• Annual Conference on Human and Language Technology
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• 2010.10a
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• pp.81-85
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• 2010

최근에 스마트 폰과 같은 모바일 플랫폼의 사용이 증가함에 따라, 모바일 플랫폼에서 사용자의 편의성을 증대시켜주는 시스템 및 프로그램에 대한 요구 사항이 커지고 있다. 본 논문에서는 한국어 E-mail로부터 회의 등의 일정에 관한 정보를 얻어내는 시스템 구조를 제안하고, 그 중 일정의 시간 정보에 대한 구현 및 성능을 제시한다. 본 논문에서는 일정을 서술하기 위해 필요할 것으로 생각되는 12가지의 정보 유형을 정의하였다. 또한, E-mail의 서술 형태를 개조식으로 서술된 부분과 비개조식으로 서술된 부분으로 분류하고, 개조식으로 서술된 부분에 대하여 시간과 관련된 2가지 정보를 추출 하였다. 실험 결과, 일정의 '시작 시간'에 대한 정보 추출의 경우 F-Measure 90.10% 일정의 '종료 시간'에 대한 정보 추출의 경우 F-Measure 84.07%를 달성하였다.

• Lingua Humanitatis
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• v.1 no.2
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• pp.179-196
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• 2001

According to Formalist theory, form is not separate from content. Form does not merely convey or express content but can itself produce meaning. The close correlation of the narrative structure, more specifically the time structure of the narrative, and the narrative style of Kim Seung-Ok′s short story′"Travel in Mujin" provides a good example of this argument. The story opens with the first-person narrator, currently living in the bustling city of Seoul, back in his small provincial home town Mujin, where he brings up memories that had been hitherto suppressed. The revived memories are ordered into the narrator′s present thought structure, in effect bridging the vast psychological rift between the lost past and the present. The narrator′s travel in Mujin thus becomes a psychological journey, and Mujin becomes a psychological space where the narrator can experience the continuity of his own being. The "narrating I" excludes the principles of reality from his narrative, concentrating on the inner thoughts, recollections, psychological experience, and the level of consciousness of the "narrated I." This narrative attitude or style expresses the narrator-protagonist′s acceptance and affirmation of the thoughts and actions occur in Mujin (which he had till now been resistant to). It is also an affirmation of the narrative act itself. Before the travel back to Mujin, the narrator-protagonist′s thoughts about his home town was ambivalent-an attitude originating from nostalgia, together with the narrator-protagonist′s ambivalent attitude toward his youthful past. It is a reflection of the narrator-protagonist′s desire for purity intermingled with a disdain for his enervated existence in Seoul. This ambivalence is resolved by the "I" of the narrative present, and Mujin enables him to come to a renewed affirmation of his life.

• Journal of Digital Convergence
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• v.11 no.4
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• pp.403-408
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• 2013

The configuration analysis for the image appeared in the storyboard as the 1st stage to change the scenario to the image expressed the visual phenomenon image starting from the literalism. The simultaneity of description on the interpretative level of the narrative description may describe various information multiple simultaneously, the relationship has been presented as a lot of these information has been weaved as one episode. The incident time of narrative description as the scene described mainly objectively and illustratively has been used usefully to present the accurate information for characters or incidents. The time series of narrative description appeared as one episode by expressing various spaces or images under the continuity of flow according to the time. The collision image seen from the angle of internal ignition played a role to create the meaning colliding into each other or interconnecting symbolic effects appeared as respectively fragmented image, the continuity of space played a role of expressing the different symbol when the image of completely different space is connected to one context, the continuity of time as well makes a different symbolism by interpreting symbols appeared as each images under the flow of time. These results show that the narrative description may be expressed in accordance with the narrative structure from the viewpoints of narrative description, but the internal ignition may be interpreted through the cultural and periodical background widely known in those years based on the experience and information capability the audiences are keeping not by any descriptive structure. Images appeared in the internal ignition appeared by colliding into each other or amplifying mutually no related scenes and revealing the overall symbolism by reinterpreting again.

• Proceedings of the Korean Information Science Society Conference
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• 2004.04b
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• pp.199-201
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• 2004

디지털 방송 환경의 메타데이타 서비스 중에서도 가장 혁신적인 것이 하이라이트(highlight)메타데이타 서비스이다. 하이라이트 메타데이타를 생성하기 위해서 시각율동을 이용한 샷경계 검출 알고리즘을 사용해 스포츠 경기의 하이라이트 시간구간을 결정하고, 하이라이트 표시기에서 하이라이트를 설명하는 간단한 주제어를 부가한다. 그리고 하이라이트 템플릿을 이용해 계층구조를 생성하고 하이라이트에 부가된 하이라이트 주제어에 따라 계층 구조의 적절한 위치에 삽입하고. 하이라이트 계층구조는 MPEG-7 표준 스키마에 따라 xml로 서술한다 하이라이트 메타데이타 서비스를 받는 시청자들은 매우 짧은 시간에 이미 방영된 스포츠 경기의 중요 장면들을 모두 볼 수 있다.

• Journal of Korea Multimedia Society
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• v.13 no.9
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• pp.1263-1271
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• 2010

Ontologies, the important implementation tools for semantic web, are widely used in various areas such as search, reasoning, and knowledge representation. Developing well-defined ontologies, however, requires a lot of resources in terms of time and materials. There have been efforts to construct ontologies automatically to overcome these problems. In this paper, ontologies are automatically constructed from the natural languages sentences directly. To do this, the analysis of morphemes and a sentence structure is performed at first. then, the program finds predicates inside the sentence and the predicates are transformed to the corresponding ontology predicates. For matching the corresponding ontology predicate from a predicate in the sentence, we develop the "predicate ontology". An experimental comparison between human ontology engineer and the program shows that the proposed system outperforms the human engineer in an accuracy.

• Cartoon and Animation Studies
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• s.28
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• pp.181-208
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• 2012

Illusion played by mutual communication in Interactive Media Art is studied in this thesis from the narrative point of view, not from the entertaining point of view. Microscopic narrations founded in screen changes are analyzed by traditional narrative factors such as plot, point of view, narration, time creating the identity of Interactive Media Art. Traditional narrative factors in consequence have been converted to different forms after being combined with the features of Interactive Media Art. Plot has been converted to fragmentary plot and creators' point of view in many work pieces has been recreated to the outside participants' point of view. Also, creators' narrations described from various points of view has transferred to participants' narrations based on physically spacious search. Times of the present sharing with the past are observed in Interactive Media Art, too. It is concluded that audience's active participation through mutual communication makes an influence on the change of essentially traditional narrative factors. Moreover, the factors mentioned in this thesis are regarded as the unique identity of out of various kinds of modern media art.

• Proceedings of the Korea Information Processing Society Conference
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• 2011.04a
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• pp.1151-1153
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• 2011

본 논문은 Node.js 와 HTML5 의 웹소켓(Websocket)을 활용하여 사용자가 브라우저를 통해 이용중인 웹 서비스의 콘텐츠를 다른 단말로 이동하는 구조와 알고리즘을 서술한다. 제안된 구조와 알고리즘을 통해 다양한 플랫폼과 단말 간 서비스가 이동됨을 알 수 있다. 기존의 폴링(Polling)방식을 사용한 웹 서비스 이동과 본 논문에서 제시한 알고리즘의 실험 결과를 통해 제시한 알고리즘의 성능이 우수함을 보였다. 사용자 단말의 트래픽은 5~13 배 가량 줄었으며, 응답 시간은 폴링방식에 비해 빠른 응답시간을 나타냈다. 실험에서는 자바스크립트를 사용하여 확장성이 높은 Node.js와 HTML5 의 새로운 표준인 웹소켓을 활용하였으며, 제시한 구조와 알고리즘이 앞으로 웹 서비스 이동 시 다양한 단말 간 서비스 이동에 효과적으로 전달될 수 있음을 보였다.

• Cross-Cultural Studies
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• v.48
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• pp.289-323
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• 2017

L'Espoir, a novel by Andre Malraux, contains traits of the genre of literacy reportage that depicts the full account of the Spanish Civil War as non-fiction based on his personal experience of participating in war; the novel has been dramatized into a semi-documentary film that corresponds to reportage literature. A semi-documentary film is the genre of film that pursues realistic illustration of social incidents or phenomenon. Despite difference in types of genre of the novel and the film L'Espoir, such creative activities deserve close relevance and considerable narrative connectivity. Therefore, $G{\acute{e}}rard$ Genette's narrative discourse of novel and film based on narrative theory carries value of research. Every kind of story, in a narrative message, has duplicate times in which story time and discourse time are different. This is because, in a narrative message, one event may occur before or later than another, told lengthily or concisely, and aroused once or repeatedly. Accordingly, analyzing differing timeliness of the actual event occurring and of recording that event is in terms of order, duration, and frequency. Since timeliness of order, duration, and frequency indicates dramatic pace that controls the passage of a story, it appears as an editorial notion in the novel and the film L'Espoir. It is an aesthetic discourse raising curiosity and shock, the correspondence of time in arranging, summarizing, deleting the story. In addition, Genette mentions notions of speech and voice to clearly distinguish position and focalization of a narrator or a speaker in text. The necessity to discriminate 'who speaks' and 'who sees' comes from difference in views of the narrator of text and the text. The matter of 'who speaks' is about who portrays narrator of the story. However, 'who sees' is related to from whose stance the story is being narrated. In the novel L'Espoir, change of focalization was ushered through zero focalization and internal focalization, and pertains to the multicamera in the film. Also, the frame story was commonly taken as metadiegetic type of voice in both film and novel of L'Espoir. In sum, narrative discourse in the novel and the film L'Espoir is the dimension of story communication among text, the narrator, and recipient.

• Journal of IKEEE
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• v.8 no.2 s.15
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• pp.166-171
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• 2004

This paper describes a CMOS time to digital converter (TDC) that measures the interval between two signals and converts to a digital signal. There are various methods to measure the time interval. But several architectures have a limitation in resolution and in conversion time. Moreover, they have complex algorithms. But the proposed TDC circuit has achieved a high resolution (25ps) by using a high-speed digital sampler and simple algorithm. The sampler detects when input signals comes into the TDC and output is coded. The proposed multiphase clock generator was also implemented to achieve 25p resolution.

• Journal of Life Science
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• v.2 no.2
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• pp.108-119
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• 1992

근년에 개발된 효소적인 DNA증폭법을 이용하면 일차구조상의 단편적인 정보만 알면 단 수시간내 해석에 필요한 양의 DNA가 증폭되어 cDNA의 염기배열결정의 신속화, 간편화가 가능하게 되었다. 그러므로 유전자증폭법으로써 PCR법에 관해 기술한다. 그리고 리보좀 RNA는 분자시계로서 생물의 계통을 논하는 데에 있어서는 최적의 조건을 갖춘 고분자화합물이다. 이에 PCR법을 이용한 16S like 리보좀DNA의 증폭법을 다루고, PCR증폭산물의 염기배열결정법에 대해 서술한다. 또한 인위적인 leading error 등을 배제하고 신속한 자동해독과 시간적인 절약이 자동 DNA sequencer의 개발과 시판으로 가능하게 되어 cDNA의 형광색소표식 염기배열결정법에 대해서도 서술한다.