• 한국조경학회지
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• 제16권3호
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• pp.7-20
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• 1989

^x This paper aims to grasp the basical things of the architectural meaning of Bu - Seok Temple through the background of site selection and the analysis of arrangement change of it. For this purpose, I try to examine the process of folk- belief adhesion of Buddism and Feng - Shui as the choice factor of site when the temple was established, the spatial characters of the changing stage in arrangement. These characters of Bu - seok temple have significance for the basic study on the site selection and the spatial analysis of a mountainous district Temple in Shilla.

• 건축역사연구
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• 제14권2호
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• pp.41-55
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• 2005

Temple with Multi-Buddha's Pavilions is a temple consisting of more than 2 Buddha's Pavilions. Individual Buddha's Pavilions tend to form distinguished area, or to keep independent axis from other Buddha's Pavilions. This study is to understand the philosophy of layout of individual Buddha's Pavilions located in the Temple with Multi-Buddha's Pavilions. To investigate a relationship to layout of individual Buddha's Pavilions on the basis of Buddhism doctrine makes us to understand philosophies about temple layout which temple constructors had. Bulkooksa, a temple having several pavilions placed in parallel, integrates diverse philosophies such as Vairocana Buddha-Ksetra from Vairocana Buddha's Pavilion, Sakyamuni Buddha-Ksetra from both Sakyamuni Buddha's Pavilion and two stupa, and Amitayus Buddha-Ksetra (Sukhavati) from Amitayus Buddha-Ksetra Pavilion. Sakyamuni Buddha's Pavilion and Amitayus Buddha's Pavilion are placed east to west in parallel, and Vairocana Buddha's Pavilion is placed behind them. Beobjusa, a temple having several pavilions placed cross axis, combines three axes such as the first, main axis linking Kumkang Gate - Chunwang Gate - Palsang Pavilion - Amitayus Buddha's Pavilion - Sakyamuni Buddha's Pavilion, the second axis linking Palsang Pavilion -Maitreya Pavilion, and the third axis linking Amitayus Buddha's Pavilion - Avalokiteshvara Pavilion. Relationship among each Buddha's land is clearly expressed by means of this cross axis layout of Buddha's Pavilions, reflecting a philosophy of rebirth in Nirvana that Wonhyo and Eusang propagated. Buseoksa, a temple having several pavilions placed the before and the behind, combines three Buddha's lands such as Maitreya Buddha-Ksetra, Amitayus Buddha-Ksetra and Vairocana Buddha-Ksetra, by means of arrangement of Maitreya Pavilion, Anyang Pavilion and Amitayus Buddha's Pavilion at bended axis, and east facing Amitayus Buddha. By investigating the philosophy of Temple layout with Multi-Buddha's Pavilions in this study, Buddha's Land conception, for people, that ancient Korean temples have, is understood.

• 건축역사연구
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• 제19권2호
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• pp.21-42
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• 2010

1) The structural system of "Hwaeomgyeong" has its core in the fact it deals with certain themes repeatedly on the basis of "Sipjipum" as a system of discipline.( The key of Euisang's ideas lay in referring to the whole "Hwaeomgyeong" as Beopseong and expressing it with the term, 'Haeng'. Here 'Haeng' is a system of discipline based on "Sipjipum". This indicates that "Hwaeomgyeong" can be fully represented just by "Sipjipum" because the twos are structurally similar) (1) In "Sipjipum", a summary of "Hwaeomgyeong" is contained. Thus descriptions of "Sipjipum" may be like those of "Hwaeomgyeong". (2) "Hwaeomgyeong" had a three-dimensional spatial structure which corresponds with the Heaven of Yok Gye Yuk Cheon and the Earth, when associated with places of preaching Buddhist sermons. 2) This researcher investigated stone platforms of the Buseoksa Temple with references to "Hwaeomgyeong" and "Sipjipum". 1) All the platforms, whether their building is still remained on them or not, comply better with implications of "Sipjipum". 2) Different heights of the stone platforms and the axial refraction of the platforms brought by their shape changes all imply variations in discipline levels descrided in "Sipjipum", in terms of form and symbolic implication. Sites which mainly compose the stone platforms also comply with descriptions contained in "Hwaeomgyeong" regarding the place, frequency and contents of preaching Buddhist sermons. In conclusion, the outside of the Buseoksa Temple is composed of architectural spaces for which contents of "Hwaeomgyeong" and "Sipjipum" and the frequency and place of preaching Buddhist sermons are fully considered and comprehended.

• 건축역사연구
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• 제25권6호
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• pp.7-16
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• 2016

The purpose of this study is to find framework schema of early J usimpo-style Buddhist halls (Geungnakjeon Hall of Bongjeongsa Temple, Muryangsujeon Hall of Buseoksa Temple, and Daeungjeon Hall of Sudeoksa Temple). Though the halls are known as built in the late Goryeo Period, they show the influence of the architectural style of the early Unified Silla Period. To find the adopted modules and proportions of these halls, this study conceived a schematic diagram based on the whole frame structure taking reference from the Cai-Fen system in Yingzao Fashi. In these three halls, the heights of each cross-beam (Dori) are made up by the layers of member and member units. This study computes the values of Cai, Zhi, and Fen which can apply to both the section and the plan. The vertical section structure is determined by combining the standard member heights (Cai) and the standard unit heights (CaiZhi). The bays of columns are made by multiples of the standard member width (Fen).

• 보존과학연구
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• 통권7호
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• pp.218-236
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• 1986

In the fields of the cultural properties, the Infrared TV camera is being initiated to use instead of the Infrared photo film fo a better means to detect the description of drawings of the paintings. Seeing from the effect of transillumination, the Infrared TV camera with its long wave of visible spectrum that makes less absorption by the pigments and with the reflection rays passing through the base of colour layers makes it able to findbase drawing and letters. The detection range of transillumination by the infrared rays depends on the kinds of pigments, lines of the base drawing and wave length of the infrared rays. In our country, it was the first time to detect by our Conservation Science Dep't of The Research Institute of Cultural Properties by means of using Infrared TV camera to determine the mural paintings on the Josadang, Busuk Temple, resulted in an epoch-making success, that we have come to know the painting technique methods, how to treat for its conservation and making replica, reproduction, etc.

• 건축역사연구
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• 제7권1호
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• pp.67-80
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• 1998

As a result of this study, an attempt to emphasize the effect of perspective through the factors of spatial constitution is considered that, in Mwaeom thought, the establishment of the basic situation for cherishing the religious experience as Seonjae Dongja's course of ascetic practice, was needed. Therefore, placing of gates, terrace make-up and the changing spaces and constitution that the space under a castle moves from narrow darkness to wide brightness, express the steps of the course of ascetism. Through this, it gives observers dramatic changes and expectation to their sensual feeling. The emphasis on the perceptibility of Muryang Sujeon, Anyang Loo and the terrace by using a perspertive technique can be interpreted as an intention to express the very delightedness at the last moment the truth is perceived.

• 건축사
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• 4호통권86호
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• pp.82-88
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• 1976

본 연구는 서울시에 분포되어 있는 1급 건축설계사사무소중 34개소에서 122면의 건축설계 종업원을 대상으로 건축설계사무소의 규모에 따른 종업원들의 직업에 대한 만족도, 사기가치관 작업조건에 대한 태도등의 심리학적 변화도를 조사하였다. 이상의 사항에 대한 자료는 규모에따라 3그룹으로 분류하여 Chi-Test와 T-Test 검정법에 의하여 설계사무소 규모별 각종변수들의 상이점을 부석 확인하였다. 결론에서 종업원들의 권익보호 동기유발 사기앙양 등에 관한 문제점의 해결방안과 기업의 확대와 안전성을 위한 이상적인 조직형태에 대한 모델을 제시하였다.

• 한국구조물진단유지관리공학회 논문집
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• 제9권4호
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• pp.149-158
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• 2005

본 논문에서는 전통 목조 건축물의 보다 실제에 가까운 구조특성을 파악하고 건물에 대한 안전성을 평가하기 위하여 현존하는 대표적인 전통 목조 건축물인 부석사 무량수전을 대상으로 하여 최대한 실제와 유사한 거동상태가 되도록 건축물을 3차원 및 2차원으로 모델링하여 범용 구조해석 프로그램을 통한 구조해석을 실시한 후에 해석결과를 비교, 분석하고 검토하였다.

• 복합신소재구조학회 논문집
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• 제6권1호
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• pp.6-13
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• 2015

In this paper we present the result of investigations pertaining to the buckling strength of Zelkova Serrata (Elm-like) tree column with entasis at the Muryangsujeon in Buseoksa-Temple, Korea. Wooden columns with entasis had been used in the construction of ancient architectural buildings in Korea. It was not known why did they design columns with entasis of the buildings. It is just presumed that the reason may be the compensation of optical illusion, aesthetics, and/or structural safety. The question is not answered even today and it may not be possible to answer clearly and easily. In the paper, the buckling analyses are conducted on both of the wooden column with entasis and the prismatic wooden column by the successive approximations technique and the finite element methods, respectively. The results of analyses are compared and discussed.

• 보존과학회지
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• 제35권2호
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• pp.131-144
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• 2019

서산 검은여는 충남 서산시 부석면의 천수만에 있던 암초로, 현재는 육지에 노출되어 있다. 이 일대의 고지도에는 검은여가 표기되어 있으며, 지역의 명칭인 부석과 부석사가 여기에서 유래되었다고 한다. 검은여를 구성하는 암석은 초염기성암복합체와 이를 관입한 규장질화성암류이다. 이들은 위치에 따라 다양한 산출상태를 보이며 관입과 변질 등의 지질학적 작용을 받은 여러 특징들이 관찰된다. 초염기성암복합체는 크게 조립질 초염기성암과 중립질 염기성암으로 구분할 수 있다. 두 암석 모두 휘석과 각섬석으로 구성되어 있으며, 전반적으로 휘석암, 휘록암 및 황반암의 암상을 보인다. 규장질화성암은 담홍색중립질화강암, 반정질각섬석화강암 및 반화강암 등이며, 광물조성은 암석에 따라 차이가 있다. 검은여는 천수만 일대의 유일한 초염기성암복합체로 지질학적 및 경관적 차별성과 상징성이 충분하여 잠재가치가 뛰어난 것으로 판단하였다. 따라서 이를 보존하기 위한 학술적 연구와 편의 및 보호시설 등에 대한 보완을 통해 지정문화재로의 검토와 추진이 필요하다. 또한 검은여를 지역의 명소로 생각하던 선조들의 인식을 현대적으로 계승한다는 점에서 독특한 지방문화를 간직한 해양유산으로 평가되어야 할 것이다.