top floor. - The supplement of the side wall type header and a large caliber outlet header for stage open sprinkler. - Subdividing a installation rule for special detector and implementing the latestdetector. - Installation of fire curtain for dividing stage area and auditorium area, and also the method of installation of fire curtain.

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Connection between Acoustical Parameters and Solo Performance on a Concert Hall Stage (콘서트홀 무대에서 음향지표와 독주 연주와의 상관관계)

  • Kim, Yong-Hee;Lee, Chang-Woo;Seo, Chun-Ki;Jeon, Jin-Yong
    • The Journal of the Acoustical Society of Korea
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    • v.27 no.6
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    • pp.296-302
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    • 2008
  • This study investigated that the preference model of soloist performers for both vocal and instrumental types in terms of a stage support parameter, ST1. The test was carried out on a stage of a fan-shaped multi-purpose hall with orchestra shell. Objective measurements were carried out at 15 positions on the stage to evaluate various stage condition. The results showed that ST1 varies between -19.9 and -11.3 dB. Vocal and instrumental players participated in performance evaluation test as they played at 5 selected positions according to ST1 values. Players' preference was evaluated by 5-point rating and rank ordering method. As a result, it was found that the preference model of vocalist is different from that of instrumentalist. It was also found that the ST1 does not correlate well with the performer's preference.

A study on the Comparison of Illuminace Simulations and Measured Values at the Stage Lighting (무대조명에서의 조도 시뮬레이션 결과와 실측값 비교 연구)

  • Lee, Jang-Weon;Yi, Chin-Woo
    • Proceedings of the Korean Institute of IIIuminating and Electrical Installation Engineers Conference
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    • 2009.05a
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    • pp.230-234
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    • 2009
  • In a planning of the Stage lighting, we carry out illumination simulation. After lighting construction we measured illuminance in order to compare the simulation results. And we study the errors between them.

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Analysis of Smoke Behavior in Fire within Real-scale Theater Using FDS: Influences of Fire Curtain and Natural Smoke Vent Area (FDS를 이용한 실규모 공연장 무대 내 화재 시 연기 거동 분석: 방화막 및 자연배출구 면적의 영향)

  • Kim, Jae Han;Lee, Chi Young;Jeong, Lee Gyu;Kim, Duncan
    • Fire Science and Engineering
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    • v.32 no.6
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    • pp.7-14
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    • 2018
  • This study investigated numerically the influences of fire curtain and natural smoke vent area on smoke movement in the stage fire of a theater using FDS (Fire Dynamics Simulator). The dimension of the theater stage was 31 m in width, 34 m in depth, and 32 m in height. The area ratios between the natural smoke vent and stage were approximately 10%, 8%, 5%, and 1%. The gap distance between the fire curtain and proscenium wall was 0.5 m. The fire curtain and natural smoke vent area were observed to affect significantly the behavior of smoke movement to the auditorium and the mass flow rates of inflow and outflow through the natural smoke vent and proscenium opening. In addition, under the same natural smoke vent area, the pressure in the stage with a fire curtain was lower than that without a fire curtain.

Development of a Electric Guitar which has a UHF sender module. (초고주파 송신기 내장형 전기 기타 개발)

  • 한두희
    • Proceedings of the KAIS Fall Conference
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    • 2002.11a
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    • pp.290-292
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    • 2002
  • 오랫동안 젊은이들의 각광을 받고 있는 전기 기타는 모양은 조금 바뀌었지만 픽업에서 얻은 음성 전류를 유선으로 증폭기로 보내는 방법을 그대로 사용하고 있다. 한편 연주자가 넓은 무대에 설 때는 증폭기 바로 앞에 서야하기 때문에 움직임에 제약이 있다. 이를 극복하기 위하여 기타에 송신기를 장착하고 앰프에 수신장치를 설치하여 연주자가 자유롭게 움직이며 연주할 수 있는 방안을 제기한다.