• 한국조경학회지
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• 제45권4호
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• pp.71-80
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• 2017

환경설계는 우리 사회의 생태적, 미적, 사회적 가치들의 조율을 추구하지만, 생태적 가치와 미적 가치는 쉽게 조율되기에는 복잡한 관계를 지닌다. 생태미학이라는 분야는 생태적으로 건강하고, 미적으로도 매력적인 경관설계를 그 목표로 경관의 지속가능성과 미학의 관계에 대해 탐구한다. 이러한 복잡한 관계를 다루는 학문 영역의 중요성에도 불구하고, 극히 일부의 연구들이 생태미학과 관련된 주제를 경험적 방법을 통해 연구했다. 본 연구는 생태미학의 기존 개념을 정리하고, 이를 연구방법론과 연결하고자 했다. 이를 위해 첫째, 경관과 대중의 인식과의 관계를 나타내는 개념적 틀을 생태 미학적 관점에서 재정의했다. 이 관계에서 특히 디자인 및 정보가 개입하여 나타나는 조절 효과에 대해 보여준다. 이 틀로부터 도출되는 세 가지 하위 주제는 다음과 같다. (1) 생태적 기능과 경관 선호도의 상호관계, (2) 경관중재: 생태적 기능도 보호하고, 미적 가치도 확보할 수 있는 절충된 디자인 전략, (3) 정보중재: 생태에 대한 정보가 미적 경험에 미치는 중재 효과가 그것이다. 세 가지 주제는 개념적 틀에서 보여지듯, 서로 영향을 주고받는 관계이며, 각 영역의 연구 시 다른 영역의 고려가 필요하다. 세 가지 하위 주제에 따라 기존의 이론적, 실증적 연구들을 방법론적 관점에서 검토하고, 한계를 지적하며, 보완 가능한 방법론 등을 제시하였다. 본 연구는 그 동안 해석적이고 이론적인 담론에 그쳐왔던 생태미학을 개념적 틀을 통해 정리하고, 각 영역을 넘어선 방법론적 고려를 제시함으로써 생태미학의 방법론을 보완하는데 그 의의가 있다.

• 복식
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• 제66권5호
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• pp.122-132
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• 2016

In today's society, being considered ecological in fashion design and having a cultural and humanistic approach is important. Using a technological approach, the fold concept was applied to understand and analyze the ecological characteristics of a modern fashion aesthetic design. The concept of 'Ecological Aesthetic Design', which we discuss in this study, is part of human nature, and the design concept is used to consider the relationship between the man and the environment to the design of Victor Papanek. From the perspective of interrelation between the components of an ecosystem, the possibility of the fold's application to ecological aesthetic design can be summarized by wholeness, biodiversity, evolution, homeostasis, and circularity. The concept of the fold is revealed mainly through three types of characteristics: indeterminate complexity, potential continuity, and decentralized interaction relationship. Based on the characteristics of the concept presented earlier, this study conducted a case review by distinguishing contemporary fashion that applied the complex, various, and indeterminate fold concepts into flexible transformation, continuity, and complementary circularity. This study was interpreted from the ecological aesthetic point of view based on the nature of the contingent folds presented before applying modern fashion concepts. It focused on the morphological side, and excluded the material aspects of the case study in order to examine the complex, diverse and content aspects. The result of the study is as follows. The study of the research areas that help the understanding of the changing fashion phenomenonneeds to be encouraged, and there should be a new research category, which can contribute to the ecological aesthetic design concept conversion.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 1999년도 춘계학술발표대회 논문집
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• pp.61-64
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• 1999

Environmental design should be based on the positive theory, a researcher structured symbolic aesthetics on the basis of positive perception theory. Symbolic aesthetics by ecological theory of perception, human preference is related to existence and the formation of place-identity and cognitive map is dealt importantly in this study. Symbolic aesthetics is a study on environmental meaning and a researcher understood the operation of environmental meaning by regarding symbology as a methodological frame and defined architecture as a visual language system after discussing the importance of signified.

• 한국실내디자인학회논문집
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• 제19권3호
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• pp.57-66
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• 2010

Currently, the nature and ecosystem's destruction by human beings and science is appearing as a serious problem. The possibility of ecological aesthetics is being sought as one of operations for new society in the contemporary society that the nature and ecosystem are getting attention, The present research aims to examine the characteristics and its expression method by setting the ecological aesthetics as an alternative of the future design. The history, meaning, mental image and image of Korean traditional Space forming the balance and harmony with the Nature, etc., which are important design concepts, were deduced as the beauty of emptiness, the beauty of a gap, the beauty of harmony and the beauty of changing and the beauty of simplicity as characteristics of experiencing space. If the deduced expression is examined through a case analysis of traditional housing, the characteristics trying to unite with the Nature while seeing ecology and aesthetics as one root, which the ecological aesthetics regarding as a root. The ecological arts based on the ecological aesthetics enters inside the universal life of human beings by examining the ecological and aesthetic characteristics appearing in Korean traditional Space, and the arts will move forward in a direction that its function and role link with maintenance of total ecosystem. The space application possibility and expression characteristics of ecological aesthetics should be continuously researched.

• 한국가구학회지
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• 제14권1호
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• pp.23-34
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• 2003

이 논문은 우리 환경의 생태계 보호를 위하여 뉴 디자인 가구가 어떻게 창조되고 있는지를 연구하였다. 즉, 오늘날 포스트 모던 시대에 뉴 디자인 가구 디자이너들이 환경 문제의 해결점의 하나로 새롭고 다른 방향으로 자신들의 가구를 창조할 수 있는가에 관한 담론이다. 우리가 안고 있는 생태계 보호를 위한 가구를 디자인할 때 필요한 재사용 및 재활용이 가능한 재료들, 유행을 초월한 가구, 가구의 견고성, 대량 생산 가구 등이 심각하게 분석되었다. 이 분석에 따르면 뉴 디자인 가구 디자이너들은 재활용된 재료들, 주거 환경 및 지속성, 새로운 가구 미학을 내포한 새로운 가구 디자인 철학을 얻을 수 있었다. 대량 생산된 가구는 경제성 때문에 많은 대중에게 접근되는 좋은 점보다는 우리에게 더 많은 쓰레기 더미를 준다라는 사실이 뉴 디자인 가구 다자이너들에게는 매우 심각한 문제였다. 따라서 가구 디자이너들이 양보다는 질에 중점을 둔 가구를 창조하는 것이 필요하다는 것이다. 결론적으로 환경적 책임을 느낀 뉴 디자인 가구 디자이너들은 튼튼하면서 재활용될 수 있으며 유행을 초월한 기능적이면서도 미적인 가구를 창조할 때만이 뉴 디자인 가구론 구입하는 소비자들이 뉴 디자인 가구를 올바른 방향에서 인식할 수 있을 것이다.

• 한국전통조경학회지
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• 제38권2호
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• pp.118-124
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• 2020

본 연구는 20세기 대표적인 생태예술가인 패트리샤 요한슨의 설계철학과 기능적 생태예술 작품들을 분석함으로써, 생태미학적인 특징을 고찰하고 생태조경설계에 있어서의 시사점을 모색하는 것을 목적으로 하였다. 이를 위해 자연과의 공생, 종다양성 확보, 생태계 서식지 복원 등의 기능적인 목적과 예술성, 지역성을 통합적으로 표현한 작품으로 알려진 페어파크 습지, 멸종위기 정원, 페타루마습지공원, 슈가하우스 드로우 등 네 개의 작품을 대상으로 관련문헌 고찰 및 현장방문의 방법을 통해 자료를 수집하여 분석하였다. 그 결과, 첫째 요한슨의 작품은 형태와 기능 또는 예술과 생태와의 결합을 통해 '기능적인 예술작품', '예술적인 인프라'를 창조하였으며, 둘째, 지역 고유의 생태계 및 역사와 문화특성에 대한 존중을 바탕으로 역사성과 지역성을 예술적이고 상징적으로 표현하였다. 셋째, 요한슨은 예술작품의 공공성을 통해 인간과 자연을 연결시키고 지역사회와 미래 세대의 자연과 환경보호에 대한 인식을 고취시키고자 하였다. 예술가의 창의적이고 독특한 미학적인 요소를 이용하여 생태설계의 영역을 완성한 요한슨의 조경설계는, 사람들에게 자연의 질서와 역사를 체득하는 경험을 제공할 뿐만 아니라 지역민의 적극적인 참여와 애착을 바탕으로 지속가능한 디자인을 실천한다는 점에서 조경분야의 생태설계에 있어 많은 시사점을 준다.

• 한국실내디자인학회논문집
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• 제21권4호
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• pp.31-39
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• 2012

Ecosystem and environment have been a serious challenge facing the modern society. It's been the new paradigm from ecological view of the world and the alternative based on Orientalism. From the Oriental standpoint, ecological aesthetics and sustainable architecture are no longer new, which then servers the background of this study. The nature and the space, the life where the human is harmonized and integrated and the wish to make the balance through that life are the basic philosophy which the Orientalism has pursued. Based on such a basic concept, the study is intended to review the connectivity, expression approach and the features in Korean traditional residential space based on previous studies on ecological aesthetics and sustainable architecture. Such attempt is meaningful in seeking the possibility of presenting the new frame as well as forming the various views to the traditional space and spatial recognition. The nature was categorized into tangible element and intangible element and also direct approach and indirect approach before evaluating the characteristics. Sustainable architecture is not the concept to simply maintain or sustain the environment, but plays more important role in economical aspect. Traditional space accommodates the nature and circulation principle and the circulation in the nature controls the energy and enhances the efficiency, playing significant role. The nature itself serves the alternative energy and has the aesthetic element in such a way of concealing itself. This study is intended to analyze the Byulseo Jeongwon which formed many relations with the nature and the residential space, thereby identifying the expression characteristics of eco-aesthetic sustainable architect. This study offers the answers with regard to the coexistence of the expression characteristics of sustainable architecture with the nature, space and the human from eco aesthetic viewpoint as well as the solution in dealing with the ecological and environmental challenges. Furthermore, it suggested the possibility that the traditional space would possibly be succeedable in new and creative way and sought the way for coexistence among the nature, space and human and eco aesthetics, and finally paved the pivotal foundation as the sustainable design alternative in future.

• 한국실내디자인학회논문집
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• 제20권4호
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• pp.54-62
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• 2011

Fast industrialization caused from Descartes' dichotomy has enormously developed our world, but endangered the ecosystem. In this study, the ecosystem aesthetics is not only a critique against existing growth-ideology and technical civilization, but also the art pursuing the life as an artistic state and achieving the dream for qualitatively different new future. Lao-tzu's Natural Beauty assumes that the adaptation to natural laws can lead every purpose's achievement. Based on such theoretical alternative, the earth construction as a medium for coexisting mankind, nature and construction interacts with the other objects through the natural affinity, the energy efficiency, the material generation. The earth construction provides the images of naivety, naturalness, folk as well as emotional stability in cultural terms. This study's direction and method are as follows. First, it researches the ecosystem aesthetics from the Taoism viewpoint, the alternative for environmental healing based on theoretical reviews about the ecosystem aesthetics. Second, it researches the earth construction's ecosystem aesthetic features and construction features from the low-tech aspect in continual construction genealogy. Third, it analyzes some cases targeting domestic buildings by drawing out expression methods and features through the connectivity of earth construction and ecosystem aesthetics. The earth construction lies between the heaven and the earth, but coexists in natural cycle. The earth construction caused from ecosystem aesthetics will be a future alterative, and various studies about its features and methods should be continued.

• 한국융합학회논문지
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• 제11권11호
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• pp.135-145
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• 2020

4차 산업혁명시대에 진입하면서 디자인은 초연결사회의 다매체간의 융합으로 진행되고 있다. 특히 전통문화와 브랜드의 디자인 이념과의 융합은 디자인 영역에서 큰 화제로 다뤄지고 있다. 이러한 지점에서 중국의 선사상과 디자인이 융합된 무인양품의 디자인은 매우 주목할 만하다. 중국의 선(禅)사상은 노자와 장자의 사상을 흡수하여, "무상(無相)의 모습, 무주(無住)의 근본, 무념(無念)의 종지"를 목적으로 삼아 유가철학과 도가철학, 그리고 미학이 공존하는 독특한 사상 체계를 형성하였다. 그렇다면 전통문화로서 선사상은 무인양품의 디자인 속에서 어떤 모습으로 나타고 있는가? 본 연구는 이러한 문제의식에서 출발해 중국 선사상이 반영된 무인양품의 디자인 특징을 살펴보았다. 그 결과, 중국의 선사상을 지닌 무인양품의 디자인 특징은 미니멀리즘 조형, 단일적 색채, 생태적 소재, 인간성 체험의 네 가지로 귀결됨을 확인할 수 있었다.

• 한국실내디자인학회논문집
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• 제21권6호
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• pp.224-232
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• 2012

Although evolution of construction materials brought about development of modern architecture, they caused destruction of the environment and pollution. This problem is not a new one in terms of ecological esthetics and materials of sustainable architecture in light of the Eastern view of nature and this idea became a background of this study. The basic concept is to try to find out their characteristics from a perspective of ecological esthetics in relation to traditional building materials that nature, architecture, and humans coexist and live with each other to balance. Based on ecological esthetics and precedent studies on materials of traditional architecture, we investigated connections, expressive methods and characteristics in traditional residential construction space. This attempt has meanings in that it can propose a new framework of forming various viewpoints and spatial perceptions in relation to esthetics and traditional construction materials. The current study examined the characteristics by dividing them into tangible and intangible elements based on expressive features of elements of nature. The characteristics found by this process are not simply notion of physical materials, but plays a key role aesthetically and ecologically. Nature and materials take circulation of the law of nature, regulate energy, increase efficiency and play a major role in an economic way. Nature in itself becomes natural alternative energy, and plays its role in an invisible fashion. It examined how expressive characteristics of construction materials are reflected through analyzing residential space and Korean traditional garden having relationships with Eastern viewpoint of nature in relation to Korean traditional construction materials from a perspective of ecological esthetics. Findings of the above study indicate that expressive characteristics of Korean traditional construction materials from a perspective of ecological esthetics are that nature, space, humans coexist and live together and they will provide a clue to an alternative to solve ecological and environmental problems modern society will have in the future. Through this process, it provided a possibility that traditional space and materials can be succeeded in creative and new ways, and it found out the way for nature, space, and humans to coexist and a possibility of ecological esthetics. It addition, it will provide a key base as an alternative of sustainable design of the future.