• Journal of Conservation Science
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• v.31 no.4
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• pp.395-402
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• 2015

This study was considered utilization of hyperspectral image analysis for monitoring. Accordingly we applied to stone cultural properties to data correction methods, image classification techniques, NDVI computation techniques using hyperspectral image. As the results, hyperspectral image analysis was possible making detailed deterioration map, accurate calculation of deterioration rate, mapping of normalized difference vegetation index on the basis of reflectance of each materials. Therefore, hyperspectral image analysis will be used for effective monitoring techniques of stone cultural heritages.

• Journal of Conservation Science
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• v.30 no.4
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• pp.467-480
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• 2014

This study was focused on measurement methods for stone cultural heritages by analyzing Ultrasonic (P-wave) velocity variations according to the water content and anisotropy of rocks. As a result of analyzing of rock properties, the water content and saturation degree were rapidly changed at the beginning of drying and then showed exponential curve which their rates of change gradually decreased. However, P-wave velocity and its rate of change maintained constant values after natural drying of 10 hours. Therefore, the ultrasonic measurement for stone cultural heritages should be performed after natural drying of 10 hours considering the weather and moisture conditions. In addition, the highest values of anisotropy coefficient exhibited in granite and limestone, and indirect method was insensitive to anisotropy compared to direct method. However, all rocks remained anisotropy by indirect method. Accordingly, ultrasonic measurement considering various directions is required. The research results will contribute to customized non-destructive testing and precise diagnosis for lithological characteristics of stone cultural heritage.

• Journal of Conservation Science
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• v.34 no.3
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• pp.235-244
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• 2018

The forms of stone cultural properties vary depending on the purpose of construction. In general, pagodas and statues of the Buddha (including the Maebul) are representative of stone cultural properties and demonstrate important aspects of cultural history and scientific technology. The purpose for which cultural properties were constructed may influence construction technologies, so we must carefully think about and clearly understand the purpose of construction, namely the cultural and/or philosophical history, when conducting conservation treatments now. This may be examined through the relationship between "why?" and "how?": Why did the builders construct these stone cultural properties, and how did they use such technologies? We may be deeply impressed by the form and delicacy of the sculpture, which is the "how" aspect of the technologies, but we must also understand the effect of the "why." namely the soul and/or spirit of those who created the properties. The form of stone cultural properties may be influenced by (1) the political-social sphere, (2) religion, or (3) the cultural history of the period, which have changed over time. It is important that this is the view taken in current conservation treatment.

• 보존과학연구
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• s.34
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• pp.32-48
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• 2013

This study examined the applicability of deterioration monitoring techniques to establish efficient conservation and management system for stone cultural heritage which conservation treatment has been done. It was confirmed that deterioration mapping combined with photography and grid work, and adhesive tape test for the surface were very applicable to investigate the surface change due to deterioration, and assess the degree of granular disintegration quantitatively. The portable microscopic survey and ultrasonic measurement were efficient techniques to observe mineral looseness and microcrack, and to track the strength change of the stone before-and-after the conservation treatment. These techniques can be easily used by manage practitioners in the field through simple guidance and technical education. Also, it can contribute to build a long-term and methodical conservation and management system of the stone cultural heritage.

• Journal of Conservation Science
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• v.25 no.3
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• pp.233-244
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• 2009

This study was focused on the transducer and suitable contact material for stone cultural heritage, and the correlation of direct-indirect method in rock types for scientific development and quantitative evaluation technique of the ultrasonic measurements. As a result, it was identified the transducer (UTREXTX(RX)54kHz) and contact material (rubber clay) of the type 3 were appropriate for the ultrasonic measurements of stone cultural heritage. The direct-indirect correction factors of type 3 were calculated 1.50 for granite, 1.38 for gabbro, 1.58 for quartz diorite, respectively. This result is the first study for improvement in reliability for the ultrasonic measurements, and it will contribute to establishment of the ultrasonic survey method for stone cultural heritage. Also, complementary studies considering the surface irregularity of rocks and various contact materials will carry out, and the database about correlation of direct-indirect in rock types will establish.

• Journal of Conservation Science
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• v.29 no.4
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• pp.407-420
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• 2013

The stone sculptures in Gyeongbokgung Royal Palace are mainly composed of granite (884 sculptures, 96.7%) and marble (25 sculptures, 2.7%) that originated in several different quarries. Main deterioration forms are crack (24%), break-out (21%), exfoliation (36%), granular disintegration (9%) and blackening (20%). Crack and break-out are dominant contributors to high physical deterioration degree, and blackening is major weathering form of intensive discoloration. The Gyeonghoeru, Geunjeongjeon and Pumgyeseok areas require urgent and high conservation maintenance with short-term periodic monitoring since proportions of 3-grade deterioration were calculated higher than others as 55% for Gyeonghoeru, 29% for Geunjeongjeon, 11% for Pumgyeseok area. The Pumgyeseok (officials' rank stone), especially, needs intervention for protective facility due to its material vulnerability to weathering in outdoor environment.

• Conservation Science in Museum
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• v.26
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• pp.1-12
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• 2021

The bisphenol A epoxy resin currently used for the conservation of stone cultural heritage items is known to suffer from yellowing discoloration. In order to mitigate this yellowing and explore the availability of more diverse materials for the conservation of stone cultural heritage items, a hydrogenated Bisphenol A-based epoxy resin was prepared and compared with the epoxy resin currently used in the conservation treatment of stone cultural heritage items. The newly prepared epoxy resin showed improved physical properties relative to the existing materials, especially in terms of tensile strength, adhesion, and machinability, while the yellowing discoloration was reduced by a factor of roughly five to eight. The results suggest that epoxy resin could be used as a stable material for the conservation treatment of stone cultural heritage items, most of which are located outdoors.

• Proceedings of the Korean Society of Computer Information Conference
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• 2021.07a
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• pp.649-652
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• 2021

본 논문에서는 노후화된 목조·석조 건축물의 균열을 탐지하는 기법을 소개한다. 본 기법의 목적은 석조·목조 문화재의 시간의 흐름에 따른 관리 소홀, 균열(벌레, 날씨, 기온 등), 배부름 현상에 의한 문화재의 손상을 사전에 방지하기 위함이다. 기존에 존재하는 목조·석조 건축물의 균열, 노후, 배부름 등 다양한 결함과 변형의 탐지 방법은 접촉식 센서를 이용하여 탐지를 해왔지만, 문화재 자체의 미관을 해칠 뿐 아니라 문화재를 추가로 훼손할 가능성이 있다는 문제점이 제시되었다. 이 문제를 해결하기 위해 문화재 비 접촉형 탐지 기법을 사용한다. CCTV 및 DSLR과 같은 관측장비로 촬영한 영상정보를 기반으로 문화재의 결함과 변형을 AI 영상분석 기반 방법으로 판단하는 문제를 제안한다.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.33 no.3
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• pp.16-37
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• 2015

As a result of analyzing the forming and the transformations of Seokjojeon Hall garden by linking it to the changes of Deoksugung Palace influenced by the social atmosphere, the Seokjojeon garden can be classified into four phases. The first phase starts from 1896 to 1914. Gyeongungung was built in the late 19th century(1896-1897) as an official palace and Junghwajeon Hall and Seokjojeon Hall was built for Gojong. J.M.Brown was in charge of the construction of Seokjojeon in the beginning but H.W.Davidson saw the end also set up the garden. In the process of forming the garden the incorporating of Dondeokjeon Hall and the demolishing of the west wing corridors of Junghwajeon Hall occurred. At this phase of the garden a statue of an eagle was put up in the garden but was soon taken down. The shape of the garden was quiet simple with a central axial pathway, a round assorted flower bed placed in front of Seokjojeon Hall. The second phase starts from 1915 to 1932 which lasted for 17 years. At the last years of the Great Han Empire the duties of Gungnaebu(宮內府) was transferred to Leewangjik(李王職) in 1911 and a research on the existing buildings was done by Jujeonkwa(主殿課) in 1915. According to the research drawings, the garden still maintained the axial pathway formed in the previous phase but the garden had an asymmetric form. The flower bed was formed in a round shape and an open-knot technique and boundary plantation was applied to the garden. The third phase starts from 1933 to 1937 and is the period when Seokjojeon Hall was made public. By the year of 1932 many buildings of Deoksugung Palace had been demolished in the preparation of the opening of Seokjojeon Hall as a permanent exhibition hall. The central axial pathway still remained in the new garden and added a pond with a turtle statue in the center. The fourth phase starts from 1938 until the liberation from Japan and is the period when Deoksugung Palace became a park. Yi Royal-Family Museum was built and linked to Seokjojeon Hall with a bridge and the garden transformed into a sunken garden. The garden adopted a fountain and a pagora. Despite the minor changes in the after years the garden still posses most of its form from the fourth phase. As we can see the current garden of Seokjojeon Hall is not the same as the initial garden and therefor the importance of this study lies in the fact that modifications to the statements regarding to Seokjojeon Hall garden should be made.

• Korean Journal of Heritage: History & Science
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• v.52 no.1
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• pp.90-119
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• 2019

The purpose of this study is to investigate the significance of Buddhist stone art in the cultural zone of Mt. Bukhan. Mt. Bukhan witnessed the prevalence of Buddhist culture in and around it since the introduction of Korean Buddhism and served as the center of Buddhist culture in the nation, where new Buddhist temples continued to be built from the Three Kingdoms Period to the Joseon Period. Of the characteristics of its Buddhist culture, it is very noteworthy that the construction of military temples in and around it in the latter half of Joseon supported the function of Buddhist temples as basic places of worship. These military temples were closely related to the mountain's geopolitical location, traffic routes, and position in the national defense system-- its mountain fortress was an important defense facility. The stone art works of Mt. Bukhan can be categorized into various types, including stone stupas, stone pagodas, rock-carved Buddhas, stone Buddhas, towers and monuments (stone monuments), stone lanterns, flagpole supports, and rock-carved sarira pagodas. There are diverse types of stone art left on the mountain. As for its period characteristics, it is clear that the Buddhist art of Silla spread even to the Gyeonggi region, and that most of the works of stone art were created during the first half of Goryeo and the latter half of Joseon. Starting in Goryeo, the Buddhist temples of the mountain maintained close relations with the royal court by operating as the royal buddhist shrine for the royal family. In the latter part of Joseon, the construction of the Bukhan mountain fortress became the most important opportunity to produce stone art. As for the distribution of the stone artwork, it was usually created in the west part of the mountain from Unified Silla to the first half of Goryeo and in the southern and eastern parts of the mountain from the latter half of Goryeo to the latter half of Joseon. It is estimated that central Buddhist temples of the mountain changed due to Silla's military goal of advancing toward the west coast along the Han River in its early days and the construction of the Bukhan mountain fortress in the latter half of Joseon to protect the capital city. Finally, the stone art of Mt. Bukhan holds very high significance in art history because various types of stone art continued to be created on and around the mountain, the stone artwork of the mountain reflected representative styles for each period, and e rare and ofthe works produced on the mountain exemplified rare and unique styles.