• Korean Journal of Soil Science and Fertilizer
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• v.30 no.3
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• pp.280-287
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• 1997

This study was carried out to investigate agricultural status and soil fertility of Bonghwang-cheon watershed area which is located at Chodong-myeon, Milyang-si. The acreage of arable land was about 1,209ha, and the population was 3,706 people. Out of total arable land, paddy was 64.4%, upland 19.6% and orchard 16.0%. Chicken was the largest in the number of livestock and poultry, but pig seems to contribute most severly to water pollution. The geology in the lower stream was alluvium but andesite and derivated materials from it were occupied most upland areas. Tuff was scattered in the small area near by the alluvium of Nakdong river, and diorite and granodiorite were located at the low hill and mountains respectivately. The principal paddy soils in the area were Geumgog, Jisan and Imgog series etc of fine loamy on sloped valleys and fans. The Pyeongtaeg series, fine silty family of imperfectly drained on plain was irrigated by Chodong reservoir. The clayey Honam series on alluvium was distributed along the low hill while Gyuam series, coarse silty alluvial soil way close to Nakdong river. In chemical properties of soils, the vinyl house soils were higher in EC, and orchard soils in OM, $P_2O_5$, exchangeable canons than other soils.

• 건강소식
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• v.12 no.1 s.110
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• pp.19-25
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• 1988

무진년! 용의 해가 밝았다. 용은 예로부터 봉황, 거북이 등과 함께 영물로 쳐져 왔으며, 꿈에 용이 승천하는 광경을 보게 되면 크게 좋은 일이 있다고 얘기되어질 만큼 신비의 동물이다. 그래서일까! '88년 한해는 그 어느 때 보다도 좋은 일들이 많을 것 같다. 여러 가지 측면에서 많은 일을 겪으면서 보내야 했던 병인년을 뒤로하고, 새해에는 용에게 비는 모든 소원들이 이루어지기를 기원하면서, 무진년에 바라는 얘기들을 사회 각계 인사들로부터 들어본다.

• 월간낙농육우
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• v.19 no.3 s.203
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• pp.98-99
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• 1999

1995년도에는 봉황 조사료기계화영농단의 발족과 더블어 베일러, 옥수수 수확기 등 기본장비를 활용할 수 있게 되었고, 거기에 옥수수 파종기, 레이키등 많은 종류의 조사료 생산기계를 갖추는 계기가 되었다. 현재는 조사료 생산장비 20여종과 약 30,000평의 사료포를 이용하고 있다.

• Journal of the Korea Fashion and Costume Design Association
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• v.14 no.1
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• pp.175-191
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• 2012

It is said that the mainstream of the oriental culture is Confucian culture, but not be the unique culture of Korea. The religious object in Taoist ideology of immortality reflecting the awareness of cultural community and Korean identity was three spirits. Three spirits are one spirit in terms of main subject. Three spirits were named because they rule the heaven, the earth and human beings each in the reality. The custom performing the religious service to the heaven and the earth is not based on the Taoist ideology of immortality but only the superstition which we can't understand. However, we can clearly understand the reason why the ideology has been transmitted up to now in our awareness and culture when we understand the basis of that ideology. The theory on the origin based on the birthplace of Taoist ideology would be based on the shamanism of Eastern barbarianism and their cultural features. Accordingly, this paper aimed to identify the formative features of phoenix pattern and background of the formation of phoenix pattern based on the unique culture of Korea. Furthermore, the traditional craft works of Korea with the phoenix pattern which secured its position as the representative pattern of Korea will be investigated.

• Conservation Science in Museum
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• v.12
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• pp.25-34
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• 2011

This study examined conservation process of white porcelain bottle with phoenix and peony design poly chrome, recovery of golden powder painted porcelain being damaged and colored, and recovery material and conservation methods by using a variety of experiments. Not only traditional method but also modern method can recover golden powder painted area being damaged and/or peel off, and suitable recovery was found out by using experiments. The golden powder paint of pattern edge was recovered not by traditional method but by modern method of golden powder paint with acrylic paint and binder.

• Korean Journal of Heritage: History & Science
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• v.56 no.4
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• pp.40-52
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• 2023

The basic purpose of building material called tiles is waterproofing and damp proofing, and they were restricted to use on important buildings to symbolize authority. This is especially true during the Three Kingdoms period, although unearthed examples are rare. Most of these tiles are found in ruins in the Silla and Baekje regions. Tiles were excavated from the Buwon-dong ruins that show the oldest manufacturing technique in the Gaya region to date, and tiles from the early Three Kingdoms period were recently excavated from the Gimhae Bonghwang-dong ruins, which is presumed to be the site of the royal palace of Geumgwan Gaya. These are important materials that show the appearance of tiles from the early days of Gimhae, the ancient capital of Geumgwan Gaya. The tiles excavated from the Bonghwang-dong ruins are reddish-yellow because a small amount of sand was mixed in the tile material and baked at a low temperature. The tiles are thin, no traces of fabric were identified, but traces of clay bands were identified. Tapping tool marks and traces of an anvil used in pottery production are clearly observed on the inside and outside, indicating that the tiles were made in the same way as earthenware manufacturing methods. If this is connected to the genealogy of the potters who made Gaya earthenware, it is estimated that tiles and earthenware were produced together as in the Songrim-ri ruins in Bulo-dong, Incheon, Songgok-dong ruins in Gyeongju, and Mulcheon-ri ruins. To date, tiles excavated from the Gimhae area have been identified only in places believed to be the Geumgwan Gaya City Wall (Royal Palace) in the Gimhae Basin. Considering what has been recorded so far and the geographical scenery, the Bonghwang-dong remains are the only city wall candidate site, and this is clearly revealed through the existence of the excavated tiles, which proves this. Considering that a small number of tiles were excavated during this time, it is estimated that the role of tiles as a luxury product with a symbolic meaning was greater than that of roofing materials, and there were strict restrictions and controls on its use.

• Korean Journal of Plant Taxonomy
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• v.40 no.3
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• pp.186-191
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• 2010

Four unrecorded species (Barbella flagellifera, Isothecium hakkodense, Mnium orientale and Fissidens gardneri) and with one unrecorded genus, Barbella, are reported new to the Korean moss flora. B. flagellifera (Meteoriaceae) was found on a tree at alt. 300-350 m of parasitic Seogeomun-oreum Volcano on Jeju Island. The species are mainly distributed in subtropic regions. I. hakkodense (Lembophyllaceae) was found around the top of Seongin-bong on Ulleung Island. This species is similar to I. subdiversiforme, however, it can be distinguished by the morphologies of branch leaves and alar cells. M. orientale (Mniaceae) was collected from Mt. Jiri. This is similar to M. heterophyllum, however, it can be distinguished by plant size, number of teeth in leaf margin and cell size on leaf. F. gardneri (Fissidentaceae) was found along the valley of Mt. Palyeong, Jeollanam Province. This species is similar to F. obscurirete, but distinguished by the size of the plants and their leaves as well as the costal lengths of the leaves.

• The Research Journal of the Costume Culture
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• v.31 no.4
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• pp.504-518
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• 2023

The objective of this study was to explore the symbolism associated with phoenix patterns in China and the temporal aesthetic characteristics of these patterns found in Dunhuang Mogao Grottoes. The study involved collecting examples of clothing designs featuring phoenix patterns from China Fashion Week and the Vogue website, spanning from spring and summer of 2016 to fall and winter of 2022. After collecting and organizing these examples, representative cases were selected for analysis. The objective was to identify effective techniques for incorporating phoenix patterns within the context of Dunhuang Mogao Grottoes and provided insights for future clothing design and textile pattern design research. Phoenix patterns boasted a lengthy history and were laden with symbolic meaning. Early renditions of phoenix patterns found at Mogao Grottoes in Dunhuang were relatively simplistic in design, mainly employing elements like rhythm, coordination, balance and symmetry to convey a sense of nature and gravity. Over time, these patterns evolved under the influence of the prevailing cultural backdrop, employing repeated emphasis to portray notions of abundance and tenacity. Furthermore, regarding the use of phoenix patterns in clothing, there were four prevalent expression techniques: embroidery, beading, printing, and knitting. Traditional techniques like embroidery and beadwork often prioritized aesthetic features like coordination, emphasis, and symmetry, thereby showcasing the opulent characteristics of phoenix patterns. On the other hand, printing and knitting techniques used a single phoenix pattern or a modified version to simplify designs by emphasizing or repeating aesthetic characteristics while adhering to a modern artistic approach.

• Journal of Conservation Science
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• v.3 no.1 s.3
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• pp.23-30
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• 1994

This thesis researched for the conservation of a suit of armor that General Jung, Choong Sin had been worn in the 17th century, and of military uniform that was in perfect condition even though it had been underground for over 300years since 1676. As the armor was made with silk and cotton, it was treated by the dry cleaning method and the mild charge system. In the dry cleaning method, the used solvents were n-hexane and n-decane. And the percentage of the dry soap was 2 in the mild charge system. As the military uniform was made with only silk, it was treated by the dry cleaning method through the solvent of n-hexane and n-decane. Armor was repaired by scoured hemp partially, but military uniform became too deteriorated seriously to repair.

• The Journal of the Korean bone and joint tumor society
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• v.20 no.2
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• pp.109-112
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• 2014

We experienced a case of 63 years old male patient who had synchronous rectus abdominis intramuscular schwannoma and chest wall lipoma. Schwannoma is rare benign tumor which derived from nerve sheath and mainly peripheral nerve of flexor part. The authors report rare synchronous schwannoma and lipoma development.